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AFTER R NICO "Two horses` heads", resin sculpture, raised on a square marble base, bears inscription

A 20TH CENTURY BRONZED METAL ALLEGORICAL SCULPTURE OF THE STORM WITH A COPPER-COLORED PATINA. Cast by Giovanni Nisini bronze foundry, inscribed on base “G. Nisini Roma”, height 19.25 inches (48.9 cm), overall height including marble plinth 21.75 inches (55.2 cm).

A large carved white and grey marble abstract sculpture, 20th century, of organic form, height 65cm

MARILYN NEWMARK TO THE POST BRONZE SCULPTURE Marilyn Meiselman Newmark (AMERICAN, 1928 - ) bronze sculpture titled "To the Post" depicting a jockey riding on the back of a trotting horse. Etched title to the front of bronze base. Has black marble base with gold plaque to front with title and artist name. Bronze measures 10 1/4" height x 12 1/2" length + 7/8" base height (26cm x 31.7cm + 2.2cm). Total weight of 5.38 kilograms.

David Kemp (b.1945), an abstract carved red marble sculpture, inset to the base with two sterling silver medallions, one inscribed Kemp, 33cm

TED STEWART Fighting cockerels on marble base Metal sculpture 56cm

A marble sculpture `Dying Gaul` Late 19th century, unsigned, after the Antique, carved of green serpentine marble, 15`` H x 27`` W x 12.5`` DNote: The ancient Roman sculpture upon which the present work is modeled is in the collection of the Capitoline Museums, Rome, Italy. Condition: General scratches, nicks, and wear. Repaired breaks to finger and thumb of right hand- repairs poorly executed. Damage to big toe of right foot. A chip to edge of base (.5``). Approximately six scattered shallow nicks to figure ranging from .25`` - .5`` Dia.Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

CHINESE MABLE SCULPTURE - 18th c Chinese White Marble Sculpture of a Quanyin Seated on a Foo Dog, holding a Ruyi sceptre in her left hand, 6 5/8" (16.8 cm) tall, 5" (12.7 cm) x 2 1/2" (6.4 cm), small surface bumps and rubs.

MARBLE SCULPTURE - Modernist Marble Sculpture of a Female Bust, set on slab of the same material, initials `FU` and dated `62, 19" tall, 9" x 6" at base, some scuffs to base.

After Claude Michel a continental carved white marble sculpture of a pair of boisterous fighting cherubs, raised on an ovoid plinth, 17.5".

A contemporary bronze sculpture of a reclining female nude by Yvonne Beecroft with inscribed initials "Y.B." on a shallow rectangular black marble plinth (plinth 64cms wide)

AFTER FREDERIC REMINGTON, BRONZE SCULPTURE, H 20", L 16", `BRONCO BUSTER`: Marble base, H.22" overall.

BRUNO ZACH [AUSTRIAN 1891-1945], BRONZE SCULPTURE, 13" X 10", SOCCER PLAYER: Signed "Tuch". Nicely detailed bronze of a male soccer player preparing to strike the ball. Actual figure H 13 1/4" and on a marble base H 3/4", L 7 3/4", D 6".

A bronze sculpture of an Olympian carrying a torch, inscribed to the marble base VIIIe Olympiade - 1924 Annould, 32cm high.

A cast bronze sculpture of a lion drinking from a broad orange marble bowl

AFTER MAURICE TARCA [19TH C FRENCH] BRONZE SCULPTURE 23" H. "LE PREUR": depicts an medieval knight dressed in full armor with hands resting on a sword pointed into the ground. Signed on base. Green marble base.

BRONZE SCULPTURE, 29" H. X 10" W., "JOHN WAYNE": depicts a standing John Wayne in western garb, a holstered pistol and holding a Winchester rifle, dark green patina; surmounted on a brown marble octagonal base;

AFTER FREDRICK REMINGTON, BRONZE SCULPTURE, 22" H. X 19" L., "BRONCO BUSTER": green patina, signed: "Fredrick Remington" on base; surmounted on a black oval marble base;

ITALIAN CARRARA MARBLE SCULPTURE 31" VENUS DE MILO: Circa 1900. From the Collection of DR. PAUL F. HOWE, Southfield, Mi. Venus de Milo, Aphrodite, circa 150 B. C. original in Louvre, Paris.

MARSHALL FREDERICKS [US, 1908-1998], BRONZE SCULPTURE, 30 1/2" X 17" X 14 1/4", `LEAPING GAZELLE`: Figure of a gazelle leaping from a rock has a green patina and is signed; the bronze rests on a marble plinth.

