We found 2143 price guide item(s) matching your search

Paul Storr, a set of three George III silver Hanoverian pattern main course forks, each with script initials 'MP' or similar, London 1812, length 20.5cm, combined weight 233g/7.49ozt approx (3)

Hunt & Roskell late Storr Mortimer & Hunt, a Victorian silver mug, of tapered cylindrical form, the body decorated in relief with fruiting vine, and vacant central cartouche, with a naturalistic handle formed as a bifurcated foliate tendril, John Samuel Hunt, London 1849, height 7.5cm weight 191g/6.14ozt approx

Paul Storr, a William IV silver cast wine label or bottle ticket, in the Rococo style, with foliate-capped scrolls, pierced for 'SHERRY', London 1835, width 7.6cm, weight 53g/1.70ozt approx

George IV Period Paul Storr Superb Quality Sterling Silver Lidded Tureen (Entree Dish). Top English silversmith. Hallmark London 1825, mark of Paul Storr. Diameter 9j.5" - 23.50 cm, height 4" - 10 cm. Silver weight 1234 grams - 40 oz. All aspects of condition excellent.

R G Storr, a monotype "Hill Farm" dated to rear 19/11/79, purchased by the vendor at Abbott Hall Kendal. 18.5 x 38 cm, framed and mounted.

A group of Georgian and later silver flatware. Various dates and makers. The group comprising: seven Fiddle pattern tablespoons, six table forks, three dessert forks and four dessert spoons, all engraved with matching crest, various dates and makers including Paul Storr (one dessert fork), William Chawner II, Chawner & Co. and Randall Chatterton; an Old English pattern table fork by William Eley & William Fearn, and a later silver teaspoon by the Atkin Bros, total weight approx. 41.2ozt (a lot)  

A pair of George IV silver gilt entrée or dessert dishes. Paul Storr, London, 1827. Of shaped, oval form, the dishes raised on four foliate scroll feet and designed with shell handles and applied floral scroll borders, the fluted sides decorated with foliate motifs to high points, 26 x 36.5cm, 5.8cm high, total weight approx. 70.1ozt (2) Provenance: Property from a UK private collection. Footnotes: cf: For a similar pair of entrée dishes by Paul Storr, please see Lot 301, Christie's, New York, Living with Art, 14th October 2016,  https://www.christies.com/en/lot/lot-6024108 Condition Report: Some general scratching, nicking and pitting noted commensurate with age. One dish is slightly wobbly on feet. Some wear to the gilding in places, particularly at high points on decoration. A few small splits noted to the high points and chased leaves when examined under magnification. An area of discolouration to the gilding on base of one dish. Some minor bruising/small dings noted to bases. Hallmarks a little rubbed (more so to one) but legible. Decoration generally in good condition (some wear to a couple of foliate tips on base and some wear to relief decoration commensurate with age). Further images available to download via this link: https://we.tl/t-bk48hu7MNy 

A pair of Regency silver grape scissors. Paul Storr, London, 1818.Designed with reeded loop handles and trailing vine decoration to arms, 19.2cm long, approx. weight 3.9ozt

A Regency silver tablespoon. Paul Storr. London, 1816. The Old English Bead pattern spoon engraved with crest (pelican in her piety) to terminal, 22.1cm long, together with a Victorian silver Fiddle, Thread and Shell pattern butter knife engraved with the Barton family crest to terminal, London, 1840, Chawner & Co., 19.2cm long, total weight approx. 4.7ozt (2)

George IV Period Paul Storr Superb Quality Sterling Silver Lidded Tureen (Entree Dish). Top English silversmith. Hallmark London 1825, mark of Paul Storr. Diameter 9j.5'' - 23.50 cm, height 4'' - 10 cm. Silver weight 1234 grams - 40 oz. All aspects of condition excellent.

A George III silver rectangular entrée dish and cover, crest and armorial engraved within gadrooned rims, the cover with scallop shell and scroll handle, London 1813 by Paul Storr, weight 1947.5g, length 30.5cm.

