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Six bottles of strong alcohol to include; three Cherry Liqueur 43% proof, two Florida Water 75% and a bottle of Burgoyne's Harvest red table wine.

A large number of approximately 23 bottles of mini red and white wine to include: Amora 2015, La Nantraise, Muscadett 2016, Cabalie Pay di Oc, etc.

Two boxes (sixteen bottles) of mainly red and rose wine plus two bottles of white Pinot Grigio 2016, red and rose wine to include: Shiraz Romania 2016, Bees Knees Merlot 2015, Corsiero Nero 2015, etc.

Nine bottles of mainly rose and some red wine and an empty Schweppes soda siphon, wine to include: Abbesse rose 2017, Alnado 2015. Bordeaux rose 2015, etc.

A fine German wine Goblet, mid 18th century, the bowl cut and faceted with a floral design, the stem with twisted red inclusions, 7 5/8" tall.

A collection of various wares comprising a Norleans (Italian) white frosted wine glass shaped vase with butterfly and floral scene to centre (h-27.5cm), a large ruby red brandy shaped goblet glass (h-25cm), a teak wooden bowl (marked Backman Finland), an Orrefors Sweden Art Glass dessert bowl hand-painted with floral swigs (chip to rim) and a Swedish Sea hexagon glass vase hand-painted with floral display (h-12cm) (5)

A collection of crystal cut glassware comprising, a set of nine Appin sherry glasses (made in Edinburgh Scotland verso), a pair of red wine glasses (h-11cm) (chip to one) and a whisky glass (h-9cm) etc. l (17)

SUITE WATERFORD CRYSTAL STEMWARE, Colleen pattern, comprising 12 hock glasses, 8 liqueur glasses, 12 small water glasses, 6 whisky tumblers, 6 coupes, 2 brandy balloon, 10 tall white wine glasses, 8 red wine glasses, 6 sherry glasses, 9 port glasses and a single champagne flute (80)Provenance: private collection SwanseaComments: one or two with tiny rim chips, all with watermark.

RED WINE Fourteen various bottles of red wine to include Beaujolais Nouveau 2003, Joubert Tradauw Merlot/Cabernet Sauvignon 2004, Bodega Norton Privada 2000 Estate Reserve etc (14) Condition Report:Available upon request

AUSTRALIA  Nine bottles of various red wine to include Glaetzer Barossa Valley Shiraz Grenach 2004, Heartland Director's Cut Shiraz 2006, D'Arenberg McLaren Vale The Sticks And Stones Tempranillo Grenache etc (9) Condition Report:Available upon request

CHATEAU ROUDIER MONTAGNE ST EMILION 1995 One Bottle of Chateau Roudier, Montagne St Emilion 75cl 12,5% vol CHATEAU HAUT-BATAILLEY PAUILLA 1981 One Bottle Of Chateau Haut-Batailley Pauillac 1981 75cl CHATEAU DURAND LAPLAGNE 1986 One Bottle Of Chateau Durand-Laplagne Puisseguin-Saint-Emilion 1986 12.5% vol 75cl Together With Two Various Bottles Of French Red Wine And One Bottle Of Italian Red Wine (6) Condition Report:Available upon request

THE FAMOUS GROUSE SCOTCH WHISKY One Bottle Of  The Famous Grouse Red Wine Cask Finnish  (Cask Series) Blended Scotch Whisky alc. 40% vol 700ml e One Bottle Of The Famous Grouse Prestige Rare Old Scotch Whisky 43% vol 70cl One Bottle Of The Famous Grouse Blended Scotch Whisky 40% vol 1L e One Bottle Of The Famous Grouse Blended Scotch Whisky alc 40% vol 700ml e Together With One Bottle Of The Anniversary Blend 8 Year Old Malt Whisky 1998. A Presentation Bottle To Commemorate 75 Years Service To The Plumbing Industry (5) Condition Report:Available upon request

One bottle Chateeau Grand David 1995 red wine together with five other bottles of wine

Aperol Italiona Aperitit, 1 bottle Glayva, 1 bottle Blossom Hill Red Wine, 1 bottle

Full bodied red wine, 1.5 ltr bottle Californian Zinfadnel, 1 bottle Linoncino liqueur, 1 bottle Vodka, 1 bottle (4)

Fleurie 2997, 1 bottle Bardolino red wine, 1 bottle Filipetti Dry Vermouth, 1 bottle Mississippi Steamer 21.5%, 1 bottle Pilsner Urquell, 1 bottle (5)

