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Click here to subscribeEgyptian Painted Wooden Sarcophagus Fragment with BaboonsThird Intermediate Period, 1069-664 BC. A wooden quadrant-section panel, the outer face with a layer of gesso decorated in polychrome with religious scenes including Anubis, god of the afterlife, characteristically seated atop a tomb, and a large baboon, sacred to the god Thoth, standing upright next to a green-painted obelisk, with another god, possibly Horus, partially visible. 566 grams, 36 cm (14"). Ex Ian Macmillan collection, Surrey, UK. Fair condition, some loss to gesso at upper-right corner.Starting Price: £200
Kircher (Athanasius). Obeliscus Pamphilius, hoc est interpretatio nova & hucusque intentata, obelisci hieroglyphici, 1st ed., Rome: Lodovico Grignani, 1650, eng. frontis., woodcut armorial of Pope Innocent X to title, five full-page eng. illusts., numerous woodcut illusts. (some full-page), lacking engraved portrait and folding plate of obelisk and last two leaves at rear of volume (4E1 & 4E2), short tear to e4 with slight loss of a few letters, closed tear to F3, Gg3 and Vv4, blank fore-edge of Vvv2 torn, some dampstaining, spotting and browning, some marginal worm holes/worming to first & last few leaves (mostly minor, not affecting text), 18th c. qtr. vellum, upper joint cracked at foot, folio. Cicognara 2526; Schudt 1130. (1)
A mahogany cased Sikes` hydrometer by Farrow & Jackson, 8ins x 4ins x 2ins, a Victorian cut glass Obelisk pattern thermometer, 10ins high, a hardwood gavel and stand for same, a 19th Century black pique work cheroot holder with black leather case for same, 5.5ins long, and a selection of small items, various
Continental porcelain group(lot of 2) Continental porcelain group, consisting of a low bowl, having applied floral reserves, marked Made in Spain 9``w, together with a figural sculpture depicting a lion, surmounted with an obelisk and rising on a rectangular base, 25.5``hStarting Price: $20
DUFF NORWICH: (1792-1862) British Admiral whose father, Captain George Duff, was killed at the Battle of Trafalgar, 1805. Manuscript D.S., N Duff, Captain Royal Navy, one page, oblong 8vo, London, 7th June 1839. The document admits Captain G. A. Crofton of the Royal Navy and his party `to the exhibition of models for the Nelson Monument`. Signed by Duff in his capacity as a member of the committee. VG Duff`s document refers to Nelson`s Column which stands in Trafalgar Square, London, and was constructed between 1840-43. In February 1838 a group of 121 peers, politicians and other gentry formed a committee to raise a monument to Lord Nelson, funded by public subscription, and the Government agreed to provide a site in Trafalgar Square, in front of the newly completed National Gallery. A competition was held for designs, the deadline for submissions being 31st January 1839. The winning entry, chosen by a sub-committee headed by the Duke of Wellington, was a design by William Railton for a Corinthian column surmounted by a statue of Nelson, and flanked by four sculpted lions. The second prize was won by Edward Hodges Baily who suggested an obelisk surrounded by sculptures. Criticism of the organisation of the competition caused it to be rerun. Railton submitted a slightly revised design, and was once again declared the winner, with the stipulation that the statue of Nelson should be made by Baily.
A late Victorian rosewood and Tunbridge ware circular inkstand inset with single moulded glass inkwell, the borders inlaid with patterned bandings and with two turned pen stands, 4.5ins diameter (inkwell lacking cover and chipped to bas), a Victorian rosewood and Tunbridge ware obelisk pattern desk mercury thermometer and thermometer in parquetry patterned panels, 8ins high, a small rosewood and Tunbridge ware 6ins ruler, and Tunbridge ware inlaid paper knife, 9.25ins overall
A 19th Century Tartanware obelisk pattern desk thermometer with ivory scale, on stepped base, 10ins high, an early 19th Century lacquered bottle coaster painted in colours and gilt with leaves, branches and a butterfly, 5.5ins diameter x 2ins high, and two 19th Century circular lacquered snuff boxes, 2.75ins and 3.5ins diameter
A Minton majolica Christmas jug, circa 1872, the cobalt blue glazed body relief decorated with holly, the gently flared neck with mistletoe and mask moulded spout, impressed factory marks to base with shape No. `580` (neck broken and glued), together with a Sowerby purple malachite pressed glass vase relief moulded with Gathering Apples, after Walter Crane (repaired), and a pressed glass obelisk (minor chips).
