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Carole MCDOWALL (1944) Anima Mundi Oil on canvas, signed and titled verso, 107cm x 112cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Carver's Path Oil on canvas, signed and titled verso, 153cm x 160cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Susurris Oil and mixed media on canvas, signed and titled verso, dated '98/99, 148cm x 153cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.The frame shows previous signs of worm and would benefit from being treated. The canvas is fragile in areas affected by this.

Carole MCDOWALL (1944) Sancreed No.3 Oil on canvas, signed, titled and dated '92 verso, 138cm x 147cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Traces II Acrylic on canvas and paper, signed and titled verso, 140cm x 140cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Unnamed Collage Mixed media and oil on canvas, signed and titled, Royal West of England Academy label verso, 153cm x 160cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Dark Ambition Mixed media on canvas, signed and titled verso, 133cm x 110cm framed. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Madron II Acrylic on canvas, signed and titled verso, 140cm x 166cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Sancreed No 1 (Blue) Oil on canvas, signed, titled and dated '92 verso, 139.5cm x 169cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Carole MCDOWALL (1944) Madron Oil on canvas, signed and titled verso, 166cm x 140cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Wine - Four Bottles of Red Wine and One White Wine, in carton. (5)

A Saint Louis crystal glass service, "Thistle" modelComprising 18 water glasses, 24 red wine glasses, 12 white wine glasses, 12 liqueur glasses, 12 flutes, 1 bowl, 3 rinsing bowls, 1 jug, and 1 decanter with cover_x000D_In moulded and cut Saint Louis crystal_x000D_Gold decoration_x000D_Marked on the base_x000D_France, 20th century_x000D_(minor signs of use)Height: 30 cm (jug)

A part drinking glasses setStained glass, red and blue, with gilded scrolls and foliage motifs decoration _x000D_Comprising of 12 water glasses, 12 red wine glasses, 11 white wine glasses and 12 flutes_x000D_Europe, 20th centuryHeight: 21 cm (larger)

CHÂTEAU MOULIN DU CADET ST EMILION 1972one 75cl bottle, Château bottled; Château Grand Saint-Julien Cru Borgeois Superieur 1972, one 75cl bottle and two other bottles of red wine (4)

LONGROW 7 YEARS OLD GAJA BAROLO | Distilled: 10/2000 | Bottled: 01/2008 | Stated age: 7 years old | ABV: 55,8% | Region: Campbelltown | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: paper box, traces of mold on the box | Bottle code: 08/15 | Estimate: 6 000 - 10 000 Kc | Distillery | Springbank is an iconic Scotch distillery located in the Campbeltown area that was founded in 1828 by the Mitchell family, who still own it today, making it one of the few Scotch distilleries still in the hands of the original founders.Springbank is renowned for , that as one of the few distilleries in Scotland, it carries out the entire whiskey production process on site - from malting to distillation to bottling. This gives the distillery more control over the quality of the final product and ensures that Springbank whiskey has its own specific character.The distillery produces three different types of whisky:Springbank - A lightly peated whisky, distilled 2.5 times, giving it a complex profile with with a subtle hint of smoke.Longrow - A heavily peated, double-distilled whiskey that has a more pronounced smoky profile, reminiscent of Islay whisky.Hazelburn - An un-peated, triple-distilled whiskey with a subtle, sweeter profile.Thanks to its authenticity and unmistakable character, Springbank is sought after by both whiskey connoisseurs and collectors, which has made whiskey from this distillery very difficult to find in recent years. | Bottle | Longrow 2000 is a 7-year-old single malt whisky, distilled in October 2000 and bottled in January 2008 as part of the Wood Expressions series. The whisky first matured for 5.5 years in refill bourbon casks and was then finished for 18 months in Gaja Barolo Italian red wine casks. This specific maturation style imparts intense fruit and peat notes, creating a complex profile.Nose: Sweet notes of roasted fruit and strong peat smoke, with hints of strawberry and blackcurrant.Taste: Full and oily, with flavors of cherry, blackcurrant, and tobacco mixed with a peaty character.Finish: Long, with lingering notes of red fruit and smoke that persist on the palate, giving the whisky an unforgettable depth.The auctioned bottle is one of 12,120 produced.

2017 Chateau Musar, Red 6x75cl Purchased through and stored at The Wine Society until transfer for this sale. 

RED WINE; eight bottles of assorted red wine comprising a bottle of Châteauneuf-du-Pape, Clos de L'Oratoire des Papes, 75cl, a bottle Embassy of the United States of America California Sauvignon Blanc, 13%, a bottle of Cordier Plaisir de France, 11%, 75cl, and four further bottles (8).

