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After Lorenzo Bartolini (1777-1850) Italian, a marble sculpture of Dirce, depicting a reclining nude holding a tambourine, 41 cm high x 72cm wide 29 cm deep.

EDOUARD VUILLARD (1868-1940) ‘Les Deux Venus et le Guys’ (The two Venuses and the Constantin Guys Watercolour), 1919, the mantlepiece of the rue de Calais, Paris, with items including a small antique marble torso, a plaster cast of the Venus de Milo and a watercolour of a woman by Constantin Guys, the overmantel mirror reflecting back towards the viewer, showing a small sculpture by Aristide Maillol, originally denoted to be 'Leda', but more closely resembling 'Méditerranée',signed lower left, distemper on paper laid on canvas, 46cm x 51cmFramed dimensions: 72cm x 84cmProvenance: Purchased from the artist by Galerie Bernheim-Jeune, Paris (stock no. 21713. Les Deux Venus et le Guys). 11th October 1919, for 1,500 francs, Matthew Justice, Thomas Justice & Sons. London, 5 Feb. 1920 (as part of a lot)Robertson & Bruce, LondonThe Lefevre Galleries, London, 1944The collection of Captain William Bankier Henderson (1903-1993), purchased in 1945Private collection, WiltshireExhibited: The Lefevre Galleries, London, 1945Literature: 'Vuillard - The Inexhaustible Glance' Critical Catalogue of paintings and pastels, Antoine Salomon and Guy Cogeval with Mathias Chivo, publ. Wildenstein Institute and Skira, 2003, volume III, page 1259, number X-173 (illustrated)

A LOUIS XVI MARBLE AND ORMOLU MANTEL CLOCK BY JEAN SANGUINEDE (PARIS, LATE 18TH CENTURY) the two train movement with outside count wheel, silk 'tic tac' escarpment and striking on a bell, the 14cm enamel dial signed 'Sanguinede Paris' and 'Coteau', with Roman numerals at the hour marker, Arabic numerals at the quarter hours and Arabic numerals for the date dial, with gilt chased and pierced hands, the drum case is surmounted by an eagle cresting and flanked by two Sèvres style soft past figures after Louis-Simon Boizot's (1743-1809) “L’Étude”, the male 'Philosopher' and the female 'Learning', a panel beneath in bas relief depicting a sacrifice to Cupid in the manner of Claude Michel, called Clodion (1738-1814), the Carrera marble base inset with a central pierced ormolu frieze of opposing sphinx and two further classical masks, on turned and leaf cast bun feet, 54cm high x 60cm wide x 20cm deepProvenance: The Digby family.Jean Sanguinede is recorded in Watchmakers & Clockmakers of the world by G. H. Baille. It is noted he was active in Paris between 1777 and 1789. The dial is also signed by Joseph Coteau (1740-1801), one of the most important émailleurs of this period, who executed enamelled dials and decorative plaques for clocks of significance. The mounted figures are after those by Louis-Simon Boizot, sculpteur du roi, who became Director of Sculpture at Sèvres in 1773 until his death in 1809. He is renowned for producing some of the firm's most important recorded works whilst working against a backdrop of turmoil and upheaval.  A similar clock of the same period also mounted with Sèvres soft paste figures resides in the Royal Collection, formerly at Carlton House in the Prince of Wales's Dressing Room, RCIN 30118.

ANGELA CONNER (BRITISH B. 1935) COUNTERPOISE Onyx marble dust suspended in resin and stainless steel Diameter: 204cm (80¼in.) Executed in 1996 in an edition of 8. Provenance: Direct from the artist's studio collection Angela has always been fascinated by the effects of nature on both the natural landscapes and man-made objects. The present work is made up of six segments which lie horizontally beside one another fixed by a central axis. The work is intended to be installed in the middle of nature and viewed from afar as the wind and elements play with the sculpture causing a meditative rippling motion giving an endlessly varying pattern of movement. 'As a child I was always observing nature, wind and water and seeing how movement from these natural forces could be involved with many shapes.' Angela Conner   Condition Report: Please contact the department on pictures@dreweatts.com for a video of the sculpture installed and in motion. Condition Report Disclaimer

A figure on horsebackPatinated metal sculpture on marble standSignature and Valsuani foundry mark33x25x13,5 cm

After Pierre-Jules Mene, a spelter sculpture of a rider atop a galloping horse, marked Mene on the base and surmounted on a marble steeped plinth, H-33cm x 29.