Rot Red Wine, 3 bottles Garnet Point Merlot, 1 bottle Ernest & Julio Gallo 1998, 1 bottle Corbet Canyon Cabernet, 1 bottle Romanian Red Wine, 2 bottles (8)

Lorch Red Wine 2008, 3 bottles

GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) THE BEACH, SOUTH OF FRANCE Signed, pen and ink and coloured chalk 34cm x 42cm (13.5in x 16.5in) Sotheby's, Hopetoun House, Scottish Sale 19th April 2004, lot 71;Private Collection, Scotland. Between 1927 and 1929 Hunter spent extensive periods in the south of France, principally from a base in St-Paul-de-Vence. He worked in various locations, including Antibes, Cassis, Nice, Saint Tropez and Juan-les-Pins. He enjoyed the region immensely, writing ‘This is an ideal country to loaf in and I wish I could simply loaf around and enjoy the sunshine and the cooking as most of the people around here do.’ (quoted in Derek Ogston, Leslie Hunter: Paintings and Drawings of France and Italy, Baillieknowe Publishing, Kelso, 2004, p.42).Seduced by the warmth, food and wine of the region, Hunter found bountiful subject matter for works on paper executed in pen, ink and chalk. Waterside vistas, such as that seen in Juan-les-Pins, were full of incident from trees to boats and buildings climbing up distant hills. In his characteristically fluent line, Hunter captured the sunshine, bright colours and casual human presence of scenes such as that depicted in The Beach, South of France. Even the occasional example of a work executed indoors, namely A Sea View from the Balcony, celebrated the natural beauty of the area, the viewer easily imagining themselves seated in the empty chair and gazing out through shutters to the idyllic outlook framed within them.Hunter also turned his attention inland, including to the old hill town of Vence. Environs of Vence is a rare example of a south of France oil. In a letter of September 1927 to his dealer, Alexander Reid, Hunter wrote from St-Paul: ‘Of course, my paintings are the main thing. I may stay down here another month or two and thereby take your advice to finish everything before returning…Have worn a straw hat every day since I landed here.’ (quoted in T. J.  Honeyman, Introducing Leslie Hunter, Faber and Faber Ltd, London, 1937, pp.121-122)In this painting, Hunter revelled in the lush vegetation and striking architecture of the town, leading the viewer’s eye into the scene by way of the inviting open road. The suggestion of a man and dog at the lower right provide a sense of scale to the majestic pine trees and distant hill so typical of the area, as Hunter exploited the pull of his textured support at the application of each brushstroke of oil paint. The use of black to provide linear structure in works on paper is also employed here, whilst areas of rich colour from red to yellow and green enliven the towering composition.Environs de Vence was included in Hunter’s landmark solo exhibition at the Ferargil Galleries in New York in 1929, priced at £500. As Bill Smith and Jill Marriner have explained: ‘His New York show represents a watershed on two levels, first, confirmation of his assured, mature style and second, the positive response his latest work generated in a new audience…The American press were favourably impressed.’ (Bill Smith and Jill Marriner, Hunter Revisited: The Life and Art of Leslie Hunter, Atelier Books, Edinburgh, pp.149-150 & 152)The painting also bears labels on the reverse referring to Hunter’s great supporter T. J. Honeyman (1891-1971), who looked after his interests both whilst working for the private gallery Reid & Lefèvre in Glasgow and also once he was appointed Director of Kelvingrove Art Gallery and Museum in the city; his portrait of about 1930 by Hunter is in the gallery’s collection (acc.no. 3658).

GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) JUAN-LES-PINS Signed, pen and ink and coloured chalk 30.5cm x 38cm (12in x 15in) Christie's Scotland, The Scottish Sale 30th October 2003, lot 174;Private Collection, Scotland. Between 1927 and 1929 Hunter spent extensive periods in the south of France, principally from a base in St-Paul-de-Vence. He worked in various locations, including Antibes, Cassis, Nice, Saint Tropez and Juan-les-Pins. He enjoyed the region immensely, writing ‘This is an ideal country to loaf in and I wish I could simply loaf around and enjoy the sunshine and the cooking as most of the people around here do.’ (quoted in Derek Ogston, Leslie Hunter: Paintings and Drawings of France and Italy, Baillieknowe Publishing, Kelso, 2004, p.42).Seduced by the warmth, food and wine of the region, Hunter found bountiful subject matter for works on paper executed in pen, ink and chalk. Waterside vistas, such as that seen in Juan-les-Pins, were full of incident from trees to boats and buildings climbing up distant hills. In his characteristically fluent line, Hunter captured the sunshine, bright colours and casual human presence of scenes such as that depicted in The Beach, South of France. Even the occasional example of a work executed indoors, namely A Sea View from the Balcony, celebrated the natural beauty of the area, the viewer easily imagining themselves seated in the empty chair and gazing out through shutters to the idyllic outlook framed within them.Hunter also turned his attention inland, including to the old hill town of Vence. Environs of Vence is a rare example of a south of France oil. In a letter of September 1927 to his dealer, Alexander Reid, Hunter wrote from St-Paul: ‘Of course, my paintings are the main thing. I may stay down here another month or two and thereby take your advice to finish everything before returning…Have worn a straw hat every day since I landed here.’ (quoted in T. J.  Honeyman, Introducing Leslie Hunter, Faber and Faber Ltd, London, 1937, pp.121-122)In this painting, Hunter revelled in the lush vegetation and striking architecture of the town, leading the viewer’s eye into the scene by way of the inviting open road. The suggestion of a man and dog at the lower right provide a sense of scale to the majestic pine trees and distant hill so typical of the area, as Hunter exploited the pull of his textured support at the application of each brushstroke of oil paint. The use of black to provide linear structure in works on paper is also employed here, whilst areas of rich colour from red to yellow and green enliven the towering composition.Environs de Vence was included in Hunter’s landmark solo exhibition at the Ferargil Galleries in New York in 1929, priced at £500. As Bill Smith and Jill Marriner have explained: ‘His New York show represents a watershed on two levels, first, confirmation of his assured, mature style and second, the positive response his latest work generated in a new audience…The American press were favourably impressed.’ (Bill Smith and Jill Marriner, Hunter Revisited: The Life and Art of Leslie Hunter, Atelier Books, Edinburgh, pp.149-150 & 152)The painting also bears labels on the reverse referring to Hunter’s great supporter T. J. Honeyman (1891-1971), who looked after his interests both whilst working for the private gallery Reid & Lefèvre in Glasgow and also once he was appointed Director of Kelvingrove Art Gallery and Museum in the city; his portrait of about 1930 by Hunter is in the gallery’s collection (acc.no. 3658).

GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) A SEA VIEW FROM THE BALCONY Pen and ink and coloured chalk 44.5cm x 34.5cm (17.5in x 13.5in) T. J. Honeyman, Glasgow;Sotheby's Gleneagles, 29th August 2003, lot 1228;Private Collection, Scotland.Literature:Derek Ogston, Leslie Hunter 1877-1931: Paintings and Drawings of France and Italy, Baillieknowe Publishing, Kelso, 2004, repr.col.p.47, pl.35, cat no.115, p. 93. Information about this work and Hunter's time in the south of France can be found before lot 139.Between 1927 and 1929 Hunter spent extensive periods in the south of France, principally from a base in St-Paul-de-Vence. He worked in various locations, including Antibes, Cassis, Nice, Saint Tropez and Juan-les-Pins. He enjoyed the region immensely, writing ‘This is an ideal country to loaf in and I wish I could simply loaf around and enjoy the sunshine and the cooking as most of the people around here do.’ (quoted in Derek Ogston, Leslie Hunter: Paintings and Drawings of France and Italy, Baillieknowe Publishing, Kelso, 2004, p.42).Seduced by the warmth, food and wine of the region, Hunter found bountiful subject matter for works on paper executed in pen, ink and chalk. Waterside vistas, such as that seen in Juan-les-Pins, were full of incident from trees to boats and buildings climbing up distant hills. In his characteristically fluent line, Hunter captured the sunshine, bright colours and casual human presence of scenes such as that depicted in The Beach, South of France. Even the occasional example of a work executed indoors, namely A Sea View from the Balcony, celebrated the natural beauty of the area, the viewer easily imagining themselves seated in the empty chair and gazing out through shutters to the idyllic outlook framed within them.Hunter also turned his attention inland, including to the old hill town of Vence. Environs of Vence is a rare example of a south of France oil. In a letter of September 1927 to his dealer, Alexander Reid, Hunter wrote from St-Paul: ‘Of course, my paintings are the main thing. I may stay down here another month or two and thereby take your advice to finish everything before returning…Have worn a straw hat every day since I landed here.’ (quoted in T. J.  Honeyman, Introducing Leslie Hunter, Faber and Faber Ltd, London, 1937, pp.121-122)In this painting, Hunter revelled in the lush vegetation and striking architecture of the town, leading the viewer’s eye into the scene by way of the inviting open road. The suggestion of a man and dog at the lower right provide a sense of scale to the majestic pine trees and distant hill so typical of the area, as Hunter exploited the pull of his textured support at the application of each brushstroke of oil paint. The use of black to provide linear structure in works on paper is also employed here, whilst areas of rich colour from red to yellow and green enliven the towering composition.Environs de Vence was included in Hunter’s landmark solo exhibition at the Ferargil Galleries in New York in 1929, priced at £500. As Bill Smith and Jill Marriner have explained: ‘His New York show represents a watershed on two levels, first, confirmation of his assured, mature style and second, the positive response his latest work generated in a new audience…The American press were favourably impressed.’ (Bill Smith and Jill Marriner, Hunter Revisited: The Life and Art of Leslie Hunter, Atelier Books, Edinburgh, pp.149-150 & 152)The painting also bears labels on the reverse referring to Hunter’s great supporter T. J. Honeyman (1891-1971), who looked after his interests both whilst working for the private gallery Reid & Lefèvre in Glasgow and also once he was appointed Director of Kelvingrove Art Gallery and Museum in the city; his portrait of about 1930 by Hunter is in the gallery’s collection (acc.no. 3658).

