We found 811 price guide item(s) matching your search

Rankin, Ian - Inscribed by the author Black & blue. London, 1997, third impression, 8vo, inscribed by the author on the title "In the field of observation, chance favors only the prepared minds... To Tam - Cheers Ian Rankin", original cloth, dustwrapper, some creasing, remainder of tape label to backstrip, front free endpaper pasted to upper board, bookplate in centre of title covering hole in page; Ibid. The falls. London, 2001, 8vo, inscribed by the author "To Tam - Nunc est bibendum! [Now is the time for drinking!] Ian Rankin (Oxford Bar, Feb 2002)", original cloth, dustwrapper, creased at edges, front free endpaper pasted to upper board, bookplate removed from verso of title; Ibid. Resurrection men. London, 2001. First edition, inscribed by the author "To Tam - Wishing you an "Annus Mirabilis" [Extraordinary Year]!" with knots and crosses below, original red cloth, dustwrapper, newspaper clipping pasted onto introductory leaf; Ibid. Beggars banquet. London, 2002. First edition, 8vo, inscribed by the author "To Tam - Good work enroles? everyone and stands the test of time and sun! A' best, Ian Rankin" with hangman sketch below, original black cloth, dustwrapper; Ibid. A question of blood. London, 2003. First edition, 8vo, inscribed by the author "To Tam - Verbum rebus manet in aeternum (It says here!) Cheers Ian Rankin" with smiley face below, original blue cloth, dustwrapper, sellotape at foot of spine, bookplate? removed from front free endpaper; Ibid. Fleshmarket close. London, 2004. First edition, 8vo, inscribed by the author "To Tam - A' the best! Rebus locuta est. Causa finita est! [Rebus has spoken. The cause has finished!] Oxford Bar 2004 Ian Rankin", smiley face below, original cloth, dustwrapper, front free endpaper pasted to upper board; Ibid. The naming of the dead. London, 2006, 8vo, inscribed by the author "To Tam - Fidus achates Ian Rankin", knots and crosses below, original cloth, dustwrapper; Ibid. The flood. London, 2005, 8vo, inscribed the author "To Tam - Fidus achates Ian Rankin", knots and crosses below, original cloth, dustwrapper, front free endpaper pasted to upper board (8)

Rankin, Ian - Inscribed by the author Rebus: the St. Leonard's years. London, 2001, 8vo, inscribed by the author "To Tam - Ex tacito semper vigilans... Ian Rankin", with smiley face below, original cloth, dustwrapper, front free endpaper pasted to upper board; Ibid. The lost years. London, 2003, 8vo, inscribed by the author "To Tam - Primus inter pares. Nunc est bibendum. [First among equals. Now we must drink] Ian Rankin, Oxford Bar Embra", paper covers, newspaper clipping pasted to verso of title; Ibid. Rebus: capital crimes. London, 2004, 8vo, inscribed by the author "To Tam - Verbum rebus manet aeternum. Nunc est bibendum...Oxford Bar! Ian Rankin", hangman sketch below, dustwrapper, bookplate to verso of title; Ibid. The complete short stories. London, 2005, 8vo, inscribed by the author "To Tam - Books and friends should be few & good! Cheers, Ian Rankin, Oxford Bar 2005", paper covers, bookplate to verso of title; and three inscribed paperbacks with Ken Stott covers and a Audio book of Knots and Crosses signed by the author (7)

Dame Ethel Walker (British, 1861-1951) Portrait of a Girl in Green oil on canvas 59 x 49cm provenance: private collection, Norfolk ethel Walker was inspired to become an artist after seeing a collection of oriental art in Edinburgh. She studied initially at the Putney Art School in London in 1883 and then the Slade School of Fine Art from 1892-1894 under Frederick Brown. on a visit to Spain in 1884 she was greatly impressed by Velázquez’s blend of realism and myth, and in Paris she identified particularly with the work of Manet and with the Impressionists. In 1898 she settled in Cheyne Walk, Chelsea, London, and established her studio there for the rest of her life. in 1900 she was elected the first woman member of the New English Art Club. Some of her best work is her portraits of women, such as Vanessa (1937; the Tate) which often showed her use of brilliant colour. she was elected ARA in 1940 and appointed DBE in 1943.

EDOUARD MANET (1832-1883) 'Fleur Exotique' - la femme a la Mantille', etching, signed in the plate, 6 3/4" x 4 1/2" (paper browned) (see illustration).