A George III and Later Silver Table-Service, Mostly by Paul Storr, London, 1819 or William Chawner, London, 1825 Fiddle, Thread and Shell pattern, mostly engraved with a crest within garter, comprising6 table-spoons, two by Paul Storr6 table-forks, three by Paul Storr6 dessert-spoons, two by Paul Storr, one by Eley Fearn and Chawner, 1809, engraved with a coat-of-arms12 dessert-forks, three by Paul Storr, five Victorian and by differing makers, some with differing engraving8 teaspoon, five by Paul Storr, two by differing makers, one engraved with a coat-of-arms and one unengravedA soup-ladle, by Paul StorrA basting-spoon, by Paul StorrA sauce-ladle, by Paul Storr4 condiment-spoons, one by a differing maker103oz 6dwt, 3,213gr (45)Provenance: The selected contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins.

Hunt and Roskell late Storr and Mortimer of London Victorian silver christening mug, tapering form profusely embossed and chassed with vines and berries, cast vine handle, vacant shield cartouche, hallmarked London, 1949, maker John Samuel Hunt, the base stamped Hunt and Roskell late Storr and Mortimer and numbered 4078, 185g, H.7.5cm 

A Victorian silver christening mug by John Hunt & Robert Roskell (Hunt & Roskell late Storr & Mortimer), embossed with fruiting vines, London, 1877, height 89mm, 8oz. Quite tarnished, otherwise in good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A good large Victorian silver shell shaped basin, by John Samuel Hunt (Hunt & Roskell late Storr & Mortimer), based on a 16th century model used in conjunction with a ewer for the washing of hands during and after a meal, engraved with the Maule family Ducal crest, with the Latin motto 'Clemntia Et Animis', embossed with Poseidon? and mermaid, the central crest surrounded by dolphins, London, 1846, 42.5cm by 45cm, 41.5oz. Small dents within the crest, otherwise the overall condition is good, commensurate with age and mild use. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

PAUL STORR: A fine pair of circular George III silver entrée dishes and covers. London 1804. Approx. 3417 grams. Est. £3000 - £4000.

antique oval Paul Storr signed (dinner)tray in "London 1811" marked silver with engraved family crestPAUL STORR antieke ovale dienplateau met grepen en perlagerand in massief zilver, gemerkt "Londen 1811" - breedte : 64,5 cm - gewicht : 2318 gram met een gegraveerd familiewapenschild

An early Victorian silver gilt standing cup and cover, given by Queen Victoria to her god daughter, mm John Mortimer & John Samuel Hunt (1839-1942), nr 759, London assay mark dated 1841. The cup of cylindrical form decorated with scenes taken from the Old and New Testament. The body of the cup is decorated with lobes enclosed by finely beaded matted surrounds, each side panel is decorated in relief with The Judgment of Solomon and Jesus with Children ...interspersed with palmette. The lower section of the bowl is decorated with plain bosses enclosed with finely beaded surrounds and interspersed with winged putti mask. The pedestal foot is decorated with leaf scroll, winged putti mask, lobes with matted surrounds and the base engraved with leaf scroll. The cover similarly decorated as the base and surmounted by a finial of John the Baptist clutching a cross stamped Max Safron to the rim. The cup engraved with Queen Victoria's crown cypher and inscribed "To Victoria Alexandrina Leopoldine Van de Weyer from Her Godmother VR, August 1842".  Given by Queen Victoria to her goddaughter Victoria Alexandrina Van de Weyer on the occasion of her christening in 1842. Victoria was the daughter of the Ambassador for Belgium Jean-Sylvain Van de Weyer and his American wife Elizabeth Anne Sturgis (neé Bates), only daughter of Joshua Bates of Barings Bank. Victoria was married to Henry Robert Brand eldest son of 1st Viscount Hampden of Glynde, she sadly died in tragic circumstances at the tender age of 22. Weight approx. 1600 gms, approx. 42 h x 18 d cms. (i) Paul Storr and John Mortimer were in partnership which ended in 1838, at which point Paul Storr retired and the firm continued under the reins of John Mortimer and John Samuel Hunt's son, John who had come in as junior partner - the firm then styled as Mortimer & Hunt. They entered their mark IM over ISH crowned, in 1839, the year of Paul's retirement, John Mortimer retired in 1842. This standing cup and cover was made in the 2 years that Mortimer & Hunt were in collaboration.  Literature: (i) Penzer, NM., Paul Storr (1771-1844) Silversmith and Goldsmith (1954) pg 244 (similar standing cup and cover illustrated) and pg 64 Chapter 3 Storr's Business Career. Provenance: Property of a gentleman.  -

PAUL STORR, interesting silver gilt dessert spoon from Prince of Wales household, London 1813Some very light surface marks and signs of use, but overall in very good condition.