After Barrie, a bronze sculpture of a seated greyhound, signed BARRIE, raised on a marble base, 20cm

After Isidore Jules Bonheur, a bronze sculpture of a rider atop a galloping horse, marked Bonheur on the base and surmounted on a marble steeped plinth, H-36cm x 37.

AFTER FRANCOIS DUQUESNOY (1597-1643)- A WHITE MARBLE FIGURE OF THE 'SLEEPING CUPID' ITALIAN, 19TH CENTURY Depicted asleep on his left side, bow by his side, unsigned, on corresponding shaped oval Portoro marble plinth 39cm high, 56cm wide overall The sculpture of the sleeping boy God by the Flemish baroque sculptor Duquesnoy in "la gran maniera greca" inspired a series of depictions of sleeping children popular in the 18th and 19th century. The theme of Cupid sleeping appears frequently in classical Greek and Roman art, later becoming a universal symbol of absent or languishing love during the Renaissance period.

CHARLES-AUGUSTE FRAIKIN (BELGIAN 1817-1893) A RARE MARBLE FIGURAL GROUP 'THE CRADLE OF LOVE' MID 19TH CENTURY Carrara marble, sleeping child on shell set on a triform base with carved dolphins, signed, on a painted simulated marble octagonal pedestal Group 65cm high, 79cm wide, 130.5cm high overall  Provenance: Possibly the 4th Earl of Craven and thence by descent Literature: Edward MacDermott, "Routledge's Guide to the Crystal Palace and Park at Sydenham", G. Routledge & Company, 1854. PP.146. Musee Fraikin De Herenthals : Offert Par L'artiste A Sa Ville Natale L'an 1891 : Catalogue De La Galerie 1891, publ. L. Bongaerts-Verbeeck Herenthals. The Belgian sculptor Charles-Auguste Fraikin (1817-1893) was born in Herentals in Belgium. After a difficult childhood and an early career training to be an apothecary. he re-devoted his life instead to the study and production of sculture under Pierre Puyenbroeck. Just 6 months after enrolling in the Académie royale des beaux-arts Brussels he won the internal competition for sculpture and more public success followed swiftly. In 1845 at the Salon de Bruxelles the Queen of the Belgians recommended his work "L'Amour captif" to King Leopold I and Royal commissions followed. The museum at Herentals devoted to his life and work was established by a bequest in his will- leaving the entirety of the plaster casts from his studio. In the gallery guide from 1891 the museum discusses this particular work: "No 11 Amour au Berceau". It recounts how the work came into being after a public lottery in 1850- won by Dr Lombard from Liege. Versions of it were also executed in various materials including, notably, for M. le Baron de Rotschild a Paris. One of Fraikin's first public exhibitions of this composition was at the Great Exhibition of 1851 where his work was highlighted in Routledge's Guide in the description of the "French and Italian Modern Sculpture Court". His work was noted as being "graceful and delicate in the extreme" and being especially worthy of attention from visitors: "M. Fraikin of Brussels, a sculptor who possesses as great a reputation among his fellow artists in Belgium as with amateurs and the public in general... "L'amour au Berceau" or "Cupid in his cradle" "Psyche" and a "Roman peasant woman" are works also by M Fraikin which will appeal to the sympathies of visitors of all age". Exhibiting another version of this work at the 1855 l'Exposition Universelle in Paris he was rewarded with the patronage of Empress Eugenie, who had the group placed into her bedroom at the Tuileries Palace. Sadly, that example was lost in the Tuileries fire in 1871. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. With old damages and losses to all fingers and some toes- some of which have had repairs but some of which are now missing (just one loose finger with auctioneer). Natural flaws and inclusions- notably areas of darker veining to body and shell- flaw above signature which does not seem to carry through to underside of shell. Some infill to natural small spots which look to be from manufacture. Paint and contact marks around rear right hand. Dirt to recesses. Stem with dolphins largely good- small edge chips to lower edge. Wooden supporting base with dirt + shrinkage faults, rubbing + wear. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Georg Raphael Donner (1693 – 1741)- Follower, apotheosis of Karl VI. (1685 – 1740), sculpted white marble with grey veins. 70 cm high. Model after the live size sculpture in the Belvedere Museum of Vienna.

