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Lot 112
§ Carl Payne (1969-2021), La Pucelle, an elongated and patinated bronze of a female nude standing atop a sphere, mounted to an integral polished granite obelisk-shaped base, signed and numbered 9/20 to the bronze,94cm high overallIn very good condition. Consigned, along with the other Payne, the Talbots and the Welchs from a deceased estate.
Lot 94
An exceptional Baccarat crystal clock set featuring two obelisk towers and a hanging starburst clock suspended on a gold-tone chain between them. The tallest obelisk stands 25.25"H, each designed with faceted crystal panels and resting on square bases supported by four gold turtle feet. The centerpiece is a stunning crystal starburst clock, adding symmetry and elegance to the set. This piece comes in its original box, measuring 32"L x 32"W x 13.5"H, ensuring its safe preservation and presentation. A true testament to Baccarat's masterful craftsmanship and timeless design. Issued: 1996Dimensions: 25.25"HCountry of Origin: FranceCondition: Age related wear. As is, as found. Chips to base.
Lot 938
A pair of Wong Lee ceramic and brass obelisks, decorated with deer, trees and butterflies mounted on a brass elephant with brass to the base and top 64cm high with makers mark to base WL 1895 together with a single ceramic and gilt obelisk with faux marble design 53cm h marked Made in Italy to base. (3).
Lot 58
ROSENTHAL VERSACE Obelisk "LES TRÉSORS DE LA MER". Modell aus Porzellan in Blautönen mit Meeresmotiven. Sehr guter Zustand bis auf Spuren an der Unterseite. 38 x 8,5 cm.| ROSENTHAL VERSACE obelisk "LES TRÉSORS DE LA MER". Model made of porcelain in blue tones with sea motifs. Very good condition except for traces on the underside. 38 x 8,5 cm.
Lot 1762
A rare Vauxhall armorial coffee cup, c.1756-60, possibly decorated in the London atelier of James Giles, finely painted with the arms of Parminter family over a printed and coloured landscape including a seated figure and an obelisk, the interior with a gilt foliate band and a single pink rose, 6cm.Provenance: formerly the Watney Collection. Originally part of a service at A La Ronde near Exmouth, Devon; home of the Parminter sisters. Exhibited: English Ceramics Circle, 2007, no.45. English Ceramics Circle Armorials Exhibition, 2008. Early James Giles, Stockspring Antiques, 2008.Illustrated: Stephen Hanscombe, The Early James Giles and his Contemporary London Decorators, no. 114.
Lot 1692
A small Chelsea fluted oval stand or dish, c.1753-54, painted by Jefferyes Hamett O'Neale with Classical travellers beside a tall obelisk, before a sailing vessel on a winding river with further figures on the distant bank, the rim with sprays of flowers, brown line rim, red anchor mark, a section broken out and restuck, 16.3cm.Illustrated: Stephen Hanscombe, Jefferyes Hamett O'Neale, no.52.
Lot 510
A pair of modern large size pricket candlesticks, height 77cm, with a wooden pedestal bowl (base cracked) from Theodore Alexander, six treen boxes, a leather box, a magazine rack believed to be from The Original Book Works, and an Eastern four section box modelled as an obelisk, decorated with characters.
Lot 94
Collection of simulated tortoiseshell and burrwood desk obelisks, two tribal-style rattan covered turned wooden globular vases, a lacquerware bombe-form box and cover in simulated tortoiseshell and other items Condition ReportSome surface scratches, and scuffs, chip to the base of one vase, small split to the base of one wooden obelisk, general wear and tear. Appears to be a mixture of mid to late 20th century items.
Lot 3215
A scarce 18th century London, Piccadilly, London Corresponding Society Skidmore's mule halfpenny token, obverse with man hanging from gallows, cap of liberty, obelisk and anchor right, reverse with London Corresponding Society cypher to centre, edge grained, Dalton & Hamer 290 (extremely fine, nearly full blazing lustre).
