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Lot 1

*Timyn (William, 1903-1990). Abstract figure, bronze sculpture, with patina, cast at the Morris Singer Foundry, London, designed for the TV Times Editor's Special Award, and given to Lord Buxton and the Survival team in 1989, approx. 140 mm high, 140mm width and 80mm depth, mounted on a marble plinth approx. 52mm high William Timyn was Austrian by birth and came to England in 1938. He is best known as a wildlife artist, sculptor and illustrator, and produced cartoons for the Blue Peter programme. He worked with the Morris Singer foundry from the 1970's onwards. (1)

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*Townley (Charles (1737-1805)). Three original portraits of Paolo Veronese, Anibale Caracci and Antonio Caracci, drawn by Charles Townley from the original paintings in the Medici Collection, 1776, fine original drawings on paper, each with caption written to lower margins, occ. minor spotting, portrait of Anibale Caracci slightly damp stained, image approx. 355 x 310mm; 330 x 290mm & 355 x 290mm Charles Townley was a major collector of classical antiquities and marble sculptures, who made a number of long tours to Rome, as well as extended journeys to southern Italy, Naples and Sicily during the 1760s & 70s. In Rome he collected antiquities, especially marble sculptures. He established himself as a serious collector with purchases from the printmaker Giovanni Battista Piranesi and other Roman dealers, and especially from the English dealer in art and antiquities Thomas Jenkins. Over a period of more than twenty years Townley bought at some of the most important public sales of antiquities, among them those of Henry Constantine Jennings (1778), the Duchess of Portland's museum (1786), Lord Cawdor (1800), and Lord Bessborough (1801). Townley was elected fellow of the Society of Antiquaries in 1786 (and to its council in 1798) and fellow of the Royal Society in 1791. In 1786 he was also elected to the Society of Dilettanti, and from 1799 served on a committee appointed to publish engravings and descriptions of Specimens of Antient Sculpture (drawn largely from his own collection and that of Richard Payne Knight), which eventually appeared in 1809. In 1791 he was elected a trustee of the British Museum, where he influenced the design of the extension planned to house the museum's growing collection. It was not until 1984 that the British museum created a gallery dedicated to the Townley marbles. (3)

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A marble sculpture, late 19th Century, carved as a boy stealing a puppy with its mother biting at his tunic, raised on a circular base.

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Auguste Rodin 1840-1917 SUZON inscribed Rodin marble height including base: 32cm.; 12.5in. height excluding base: 24cm.; 9.5in. Literature Albert E. Elsen Rodin London 1974 p. 206 described John L. Tancock Rodin en Mexico: Colecci—n de escultura europea de los siglos XIX y XX Mexico 1997 p. 172 no. 13 listed Robert Descharnes and Jean-Francois Chabrun Auguste Rodin Paris 1967p. 46 illustration of the bronze edition Ionel Jianou and Cecile Goldscher Rodin Paris 1967 p. 85 the bronze described John L. Tancock The Sculpture of Auguste Rodin Philadelphia 1976 p. 582 no. 106-2 illustration of the bronze Cecile Goldscheider Auguste Rodin: Catalogue Raisonne de l'oeuvre sculpte Paris 1989 vol. I p.84 no. 64 illustration of another marble version

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AFTER THE ANTIQUE: A bronze sculpture of a bull, on a marble base, 6" high.

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A rare Victorian silver card case, die stamped with the reclining figures of Ino and the infant Bacchus framed by grapevines and scrolls on a matted ground, 10cm h, by Nathaniel Mills, Birmingham 1854 (see illustration) The marble sculpture of this title by John Henry Foley (1818-1874) caused a sensation when first exhibited at the Royal Academy in 1840. ++ In excellent condition

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A Victorian design marble sculpture of a seated lady modelled reclining on cushion holding dress on plinth base 2ft 3ins

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L S MERRIFIELD, A cast bronze and patinated sculpture of a horse pulling a plough with a workman to one side, with cast signature and dated 1924, on green marble base, 18" wide. .

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A brass sculpture of a cock raised on a red marble base.

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A BRONZE SCULPTURE OF BARTOLOMEO COLLEONI after the original by ANDREA DEL VERROCHIO standing on a veined marble plinth, 21 1/4" high.

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A 20th century bronze sculpture of anthropomorphic form indistinctly signed and numbered 8-25 upon a marble base 21cm high 15cm wide

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AN ABSTRACT GILDED METAL SCULPTURE NUDE WOMAN. On a marble base. 7.5 ins high overall

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‘Carmen Castanets’. After Salvador Dali (1904-1989). A polished bronze sculpture. Inscribed with a signature and numbered M2/25 A.P. 29cm high. On disc shape marble socle 34cm high overall. Another smaller also after Salvador Dali. ‘Angel of Victory’. Numbered 784 11cm high. On rectangular marble socle 15cm high overall, (2).

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‘Wings of Trident’. After Salvador Dali (1904-1989). A green patinated bronze sculpture. Inscribed with a signature and numbered 13/49 A.P. 32cm high. On rectangular marble socle 36.5cm high overall.

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An Italian, carved white marble sculpture, 20th century. Abstract form of a female figure, on square plinth base. 54cm high.

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An Art Deco green patinated metal lion & lioness sculpture cast from a model by Delacueve on stepped rectangular base signed on the marble 62cm. wide.

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Nureyev. A modernist bronze sculpture 3/4 bust size, 20th century. Signed Byron H.78. Ltd edition number 2/15. Mounted on black marble stepped base.