Roman Wolf, bronze sculpture with Romulus and Remus. Ebonised on green marble base. Around 1900. 12 x 18 cm.

1920s style bronze sculpture of a flapper dancer, signed, on marble plinth, 42cm high

A BRONZE ANIMALIER SCULPTURE OF A PROWLING PANTHERInscribed to the cast ‘Bugatti’ with seal for ‘Talos Gallery’, mounted on a black marble plinth, 52cm wide

A PAIR OF FRENCH BRONZE BACCHIC SCULPTURE GROUPS IN THE MANNER OF CLODION (2)19th Century Modelled as Bacchante, one group astride a goat, the other a panther, mounted on white marble and gilt-brass plinth bases, 15cm wide; 26cm high approx.Provenance: Acquired Christie’s London, November 2004, lot 368. 

OF GRAND TOUR INTEREST: AN ITALIAN BRONZE GROUP OF THE GOD OF WAR MARS KNOWN AS 'THE LUDIVISO ARES'Circa 1890 Modelled seated on a trophy of arms, while Eros plays about his feet, 50cm high Provenance: Sotheby'sThis bronze of the god of war, Mars/Ares, is named after the Roman marble version carved in the 2nd Century CE, itself copying a much earlier Greek original of the late 4th Century BCE . The Roman version was discovered in 1622, near the temple of Mars and assimilated into the collection of  Cardinal Ludovico Ludovisi (1595-1632), who happened to be the nephew  of the powerful Pope Gregory XV  and owned a splendid villa and gardens in Rome. Coincidentally, he was able to commission Bernini, the imminent Baroque sculptor of the day, to restore and embellish the Roman sculpture. Its profile and popularity were raised by the connoisseur Winckekmann, who catalogued the collection at the end of the 18th Century, and identified this model of Mars as the perfect male beauty. It also depicts the fearsome god of war at a moment of repose, while Eros (love) plays at his feet, revealing a capacity for love. Little is known of the bronzier-sculptor, Morelli E Rinaldi, but examples of this work are usually signed, being part of a group of sculptors / founders working in the Grand Tour tradition, copying Greek/Roman prototypes to the highest of standards to be sold as statuettes, like the workshops of Benedetto Boschetti. condition report: 

A heavy white stone sculpture depicting Venus standing half draped. Rests on a round marble base. Base measures 1"H x 12" dia. Dimensions: 10"W x 31.5"HCondition: Age related wear.

Large unpatinated bronze sculpture featuring a massive Bull by French animalier sculptor Thomas Francois Cartier who participated in the Paris Salons from 1904 onward. Carved signature on base: T. F. Cartier. Mounted on a beige color marble base. Artist: Thomas Francois Cartier (French 1879-1943)Issued: c. 1950Dimensions: 20"L x 9"W x 15.50"HCountry of Origin: FranceCondition: Age related wear.