Lot 290
Limited edition figure features an obelisk with a bird in flight wrapped around it. Combining sleek lines with a dynamic design. Baccarat France backstamp, 2000 is etched on the base. Dimensions: 6"L x 5.5"W x 11"HEdition Number: 188 of 2000Manufacturer: BaccaratCountry of Origin: FranceCondition: Age related wear.
Lot 1028
CHRISTIAN DIOR - a stainless steel Riva quartz calendar bracelet watch, ref. D101-100, circa 2008, silvered dial with polished quarterly Arabic numerals, obelisk hands with luminous inserts, sweep centre seconds hand and date aperture, serial no. CH1569, case width 31mm, not currently working, boxed with papersMovement – not currently working and needs new batteryDial - cleanGlass - cleanHands - goodCase - general wear and surface abrasions mainly to high points and sides of caseCrown – signed with logo, Quickset date working, hands adjust smoothlyBracelet - associated Christian Dior steel bracelet, high points heavily abraded, minimal stretching to links, clasp working, wrist size approx 18cm (excluding 2 spare links)Notes – with inner and outer box, international guarantee card and instructions manual
Lot 100
DENMARK. Frederik III, 1648-70. Silver Medal, 1670. Struck to mark the death of King Frederick on 9 February 1670.Obv.: Imperial orb, crossed sword and scepter behind it, a crown on each side, crowned monogram "F3" on clouds at the top, coats of arms in the corners.Rev.: Obelisk in landscape, lion resting in front, setting sun to right, in the corners data from his life.Extremely fine, toned.Künker Auction 113 (2006), lot 2035.Reference: Galster 197Weight: 12.86 g.Composition: Silver.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.This lot can be shipped from the EU if certain conditions are met. Please contact us on EUclients@thecoincabinet.com to inquire about this service.
Lot 117
FRANCE. Napoleon I. Bronze Medal, 1798. Laureate head of Napoléon Bonaparte slightly left, J. JOUANNIN . F . DENON D in truncation. Engraved by Julien-Marie Jouannin / Napoléon standing left, holding sceptre in right hand and resting left on hip, decorated with cross quivers and drawn by camels; to left, obelisk and Corinthian column; above, Victory flying right, holding palm frond in left hand and wreath in outstretched left; L’EGYPTE CONQUISE MDCCXCVIII. BRENNET . F . DENON . D . Engraved by Nicolas-Guy-Antoine Brenet. Reference: BDM III- 88, Hennin- 879, Julius- 662, Lec- 8, NM-10Diameter: 40.5 mm.Weight: 40.79 g.Composition: Bronze.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.This lot can be shipped from the EU if certain conditions are met. Please contact us on EUclients@thecoincabinet.com to inquire about this service.
Lot 61
.A group of four, including two bone kohl bottles. One is stained red with incised decoration showing columns or niches on the lower part of each of its four sides, with columns of small circles and dots standing on four feet, with bands engraved around the circular upper part. The second is stained in green, a rectangular column standing on a base with four feet, decorated with dots and circles. Such-shaped kohl bottles have been found from both the Sassanian period and the early Islamic period. A similar example in the Louvre Museum in Paris was excavated in Susa, Western Iran, from the Sassanian level. Also included are two grey steatite (soap-rock) kohl bottles. One of half obelisk form standing on a four-footed base. The second of similar form, incised with five dots within circles below and one above on all four sides, standing on a shallow foot.Size: 100mm x 30mm (widest points); Weight: 175gProvenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950).