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An Art Deco bronze sculpture of a boy with umbrella by Demetre Chiparus, circa 1930, on a white stepped marble base, 26cm. high

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A patinated bronze sculpture of a woman on horseback, circa 1930, the woman with head in her hands, on a mottled marble base, 49cm. high by 36cm. wide

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A Taylor Earnshaw Bronze Sculpture, of Madonna and child, on a marble base, 68 cm

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A BRONZE SCULPTURE OF A RHINO, signed ‘JULIE MOIGMIEZ’ mounted on a marble stand.

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A BRONZE SCULPTURE OF A LONG COATED LABRADOR mounted on a marble base.

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A large quantity of plastic marble and other sculpture bases

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E. Loi bronze sculpture of two galloping horses being ridden by jockeys, on a naturalistic rounded rectangular base and stepped marble stand, signed, 40cm

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Green marble sculpture of a warrior, the figure in a 'fallen' pose with his sword at his side on an oval base section and separate stand, the oval plateau 14 1/2in (36.8cm) wide, cracked and repaired

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A Sydney Harpley RA Bronze Sculpture, of a young lady playing water polo, on a marble plinth, signed, 82 cm

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A patinated bronze sculpture of a fox stealing a pheasant, on black marble plinth 50cms

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RUDOLF MARQUSE: A white marble sculpture of a naked female, her torso and right arm emerging from the block of marble, signed Rudolf Marquse, 1909, on later plinth, the sculpture 27" high.

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A Modern Art alabaster sculpture of a standing figure, with carved features, unsigned, c.1930s, 50.5cm on a black marble plinth (Influences of Henry Moore and Barbara Hepworth) (purchased in the 1960s by Lady Bridget Parsons (d.1972))

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EMILY YOUNG Torso Marble sculpture Height 14ins

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A cast iron sculpture of a naked Romanesque figure raised on rectangular marble base.

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Bronze figure group signed Ludwig Vordermayer 1905 of an ancient warrior unclothed apart from a helmet and spear, beside a horse on rectangular base and green marble slab. Length of sculpture 28cm

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A glass bird sculpture probably Murano, on marble base50cm. high.

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A CAST BRONZE SCULPTURE OF A HORSE with front foot raised, on naturalistic base and stepped marble support, 12" high

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A LOUIS XVI STYLE MANTEL CLOCK, the red marble case surmounted by a gilt metal sculpture of a young man holding a butterfly net, the circular dial with Arabic numerals, on scrolling gilt metal feet, with twin two branch candelabra, 19" high

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H. MOLINS, 20TH CENTURY, AN ART DECO BRONZE SCULPTURE, of two birds in flight, signed, raised on a rectangular coloured marble base, 14 1/2 ins high x 23 ins long.

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French School (late 19th Century), marble sculpture, Motherhood, the young mother holding a baby in her arms over a canted plinth, height 34ins.

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After 'Rodin' a bronze sculpture of two hands, mid 20th Century, light bronze patination, the base inscribed 'A.Rodin', mounted on green marble square plinth, 63cm height.

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AFTER THE ANTIQUE: A cast bronze sculpture of a naked youth examining his foot on a marble base, 11" high

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A SCULPTURE, 19th Century, Carrera marble, sleeping infant on a tree stump, height 28cm, (losses)

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After Salvador Dali-'San Jorge', a gilt bronze sculpture depicting St George and the dragon, marked limited edition no: 586/650 mounted on a black marble base, 29cm tall.

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Maxime Adams-Tessier - Bronze sculpture - "Le Grand Cheval" - Modern style head of a horse, mounted on rectangular black marble plinth, 22. 5ins high, apparently unsigned plinth chipped around base).

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A contemporary abstract white marble sculpture, artist unknown, initialled C.T.A?, of rounded form 19cm high.

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A Good Late Victorian Walnut Sculpture Pedestal, the square Siena marble top with dentil frieze revolving on a stop-fluted column on plinth base, 115x38cm.

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PAYNE, HUMFRY, and GERARD MACKWORTH YOUNG Archaic Marble Sculpture from the Acropolis. The Cresset Press, n.d. (c.1933). 4to, orig. cloth gilt, t.e.g. Photographic plates. With five others. (6)

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Sculpture of a bull. Pierre Jules Mene, Paris around 1870. Cast bronze with patina. Strong bull with head lowered ready to charge. Oval plinth, signed "P.J. MENE", mounted on a plate of black marble. Height 41 cm. Length 62 cm. €2,500.00

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Marie Machen SPS, SWS, a modern bronze cast sculpture of a young lady wearing her hair in a bun, upon a marble base, signed verso 'M. Machen', and struck with Morris Singer foundry mark, 18.5cm high

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FRAMPTON, SIR GEORGE (1860-1928); R.A. 1902, President Royal Society British Sculptors, 1911-12). A large sepia toned photograph of his ivory, bronze, marble and gemstone sculpture "Lamia"; inscribed and signed "To my friend Gilbert Voalk, George Frampton, March 27th 1909". The photograph 19 x 14.25 inches within swept oak frame. Fine Art Society label to the reverse.

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Marie Machen SPS, SWA bronze sculpture, dancing study of a ballerina, upon a square marble base, cast at the Morris Singer Foundry but unmarked and unsigned, 26.5cm high

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Marie Machen SPS SWA bronze sculpture, of a reclining female upon a black marble base, signed M. Machen, 24.5cm long, 14cm high

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Marie Machen SPS, SWA bronze sculpture of a slender ballerina in leotards and bow tie with boater, upon square marble base, initialled M.M, 44.5cm high

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Bronze Art Deco sculpture, Dancer Mara, ca. 1930, on black marble base, h. incl. base 18 cm. Euro 200-300

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