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Click here to subscribeRare small wine glass with two red and white enamel portrait medallionscirca 1790, each representing Prince Henry Benedict Stuart Cardinal Duke of York, with a facet stem. Probably decorated by Anthony Taylor, the Scottish enameller formerly of Newcastle-upon-Tyne, 12.3cm high Rough pontil mark and some wear to the base.
New York: Crown Publishers, 1981. 1st edition hardcover with red dust jacket depicting a wine glass. Pheobe Phillips is owner of an art gallery and the editor of many books on antiques. This book surveys the techniques, history, and art of glassmaking in all parts of the world. 320 pages with over 400 illustrations in color and black and white. ISBN 9780517537923. Issued: 1981Dimensions: 8.75"L x 1.25"W x 11.25"HEdition Number: 1st EditionManufacturer: Crown PublishersCountry of Origin: United StatesCondition: Age related wear.
METAL - LP COLLECTION - a collection of approximately 40 Metal LPs. Collection to include: Metallica - Ride The Lightning, Kix - Blow My Fuse - Midnite Dynamite, Exodus - Impact Is Imminent, Savatage - Hall Of The Mountain King - Gutter Ballet, Over Kill - Taking Over (x2), Red Hot Chilli Peppers - The Uplift Mofo Party Plan, Venom - Nightmare (x2), Candlemass - Nightfall, Dirty Looks - Cool From The Wire - Turn Of The Screw, Y&T - Mean Streak, Manowar - Kings Of Metal, Judas Priest - Hero, Hero, Wrathchild America, Spider, Rock Goddess (x2), Skid Row, Ratt, Raven, Vixen, Fastway, White Lion, Big Big Sun, Vamp, Gingos Locos, Tommy Shaw, Fiona, Rebel Heels, Flesh & Blood, Black & White, Virginia Wolf, April Wine, Rick Medlocke And Blackfoot, Michael White. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+.
Assorted red, white and sparkling wine, to include Chateau La Lagune, 3eme Cru Classe, Haut Medoc, 1973, one bottle; Chateau Meyney, Prieure des Couleys, 1962, one bottle; Chateau Haut Pontet, Saint Emilion, 1974, one bottle; Chevalier de Vedrines, 1978, one bottle; Domaine des Pasquiers, 1981, one bottle; Machiavelli, Chianti Classico Riserva, 1977, one bottle; Quinta de Loureiro, Douro, 1982, one bottle; Faustino I, Rioja Gran Reserva, 1976, one bottle; Cremant d'Alsace Cuvee Julien, Dopff, one bottle; Roche Lacour, Cremant de Limoux, 1989, one bottle; Chateau Carsin, 1994, one bottle; Sancerre, Domaine de la Rossignole, 1996, one bottle; Montana Reserve Chardonnay, Marlborough, 1997, one bottle and Calvet Sauvignon, 1996, one bottle, fourteen bottles in total
Translucent ruby red glass set includes a decanter with sterling silver ship overlay, two twisted wine glasses, two plain wine glasses, water cup, creamer, coffee cup with lid, and four shot glasses. Decanter: 5"L x 2.5"W x 6"H. Twisted wine glass: 4"W x 6"H. Plain wine glass: 3.25"W x 6.5"H. Water cup: 3"W x 4"H. Creamer: 2.75"L x 2"W x 2.5"H. Coffee cup with lid: 4"L x 3.5"W x 4"H. Tallest shot glass: 2.25"W x 3.75"H. Dimensions: See DescriptionCondition: Age related wear.