Lot 9
FRENCH SCHOOL (17TH CENTURY) THE FINDING OF MOSES oil on canvas 95.6 x 138cm; 38 x 54 1/2in 126 x 157cm; 49 1/2 x 61 3/4in (framed) Property of a Gentleman, London Provenance Frederick Willis Farrer, London (d.1909; Farrer worked for the family legal firm, Farrer & Co. in Lincoln's Inn Fields, and was the son-in-law of the painter George Richmond) Sale, Christie's London, 23 June 1916, lot 108 Sale, Phillips London, 28 April 1987, lot 65 (as Circle of Gaspard Poussin, called Gaspard Dughet). Purchased at the above sale by the present owner Exhibited Ottawa, National Gallery of Canada, Egyptomania: Egypt in Western Art, 1730-1930, 1994, p. 33, fig. 2 (as by Charles-Alphonse Dufresnoy; illustrated in the catalogue) The present work has been the subject of much scholarly debate. When first recorded at auction in 1916 it was considered to be by Claude Lorrain (1600-1682), when offered for sale in 1987 it was attributed to Circle of Gaspard Poussin, called Gaspard Dughet (1615-1675). Since 1987 a range of attributions have been proffered, mostly to French hands of the seventeenth century. In 1994, when it was a feature of the Egyptomania exhibition in Ottawa it was catalogued as by Charles-Alphonse Dufresnoy (1611-1668), an attribution put forward by Pierre Rosenberg; another suggestion is that it could be by Francisque Millet III (1697-1777). More recently the name of Dutch painter Johannes Glauber (1656-c.1703) has been proposed. Iconographically the figures in the composition bear striking similarities to the work of Francisque Millet I (1642-79). The woman kneeling with arms outstretched to the left of the baby Moses compares with the corresponding figure in the etching by Theodore after the painting by Millet I (Alte Nationalgalerie, Berlin). The female figure standing behind Moses who gestures towards the child also adopts the pose of the woman standing almost in the river in Theodore's etching. Concerning references to the Antique, the obelisk on the left of the composition derives from the the obelisk in front of the church of St John Lateran, Rome - one of the nineteen obelisks brought back from Egypt by Emperor Hadrian. Its ornamentation shows the cartouches of King Tuthmosis III of the Eighteenth Dynasty. The inscriptions in the roundel are taken, in part at least, from the obelisk in the Piazza del Popolo, Rome. The two statues are the Antinous now in the Museo Gregorio in the Vatican. The pyramid shown on the right is the tomb of Caius Cestius, which stands in what is now the English cemetery in Rome. The brass trumpet-like object on the ground is the rattle of Osiris, the Egyptian mother-god. The winged creatures in the sky appear to reference the flying serpents sent by God on the grumbling Israelites and the ibis Moses used to put down the birds.
Lot 381
A COLLECTION OF COLOURED GLASS, comprising a collection of Victorian cranberry glass, a blue glass obelisk, cut glass salts, mustard pot and a cruet set, knife rests, a Murano style blue and white striped basket, a Uranium trinket dish and a pair of Uranium yellow Vaseline glass 'Thorn' vases with opalescent necks (both have a broken foot), etc. (s.d) (qty) (Condition Report: nibbles and minor chips to some pieces)
Lot 5
CHAUMETREF. 13A, 18K white goldA rare, 18K White Gold self-winding wristwatch with dateYear : C. 1990 Dial : Non-luminous white features printed, carbon blue, quadrant roman indices, a tone-matching ‘railroad’ minute track, a date aperture at 3 o’clock ; blued steel obelisk hands Calibre : Automatic, signed Chaumet. Case : 508 ; curved bezel, sapphire crystal and a solid gold crown. Display sapphire caseback Bracelet : leather strap with 18K white gold Chaumet pin buckle Dimensions : Ø 36 mm. Signature : Dial, case and movement Condition Report: General remarks : Very good general conditionCase : Very Good general condition ; strap wornDial : Very Good general conditionHands : Very Good general condition. Original handsRunning at the time of cataloguing, overhaul recommended at buyer’s expense
Lot 307
Manner of Nicolaes Pietersz. Berchem, (1620-1683) - Oil on canvas - 18th century Italianate Arcadian landscape, with kneeling male bearded figure harvesting vegetables, beside sheep and goats to the foreground, in the middle distance a reclining naked female with two attendant maid servants (perhaps Ceres, goddess of the harvest), before a mountain landscape with pyramid or obelisk, 72cm x 105cm, relined, in a good gilt frame