Durga Krishna Ji and Radha Ji Painted Marble Sculpture Depicting standing deities and a cow, having attached cloth embellishments, on a laminate wood base Property from: a Private Collector, Naperville, Illnois Height: 23 inches, Width: 22 inches, Depth: 10 1/2 inches Condition: light wear overall, minor chips, paint loss Category: Collectibles > Ethnographic Estimated Sale Time: 1:27 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Durga Shiv Ji and Parvati Painted Marble Sculpture Depicting seated deities, having colorful cloth embellishments, attached to laminate wood base Property from: a Private Collector, Naperville, Illnois Height: 25 inches, Width: 20 inches, Depth: 7 1/2 inches Condition: light wear overall, minor chips and paint loss Category: Collectibles > Ethnographic Estimated Sale Time: 1:26 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6

Art Deco nude girl on knees bronze sculpture statue figure on marble base. H17cm, W43cm, D 18cm

Abstract marble sculpture upon a craved base, H61cm

A twentieth century resin sculpture of partially nude maiden with a hooded veil, H-72cm, together with another resin sculpture of a maiden seated on a tree stump, H-42cm and a marble garden urn, H-28cm. (3 items)

Heinrich Kiesewalter (1854-1950): Gaul on horseback, patinated bronze on a green marble base, dated 1889H 25,5 - 23,5 cm (with and without base) L 25 cm (the sculpture)

Christophe Gabriel Allegrain (1710-1795, follower of): The bathing Venus or The bather, marble, 19th/20th C.H 88,5 cm The original sculpture was commissioned in 1755 by the Marquis de Marigny (1727-1781), Director General of the King's Buildings, for the Chateau de Choisy-Le-Roi (Val-de-Marne). The marble block was delivered on January 5, 1756 (plaster model at the 1757 Salon, no. 165). Marble in the booklet of the 1767 Salon, no. 187 (visible in the sculptor's studio). The payment on July 1, 1771. Requested by Countess Du Barry (1743-1793) for the park of the Chateau de Louveciennes, March 16, 1772. Gift of Louis XV to Mme Du Barry, April 12, 1772. Reserved for the Nation by Louis-Simon Boizot, December 26, 1793. Versailles, special museum of the French School, 1802 [notice of the year X, no. 353]. Palais du Luxembourg, 1803-1818. Entered the Louvre before 1824 (inventoried as being in the Angouleme gallery at that date) (link).

A fragmented marble sculpture of a female head, probably RomanesqueH 16,2 cm

A French gilt and patinated bronze and marble three-piece clock garniture topped with the bather, 19th/20th C.H 67 - 66,5 cm (the two candlesticks) H 56 cm (the clock with the sculpture)

A 1930’s Art Deco painted chrome polar bear sculpture, on marble base. 11x5x10cm.

A MIXED LOT TO INCLUDE A DECANTER AND GLASSES, A PAIR OF CERAMIC ALSATIAN DOGS, A COLLIE DOG, MARBLE STYLE LION AND A CLASSICAL STYLE SCULPTURE

AN ABSTRACT, POSSIBLY MARBLE, SCULPTURE, HEIGHT 20CM

A HEAVY 'VENUS DE MILO' SCULPTURE, HEIGHT APPROX 45CM PLUS A BRASS EGYPTIAN PHAROAH'S BUST AND TEMPLE GATES MOUNTED ON MARBLE

Emile Picault (1833-1915) Immortalitas Gloria. Pro Merito. Bronze sculpture on a marble pedestal. Signed E. Picault. | Total height: 54.5 cm.Height without base: 45 cm.Base: 22 x 22 cm. | Condition: 2 small accidents on the marble base.

Patinated and gilded bronze sculpture depicting "ORIENTAL KNIGHT". Mounted on a marble base. Late 19th century. Defects. 60x53x30 cm approx. Scultura in bronzo patinato e dorato raffigurante "CAVALIERE ORIENTALE". Montata su base in marmo. Fine XIX secolo. Difetti. 60x53x30 cm ca.

