We found 2146 price guide item(s) matching your search

By Paul Storr: a rare set of twelve George III Coburg pattern tableforks, London 1819, 42oz.

By Paul Storr: a pair of George III Coburg pattern tablespoons, London 1812, 6.25oz. (2)

Royal Association: a matched set of six George III/IV King's pattern tablespoons, with the Royal Garter Insignia, three by Paul Storr, London 1820; three by William Chawner, London 1822, 19.5oz. (6)

By Paul Storr, three Fiddle pattern dessert spoons, engraved 'ss', London 1807 and a pair for W.R. Smily, London 1836, 6ozs (5).

By Paul Storr, eight Fiddle pattern dessert spoons, five engraved 'ML', London 1807, 3 crested. 1820, 10ozs (8).

By Paul Storr, a set of eight Fiddle pattern dessert forks, crested, London. 1817, 13ozs (8).

By Paul Storr, a pair of King's pattern sauce ladles, engraved 'IB' London 1817 also a pair of Fiddle pattern tea spoons by Hayne and Cator, London 1845 and a pair of old English pattern tea spoons by Peter and William Boatman London 1813, 6ozs (6).

By Paul Storr, a set of eight Fiddle pattern table forks, crested, London 1812, 14ozs. (6)

By Paul Storr, a George IV Hourglass pattern sauce ladle, crested, London 1821, 2.5oz.

By Paul Storr, a George III cast wine label, with Sherry raised on a matt ground, swags of fruit and flowers, the ears with scallops, London 1818

By Paul Storr, a George III gadrooned circular vegetable dish and cover, unmarked detachable handle and lift out divider, crested, London 1819, 10in (25.5cm) diameter, 50oz.

Good Victorian christening mug by Hunt & Roskell, the cylindrical body with engraved geometric banding, the main body with heads of daisies and with gilt interior, 3.25" high, London 1864, stamped 'Hunt & Roskell late Storr & Mortimer'

Impressive pair of Victorian circular tureens and covers by Hunt & Roskell, the lobed domed lids with a naturalistic foliate C-scroll cast handles, the stand with gadrooned and foliate scrolls and supported on four outswept foliate scroll legs, 8" high x 11.25" diameter, London 1845, stamped 'Hunt & Roskell late Storr & Mortimer', 136oz approx

Penzer, N M: Paul Storr, 1771-1844, Silversmith and Goldsmith, second edition, Hamlyn 1971, with dust wrapper.

A Victorian Askos, John Samuel Hunt, London 1864, of typical form with a matted surface and ivory insulated handle, stamped HUNT AND ROSKELL LATE STORR AND MORTIMER, 15cm high, 19oz 17dwt all in See illustration

A William IV Teapot, Paul Storr, London 1833, stamped "Storr & Mortimer", compressed circular body raised on a collet foot with a leaf capped scroll handle and domed cover with a fruiting finial, foliate chased throughout, initialled "HD" for Hugh Delamere, 2nd Baron Delamere, 12.5cm high, 26oz 12dwt all in See illustration

A Pair of George IV Muffin Dishes, Covers and Bases, Paul Storr, London 1825, the circular twin-handled bases fitted with shaped circular dishes and lobed domed covers with reeded ring handles, crested, 23cm across handles, 75oz 2dwt See illustration

A Pair of George III Soup Plates, Paul Storr, London 1808, shaped circular with gadrooned rim, crested, 24cm diameter, 39oz 4dwt See illustration

A 19th Century extensive matched king's pattern table service by Paul Storr and others, comprising forty-eight table forks (six by Storr), forty-six dessert forks (six by Storr), forty-eight dessert spoons (six by Storr), thirty table spoons (six by Storr), thirty-six tea spoons (six by Storr), five basting spoons, a soup ladle, six sauce ladles, a fish slice, a pair of sugar tongs, various dates and makers, London 1820 to 1863, in a metal-bound travelling case (222)

A Victorian three-piece tea service of circular bombe form with embossed flowerhead, foliate and scroll decoration, having a flower finial with maskhead terminals to the handles, on maskhead feet, crested, the teapot 25.5cm. long, John Samuel Hunt, stamped 'HUNT & ROSKELL, LATE STORR & MORTIMER', London 1850 and 1852, 1565gm., 50.32oz.