A PAIR OF GEORGE III SILVER TAPER HANDLE DESSERT SPOONS London c.1812, mark of Paul Storr, initialled; together with a pair of George III taper handle spoons, London c.1770s, by Hester Bateman. (4.3 troy ozs).(4)

A set of six George III silver dessert spoons by Paul Storr, in the fiddle and thread pattern, London 1815, 250g grossPaul Storr is considered by many to be England's most celebrated silversmith

A VICTORIAN SILVER EWER JOHN HUNT & ROBERT ROSKELL, LONDON 1869 The scroll handle capped with a woman's bust, the body with two girdles and on a circular moulded spreading foot, stamped Hunt & Roskell Late Storr & Mortimer 429 30cm (11 3/4in) high 747g (24.05 oz) Condition Report: Marks are clearStands wellNo engravingLight scratches and wear commensurate with age and useCondition Report Disclaimer

PAUL STORR: A rare silver chamberstick. Fully marked to snuffer and body. London 1828. Approx. 231 grams. Est. £600 - £800.

PAUL STORR: A large crested silver spoon. London 1820. Approx. 76 grams. Est. £150 - £200.

PAUL STORR: A large crested silver spoon. London 1820. Approx. 76 grams. Est. £150 - £200.

Fine quality William IV silver teapot of melon form, with hinged domed cover and nasturtium finial, leaf mounted silver handle with ivory insulators, on four foliate mounted feet, underside stamped Storr & Mortimer (London 1837). Paul Storr. All at approximately 22ozs. 25cm across. APHA Ref: FXNEKKZPThe crest on the front and back are very worn. The handle wobbles. The hallmarks are visible but are slightly worn. Their aren't any signs of soldering or repairs. The silver has numerous small dings. Their is a dent on the handle.

Johnathan Storr of York - 30 hour longcase clock c1770, in a later mahogany case with a decorative swan neck pediment, carved gilded eagle and fretwork, with a dogtooth moulding, break arch hood door and detached pilasters beneath, trunk with a conforming break arch topped door on a square plinth with raised moulding and bracket feet, brass arched dial with makers name to the arch, plain dial centre and silvered chapter ring with Roman numerals, five minute Arabic's, minute track and matching steel hands, chain driven movement with a countwheel strike on a bell. No Pendulum or weight.Johnathan Storr was an 18th century York clockmaker, working from Petergate and Minster gates in the city centre.Dimensions: Height: 235cm  Length/Width: 57cm  Depth/Diameter: 26cm

An oak and metal-bound silver trunk, c.1840s, with an engraved plaque 'The Right Hon Earl of Leicester No. 1', the gently domed lid enclosing baize-lined compartments, labelled 'Mortimer & Hunt Late Storr & Mortimer, Jewellers and Goldsmiths to the Queen, 156 New Bond Street',81cm wide 46cm deep61.5cm highCondition ReportWorn, interior badly worn and with losses, the slides all worn.

A George III silver sauce label, by Paul Storr, London 1818, oval shaped form with a shell and scroll border, embossed 'Soy' on a matted background, length 3.8cm, approx. weight 0.5oz.Provenance: The Simon Ward Collection of Wine Labels, Part Two

A matched George III silver snuffer's tray and snuffers,the snuffers by Emes & Barnard, London 1817,scissor form with shell and scroll decoration and engraved crest, the tray with worn maker's mark, possibly by Paul Storr, London 1810, oval form with a gadrooned, scroll and shell border and engraved crest, length 27.4cm, total approx. weight 16.6oz. (2)

A George III silver Coburg pattern soup ladle,by Paul Storr, London 1819,the reverse of the bowl with an oyster heel, length 33.6cm, approx. weight 10.5oz.