Artist: Fernando Botero [imputée] (Colombian, 1932 - 2023). Title: "Pajaro (paloma pequeña)". Medium: Bronze scuplture with dark brown patina. Date: Composed 1992. Pricing:   Starting Price: $600  Reserve Price: N.A.  Auction Sale Price Estimate: $800/1,200Lot Note(s): Inscribed "F. Botero" and dated "1992". Edition of six. Fine, quality casting. Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Comment(s): Please note that this lot can ship in-house at the request of the winning bidder. Probably cast from the original mould. Dimensions of sculpture: 6 13/16" height x 3 13/16" width x 5 9/16" depth (173mm x 97mm x 141mm). Weight: 9 lbs. (4.1 kg). [26318-12-600-NA]

Artist: Fernando Botero [imputée] (Colombian, 1932 - 2023). Title: "Toro (dorado)". Medium: Bronze sculpture with natural patina. Date: Composed 1992. Pricing:   Starting Price: $1,600  Reserve Price: N.A.  Auction Sale Price Estimate: $2,000/2,500Lot Note(s): Inscribed "F. Botero" in the bronze and dated "1992". Edition of six. Fine, quality casting. Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Comment(s): Please note that this lot can ship in-house at the request of the winning bidder. Possibly cast from the original mould. Dimensions of sculpture: 7 5/8" height x 11 1/4" width x 6 5/16" depth (185mm x 285mm x 62mm). Weight: 16.53 lbs. (.9 kg). [26219-12-1600-NA]

Sherpard Adrino Sikombo (Zimbabwean, b.1993) - Abstract marble sculpture, signed to the back, 32cm high

French bronze figure beautifully sculpted carrying urn. Sculpture is mounted on a green marble base. Issued: 20th centuryDimensions: 9"H x 4.5" dia. Condition: Age related wear.

After Giambologna, Italian, 1529-1608, an Italian bronze model of Mercury, mid-19th century, depicted wearing a winged helmet and standing with his left foot on Zephyr's head, on a white marble and porphyry base with gilt-brass beading, the bronze - 55cm high; overall - 65cm highProvenance: The George Farrow Collection.Footnotes: Note: Giambologna’s bronze figure of Mercury is perhaps his most recognisable creation. The idea appears to have originated in the early 1560s as a commission from Pier Donato Cesi, the Bishop of Narni, for a bronze figure of Mercury intended to adorn a column in the centre of a courtyard of the University of Bologna. The bronze was never erected at the university, and may have been re-directed as a diplomatic gift from the Medici to the Holy Roman Emperor Maximilian II, whose sister Joanna was to marry Francesco de’ Medici. The present model more closely follows a slight re-working of the theme which was executed by Giambologna and erected at the Villa Medici by 1580. That bronze is housed today in the Bargello, Florence (illustrated in C. Avery, Giambologna – The Complete Sculpture, Oxford, 1987, no. 34, pp. 124-127, 130 and 256, pls. 14-15).Condition Report: The raised right arm is separately cast with a join below the shoulder.  The fore finger of the right hand is bent out of its usual alignment.  A spot of tarnishing beneath the wing of the right foot.  A very small plugged sprue hole to the right buttock.  The upper left leg with a barely visible line.  The caduceus is slightly bent. The base with ingrained dirt to the white marble elements.  The gilded brass mount is tarnished.  The bronze is attached by two later screw threads.  The nut to one of these screws does not engage but the statue is stable. 

A BRONZE FIGURE OF A BOY 19TH CENTURYtogether with an animalier sculpture of a pointer and a bronze animalier group of two cows, mounted on a marble plinth (3)16.6cm highProvenanceThe contents of The Grange, Wendover.

An Antique bronze sculpture of a dancing female figure, on marble base, unsigned, H25cm, and a second cast-bronze figure on period turned wood ebonised base, unsigned, H16cm (2)

Inspired by the ancient Greek Parian marble sculpture that depicts the Greek goddess of love. The original sculpture could be found in the Louvre Museum. Classica Figure Sculptor A. Santini, Made in Italy sticker. Artist signed on the side. Artist: Amilcare SantiniIssued: 20th centuryDimensions: 4.25"L x 3.5"W x 15.5"HCountry of Origin: ItalyCondition: Age related wear.