Lot 787
Reiss Brothers Company 20th Century cased Meerschaum pipe with gold coloured mounts and amber mouth piece, L14.5cm; olive wood obelisk desk thermometer, H15.5cm; 10th Century silver metal sugar basin with blue glass liner and swing handle, W15cm; carved green hardstone mouse and other decorative items
Lot 160
Lairesse, Gérard de (Lüttich, Amsterdam 1641-1711) , UmkreisMythologische Szene mit Verlobung in Gartenlandschaft Mädchen und Jünglinge in antiker Gewandung um das Paar versammelt. Links Amor, einen Pfeil abschiessend. Als Kulisse Ruine eines Triumphbogens. Ausblick auf gebirgige Landschaft mit Palastarchitektur und Obelisk. Unten links rot bez. 1341. Rückseitig altes Klebeetikett. Lwd. (auf Holz doubl.). 59×49 cm. R. Ehemals in der Gemäldegalerie zu Kassel, wo es sich bis Ende der 1970er Jahre befand. Vgl. Katalog der Königl. Gemälde-Galerie zu Cassel von Dr. Oscar Eisenmann, 1888, S. 275, Nr. 429. Im Juni 1979 bei Lempertz in Köln versteigert mit Losnr. 92. (61146)
Lot 40
Johannes Lingelbach (Frankfurt 1622-1674 Amsterdam)A capriccio view of Rome with a market beside the Four Rivers Fountain with Santa Trinita' dei Monti and San Francesca Romana beyond signed and dated 'I/ LINGELBA/ 1674' (on the base of the obelisk, centre right)oil on canvas130.4 x 99cm (51 5/16 x 39in).Footnotes:ProvenanceSale, Christie's, London, 13 December 1985, lot 67, where purchased by the present owner's fatherOriginally from Frankfurt, Lingelbach moved with his family to Amsterdam in 1634. Houbraken records that he went to Paris in 1642 and that two years later Lingelbach had moved to Rome. He remained in the city for six years and returned to The Netherlands, arriving back in Amsterdam by 1653. His stay in Rome informed his work for the rest of his career as he was clearly heavily influenced by the Bamboccianti and their style of street-life genre painting. After his return to The Netherlands, Lingelbach continued to use Rome and its monuments as a backdrop for his paintings with the present lot representing one of the more ambitious and large-scale works of this type that he made to feed the local demand for Italianate scenes. Analogies can be drawn with other depictions of Rome on a similar scale such as the Market Scene in Piazza Navona now in the Städelsches Museum, Frankfurt (inv. 1335), the Capriccio view of Rome with the Campo Vaccino, dated 1656, formerly in the collection of the Marquesses of Bath and offered at Christie's, London, 14 June 2006, lot 605, and the work, dated 1664, now in the Academy of Fine Arts, Vienna (inv. no. G. G. 803). Not necessarily topographically accurate, Lingelbach incorporated many of Rome's monuments into his works, as is the case with the present lot. Here he brings together the churches of the Santa Trinita' dei Monti on the left, and of San Francesca Romana in the distance and then Bernini's Fountain of the Four Rivers in the foreground on the right. The latter seems to have held a particular fascination for the artist as it often appears in his works, despite the fact that it was still being worked on when Lingelbach apparently left the city in 1650 and was only unveiled a year later. The artist has then filled the foreground with a mass of all manner of figures including a huntsman with his catch, lower right; a woman selling vegetables in the foreground; and a young boy playing with his dog, lower left. The attention the artist devotes to the meticulously rendered detail of everyday Roman life places this work amongst some of Lingelbach's most ambitious and impressive works of this type.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 218
A SYCAMORE AND CALAMANDER WOOD OBELISK BY LINLEYlate 20th century, stamped 'LINLEY', 47cm high x 9.5cm wide x 9.5cm deep; together with two stamped round burr wood coasters, 10cm dia.; three stamped rectangular burr wood coasters, 11cm wide x 9cm deep; and a stamped sycamore wine coaster with hallmarked silver disk to the centre, 15.5cm dia. (7)
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3234 item(s)/page