A George III hobnail cut glass jar and cover with silver gilt mount by Paul Storr, London 1800 decorated to the band with bead and chevron pattern, 15.5cm high

A George III silver salver, the pie crust edge with scrolling acanthus and shell decoration raised on four scrolling shell, grape and vine decorated feet, the centre field engraved with the inscription "Presented by The Officers and Crew of HMR Cutter Greyhound to John Nugent Esq. Lieu.t RN as a mark of their high respect for his officer like conduct and as a token of gratitude for his fatherly attention during the three years they have had the honor of serving under his command" within a ribbon tied foliate border surmounted by a cockerel headed two legged dragon, dated "Jan.y 1820" above a scroll inscribed "Palmam qui meruit ferat" (by Paul Storr, London 1819), 32.5 cm diameter, 39 oz (ILLUSTRATED)

MARGOLIOUTH, D.S. 'Cairo, Jerusalem & Damascas', Ill. W.S.S. Tyrwhitt & Reginald Barratt, Chatto & Windus, 1907. 4to. glt. cl. Tog.with STORR, Ronald, 'Orientations', Nicholson & Watson, 1943. 4to. cl. bd. bumped. plus DOUGHTY, C.M. 'Arabia Deserta', Cape, 1928, Thin paper edn. plus similar interest. 18

By Paul Storr: a George III part Fiddle pattern canteen: eighteen table forks and sixteen dessert forks, all initialled 'IW', London 1814/15, 68oz. (34)

By Paul Storr: A George III cushion-shaped entree dish and cover, with gadrooned borders, incurved corners and a large foliate handle at each end, the cover with a detachable reeded handle terminating in lion masks and adorned with applied honeysuckle flowers, London 1808, 13.4in (34cm) long, 76oz.

George III silver Old English pattern ladle by Paul Storr (London 1806)

A Victorian dinner plate with gadroon border, crested, 25.5cm (10") diameter, 1853 by John Samuel Hunt, the underside stamped Hunt & Roskell late Storr & Mortimer 6760

PAUL STORR: a fine and rare Paul Storr sterling silver circular salver, London 1811, with gadroon and shell decoration to rim, standing on four bracket shaped feet with small flowerhead decoration, unengraved; impressed 208 and clear hallmarks to base (7 inches diameter).

gill (M.A.V.) A Directory of Newcastle Goldsmiths, 1980 4to., 378 pages, card covers, (detached, lacking backstrip; Grimwade (A.G.) London Goldsmiths, 1697-1837, Their Marks and Lives, 1976, dw.; Penzer (N.M.) Paul Storr, 1954, lg. 4to., dw.; Krohn-Hansen (T.) Trondhjems Gullsmedkunst, 1550-1850, 1963, ltd. ed., dw.; with A Quantity of Volumes on gold and silver (qty.)

A Victorian two-handled sugar bowl; and matching cream jug, by A.B. & A.H.B., London 1894, with embossed swirling acanthus design, stamped on the base Hunt & Roskell late Storr & Mortimer, the sugar bowl 6 1/4in (60cm) 11.25oz.

A fine pair of silver gilt cast bottle labels, in the style of Paul storr, pierced swags for Brandy and whisky within tied branches of grape vines, with chains. Makers C. J.Vander Ltd., London 1963. 3.5oz (116gm).

A matched pair of George III silver platters, one by Paul Storr, London 1800, the other by Timothy Renou, London 1802, each of plain oval shape with gadrooned edge, the borders engraved with an armorial and double crests, 39cm diameter, combined weight 83oz

A William IV silver gilt chamberstick by Paul Storr, London 1832, the circular multifoil base chased with strawberry fruits, flowers and leaves within a scrolled border, the socket of vase shape with conforming chasing and scrolled nozzle, the handle complete with conical extinguisher, 15cm diameter, 14.25oz

A Victorian silver teapot for Hunt & Roskell, Late Storr & Mortimer, cover with acorn finial and leaves, the body engraved with leaf scrolls, London 1852, maker John Samuel Hunt approximately 24 oz.

By Paul Storr: a William IV squat circular teapot, on a circular foot, with and intertwined bud finial, London, 1831, 16.5oz.