MIXED WINES AND SPIRITS; eight bottles of red and white wine comprising two bottles of Partridges house white, 750ml, 12%, a bottle of Partridges house Merlot, 750ml, 13%, five bottles of Mouton-Cadet, Bordeaux including 2001, 1990, 1996, 2010, also a bottle of Pimms and a bottle of Justerini & Brooks blended Scotch whisky, 1L, 40% (10).

RED WINE; five bottles of mixed red wine comprising a 1982 Mouton-Cadet Bordeaux, three bottles of 1999 Château de Bariac, 12%, 750ml, and a bottle of Château Langoiran 1996, 12.5%, 750ml (5).

RED WINE; eight bottles comprising Château Mondesir-Gazin 1979, Château de la Gardine, Domaine de la Perrière Fitou, Mâcon Superieur, Château Grand Moulin Haut-Medoc 1989, and three others (8).

RED WINE; thirteen bottles of mixed red wine, mostly modern (13).

RED WINE; four bottles of red wine comprising Château Poeillanne 1996, 12%, 75cl, and three others (7).

RED WINE; a magnum of Cordier Château Gruaud-Larose 1970.

Five bottles of red and white wine including Moulin de Saint-Félix, 13%, 75cl, and Relais de Pouillac 2013, 13.5%, 750ml (5).

RED WINE & PORT; a bottle of Gran Vino, 1994, Gaudium, 75cl, 13.5%, a bottle of 1996 Graham's Malvedos vintage port, 75cl, 20%, a bottle of 1959 Blandy's Madeira red wine, 75cl, 19.5%, and a bottle of Chateau Yaldara, 1975, 750ml, 19% (4).

RED WINE; five bottles of 2019 Château Grand-Jean Bordeaux, 13.5%, 75cl (5).

MIXED SPIRITS AND WINE; ten bottles of mixed spirits comprising a 10 year old Glenmorangie single Highland malt Scotch whisky, a Château de Saurs Réserve Eliézer, 1500ml, 14%, in wooden presentation box, three bottles of Prosecco, a bottle of red wine and four bottles of white wine (10).

RED WINE; eight bottles comprising a 1981 Château Thieuley Bordeaux, 75cl, a bottle of Château Genibon Blanchereau, 1976, 73cl, a bottle of Cuvée du Bicentenaire Bordeaux, 12%, 75cl, a bottle of Lacour Pavillon Bordeaux, 1986, 11.5%, 750ml, and three further bottles (8).

RED WINE; seven bottles of red wine comprising three Berry Bros Good Ordinary Claret, 12%, 75cl, a bottle of Côtes du Rhône Rouge 2003, 13.5%, 75cl, and three further bottles (7).

WINE; ten assorted bottles of red, white and rosé wine including a bottle of Macon Villages, 13%, 75cl, 1991 Puligny-Montrachet, 13%, 75cl, Louis Chaurey Champagne, 12%, 75cl, a bottle of vintage 1992 Chardonnay, 12.5%, 750ml, a bottle of 2011 Les Closiers, Châteauneuf-du-Pape, 13.5%, 75cl, a bottle of L'Espiègle Champagne Brut Rosé 12%, 750ml, a bottle of Baron Rocheau Bordeaux semi-dry, 1985, 750ml, three further bottles and a 25cl bottle of 2007 Beaujolais (11).

RED WINE; fourteen bottles including 2015 Cabalié, 750ml, 13%, 2015 The Black Stump, 750ml, 14%, two bottles of 2013 Barόn de Barbόn Rioja, 750ml, 13.5%, etc (14).Condition Report: Yes, if you are successful in your bidding then please contact us after the auction to arrange the transport to Liverpool.

MIXED WINE; fifteen bottles of red and white wine including 2019 Stones & Bones, 750ml, 14%, 2018 Nelson 2.4K Sauvignon Blanc, 750ml, 13%, three bottles of 2018 Cabalié, 750ml, 13.5%, etc (15).

RED WINE; twelve bottles including 2016 Barbera d'Asti, 750ml, 13%, 2018 Pillastro, 750ml, 13.5%, 2017 Ginestières Merlot, 750ml, 13%, etc (12).

RED WINE; three bottles of vintage red wine comprising 1985 Château Citran, 75cl, and two others (5).

RED WINE; a Bordeaux Jeroboam 2015 Château Beaumont Haut-Médoc, 14%, 5000ml.

Twelve Waterford crystal wine glasses, six red wine and six white wine, 19.5cm and 18cm respectively, together with six brandy goblets, water glasses and a cut glass claret jug.