A LARGE QUANTITY OF CRANBERRY GLASSWARE, to include, cranberry and gilt bohemian decanter, six champagne flutes, six liqueur glasses with gilt twist stem decorated with painted flowers and leaf design, six vintage bohemian cut to clear red wine hock glasses, selection of odd cranberry glasses, cranberry glass bowls with ruffled ribbon decoration (some have damage an sharp edges), double end Victorian scent bottle, single stem vase with ruffled ribbon detail, glass sugar shaker with epns top, (previous seller sticker attached), a purple iridescent bud vase with bulbus bottom has a signature on the base, etc. bulbus vase with tiny blue flowers painted all over, etc. (qty), (Condition Report: all items would benefit from a clean, some items have got damage and wear see main description for specific details)
Carole MCDOWALL (1944) Anima Mundi Oil on canvas, signed and titled verso, 107cm x 112cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Carver's Path Oil on canvas, signed and titled verso, 153cm x 160cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Susurris Oil and mixed media on canvas, signed and titled verso, dated '98/99, 148cm x 153cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.The frame shows previous signs of worm and would benefit from being treated. The canvas is fragile in areas affected by this.
Carole MCDOWALL (1944) Sancreed No.3 Oil on canvas, signed, titled and dated '92 verso, 138cm x 147cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Traces II Acrylic on canvas and paper, signed and titled verso, 140cm x 140cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Unnamed Collage Mixed media and oil on canvas, signed and titled, Royal West of England Academy label verso, 153cm x 160cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Dark Ambition Mixed media on canvas, signed and titled verso, 133cm x 110cm framed. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Madron II Acrylic on canvas, signed and titled verso, 140cm x 166cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Sancreed No 1 (Blue) Oil on canvas, signed, titled and dated '92 verso, 139.5cm x 169cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Carole MCDOWALL (1944) Madron Oil on canvas, signed and titled verso, 166cm x 140cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.
Features 2 red wine glasses with wide bowls, tapered lips and slender stems, designed to elevate the tasting experience with elegance and style. 2611151. This item has its original box. Box measures: 13.5"L x 11"W x 5.25"H. Baccarat France backstamp. Dimensions: 8.5"HManufacturer: BaccaratCountry of Origin: FranceCondition: Factory sealed, new condition.
Bonnie & Clyde Edition model car with wine red exteriors and latte brown interiors as well as whitewall tires. Driver and passenger doors open as well as the hood. 1:24 scale. The top is removable and small accessories are included. Franklin Mint backstamp. Issued: 20th centuryDimensions: 7"L x 3"W x 2.75"HManufacturer: Franklin MintCountry of Origin: United StatesCondition: Age related wear.
John Dillinger's Getaway Car model car with mysterious black exterior and wine red tires. John Dillinger evaded capture by making his speedy getaway in this Ford V8 model after his famous jail break. Driver and passenger doors open as well as the hood. 1:24 scale. Small accessories and pamphlet are included. Franklin Mint backstamp. Issued: 20th centuryDimensions: 7.25"L x 2.75"W x 2.75"HManufacturer: Franklin MintCountry of Origin: United StatesCondition: Age related wear.
Features 4 distinct crystal glasses, each designed to enhance the tasting experience for different beverages. Set includes a champagne flute, red wine glass, white wine glass and small tumbler. 2811925. This item has its original box. Box dimension: 13.5"L x 11"W x 5.25"H. Baccarat France backstamp. Dimensions: See DescriptionManufacturer: BaccaratCountry of Origin: FranceCondition: Factory sealed, new condition.