Two poultry skewers: a George III example with a shell and ring terminal, crested, by Paul Storr, London 1819 and a Victorian example, the openwork terminal engraved with a running greyhound, by Mary Chawner, London 1840, the latter 6.5in (16.5cm) long, 1.25oz. (2)

By Paul Storr: a George III part canteen of fiddle pattern flatware including: 5 tablespoons, 9 dessert spoons, 10 table forks and 7 dessert forks, all crested to match London 1818/19, 62oz. (31)

By Paul Storr: a George IV ornate entrée dish and cover, of shaped oval outline, with border of husks and roses, London 1819, 13.5in (34cm) wide, 67oz.

By Paul Storr: a George III oblong entrée dish and cover, with a gadroon and shell border and a high domed cover, engraved on each side with a coat of arms, central handle with lion masks and anthemion motifs, London 1808, 12in (31cm) long, 72oz.

By Paul Storr: another,similar to the above with a more ornate base, the cover with a lower border of repeating shell motifs, a large engraved coat of arms and military trophies, inscribed 'Third Division', London 1814, 12.6in (32cm) long, 78oz.

By Paul Storr: a George IV circular chaffing dish and cover on stand, with burner, crested, London 1828, 9.5in (24cm) diameter, 39oz.

A set of five George III silver fiddle and thread pattern dessert spoons (London 1795 by Paul Storr), 17 cm long, 7 oz (BD)

A matched set of twenty one George III table forks By Paul Storr, London 1816 and 1819, of Hanoverian pattern, with engraved crest of the 72nd Highlanders (Seaforth Highlanders) (21) 46oz

A set of five Regency dinner plates By Paul Storr, London 1820, with foliate and shell cast detail to points and gadrooned border between and with engraved family armorials(5) 27cm diameter 22oz each Notes: The arms of FOX quartering LANE impaling PITT for the marriage (23 July 1789) of James FOX-LANE, of Bramham Park, Yorkshire, MP for Horsham and successor to the great estates in England and Ireland of his uncle Lord Bingley, of Bingley, Yorkshire who died in 1773 having inherited the great estates of Lord Lanesborough who died in 1724. With Hon. Marcia Lucy, daughter of George PITT, Baron Rivers of Strathfieldsaye and later Baron Rivers of Sudeley Castle, Glos. James Fox-Lane died in 1821.

The trophy for the 1864 Royal Hunt Cup at Ascot: in the form of a large silver shallow dish & cover centrepiece, hallmarked London, 1863, maker's mark of John Samuel Hunt for Hunt & Roskell, inscribed on foot rim HUNT & ROSKELL LATE STORR & MORTIMER 2327, designed as a shallow dish and cover on an elegant stepped stem and base, the lid surmounted by models of stags, all on a stepped ebonised plinth with two friezes of stags and deer in raised relief in between Queen Victoria's royal coat of arms, the base with two sculptural still lifes of a jockey's cap, saddle, stirrups and whip resting on laurel, and with two plaques inscribed ASCOT, 1864, WON BY, MR. LONGFIELD'S GEM OF THE SEA, 4 YEARS OLD, CARRYING 7ST. 10LB., overall height of trophy when on plinth, 87.5cm., 34 1/2in., diameter of dish 39cm., 15 1/4in. Mr Longfield's Gem of the Sea caused an upset in the 1864 Royal Hunt Cup at Ascot by winning at odds of 40 to 1 under a ride from Harry Grimshaw. He beat 33 other runners and survived an objection on the grounds of crossing. The Royal Hunt Cup was first contested in 1843 and remains one of the highlights and great gambling races of the Royal meeting. The design of this trophy is a direct reference to the Royal Hunt at Windsor Park, from which the famous handicap at Royal Ascot derived its name. This also explains the presence of the Royal Coat of Arms engraved on the trophy. Stag were hunted by the Royal Buckhounds. It is typical of the high Victoriana offered as trophies on the racecourse at this period, particularly for the major races at Royal Ascot, Goodwood and the Doncaster St Leger meeting. The trophy was valued in the Racing Calendar at 200 sovs.