A Waterford Sheila pattern part suite of glasses, comprising eight champagne saucers, height 12cm, eight red wine, height 16.5cm, eight white wine, height 15.5cm, and eight sherry, height 14cm.

Magnum of CHÂTEAU ST GEORGES 2001 St Emillion Petrus Desbois red wine 12.5% abv. 150cl.

Six bottles of alcohol, including a Hine VSOP Cognac, a Benedictine, a Bacardi 8 Years Gran Reserva, a Sailor Jerry Rum, A Ca Di Ponti red wine and a Vista Allegre Port

A colour twist and opaque wine glass, circa 1765, probably Dutch, the bell shaped bowl on a double series red and opaque strand helix and tubular lattice core stem, on conical foot, 16cm high, foot 7.2cm diameter, rim 6cm diameter

A St Louis 'Thistle' pattern part table-service, late 20th century, acid-etched marks, each with gilt 'thistle' band to border, comprising: eight red wine glasses - 16.3cm high; eight white wine glasses - 14.1cm high; five highball glasses - 14cm high; and eighteen tumbler glasses - 8.6cm high (39)Condition Report: Overall in excellent condition with very few signs of use and no damages, other than expected wear from handling and storage such as some light scratches to the underside of the feet and slight surface dirt to the interiors of the glasses. 

A Christofle 'Marly' part table-service with plain silvered rims and feet, 20th / 21st century, acid-etched Christofle marks, comprising: eight champagne flutes - 21cm high; seven red wine goblets - 20cm high; and seven white wine goblets - 18.5cm high; together with two 'Iriana' pattern water pitchers - 22.2cm high, two 'Iriana' pattern decanters with stoppers - 37.5cm high overall; and six Ralph Lauren 'Celeste' pattern champagne flutes - 21.6cm high (32)  Footnotes: Note: The Marly collection takes its name from the Château de Marly built by Louis XIV in the west of Paris, which was destroyed during the 1789 Revolution.Condition Report: Overall in excellent condition with very few signs of prior use and no evidence of damages. Some light general wear including small scratches to the feet and surface dirt. 

Fabian Perez (Argentinian b.1967), Black Suit Red Wine, numbered 66/195, hand embellished giclee on canvas, 45.5 x 61 cm, framed 67.5 x 83 cmDeMontfort Fine Art certificate of authenticity

Collection of cut glass white and red wine glasses

6 RED WINE GLASSES | Moser, Karlovy Vary, Carlsbad (Czech / Bohemian) | clear glass, ground. heap olive green | 19 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

6 RED WINE GLASSES | Moser, Karlovy Vary, Carlsbad (Czech / Bohemian) | clear glass, ground. heap olive green | 19 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

Red wine: 10 x 73cl bottles of Michel Derain Bourgogne Clos Saint-Pierre. (10)

Red Wine: Two 75cl bottles of Torre Muga 2009 Rioja. (2)

10 x bottles of Fonte de Nico red wine, 2019 (ES16) (10)

9 x 750ml botttles of Voleur Devin Les Maravilhas Alice 2021 vin de france red wine (ES16) (9)

12 x assorted bottles of European red wine comprising 5 x Primitivo di Puglia 2020, 4 x Vina Zoral Gracianao Navarra 2020 and 3 x Trontacaste Primitivo di Manduria 2021 (ES17) (12)