Aristotle De generatione et corruptione libri duo Francisco Vatablo interprete. Lyons: apud |Theobaldum Paganum, 1554. [bound with] Meteorlogicorum Aristotelis libri quatuor: Francisco Vatablo interprete. Lyons: apud Theobaldum Paganum, 1554. [bound with] De anima libri tres: Ioanne Argyropylo … interprete. Lyons: apud Theobaldum Paganum, 1554. [bound with] Aristotelis …Sensu & sensile, Memoria & reminscentia, Somno & vigilia …. Francisco Vatablo interprete. Lyons: apud Theobaldum Paganum, 1554. [bound with] Physicorum Aristotelis, seu, De naturali auscultatione, libri octo Ioanne Argyropylo … & Francisco Vatablo interpretibus. Lyons: apus Guilielmum Rovillium, 1554.[bound with] Aristotelis de coelo libri quatuor Ioanne Argryopylo … interprete. Lyons: apud Theobaldum Paganum, 1554. 6 works bound in 1 volume, small 8vo., printers' devices on the title-page of each volume, contemporary limp vellum, some title-page inscriptions and marginalia (chiefly in the De anima), lacking the front pastedown and free endpapers, edges of last few leaves a little frayed and with light water staining [Greek title] De moribus ad Nicomachum libri X … Basil, ex officina Oporiana, [1573]. Small 8vo., device on the title-page, text in two columns of Latin and Greek, contemporary blind stamped vellum with an overall deign of interlacing strapwork enclosing a central oval filled with a coat of arms surrounded by the motto Manet in aeternum verbum domini, lacking front free endpaper, small tear to the title-page, title-page with early ownership inscriptions, some uniform paper discolouration throughout, worm hole and marginal staining through the last couple of signatures Note: Riley 93; Index Aureliensis 108.851. Not in Adams. Translated and edited by Adrien Turnebe and Guillaume Morel. Ammonius, Hermeas [Greek title] In librum Aristotelis De interpretatione commentaria. Venice: [per Ioan. Ant. & Petrum fraters de Nicolinis de Sabio sumptu Melchioris Sessae, 1545]. Small 8vo., printer's device on the title-page, later half vellum, marbled boards, tear to lower margin of f.3, worm hole through ff. 14-40 (touching some letters of text) Note: Adams A990; Index Aureliensis 104.905. Not in Riley. (3)

After Edouard Manet 1832-1883- ''Olympia''; reproduction printed in black, 53x37cm: together with one other reproduction print after the same, both on laid paper watermarked for 1922: After Andre Derain 1880-1954- Figure by a statue; etching, bears signature in pencil, numbered 2/20 in pencil, on Auvergne A La Main, watermarked paper, 44x34cm: together with five other later restrike etching and print studies after Renoir, Manet and others, (8) (unframed)

* Derain (Andre, 1880-1954). Illustration for Pantagruel, by Francois Rabelais, pub. Albert Skira, Paris, 1943, colour woodblock, image size approx. 150 x 90mm (6 x 3.5ins), framed and glazed, with St. Georges Gallery Prints label to verso From Manet to Hockney 111. (1)

A tin encased French wall clock, the dial with Roman numerals and inscribed 'Ro Manet, Bully Loire' and another similar clock for further restoration 50-60

A brass and tinware French wall clock by Ro Manet, Bully Loire 50-60

*Manet (Edouard, 1832-83). Berthe Morisot, 1872, etching from the cancelled plate, plate size approx. 119 x 78 mm, with margins (short closed tear to lower edge) (1)

*Morisot (Berthe, 1841-95). Fillette au chat (Julie Manet), etching on laid paper with margins, an impression from the cancelled plate, some light overall toning, plate size approx. 150 x 117 mm, framed and glazed (1)

Follower of Edouard Manet- Flowers in a vase; oil on canvas, bears signature, 39.5x34.5cm

Norbert Goenuette (1854-1894) ‘PLACE DE LA CONCORDE, PARIS. FEMME MONTANT DANS UNE CALACHE’ Drypoint, c. 1884-1887, circular brown monogram stamp for L Dumont, the publisher, Plate 31.5 x 19.5cm. Goenuette was one of the circle of impressionists including Manet, Desboutin, Buhot and Doctor Gachet. He specialised in drypoints of Parisian subjects but also painted portraits and landscapes in oils.