ENGLISH SCHOOL, EARLY 18TH CENTURYALLEGORICAL PORTRAIT OF A LADYseated three quarter length in a blue mantle with a sandglass, obelisk and other buildings beyond, panel, 29 x 40cmProvenance: The Hon Catherine Harpur (1682-1744/5), daughter of Thomas, 2nd Lord Crewe of Stene and widow of Sir John Harpur, 4th Baronet, of Calke Abbey, Derbyshire. Specifically bequeathed by her will (written on 6 June 1743) to her daughter, Lady Jemima Palmer (d1768) wife of Sir Thomas Palmer of Carlton Curlieu, Leicestershire.This fascinating rediscovery of a picture known only from its description in Catherine Harpur`s will left Calke Abbey, that quintessential time capsule of a grand house, at an early date. In her Will the testatrix describes the present painting as "A picture with a Lady reading with an hour Glass ...". This is confirmed by the label verso presumably written by her son and which is signed with the initials TP and dated, probably, January [17]83. The present picture, which was clearly regarded as one of some importance would have hung at Calke Abbey (National Trust) and, possibly on account of its small size, was amongst a number of items of special personal significance taken with her when Lady Harpur removed to Luffenham, Rutland on the death of her husband in 1741.The contemplative pose, open book (in which can just be made out the letters `a n and t` and 29) sandglass, butterfly, bird and obelisk all vanitas symbols of the emptiness of earthly life irrespective of wealth or status.A portrait of the Hon Catherine Crewe, Lady Harpur with one of her children by Charles Jervas (c1675-1739) is at Calke Abbey (National Trust).++Localised instability of the medium with a few small spots of flaking near the sitter`s left leg, localised bitumenisation principally around the sitter`s left elbow, the varnish very dirty, the support in excellent condition free from shrinkage cracks or warping and long undisturbed in the present early 18th c ebonised frame which could well be original
A PAIR OF ITALIAN GRAND TOUR SPECIMEN MARBLE OBELISKS20th CenturyThe black marble is inlaid in geometric forms with sienna surrounding lapis lazuli, sienna, rouge, verte, gris, oxblood and others are inlaid into the expected obelisk forms raised on rectangular columns and square plinth base with ogee edge.Condition: Minor scratches to marble. Minor repair to top of one obelisk.21½ x 6½ x 6½ inches (54.6 x 16.5 x 16.5 cm).Two pieces total. Starting Price: $1,100.00
Cheselden (William). Osteographia, Or the Anatomy of the Bones, 1st edition, 1733, engraved frontispiece, title with engraved vignette, engraved royal arms on separate sheet, engraved dedication, (with deer skeleton to verso), 29 engraved illustrations, 112 engraved plates (complete), comprising two sets of plates numbered I-LVI by Jacob Schijnvoet and Gerard van der Gucht, first set lettered with explanatory text to verso, second set unlettered and without text, plate LVI of first set with deer skeleton to verso; plate LVI of the second set with obelisk ruin in red, historiated initials, occasional light spotting and toning, endpapers renewed, hinges reinforced, contemporary half calf, rebacked, corners chipped, folio. The most famous and among the most artistically interesting osteological atlases ever produced` (Norman), the first full and accurate description of human skeletal anatomy. One of only 400 copies, `which being finished, the plates shall be destroyed that the price of the book may never sink in the possession of the subscribers` (from To the Reader`). The accuracy of the drawing of the large plates of bones is derived from Cheselden`s innovative use of the camera obscura (the use of which is depicted on the title vignette and used for the first time solely for book illustration). The thick paper and large folio format allowed for life-size illustrations of separate human bones. William Cheselden (1688-1752) studied anatomy under William Cowper (1666-1709), becoming full surgeon at St Thomas`s Hospital in 1720. A pioneer of surgical techniques in bladder stone removal and ophthalmics, he is credited with performing the first known successful case of restorative eye surgery on a blind 13-year-old boy, an iridotomy, using a cataract-extraction knife to create an artificial pupil. G-M 395; Norman 466; Waller 1941. (1)
A folder of various rare Yu-Gi-Oh! cards including Exodia The Forbidden One, Spellcaster, Delinquent Duo Spell card first edition, Last Turn trap card, Divine Wrath trap card, Slate Warrior, Four Stars Fiend Effect, Luminous Soldier Warrior Effect, Winged Dragon of Ra, Divine Beast, Obelisk The Tormentor, Slifer The Sky Dragon, Buster Blader first edition Warrior Effect, Jinzo Machine Effect, Yata-Garasu Fiend / Spirit, Dark Magician Girl Spellcaster Effect, etc. (Approx. 1,500) (ILLUSTRATED)