7 x assorted of red wine comprising 5 x Man Meets Mountain, Malbec Mendoza 2023, 1 x Church Road Cabernet Sauvignon 2021 and 1 x 770 Miles California Zinfandel 2022 (C17) (7)

11 x bottles of red wine comprising 8 x Chateau Pitray Castillon Cote de Bordeaux 2018 and 3 x Chateau Sainte Culalie 2020 Minervoi's (ES17) (11)

13 x assorted red and white South African wine including 4 x Percheron Chenin Blanc/Viognier 2022 (ES17) (13)

16  x assorted bottles of red wine including 7 x  Chilean and 5 x Ana Kena Birdman Merlot 2021 (ES17) (16) 

9 x assorted bottles of single red wine including Allegrini Valpolicella 2023 etc. (C17) (9)

10 x assorted bottles of red wine including 4 x Red Velvet Douro 2020 (ES17) (10)

12 x bottles of assorted Italian red wine including 4 x Cascin Adelaide Barolo 2019 (ES17) (12)

6 x 50cl bottles of Corimbo Tempranillo red wine, 2019 (C17) (6)

1 x large bag of red wine and 2 x bags of Chateau Neuf de Pape (ES16) (3)

9 x 75cl bottles of assorted red wine, 1 x 375ml bottle and 1 x 187ml bottle (ES17) (11)

10 x assorted bottles of French red wine including 2 x Dom Boyar Deer Point Cabernet Sauvignon 2020 (C17) (10)

11 x assorted bottles of red wine including 3 x Ripper Shiraz 2023, 2 x Potts Bleasdale The Powder Monkey Shiraz 2021 etc. (C17) (11)

7 x assorted bottles of red wine comprising 3 x Rickety Bridge, South African Shiraz 2019, 1 x Carvinea Negroamaro 2019 Salento, 1 x Pilancko Barddino 2021, 1 x Tairo L'Imperatore Paglia 2021, 1 x Carvine Primitivo Frugifero 2019 (C17) (7)

12 x assorted bottles of Italian red wine comprising 4 x Primitivo, 4 x Chianti Classico and 4 x Valpolicella Ripasso (ES17) (12)

9 x assorted bottles of French red wine including 5 x Les Champs Benis Cuvee des Vignerons 2023 (C17) (9)

2006 FIFA World Cup Dornfelder Pfalz red wine signed by nine of the England football team including David Beckham, Frank Lampard, Wayne Rooney, Steven Gerrard, Ashley Cole, Michael Owen and Rio Ferdinand, in presentation box with certificate of authenticity. PLEASE NOTE ALL ALCOHOL & TOBACCO ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY

Eleven bottles of wine and spirits to include Chateauneuf du Pape 2012 75cl 13.5% vol, Cotes du Rhone Cuvée Reservée 2016 75cl 13.5%, The Glenlivet 12 Year Single Malt Scotch Whisky 70cl 40%, De Viveyrac Armagnac 70cl 40%, Johnnie Walker Red Label 75cl 43% and Rosemullion Distillery Spiced Rum 70cl 40%.PLEASE NOTE ALL ALCOHOL & TOBACCO ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY

Eight bottles of French red wine comprising Chateau Ducluzeau Listrac-Medo 1990, Chateau La Raze Beauvallet Medoc 2000,  Coursodon L'Olivaie Saint-Joseph 1991, Domaine Tollot-Beaut Beaune Greves Premier Cru 1993, Chateau Patache d'Aux  Medo 1991, Domaine Ponsot Gevrey-Chambertin 1992, Domaine Rostaing Côte-Rotie 1992 and Andre Roux Cotes du Rone Villiages 1998, all 75cl.PLEASE NOTE ALL ALCOHOL & TOBACCO ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY

Six bottles of mixed red wine. Not available for in-house P&P

RED WINE; six bottles La Tache Monopole 1994 Appellation la Tache Controllee, bottle no.09103, 09104, 09102, 09101, 09099, 09100, 75cl, 13%, Corney & Barrow (OWC) (6).

RED WINE; three bottles La Tache Monopole 2004 Appellation La Tache Controlee, bottle numbers 04732, 04733 and 04734, 13%, 75cl (OWC).

RED WINE; twelve bottles Château Haut-Brion Cru Classe de Graves 2003, 13%, 75cl (OWC).

RED WINE; five bottles Chateau Lafite Rothschild 1984, 75cl (5).

RED WINE; six bottles of Chateau Pape Clement Grand Cru Classe De Graves, 1996, 13%, 75cl (OWC).