* JOHN WATLING (BRITISH b. 1943) THE STORR FROM THE QUIRRAING, SKYE watercolour on paper, signed, titled versomounted, framed and under glass image size 31cm x 41cm, overall size 49cm x 58cm Label verso: Hanover Fine Arts, EdinburghNote: John Watling was born in Manchester, England in 1943. He is a graduate of Leeds College of Art. In 1965 John was founder member of Leeds 'Sweet Street Group' - bringing art into industry. He exhibited in the Leeds City Art Gallery (one man show) and The Austin Hayes Gallery in York in 1967 and 1968. After teaching art for two years he left Leeds and moved to Newcastle upon Tyne where he became a freelance illustrator for the Sunday Sun Newspaper. From 1971 he found himself involved with the Entertainment Industry on the management side. This carried him over to Australia where he also exhibited paintings in Sydney between 1972 and 1974. He returned to England and Newcastle upon Tyne where he worked in promoting and organising Arts Festivals and exhibiting locally. In 1984 he returned to teaching art. In 1989 he went on holiday to the West coast of Scotland and the Republic of Ireland. This began a love affair resulting with a period of painting which still continues to this day. He exhibits frequently in Edinburgh and since 2000 in London's West End. John Watling's paintings are landscapes of the West of Scotland and Ireland. The Scottish paintings are mainly of the island of Iona where he finds inspiration for the almost Celtic strata of the rocks against the white sands and the oddly shaped islands off the coast. The paintings have a surreal look about them, which he says reflects his feelings about the island. His paintings of the West Coast of Ireland are mostly of the Aran Islands off the coast of Galway which to him have a timeless feel about them. His main interest is in the dry stonewalls which cover the islands like an enormous maze. His paintings are in oil and watercolour. He paints mainly in his studio from sketches and photographs rather than in 'situ'. This is because of the frequent light changes which can alter by the minute in the areas where he draws inspiration from. He is a prolific painter and has a large number of admirers and investors throughout the British Isles. He has paintings which are in collections in Britain, Ireland, USA, Europe, Australia and Canada.

Paul Storr, London, 1813Each shaped circular wiht gadrooned border. Diameter 10 1/2 inches (26.5 cm), total approximately 149 ounces. Good condition overall; engraved with crest to rim; clearly hallmarked undersides; good heavy gauge

A George IV silver gilt snuff box, with pierced and embossed decoration, initialled, Paul Storr, London 1820, 4.9 ozt, 9cm wide

GILL STORR (BRITISH COINTEMPORARY) 'US AND THEM', racing yachts at sea, signed bottom right, mixed media on canvas, approximate size 61cm x 51cm, frame size 68cm 51cm, Condition Report: the image is split and is lifting from the canvas in places

Paul Storr - a George III silver biggin on stand, hinged cover, anthemion spout, basket-weave, guilloche and ovolo borders, scroll-capped handle, the canted incurved triform base with lion paw supports, ebonised fittings, 30.5cm high, London 1809, 1656g gross

Paul Storr - a George III silver boat shaped eight-bottle cruet, posted handle, gadrooned border terminating in acanthus scrolls, lotus scroll feet, hobnail-cut bottles, 40cm wide, London 1809, the frame 1610gHeraldry: Crest of Hamilton

Paul Storr - a pair of George IV silver rounded rectangular entree dishes, leafy bayonet loop handles, gadrooned borders with shells and scrolling leaves to angles, 30.5cm wide, London 1824, 3454gHeraldry: Arms of Cantrell of Monsall, Lancs & Bury StEdmunds

Paul Storr - a George IV silver souffle dish and liner, gadrooned border, wrapped reeded handles terminating in acanthus bosses, 26cm wide, London 1822, 1102g

Paul Storr - a George III silver half-fluted hot water pot, hinged domed cover, gadrooned shell and leafy scroll border, fruitwood fittings, 21.5cm high, London 1815, 820g

A SMALL GEORGE III MAHOGANY MANTEL CLOCKC.1780-90the brass, eight day twin fusee movement with a verge escapement, brass bob pendulum, five knopped pillars and striking on a bell, the back plate engraved with a basket of flowers surrounded by scrolling foliage, the silvered dial with black Roman and Arabic numerals and inscribed 'William Storr St James' Street LONDON' beneath an arch with a subsidiary 'Strike Silent' dial, engraved with harebell swags and floral spandrels, the domed case with a brass handle, corners and feet, with a winder26cm high, 19.3cm wide, 14.7cm deepOFFERED WITHOUT RESERVE