Poe (Edgar Allan). Les Poèmes, trans. Stéphane Mallarmé, pub. Léon Vanier, Paris, 1889, b & w ports. and illusts. after Édouard Manet, green moiré silk doublures, a.e.g., modern green morocco gilt, with red morocco bird onlaid to front cover, 8vo (1)

THE RUBAIYAT OF OMAR KHAYYAM, Illustrations by Edmund Dulac, 20 tipped-in coloured plates, original pictorial red cloth gilt, small piece missing bottom of spine, 4to, Hodder & Stoughton, n.d.--ROGER-MARX (CLAUDE) French Original Engravings From Manet to the Present Time, 1st ed, plates, some col., orig. cl., 4to, The Hyperion Press, 1939 LOCATION A

EDOUARD MANET Le Chat et Les Fleurs Etching 8 x 5 3/4 inches plate size

Edouard Manet 4 1/8in. x 3 1/2in. (10.5 x 9cm) A portrait of Charles Baudelaire in profile wearing a top hat, 1862, signed on the plate, late impression.

Large brass circular charger with hand beaten decoration, the central circular panel depicting two figures carrying a large bunch of fruit, the border inscribed 'Nulla Certa Manet Anno Domini 1663' surrounded by further punched decorative border, 50cm diameter.

After Edouard Manet - Lady seated full-length; lithograph, signed within the plate, bears publisher's oval blind stamp, 32 x 24.3cm: together with a quantity of lithographs after different hands including those after: Vlaminck, P. Bonnard, L. Dubignon, E. Vuillard, A. Sisley, M. Utrillo, A. Masson, (a lot), (unframed).

ROGER MARX (C), FRENCH ORIGINAL ENGRAVINGS FROM MANET TO THE PRESENT TIME, coloured and other illustrations, d.j, 4to, 1939 and other books on the art of illustration

(Fine Art) A quantity chiefly of large format modern titles including: Adhemar's Toulouse-Lautrec Complete Lithographs & Drypoints (1987); Wilson-Bareau's Goya Truth & Fantasy (1994); Hajek's Japanese Graphic Art (1989); Shone's Sisley (1992 BCA edn); Macmillan's Scottish Art (1990); Meuris' Magritte (1988); Gronberg's Manet (1988); Lampert's Rodin (1986); & Robertson's Atkinson Grimshaw (1988). All with dustwrappers where called for (24)

Edouard Manet (1832-1883) Lola de Valence (Guerin 23, Harris 33) etching and aquatint, 1862, on laid paper, a good rich impression, with margins, a fox mark in the upper right margin, otherwise apparently in good condition, unexamined out of the frame P. 266 x 185mm.

Eduard Manet- Portrait of a man in a top hat, in profile, publ. by A. Salmon, 1862, from a later edition; etching, 10.5x8.8cm

PIERRE-AUGUSTE RENOIR (1841-1919) BAIGNEUSE DEBOUT, A MI-JAMBES (Melot 23) Etching, 1910, a posthumous impression, printed with tone, on cream laid, with margins, originally published in "Manet and the French Impressionists" by T. Duret, London 17 x 10.75cm. ++ Needs a clean; some general pale time staining

Style of Manet (20th Century), Croquet match, oil on board, 16ins x 13ins

A 19th Century French Repousse brass Comptoise wall clock, the white enamel dial with roman numerals and inscribed 'Ro Manet a Bully-Loire', the ornate embossed border decorated with flowers and scrolls, fitted a modern chain driven movement striking on a single bell, the pendulum decorated with ornate embossed brass panels, the dial 9in. dia.

After Edgar Degas (1834-1917). Etching. 'Manet Assis' (cancelled plate). Impression 16.7cm x 12.1cm. F&G.

A colour reproduction after Edouard Manet. 'La Serventa de Bocks' - with man smoking a clay pipe. 60.5x49cm. F&G. NB: After the original in the Musee d'Orsay, Paris.

Bazire (Edmond) Manet, 2 original etchings with aquatint by Manet, 8 etched plates, illustrations, front endpaper, half-title and portrait frontispiece almost detached, newspaper clippings tipped-in on endpapers, contemporary half calf over marbled boards, rubbed, spine gilt, morocco label, small tear to upper edge of spine, 4to, Paris, A. Quantin, 1884.

WHITAKER, Joseph 'A Descriptive List of The Deer Parks and Paddocks of England' Ballantyne, London 1892 8vo. glt. dec. cl. Tog. with KNOX, A.E. Game Birds and Wild Fowl......... van Voorst, London 1850. 12mo. b & w lithos. pict. bd. worn, spine browned, plus COLETTE 'For a Flower Album' Weidenfeld & Nicholson, 1959 water colours by Manet, plus other Nt. His. (10)

ÉDOUARD MANET OLYMPIA. (Harris 53 ; Guérin 39, état intermédiaire entre IVe et VIe) 87 x 176. Eau-forte. Épreuve sur Japon, infimes rousseurs, bonnes marges.