19TH CENTURY SCHOOL (possibly Italian) A marble sculpture of a young boy holding a basket with chicks on a stepped rectangular square base, 28 1/2" high

After Mene bronze sculpture `Jockey on Horseback` on black marble plinth 35cm high

A limited edition gilt bronze sculpture in the after Salvador Dali, signed Castano, based on The Birth of the New Human, on a marble base, 31cm wide.

Sculpture, Lady Reading with Her DogFrench art deco painted spelter and marble sculpture, Lady Reading with Her Dog, in the manner of Louis Icart (French, 1888-1950), unsigned, overall: 12.75``h x 19``w x 8.75``d. Condition note: Head of figure is loosely attachedStarting Price: $100

Sculpture, Classical NudePainted bronze sculpture, Classical Nude Figure, Continental School (19th century), signed indistinctly ``A. Veimtres(?)`` lower back, mounted on circular marble base, overall: 13.5``h x 4.5``w x 4.5``dStarting Price: $100

Sculpture, Humpback WhalesBronze and painted stone sculpture mounted on marble base, Humpback Whales, American School (20th century), unsigned, overall: 23``h x 8.5``w x 9.5``dStarting Price: $100

Bronze, Horse, manner of BaryeBronze sculpture, Portrait of a Horse, in the manner of Antoine-Louis Barye (French, 1795-1875), unsigned, mounted on black marble base, overall: 13.25``h x 14``w x 7``dStarting Price: $100

Art Deco figural lampArt Deco figural lamp, the spherical single light beside a patinated figural sculpture of a seated German Sheperd, rising on an oval marble plinth, 4.5``h x 10``wStarting Price: $50

Buddha sculptureMarble figural sculpture depicting Buddha, rising on a square plinth, 20``hStarting Price: $150

Abstract sculptureMetal sculpture with blue/green patina mounted on marble base, Abstract Bird, 20th century, unsigned, overall: 30.25``h x 14.75``w x 3.75``dStarting Price: $50

Bronze, after Charles SykesBronze sculpture, ``Spirit of Ecstasy,`` after Charles Robinson Sykes (British/American, 1875-1950), bears signature lower right bottom, green marble base (circular), sculpture dimensions: 21.75``h x 13.75``w x 13.5``d, overall (with base): 22.875``h x 13.75``w x 13.5``dStarting Price: $750

Bronze, Mercury, Continental School, 19th c.Patinated bronze sculpture, Mercury, Continental School (19th century), unsigned, mounted on black marble base, overall: 24``h x 9.5``w x 10.25``dStarting Price: $400

Continetal clock with garnitureContinental patinated spelter clock marked Butheau with garniture, the marble clock case surmounted by a figural sculpture depicting a maiden, after Albert-Ernest Carrier-Belleuse (1824-1887), French, ``La Verite``, rising on a footed base, 23``h x 12``w, the urn form garniture having etched glass inserts and rising on a conforming marble footed base 12.5``h x 5.5``wStarting Price: $200

Vicente Navarro Romero. Valencia 1888 - Barcelona 1978. A bullfighter. Greenish patinated bronze sculpture with a veining black marble base Firmada 21 cm alt

A bronze sculpture of The Wrestlers, after the Antique, signed CP Tupson, on a black marble base. 22.5cm high.

Andrew Thompson. A bronze sculpture of a guitar, cubist style on a marble plinth base, signed with initials A.T. 40.5cm high.

A white plaster abstract sculpture raised on a black marble rectangular plinth, unsigned, height 39cm.

Equestrian bronze sculpture by and signed David Cornell and titled `Champion Finish`, upon a rectangular black marble base, 8" high

Enzo Plazzotta, Italian 1921-1981, bronze "Fish Dive" sculpture, circa 1972, two ballet dancers in position, raised on rectangular marble plinth, signed and numbered 9/9, height 35 cm. (maybe subject to Droit de Suite).

Enzo Plazzotta, Italian 1921-1981, bronze "Romeo and Juliet" sculpture, circa 1972, two ballet dancers in position, raised on rectangular marble plinth, signed and numbered 8/9, height 41 cm. (maybe subject to Droit de Suite).

Enzo Plazzotta, Italian 1921-1981, bronze "Mare and Foal II" sculpture, circa 1970, raised on rectangular marble plinth, signed and numbered 9/9, width 52 cm. (maybe subject to Droit de Suite).