Johnathan Storr of York - 30 hour longcase clock c1770, in a later mahogany case with a decorative swan neck pediment, carved gilded eagle and fretwork, with a dogtooth moulding, break arch hood door and detached pilasters beneath, trunk with a conforming break arch topped door on a square plinth with raised moulding and bracket feet, brass arched dial with makers name to the arch, plain dial centre and silvered chapter ring with Roman numerals, five minute Arabic's, minute track and matching steel hands, chain driven movement with a countwheel strike on a bell. No Pendulum or weight.Johnathan Storr was an 18rh century York clockmaker, working from Petergate and Minster gates in the city centre.Dimensions: Height: 235cm  Length/Width: 57cm  Depth/Diameter: 26cm

A fine silver gilt snuff box. London 1820. By Paul Storr. Approx. 111 grams. Est. £1000 - £1500.

Various related subjects, including Eric Delieb and Michael Roberts: Matthew Boulton Master Silversmith, N.M. Penzer: Paul Storr 1771-1844 Silversmith and Goldsmith, and Eric Delieb and Michael Roberts: The Great Silver Manufactory. Largest book measures 9"L x 1.5"W x 12"H. Issued: 1954-1971Dimensions: See DescriptionCondition: Age related wear.

A HUNT & ROSKELL LATE STORR & MORTIMER TEA CADDY. London 1896.

GILL STORR (BRITISH CONTEMPORARY) 'LIFE'S A BREEZE', a depiction of a yacht under sail, signed bottom right, mixed media on canvas, approximate size 90cm x 60cm, frame size 99cm x 68cm, Condition Report: scuff to the paint near the top of the mask

After Edward Hodges Baily, RA (1788-1867): an Equestrian bronze of the Duke of Wellington (1769-1852), riding his war horse Copenhagen, dressed in civilian clothes with reins in one hand and top hat in other, all upon a rocky ground base, engraved to bottom of horse's underbelly "Published as the act directs by Hunt & Roskell, late Storr Mortimer & Hunt 156 New Bond Street, Nr 1951 June 1844", approx. 51cm high x 47.5cm wide, on felt base.  Further details: front left leg has been repaired and placed back on in past; reigns loose on horse end but just need straightening; general wear, surface scratching, patina.

† GILL STORR; acrylic on canvas, 'Caught in the Moment', signed lower right, 76 x 51cm, framed.

† GILL STORR; oil on canvas, 'Making your Mark', signed lower right, 80 x 80cm, framed.

A William IV silver cast finial (from an entree dish) paper weight by Paul Storr, with duty mark, maker's mark and Loin Passant only, 1813-1838, in the form of a cockerell mounted on a rectangular Belgian Black Granite plinth 9x12x7cm., (3.5x4.7x2.7in.)With a handwritten receipt from T & H. Venables, Hamilton House Farnham, 13th December 1967Fairbairn's Book of Crests of the Families of Great Britian and Ireland, Fourth Edition revised and enlarged Reprint published by Heraldry Today, Plate 91 No.2

A George V silver two handled presentation trophy cup and cover by Hunt & Roskell Ltd (late Storr & Mortimer), with flying scroll handles and later engraved inscription related to the 'London & Home Counties Inter-County Bridge Championship Challenge Cup Presented by The Daily Telegraph, 1937', London, 1923. height 41cm, 90.8oz. Several dents around the main body and cover in places. Large dents to the inner rim of the cover. Base wobbles on a flat surface. Inscription quite tired.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A cased pair of William IV Paul Storr silver gilt grape shears, in later case, with foliate handles, London, 1834, 19.4cm, 4.5oz. Some loss to the gilding in places.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Johnathan Storr of York - 30 hour longcase clock c1770, in a later mahogany case with a decorative swan neck pediment, carved gilded eagle and fretwork, with a dogtooth moulding, break arch hood door and detached pilasters beneath, trunk with a conforming break arch topped door on a square plinth with raised moulding and bracket feet, brass arched dial with makers name to the arch, plain dial centre and silvered chapter ring with Roman numerals, five minute Arabic's, minute track and matching steel hands, chain driven movement with a countwheel strike on a bell. No Pendulum or weight.Johnathan Storr was an 18rh century York clockmaker, working from Petergate and Minster gates in the city centre.Dimensions: Height: 235cm  Length/Width: 57cm  Depth/Diameter: 26cm

Tintenzeug. Passau, Meister Franziskus Felix Dominik Storr (1773-1842). Silber, ca. 467 g, auf der Fahne gepunzt, H=8,8 cm, B=29 cm, T=20,5 cm.