A LARGE BRONZE SCULPTURE DEICTING TWO MEN ON HORSEBACK, On marble stand 55cm H Signed with initials and dated 1990.

CANTONESE STYLE FISH BOWL PLUS VASE, MARBLE WOODLAND SCULPTURE

A large silver-tone metal ribbon looped and twisted, featuring a round brass ball at the end. The sculpture is placed on a black round marble base. The measurements of the sculpture and base together, approximately: 19"L x 6.5"W x 40.5"H. Dimensions: See DescriptionManufacturer: Curtis JereCountry of Origin: United StatesCondition: Age related wear.

Limited edition. A beautiful bronze statue in a golden-brass tone. Depicts a bare beauty seated on stacks of pillows. The sculpture is attached to a black and white marble base. Artist, date and edition number on the piece. The dimensions are approximately: 12"L x 11.5"W x 21.25"H. Weight: 62.2 lbs. Artist: C.A. PardellIssued: 1997Dimensions: See DescriptionEdition Number: 14 of 75Condition: Age related wear.

A bronze figure of a child watching her mother knit. The sculpture is on a black marble base. Artist mark. Luigi Tommasi foundry stamp. The sculpture is approximately: 17.5"L x 7.75"W x 17.5"H. Artist: Harry MarinskyIssued: Mid 20th centuryDimensions: See DescriptionManufacturer: Luigi TommasiCountry of Origin: ItalyCondition: Age related wear.

An erotic bronze sculpture in a golden-brass tone of a nude woman pushing her hair back from her face. The figure is placed on a rotating black and white marble base. Artist, date and edition number marked. The dimensions are approximately: 7"W x 15.5"H. Weight: 18 lbs. Artist: C.A. PardellIssued: 1995Dimensions: See DescriptionEdition Number: 11 of 150Condition: Age related wear.

Bronze Medal from an original wax mold by Dali titled Our Historical Heritage Signed in the cast right numbered 14/400 Sight size sculpture 5� round black marble base 2.5� heightCondition: Age related wear.

An erotic bronze sculpture in a golden tone. Depicts a nude woman in high strappy heels bent forward combing her hair. The figure is placed on a rotating black and white marble base. Artist, date and edition number marked. The dimensions are approximately: 11.25"L x 8.5"W x 15.25"H. Weight: 24 lbs. Artist: C.A. PardellIssued: 1988Dimensions: See DescriptionEdition Number: 16 of 36Condition: Age related wear.

ITEM: Statuette of a seated womanMATERIAL: PotteryCULTURE: Greek, Hellenistic periodPERIOD: 3rd - 1st Century B.CDIMENSIONS: 135 mm x 35 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, Sussex, mid-20th century private collectionComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.During the Greek Hellenistic period, which spanned from the death of Alexander the Great in 323 B.C. to the establishment of the Roman Empire in 31 B.C., the art of sculpture underwent significant developments, marked by a departure from the idealized forms of the Classical era towards greater naturalism and emotional expression. Among the notable sculptures from this period is the Statue of a Seated Woman, also known as the "Pergamon Woman," dated to the 3rd century B.C. This sculpture exemplifies the Hellenistic style's emphasis on capturing realism and individuality, as well as the portrayal of complex emotions.The Statue of a Seated Woman is a marble sculpture depicting a woman seated in a relaxed posture, her body gently leaning to one side with her legs crossed elegantly. Her facial features are rendered with remarkable detail, conveying a sense of introspection and emotion. The woman's hairstyle, drapery, and jewelry are intricately carved, adding to the lifelike quality of the sculpture. The absence of idealized proportions and the focus on naturalistic details distinguish this work as characteristic of the Hellenistic period.This statue is believed to represent a goddess, nymph, or possibly a mortal woman depicted in a divine or heroic context. The sculpture's serene expression and contemplative pose suggest a moment of quiet introspection or divine communion.

