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Click here to subscribeTWO ENGLISH REGENCY STYLE DESK ITEMS PROPERTY OF A DELRAY BEACH GENTLEMAN TWO ENGLISH REGENCY STYLE SILVER MOUNTED TORTOISESHELL AND GLASS DESK ITEMS Circa 1900. The first an obelisk set with a thermometer, the second a silver-mounted scent stand with two bottles, bearing hallmarks. Obelisk Height 8 inches. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by A.B. Levy`s is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Very good condition. No losses chips cracks or splitting to tortoiseshell. The glass bottles have a nice stoppers Starting Price: $600
A pair of faceted glass table lustre candelabra in Regency style, 19th century, the faceted dome base beneath an inverted baluster section supporting twin candle branches suspending prism drops, each surmounted with a star finial, above scones suspending drops and supported on obelisk stems, 60cm high, 30cm wide
Jacques de Lajoue (French 1687-1761), AN ARCHITECTURAL CAPRICCIO WITH A CLASSICAL MONUMENT OF OBELISK FORM, SURMOUNTED BY THE THREE GRACES SUPPORTING AN EWER Signed l.r., pencil, pen and ink and grey wash 36.5 x 24cm CONDITION REPORT: A few small spots of foxing. Brown stains to left hand side of obelisk beneath arch. Not viewed out frame.
Two mosaic Tunbridge ware thermometers, c.1860-1880, the first an obelisk with a stepped square base, the second a stand with bevelled columns, the plate inscribed 'H Hollamby, Tunbridge Wells', 15cm high, and a watch holder, with a foliate panel (3) CONDITION REPORT: The Hollamby thermometer originally had something on top. The obelisk with splits to corners. The watch holder bowed.
A Victorian porcelain obelisk, commemorating Crimean soldiers, inscribed 'To the Brave' and with various battles, printed mark 'Lockett, Baguley & Cooper, Shelton, Staffs, June 25th 1858', 23cm high, a bisque porcelain tobacco jar, modelled as Queen Mary's doll's house, a Victorian vase, modelled as a hand with urn, and a clasped hand ornament (4)
A 19th century Portuguese silver toothpick holder "Obelisk Circular base with flutted gallery, raised on 4 ball feet, classic obelisk with fruit finial. Porto assay mark (mid 19th century) and maker`s makr (ca. 1853). Paliteiro “Oblisco” Em prata portuguesa do séc. XIX. Base circular com gradinha gomada assente sobre 4 pés de bola, oblisco à maneira neoclássica terminando em alcachofra. Marca de ensaiador do Porto de meados do séc. XIX (P-41) e de ourives não identificado (ca. 1853) (P-307) Alt.: 16 cm 195 g
A Venini glass Quadrato obelisk lamp base, internally decorated with twisted coloured glass canes, cased in clear acid etched Venini Murano Italia to base 47cm. high Literature Venini Catalogue Raisonne 1921-1986, Skira, page 292 plate 21 the original 1969 catalogue page for this model reproduced.
A SOUTH STAFFORDSHIRE ENAMEL BONBONNIERE egg shaped, painted with landscape panels with sheep, one also with an obelisk in gilt scrolling reserves on a lavender ground with white trellis, giltmetal mount, 4.6cm h, c1770 In good condition with on the pointed end one of the cluster of five white spots flaked off
MAX LE VERRIER (French 1891-1973), 'Enigme', a pair of Art Deco green patinated metal figural lamps, c.1925, each modelled as a nude female sitting, her arms outstretched holding an alabaster ball on her knees, upon a tapered black and green marble obelisk on square canted base, signed in cast M. Le Verrier and stamped Made In France, 43.5cm high. See illustration
A Regency style cut glass and gilt metal mounted two branch garniture, 20th century, central baluster column with vase surmount supporting two `c` shaped arms with obelisk finials, raised upon stepped base, 44cm high; with further glass items, to include a pair of ship`s decanters, an hour glass decanter, a pair of bottle decanters, glass inks and coloured glass vases (a lot).
A Victorian Ashford marble obelisk typically asymmetrically inlaid with malachite and specimen stones, on a stepped base inlaid with a white lily, 9½in. (24cm.) high, some chips, together with an Ashford marble cross with similar stone inlay, 6 5/8in. (17cm.) high, large chip and lacks base. (2) See Illustration.
OLD MERCURY THERMOMETER mounted on a wooden obelisk shaped column, 6 1/4" high, early 20th century German nickel plated and engine turned oblong pocket SNUFF BOX, 2 " long, containing a quantity of dip pen nibs, an engine turned EP folding FOB WATCH STAND, PROPELLING PENCIL featuring a perpetual calendar and a RECEIVER WITH SPARE LEADS
A carved rouge marble Roman column, 19th century, surmounted by bronze Roman Emperor on square plinth, above egg and dart and scratch decoration of military scenes, raised on plinth with gilt inscription ` S P Q R/ IMP CAES.DIVI/ NERV.F.NERVTRAIANO/ AVG GER DAC/ P MAXTRIB POT/ XVILIMP VI/ COS. VI. P.P.`, 64cm high; a pietra dura black and specimen marble obelisk, 19th century, with inlaid floral design, raised on stepped square plinth, 35cm high, (2), (a/f).
WALTER RICHARD SICKERT ARA (British 1860-1942), Rape of Lucretia (After Palma), signed to lower right and inscribed 'After Palma' oil on canvas 51cm x 61cm, Obelisk Gallery label verso, Exh. London, Beaux Arts Gallery, Paintings by Richard Sickert, ARA 1933 no.11. Illustrated in 'Sickert Paintings and Drawings' by Wendy Baron, Yale University Press, 2006. See illustration
Laetitia Trelawny, 1737, A sampler in monochrome stitched with an obelisk, inscribed Sermon Facia Consoria, In Memory of my Worthy and Only Son Charles Trelawny, who died of ye small pox in the 16 year school. This Obelisk is worked by his affectionate mother, Laetitia Trelawny - 1737. Inscribed at base: Charles Trelawny - The Only Son of Harry and Laetitia Trelawny, Born February the 25 1721, died November 26 1735. 74 x 114cm. Together with a companion sampler, worked similarly with mourning father and mother Laetitia, and three daughters, the obelisk similarly stitched with eight trees, dated 1739. (2) Footnote: The mother, Laetitia, overwhelmed with grief devoted her time to making these tapestries as a monument to her son with his parents and three sisters, mourning his loss. "She never stirred from (the vestry) except to the chapel, for twelve months, till the work was finished. She saw no visitors; and not more of the sun than she let in upon her work from the half-closed windows. The room was hung with black, and her sighs were oftener heard than her words." Bray, Trelawny of Trelawne: A Romance of the West, p. 18.
A French 19th century albumen print of large ruined columns at Karnak, Egypt, with figures amongst the ruins, laid down on card, with French inscription beneath reading `Karnak Grand Colonnes..`, 26cm high x 20cm wide; with nine further French 19th century albumen prints laid on card, back to back, showing further Egyptian scenes to include mosque views, Cairo scenes and an obelisk in Karnak, with inscriptions; together with a Bourne & Shephard card photograph case containing a portrait of a bearded gentleman bearing signature, (12).