Modern bronze sculpture of a horse and jockey on marble plinth base, signed in the bronze Geenty, 16ins high Estimate

Art Nouveau Style Figural SculptureArt Nouveau style bronze figural sculpture, the nude maiden depicted bearing floral accented branches and set amidst a naturalistic scene, signed indistinctly E. Neuhauser, and rising on a variegated marble plinth, 13``h x 5.5``wStart Price: $300

Art Nouveau Style Figural SculptureArt Nouveau style bronze figural sculpture, the nude maiden depicted bearing floral accented branches and set amidst a naturalistic scene, signed indistinctly E. Neuhauser and rising on a variegated marble plinth, 11``h x 11``wStart Price: $300

VLADIMIR PASTCHENKO, ART NOUVEAU BRONZE SCULPTURE, 14" X 9 1/2", FRENCH, 1890: Having a vessel form with gilt figures of a putto and a female nude. Signed "W. Pastchenko Paris 1890[?]". On a rouge marble base. Wladimir Pastchenko.

ANNA VAUGHN HYATT HUNTINGTON [1876-1973], BRONZE SCULPTURE, H 4", L 13", YAWNING TIGER: Signed "Anna V / Hyatt" with foundry mark "GORHAM CO FOUNDERS O 492 no.266" [see additional photos]. Bronze measures H.4", L.13 1/4", the marble base L.15 1/2". Anna Vaughn Hyatt Huntington, American, 1876-1973.

SHERRY SANDER [1941-], BRONZE SCULPTURE, no.22/35, H 13", L 40", `HERD OF BIRDS`: A flock of ostriches, signed and numbered, mounted on a marble base. Green patina. Purchased GWS Galleries, Carmel, Calif. no.22/35, H 13 1/2", L 40". Titled: Herd of Birds". Worked in conjunction with Simon Combes.

AFTER LOUIS-MARCEL BOTINELLY [FRENCH, 1883-1962], MARBLE SCULPTURE, 24 1/2" X 18" X 6 3/4": Art Deco style woman is shown standing wearing an open robe. "L. Botinelly" on the base; patterns in her robe are enhanced with painted accents.

ALEXANDRE KELETY [HUNGARIAN, 1918-1940], GILT BRONZE SCULPTURE, 12" X 11", HEAD OF A MAN: Signed on the back and stamped with a foundry mark "L.N. Paris J.L.". On a marble base.

A reconstituted Carrara marble sculpture, “The Dying Gaul”. Length 21 ins, height 13 ins.

Good French bronze and green marble two train drumhead figural mantel clock, the movement with outside countwheel striking on a bell (missing), the 3.25" white dial within a drumhead casing over a stepped green marble base raised upon cast scrolling foliate feet, surmounted by an impressive bronze sculpture modelled with a classical robed maiden and attendant winged cherubs within a chariot, 22" high *This clock has a presentation plaque inscribed `North West London Synagogue presented to The Reverend Solomon Lipson... 27th June 1909`*

A Continental marble sculpture of a lady, late 19th/early 20th century, 26.4cm high.

John Van Nost: An important and rare lead figure of a swan early 18th century beak plumbed for water 94cm.; 37ins high The van Nosts were a family of sculptors of Flemish descent. The eldest, John van Nost, is first recorded working at Windsor Castle circa 1678. He had his own yard in Haymarket, London by about 1687 and manufactured ‘Marble and Leaden figures, Busto’s and noble Vases, Marble chimneypieces and curious Marble tables’, however he is best remembered as a supplier of lead garden statuary. One of his earliest patrons was Thomas Coke of Melbourne Hall, Vice Chamberlain to Queen Anne, for whom he supplied a large quantity of lead statuary and decoration in 1700. This included £10 |for a boy and swan for a fountain, the swan in proportion to the boy, no bigger than the young Triton| whilst a |duck and swan as big as ye life| cost £8. Van Nost went on to furnish with sculpture some of the most important gardens in the country including Hampton Court, Buckingham House, Castle Howard and Wrest Park. The quality of casting and chiselling on this extremely rare piece would certainly suggest an attribution to Van Nost and of the other suppliers of lead in the 18th century, including John Cheere, and Andrew Carpenter, no other lead models of swans are recorded.