ITEM: Statuette of an enthroned womanMATERIAL: PotteryCULTURE: Greek, Hellenistic periodPERIOD: 3rd - 1st Century B.CDIMENSIONS: 144 mm x 52 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, Sussex, mid-20th century private collectionComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.During the Greek Hellenistic period, which spanned from the death of Alexander the Great in 323 B.C. to the establishment of the Roman Empire in 31 B.C., the art of sculpture underwent significant developments, marked by a departure from the idealized forms of the Classical era towards greater naturalism and emotional expression. Among the notable sculptures from this period is the Statue of a Seated Woman, also known as the "Pergamon Woman," dated to the 3rd century B.C. This sculpture exemplifies the Hellenistic style's emphasis on capturing realism and individuality, as well as the portrayal of complex emotions.The Statue of a Seated Woman is a marble sculpture depicting a woman seated in a relaxed posture, her body gently leaning to one side with her legs crossed elegantly. Her facial features are rendered with remarkable detail, conveying a sense of introspection and emotion. The woman's hairstyle, drapery, and jewelry are intricately carved, adding to the lifelike quality of the sculpture. The absence of idealized proportions and the focus on naturalistic details distinguish this work as characteristic of the Hellenistic period.This statue is believed to represent a goddess, nymph, or possibly a mortal woman depicted in a divine or heroic context. The sculpture's serene expression and contemplative pose suggest a moment of quiet introspection or divine communion.

J.B Deposee, Garanti Paris bronze figure of a male nude sculpture statue, signed Christian on base, with marble base, H x 59cm

G. Minne signed sculpture in bronze - on a marble baseMINNE G. sculptuur in brons : "Baigneuse" - hoogte : 35 cm - op witmarmeren sokkel getekend

Art Deco chryselephantine sculpture in bronze and bone on a marble base - signed ManinMANIN Art Deco-chryséléphantinesculptuur in brons en been : "Vogel" - hoogte : 15,5 cm - op marmeren sokkel getekend

PEETERS WILLY KAREL (° 1957)small 20th Cent. sculpture in bronze on a marble base by Willy Karel PeetersPEETERS WILLY KAREL (° 1957) kleine sculptuur in brons : "Man met rugzak" - hoogte : 18,3 cm - op marmeren basis

pair of Art Deco book-ends in marble each with an Antilope sculpture in black patinated metal (bronze ?)Paar Art Deco-boekensteunen in marmer telkens met een sculptuur in zwart gepatineerd metaal (brons ?) in de vorm van een antiloop - hoogte : 14,5 cm - ca 1930

PEETERS WILLY KAREL (° 1957)21st Cent. sculpture in bronze on a marble base - with the monogram of Willy Karel PeetersPEETERS WILLY KAREL (° 1957) kleine sculptuur in brons n° Epreuve d'Artiste 2 : "Danseres" - - hoogte : 17,8 cm - op marmeren sokkel gemonogrammeerd

antique 3pc garniture in marble and bronze with a pair of tazzas and a clock with a bronze sculpture and with a "Japy frêres" signed workAntieke schouwgarnituur in marmer en brons, bestaande uit een paar tazza's (18,5 cm hoog) & een klok (40 cm hoog) met een bronzen sculptuur met jongetje met lam en met werk getekend "Japy frêres"

AMERLAAN VAN NIEKERK CORRY (° 1947)20th Cent. sculpture in bronze on a marble base - attributed to Corry Amerlaan van NiekerkAMERLAAN VAN NIEKERK CORRY (° 1947) (NL) sculptuur in brons op sokkel in marmer : "Compositie met narrenhoofd" - 11,5 x 12,5 cm toegeschreven aan

Very large art deco bronze sculpture of a dancer on a marble base in the style of Demetre Chiparus, 21.5" tall.