TWO SILVER TUMBLERS / BEAKERS,Sheffield 1972 & 1974, maker's mark of the Royal Irish Silver Co., each with gilt interiors, with flared rims, the bodies decoration with frosted decoration, c.8cm high; together with one red wine glass, Dublin 1970, mark of Royal Irish Co., c.9.5cm high. (c.21 troy ozs in all)
Mixed wines, Charles Cimicky Shiraz signataire 1998, presentation box with cork screw and cap, St Henri Shiraz 1998, Penfolds Bin407 Cabernet Sauvignon, Hardy's Shiraz 2005, Wolf Blass President's selection shiraz 1998, Campo Viejo Reserva 2006, Tamaya Syrah Reserve 2008, Tenacity Shiraz 2016, Jordan Stellenbosch Chameleon Cabernet Sauvignon Merlot 2003, Gascogne 2009, Domaine des Coste 2011, Fulchino Vineyard Classico Hillsborough County Red Wine 2012, Highgrove Cotes du Rhone 2011, Cru des Cotes du Rhone Les Dauphins 2015, all single bottles and Maury 1928 Solera Maury, 50cl bottle (15)
3 bottles of red wine, Chateau Pitray 1995, Bordeaux, Cotes De Castillon, 1997 Reserver Castillo De Calatravo, La Mancha, and half bottle of Big Tree Claret possibly 1930s bottlingThe Pitray and Calatravo levels to low neck and in good condition, the half bottle has a capsule for Old Medal London 1914 with revised label dated May 1927, levels to mid shoulder
A GROUP OF BOXED CUT CRYSTAL AND COLLECTION OF CHARLES DICKEN'S NOVELS, comprising sixteen Hazell, Watson & Viney Ltd. volumes of Charles Dicken's novels covered in red and gilt faux leather, seven cigarette card albums, a boxed Stuart Crystal tankard, a boxed set of two Royal Doulton Crystal champagne glasses, a boxed set of six Edinburgh Crystal wine glasses, a boxed set of six Edinburgh Crystal whisky tumblers (s.d) (1 box + loose)
WINE, Fifty-Seven Bottles of Red and White Wine from Europe and the New World, highlights include 1 x Chateau Filhot 1980 Sauternes Comtesse Durieu de Lacarelle nee Lur Saluces, 1 x Chateau Delmond Sauternes 2000, 1 x Chateau Bessan 1981 Sauternes, 1 x Gevrey-Chambertin Domaine Belleville 1990, and 1 x Baron De Milon Pauillac 1992 Domaines Barons De Rothschild (Lafite) other wines include Barsac, Loupiac, Madrian, Chianti, Bordeaux Superior German Wine and many others, together with eight other bottles of assorted wine and spirit to include a 1.5L bottle of Thunderbird
FOUR BOXES AND LOOSE MIXED CERAMICS AND GLASSWARE to include a group of Wedgwood 'Jasperware' trinket dishes and vases, three Royal Doulton character jugs, a quantity of assorted royal commemorative mugs, a box of Vilanov aperitif glasses, a Wedgwood & Co. chintz bowl, a wash basin and water jug (damage to the spout of the water jug), a quantity of blue and white willow patterned plates, a Wedgwood pedestal blue and white 'Mandarin' bowl, two blue and white meat trays, a box of six red and gilded continental glasses, a box of assorted glassware to include wine glasses, a sugar caster, water jugs etc (4 boxes and loose) (s.d)
ALCOHOL, Ten Bottles of mixed Alcohol comprising 2 x 1 Litre bottles (plastic) of JOHNNIE WALKER Red Label Scotch Whisky, 1 x PINWINNIE Royal Scotch Whisky, 75cl, 1 MOET & CHANDON Imperial Champagne, 750ml, 1 x VEUVE CLICQUOT Champagne, 750ml, 1 x TRES CAPAS SOLERA Spanish Brandy, 100cl, 1 x ST. AMOR 1966 Cote D'Or Red Wine in a metal frame, 1 x 'THE FULL FIFTEEN' Australian Wine, 750ml and 2 x AGUERE CARAMELO Rum Liqueur, 70 cl
ALCOHOL, Twenty -Five Bottles and over forty assorted 'Miniatures comprising seven bottles of red New World wine, seven bottles of white European and New World wine 2 x Southern Comfort Liqueur, 1 x Drambuie Liqueur, 1 x Bailey's Irish Cream, 1 x 1 Litre Bottle of BELL'S Extra Special Scotch Whisky, aged 8 Years, 2 x MARTELL VS Cognac, 70cl, 1 x HINE VSOP Vieux Cognac, 24 fl. oz, 1 x THREE BARRELS VSOP French Brandy, 70cl, 1 x HEIDSIECK & CO. Monopole Blue Top Champagne, 750ml, 1 x BISSINGER & CO. Brut Rose Champagne, 750ml, the 'miniatures' include Whisky, Cognac, Brandy, Rum, Vodka, Pernod and Liqueurs
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