After Giambologna: A white marble figure of the Grotticelli Venus Italian, 2nd half 19th century 180cm.; 71ins high Giambologna was born in Douai Flanders (now in France). After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550, and studied in Rome. Giambologna made detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance and beauty. Giambologna spent his most productive years in Florence, where he had settled in 1553. Ten years later, he was named a member (Accademico) of the prestigious Accademia delle Arti del Disegno, just founded by the Duke Cosimo I de’ Medici in January 1563, under the influence of the painter-architect Giorgio Vasari, becoming also one of the Medici most important court sculptors. Giambologna’s several depictions of Venus established a canon of proportions and set models for the goddess’s representation that were influential for two generations of sculptors, in Italy and in the North. This figure is often paired with the Cesarini Venus carved in 1582. Some ten years before he carved the Cesarini Venus, Giambologna had completed another marble Venus for Prince, later Grand Duke, Francesco de’ Medici, who kept it in his bedroom. After his death, it was installed in 1592 by his brother Ferdinando, who succeeded him, in the third chamber of the protto designed by Bernardo Buontalenti in the Boboli Gardens in Florence. Because this chamber was called the Grotticella, the statue became known as the Grotticella Venus.

Helaine Blumenfeld, born New York 1942 Venus 1991 Travertine Marble Unique 203cm.; 80ins high by 70cm.; 27½ins wide Helaine Blumenfeld is recognized as one of Britain’s leading contemporary sculptors working in marble and bronze. In a career spanning more than four decades, her work has been shown in over 70 exhibitions worldwide. She has completed more than 80 commissions and her sculptures have been sited in public and private settings throughout the UK, Europe and the USA. Elected Vice-President of the Royal British Society of Sculptors (2004-2009), in 2007 she became the first and only female winner of the prestigious International Sculpture Prize, ‘Pietrasanta e la Versilia nel Mondo’. That year Blumenfeld exhibited at Het Depot Sculpture Gallery in Wageningen, The Netherlands. This was a major presentation which Helaine considers to be one of her most important public exhibitions. In 2010 ‘Blumenfeld in the Town Hall, Oslo’ took place under the curatorship of Anfinsen Kunst. Erik Anfinsen has represented Blumenfeld in Scandinavia since 1986. Blumenfeld has used her public profile to broaden access to and appreciation of her medium, initiating and organizing regular exhibitions at the Harold Martin Botanical Gardens in Leicester and at the Fitzwilliam Museum in Cambridge. In July 2011 she was one of the few non-British artists ever to have been awarded an Honorary OBE for her outstanding contribution to art.

Jonathan Loxley, born 1960 Ubik Italian Bardiglio Imperiale marble on enamelled aluminium base Unique 195cm.; 77ins high by 55cm.; 21½ins wide Between 1979 and 1981, Loxley studied marble sculpture techniques in Florence, Italy. After leaving education, Loxley painted stage sets and created sculptures for film and theatre sets. He worked on set design for cult films such as Labyrinth and A Fish Called Wanda. In 1989, Loxley established a studio in Carrara, Italy. Since then, he has had several exhibitions in Italy, and across Europe. In 1993, he was commissioned by David Bowie to create a sculpture to celebrate Bowie’s marriage to Iman. In 1999, Loxley took part in The Shape of the Century - 100 Years of Sculpture in Britain at Canary Wharf, London. His work has also been featured at the Hampton Court Flower Show and Henley Art Show, both in 2001.

John Van Hage: A monumental Fire sculpture rose quartz 288cm.; 113ins high by 210cm; 82½ins wide by 135cm.; 53ins deep This piece was designed by the award winning John Van Hage who was the youngest person ever to win two prestiges gold medals at the RHS flower show and the Fiskars Sword of excellence at the garden show. John is currently working on a large project alongside Sir Terance Conran, Kengo Kuma and Sir Normal Foster. This monumental piece of high grade rose quartz (6 tons) was sourced and transported from Brazil to the marble yard Porcilli Marmi in Italy. The central aperture is fitted with a gas flame and lights whilst the centre of the piece is drilled and plumbed to allow water to flow over the surface.

SCULPTURE, early 20th century French bronze, study of a girl seated on a marble base, 23cm H. (base as found)

MAURICE GUIRAUD-RIVIERE GOLD PATINA BRONZE FIGUREMaurice Guiraud-Rivière (FRENCH, 1881-1947) gold patina bronze sculpture depicting two dancing nude females. Each figure is mounted on a bronze elongated octagonal base with white marble illuminated plinthe. Singed to top of bronze lip on base. Measures 21" height x 27" length (53.3cm x 68.5cm). Total weight of 20.66 kilograms. Provenance: From the estate of Jean Nidetch, the founder of the Weight Watchers company. Purchased 1990 ago for $15,000.

An Art Deco style table lamp with a metal sculpture in the form of a naked nymph drinking from a leaf, she stands on the illuminated marbled glass dome, white marble octagonal base.