The trophy for the 1881 Chesterfield Cup at Goodwood: in the form of a Victorian silver sculptural group by Hunt & Roskell titled 'Sir Roger de Coverley and the Gypsies, Spectator,' hallmarked London, 1881, modelled with Sir Roger dismounted from his horse and having his palm read by the older of two gypsy women, in front of two dogs besides a suspended cauldron, all on a naturalistic base with a title plaque, on a large ebonised plinth set with a plaque inscribed GOODWOOD, 1881, with the original oak fitted carrying case bearing a printed paper label for Hunt & Roskell/Storr & Mortimer, with key, the group 37cm., 14 1/2in. high, 47cm., 18 1/2in. long and 34cm., 13 1/2in. wide. Sir Roger de Coverley was the name of a character by Addison in The Spectator published in 1711. An English squire of Queen Anne's reign, Sir Roger exemplified the values of an old country gentleman, and was portrayed as lovable but somewhat ridiculous ("rather beloved than esteemed," to quote from the text), and making his Tory politics seem harmless but silly. He is said to be the grandson of the man who invented the Coverley, an English and Scottish country dance with its steps reminiscent of a hunted fox going in an out of cover. The modelling of this sculptural group is based on Sir Roger's essay XVII in The Spectator when Sir Roger whilst riding out with a friend encounters two gypsy women, where upon his palm is read and the bachelor told that "... he is dearer to someone than he thinks." This same literary incident had earlier inspired the artist Charles Robert Leslie R.A. (1794-1859), born in London to an American family from Maryland, who exhibited a picture with this subject to kind reviews in 1829. Additionally, a similar group to the present sculpture is described in the 1851 Great Exhibition catalogue listed under 111 of the works in precious metals section designed and manufactured by Joseph Angell of the Strand. Hunt & Roskell's trophy was presented as the prize for the 1881 running of the Chesterfield Cup (Handicap) at the main Goodwood July festival meeting and was won Mr Henry Bragg's four-year-old colt Victor Emanuel ridden by John Osborne. The trophy was valued at 300 sovs. in the Racing Calendar and this was the prize for the victory, there were no cash winnings. It is typical of the high Victoriana offered as trophies on the racecourse at this period, particularly for the major races at Royal Ascot, Goodwood and the Doncaster St Leger meeting. Nearly always a horse forms part of the design but very often not in any sporting context. Literary inspiration, as is the case here, was often a favourite choice of designers. The winner of the race was Victor Emanuel, a son of the stallion Albert Victor who had finished second in both the Derby and St Leger but was the winner of many good races including the Middle Park Stakes, the Ascot Gold Vase and the Great Ebor Handicap. Victor Emanuel carried 8st. 5lb. and won the race by a length at odds of 100 to 6. PROVENANCE: Mr Henry Bragg, the winning racehorse owner of the 1881 Chesterfield Cup, Goodwood, and thence by family descent.

A group of assorted prints and engravings, including 'L'amour Vielle', views of Storr Hall, Windermere, Dilston Hall, Northumberland, Trentham, Sherborne Castle, coaching scenes, four after Morland and others. (qty)

A silver miniature twin handled trophy cup, London 1914, by Hunt & Roskell Ltd, late Storr & Mortimer, of campana form with leaf cast handles and with a swollen base, on a leaf moulded circular foot.

By Paul Storr: a set of six fiddle and thread pattern dessert spoons, initialled "I", London 1809, 12oz. (6)

By Paul Storr: a pair of George III sugar tongs, fiddle, thread and shell pattern, London 1816.

A modern limited edition 18ct gold wine label, cast in the form of the Royal Lion on a textured title area, pierced 'BORDEAUX' by Michael. W. Druitt, London 1972 (in original box), 3.15in (8cm) wide, 2oz. *This is a copy of a type made by Paul Storr in 1811. The originals being in the Royal Collection.

