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Click here to subscribeEarly 19th century Obelisk at 'Catania' blue and white pattern plate, from the series 'View of Italy', 25.2cm diameter, a similar plate printed with the Naval Amphitheatre Jaorminum, early 19th century bridge of Lucano, Italy 'semi-China', blue and white plate 25cm diameter, Rogers 'Florence' blue and white pattern soup dish, 26cm diameter and William Ridgway 'A View in Venice' pattern blue and white plate, 26.2cm diameter (5)
Durrell, Lawrence. The Black Book, Paris, Obelisk Press, 1938, 8vo, first edition, volume 1 of the Villa Seurat series, edited by Henry Miller, without errata slip present in later issues, original pale green printed wrappers, collector's folding box, covers partially detached (not printed in USA until 1960 or UK until 1973).
Three items of Worcester blue and white porcelain, comprising: a cylindrical mug printed with the so called 'Obelisk and Vase' pattern, the reverse with the 'European Landscape Group', hatched crescent mark, 8.5cm high (cracked and chipped); a 'Pinecone' pattern plate, hatched crescent mark, 25cm diameter (in half and rivetted); and a barrel-shaped teapot and cover, printed with the so called 'Rose-centred spray group', hatched crescent mark (chips and losses), circa 1775
Two blue-printed dinner plates: a Russian Palace pattern plate, diameter 25.0cm, unmarked; and a plate with classical ruins, a winding road, an obelisk and Neptune riding an eagle clutching bolts of lightning, all within a border of flowers, scrolls and geometric panels, diameter 25.0cm, unmarked; both circa 1815-30
A blue-printed washbowl, decorated with a composite rural scene featuring a tower, a boy herding two cows through an archway, an obelisk, and another boy fishing by a wall with a mask fountain, all within a foliage and flower border, diameter 31.2cm, unmarked, circa 1820-30 (some rim damage and footrim chips)
Miller (Henry) Tropic of Capricorn, second edition, variant without price on spine, errata leaf tipped-in on title, original dark pink wrappers with 3 white panels, black lettering, fore-edge slightly creased, small tear to tail of spine, otherwise a near fine copy, Paris, Obelisk Press, [1939]; Sunday After the War, offset reprint, original cream buckram, dust-jacket, slightly tanned at lower edge, Norfolk, Conn., 1944; Tropic of Cancer, 1961; Tropic of Capricorn, 1961; Black Spring, 1963, original boards, New York, Grove Press ~ Long (Haniel) The Power Within Us, Preface by Henry Miller, original cloth, dust-jacket, rubbed, 1946; and 16 others, similar, 8vo (16).
A Worcester First Period circular slop bowl, the exterior with stylised flower spray and sprigs, the interior with swagged frieze, open crescent mark, 12cm diameter; also a saucer with underglaze blue printed decoration, depicting a Chinese lady and her son with an obelisk and vases, crescent mark, 13cm diameter
An unusual early 19c French carpenters handled pencil case all faces are covered with naive carvings, one side and the handle takes the form of an alligator, the opposite side an obelisk with a plaque enscribed "Veille, Courdouan", underside shows various tools with a masonic symbol and the top the carver'name? Pierre Bernard surrounded by cannons and "Libertie" and "La Mort" an intrigueing piece G
Connolly (Cyril) The Rock Pool, first edition, partly unopened, some minor marginal marking, original printed wrappers, very slight soiling, small split and mark at head of spine, in collector's box, Paris, Obelisk Press, 1936; and the first English edition of the same, 8vo (2). *** The author's first novel.
A Pillar with Urn pattern bowl, decorated around the outside with two sections of the scene featuring an orangery-like building, a garden backed by balustrading with an obelisk-like structure in the middle, and a ruined temple, with an internal border of flowers and leaves, diameter 19.0cm, unmarked, circa 1815-30
A quantity of mostly pearlware figures, comprising; a field sportsman with hound; a sleeping putto; a putto with a basket; figures beside an obelisk; a figure seated on a barrel; a classical maiden with a ewer; a figure emblematic of Old Age; a bocage group of a rustic and companion; a figure of a man; a figure of a girl with a basket of flowers and a William Kent Ltd 'Bull-baiting' group after an original by Obediah Sherratt (extensive damage throughout)
Miller (Henry) Black Spring, first edition, original beige pictorial wrappers printed in reddish brown, slightly soiled at edges, from the library of Havelock Ellis, with bookseller's letter authenticating it loosely inserted, a fine copy, 8vo, Paris, The Obelisk Press, 1936. *** The author's third book, his second novel.
A selection of Worcester puce transfer printed wares, 1765-1775, comprising two coffee cups printed with classical ruins, a tea bowl printed with classical ruins, another tea bowl printed with an obelisk, pyramid and ruins and two saucers printed with an Italianate watermill and fisherman and figures on a bridge respectively, minor rim chips, the cups 2.5" high (6)
A Barr, Flight and Barr Worcester coffee can, 1807-13 period, decorated with a marbled salmon pink ground and gilded below a Greek key border, impressed mark 2.50 " high, a Worcester saucer circa 1775 printed in puce with an obelisk and ruins pattern, cracked 4.50" diameter, a shanked coffee can circa 1795 decorated with puce and gilt sprigs 2.50" high and an English porcelain kakiemon pattern coffee can and saucer, early 19th century, cracked (5)