* JOHN WATLING (BRITISH b. 1943) THE STORR FROM THE QUIRRAING, SKYE watercolour on paper, signed, titled versomounted, framed and under glass image size 31cm x 41cm, overall size 49cm x 58cm Label verso: Hanover Fine Arts, EdinburghNote: John Watling was born in Manchester, England in 1943. He is a graduate of Leeds College of Art. In 1965 John was founder member of Leeds 'Sweet Street Group' - bringing art into industry. He exhibited in the Leeds City Art Gallery (one man show) and The Austin Hayes Gallery in York in 1967 and 1968. After teaching art for two years he left Leeds and moved to Newcastle upon Tyne where he became a freelance illustrator for the Sunday Sun Newspaper. From 1971 he found himself involved with the Entertainment Industry on the management side. This carried him over to Australia where he also exhibited paintings in Sydney between 1972 and 1974. He returned to England and Newcastle upon Tyne where he worked in promoting and organising Arts Festivals and exhibiting locally. In 1984 he returned to teaching art. In 1989 he went on holiday to the West coast of Scotland and the Republic of Ireland. This began a love affair resulting with a period of painting which still continues to this day. He exhibits frequently in Edinburgh and since 2000 in London's West End. John Watling's paintings are landscapes of the West of Scotland and Ireland. The Scottish paintings are mainly of the island of Iona where he finds inspiration for the almost Celtic strata of the rocks against the white sands and the oddly shaped islands off the coast. The paintings have a surreal look about them, which he says reflects his feelings about the island. His paintings of the West Coast of Ireland are mostly of the Aran Islands off the coast of Galway which to him have a timeless feel about them. His main interest is in the dry stonewalls which cover the islands like an enormous maze. His paintings are in oil and watercolour. He paints mainly in his studio from sketches and photographs rather than in 'situ'. This is because of the frequent light changes which can alter by the minute in the areas where he draws inspiration from. He is a prolific painter and has a large number of admirers and investors throughout the British Isles. He has paintings which are in collections in Britain, Ireland, USA, Europe, Australia and Canada.

Paul Storr, a William IV silver burner stand, the panelled body decorated with flowers, the sides pierced with anthemion, with central removable burner, all component parts duly hallmarked, London 1834, diameter 16.9cm, weight 444g/14.27ozt approx

Paul Storr, a George III silver punch bowl, the body with dentil border, and gadroon edge rim, atop a spreading, stepped circular form foot, the body later decorated with rococo scrolls, flowers and foliage, ensuite with Armorial and presentation inscription, "Presented by Col.L C. D. W. Sibthorp M. P., commanding the Royal South Lincoln Militia, to Robert Shipman Esq., on the resignation of his commission...Aug 9 1854", hallmarked London 1804, height 20cm, diameter 29cm, weight 2126g/68.35ozt approx

A George III silver entree dish base, of rounded rectangular form, with gadroon edge border, with incised numeral '2', Paul Storr, London c.1805, length 31.3cm, weight 868g/27.90ozt approx

Paul Storr, a George III silver tea urn, of Neoclassical form, with reeded loop handles, the detachable cover with acorn finial, the silver tap with stained ivory spigot, the body later decorated with flowers, foliage and scrolls, ensuite with coat of arms, possibly for Thompson, all component parts with corresponding hallmarks, London 1799, height 37.5cm, weight 1523g/48.96ozt gross all-in approxIvory Declaration Submission Reference Number: AX6F46LV

Paul Storr, a George III Regency silver entree dish and cover, of rectangular form, with gadroon edge border, ensuite with a detachable handle formed as a foliate tendril, the domed cover ensuite with an Armorial, the cover numbered 3, and the base 4, London 1803, length 29.8cm, weight 1739g/55.91ozt approx