A fine Regency silvergilt presentation cup in the form of a Warwick vase wine cooler, on a coppergilt plinth, the vase cast with masks, vine tendril handles and two lion pelts with texturing below a frieze of fruiting vines, with lift-off collar and screw in liner, both crested, the foot engraved with a coat of arms and inscribed "Presented by the Officers of the 7th (Queens OWN) Hussars to Col. Edward Kerrison in token of the Respect excited by his Conduct At the Battle of Orthes 27th February 1814 and as a mark of the Regard & Esteem they feel towards him August 1814" the plinth with an upper border of tongue and dart, and lower border of stiff leaves, two sides with applied wreathes and other two with an engraved coat of arms the vase by Paul Storr, London 1814, stamped around the foot "RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS ET PRINCIPIS WALLIAE REGENTIS BRITANNIAS" the plinth stamped "STORR & MORTIMER", height of vase, 9.5in (24.2cm) high, overall height with plinth 17.75in (45.2cm) high, 208 oz weighable silver. Sir Edward Kerrison 1776-1853. 1796 Cornet in the 6th (Inniskilling) dragoons promoted Captain 1798 transferred to 7th Hussars promoted Major in 1803 and Lieutenant Colonel in 1805. In October 1808 he embarked with the 7th for Spain and in December of that year was severely wounded on the plains of LEON. He commanded the 7th at the passage of OLERON, the action of SAUVETERNE, and at the battles of ORTHEZ and TOULOUSE. At the battle of ORTHEZ the charge headed by LORD EDWARD SOMERSET in which the chief part was highly commended by WELLINGTON. In 1813 he was promoted Brevet Colonel. KERRISON served in the 1815 compaign and was slightly wounded at Waterloo, where his horse was shot from under him; but he continued with his regiment, and took part in the occupation of PARIS. He was knighted on 5 January 1815; was made CB on 22 June 1815 and KCH in 1821 and created a baronet by patent dated on 27 July 1821; he was made GCH in 1831 and KCB on 18 July 1840. He was tory MP for Shaftesbury 1812 to 1818, for Northampton from 1818 to 1824 and for Eye, which he had purchased from 1824 to 1852. Promoted Lieutenant General in 1837, he became a General in 1851. OXFORD DICTIONARY OF NATIONAL BIOGRAPHY.

Penzer, N.M: Paul Storr the Last of the Goldsmiths - by Batsford 1954 (with dust wrapper).

A late George III Paul Storr silver goblet, with gilded interior wide applied band of fruiting vine, the base of the bowl chased with acanthus leaves on circular foot with leaves and inscription 'Bridge et Rundle Aurifices Regis et Principis Wallie Regentis Britannias', London 1817, numbered underneath 192, height 6.5in. 14.5 oz.

A lever pad beech brace by PILKINGTON PEDIGOR & STORR with heavy brass plates and figured rosewood and brass head G++(400-600)BM

The R.N.I.P.L.S. Silver Medal awarded to Coxswain John Storr, of the Whitby Lifeboat, who died in the Whitby Disaster of 9 February 1861 Royal National Institute for the Preservation of Life from Shipwreck, G.IV.R., silver (John Storr, voted 7 July, 1853), with eyelet and ring suspension, edge bruise, good very fine £800-1000 . Sold with copied research.

Victorian silver cruet set the club shaped stand raises on four turned feet decoration with scroll decoration, comprising a silver salt, mustard and pepper with cut glass bodies, dated London 1874/75, together with a matching spoon and associated example, the stand marked Hunt & Roskell Late Storr & Mortimer and numbered 2862, dated London 1875. The stand for the cruet set has surface scratches to the whole, especially where the salt, mustard, and pepper stand. There are also a number of marks, dints, notches, and tarnished areas. The handle looks as though it had engraved decoration, but this has been mostly worn away. There are some areas of polish build-up, particularly on the feet. he mustard and the pepper have scuffed bottoms, and their glass has some small chips around the top and bottom. The lids of both have some surface scratches and tarnishing. The mustard's hinge looks as though it might have been repaired at some point. its lid will not unscrew. The pepper's lid unscrews easily. There are remnants of the condiments left in these two vessels. he salt and two spoons have surface scratches and marks to the whole. The gilding on the inside of the salt has worn away in places. ll the hallmarks are rubbed but still legible.

A George III silver Coburg pattern salt spoon by Paul Storr, London 1813

A silver two bottle inkstand, maker Hunt & Roskell Limited and stamped Hunt and Roskell Limited, Late Storr and Mortimer, London, 1918, with waved edge and two pen holders and two square cut glass silver topped inkwells, 11oz

A Set of 6 George III Silver Dinner Forks, London 1812, maker Paul Storr, 14oz