A collection of Waterford Lismore pattern and matched cut glass drinking glasses - the Waterford glasses comprising 6 x red wine goblets, 17.5cm high, etched marks; 7 x white wine glasses, 15cm high, etched marks (one with small rim chip); and 5 x liqueur glasses, 8.8cm high, etched marks; plus a ship's decanter with etched mark; together with matched glasses in a similar pattern (but with baluster or plain stems) by other makers comprising; 13 x whisky tumblers; 9 x 12.5cm wine glasses; 11 x champagne flutes with elongated bucket bowls; 10 x champagne flutes with elongated ovoid bowls; and 6 x brandy balloons. (68)

A wrought-iron eleven-bottle wine-stand holding four bottles of red wine - Chapelle de la Trinité 1971 - Saint-Émilion; Château Beauregard 1976 - Saint-Julien; Châteauneuf-du-Pape 1987; unidentified Haut-Médoc château and vintage.

SUITE WATERFORD CRYSTAL STEMWARE, Colleen pattern, comprising 12 hock glasses, 8 liqueur glasses, 12 small water glasses, 6 whisky tumblers, 6 coupes, 2 brandy balloon, 10 tall white wine glasses, 8 red wine glasses, 6 sherry glasses, 9 port glasses and a single champagne flute (80)Provenance: private collection SwanseaComments: one or two with tiny rim chips, all with watermark.

A colour twist and opaque wine glass, circa 1765, probably Dutch, the bell shaped bowl on a double series red and opaque strand helix and tubular lattice core stem, on conical foot, 16cm high, foot 7.2cm diameter, rim 6cm diameter

6 RED WINE GLASSES | Moser, Karlovy Vary, Carlsbad (Czech / Bohemian) | clear glass, ground. heap olive green | 19 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

6 RED WINE GLASSES | Moser, Karlovy Vary, Carlsbad (Czech / Bohemian) | clear glass, ground. heap olive green | 19 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

10 x bottles of Fonte de Nico red wine, 2019 (ES16) (10)

9 x 750ml botttles of Voleur Devin Les Maravilhas Alice 2021 vin de france red wine (ES16) (9)

12 x assorted bottles of European red wine comprising 5 x Primitivo di Puglia 2020, 4 x Vina Zoral Gracianao Navarra 2020 and 3 x Trontacaste Primitivo di Manduria 2021 (ES17) (12)

7 x assorted of red wine comprising 5 x Man Meets Mountain, Malbec Mendoza 2023, 1 x Church Road Cabernet Sauvignon 2021 and 1 x 770 Miles California Zinfandel 2022 (C17) (7)

11 x bottles of red wine comprising 8 x Chateau Pitray Castillon Cote de Bordeaux 2018 and 3 x Chateau Sainte Culalie 2020 Minervoi's (ES17) (11)

13 x assorted red and white South African wine including 4 x Percheron Chenin Blanc/Viognier 2022 (ES17) (13)

16  x assorted bottles of red wine including 7 x  Chilean and 5 x Ana Kena Birdman Merlot 2021 (ES17) (16) 

9 x assorted bottles of single red wine including Allegrini Valpolicella 2023 etc. (C17) (9)

10 x assorted bottles of red wine including 4 x Red Velvet Douro 2020 (ES17) (10)

12 x bottles of assorted Italian red wine including 4 x Cascin Adelaide Barolo 2019 (ES17) (12)

6 x 50cl bottles of Corimbo Tempranillo red wine, 2019 (C17) (6)

1 x large bag of red wine and 2 x bags of Chateau Neuf de Pape (ES16) (3)

9 x 75cl bottles of assorted red wine, 1 x 375ml bottle and 1 x 187ml bottle (ES17) (11)

10 x assorted bottles of French red wine including 2 x Dom Boyar Deer Point Cabernet Sauvignon 2020 (C17) (10)

11 x assorted bottles of red wine including 3 x Ripper Shiraz 2023, 2 x Potts Bleasdale The Powder Monkey Shiraz 2021 etc. (C17) (11)

7 x assorted bottles of red wine comprising 3 x Rickety Bridge, South African Shiraz 2019, 1 x Carvinea Negroamaro 2019 Salento, 1 x Pilancko Barddino 2021, 1 x Tairo L'Imperatore Paglia 2021, 1 x Carvine Primitivo Frugifero 2019 (C17) (7)

12 x assorted bottles of Italian red wine comprising 4 x Primitivo, 4 x Chianti Classico and 4 x Valpolicella Ripasso (ES17) (12)

9 x assorted bottles of French red wine including 5 x Les Champs Benis Cuvee des Vignerons 2023 (C17) (9)