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Lot 31
A polychrome flower pot with floral detail, a Worcester sucriere and bowl (Fisherman pattern), a Chamberlain's Worcester kylin pattern cup, a Coalport saucer, a Chamberlain's Worcester campana vase with gryphon handles with landscape and theatrical detail and a porcelain cup and saucer with floral detail (6)
Lot 96
A collection of ceramics to include a Japanese Satsuma export earthenware dish decorated with warrior and landscape detail, together with a further Japanese terracotta charger decorated with cranes and bamboo, 45cm diameter, a ‘Train of Artillery’ porcelain figure by Michael Sutty with hand painted finish, model 9/250, 20cm high(max) a 19th century continental novelty figurative porcelain tobacco jar in the form of a robed character reading a copy of The Times newspaper, 25cm high
Lot 106
(ARR) Pedro Matos (Portuguese, b. 1989)Therefore The King - 2010Giclee and screen print with hand varnishing on 300gsm fine art paperSigned and numbered 27/75 Pedro Matos (Portuguese, b 1989) has been hailed as one of Portugal’s most promising contemporary artists. His practice has been a continuous investigation of the ephemeral and decaying, the withered and downtrodden - Qualities the artist finds present in the urban landscape and nature alike, whether made by unconscious human gestures and mark making or natural phenomena. Rendered in the form of meticulous and highly detailed works, the artist explores the intricacy of abstract textures and fragmented details, lying at the boundary between abstraction and representation. Pedro Matos was born in Santarém, Portugal in 1989. He studied at the Fine Arts University of Lisbon (2008); Arco Visual Arts Centre (2009) and Central Saint Martin's College of Art at the University of London (2011). Pedro's work has been widely exhibited internationally, both in solo and group exhibitions such as The National Army Museum in London (2013); Martha Otero Gallery in Los Angeles (2013); The Goss Michael Foundation in Dallas (2012); University of Arizona Museum of Art in Tucson (2011) and Phillips de Pury in London (2010). His work is in the permanent public collections of The National Army Museum in London and Museu da Guarda in Portugal.Measures approx. 58.5cm x 46cm (23" x 18").
Lot 47
TA 5% Vat. KISHI GANKU (1749 — 1839)Winter LandscapeEdo period, 18th/19th centuryA Japanese hanging scroll painting, kakejiku, ink on paper, with three ducks on a river in a snow-covered landscape beneath a single tree, signed Ganku, sealed Ganku/Fuzen, together with a box.Image 102 x 36.5cm; total 187cm x 48cm (3) Provenance: the Claudio Perino Collection, Turin, acquired mostly in Japan in early 2000s.Exhibited: MAO Museo d'Arte Orientale, Turin, and MUSEC Museo delle Culture, Lugano, 2020 - 2022.Literature: the exhibition catalogue Kakemono, Five centiuries of Japanese painting. The Perino Collection, p. 164, no 150. This lot has been imported from outside the UK for sale and placed under the Temporary Admission (TA) regime. Import VAT is payable at 5% on the hammer price. Standard VAT at 20% will be added to the buyer’s premium. Buyers are invited to familiarise themselves with these rules prior to bidding.
Lot 50
TA 5% Vat. TANI BUNCHŌ (1763 — 1841)Mount FujiEdo period, circa 1840A Japanese hanging scroll painting, kakejiku, ink on paper, signed Bunchō and sealed Tenpō kanoe ne nanajuhachi-ō (Old Man of 78 years in the year of the Rat in the Tenpō period) to the lower left, contained in a box.Image 44cm x 69cm; total 144cm x 72cm (3) Provenance: the Claudio Perino Collection, Turin, acquired mostly in Japan in early 2000s.Exhibited: MAO Museo d'Arte Orientale, Turin, and MUSEC Museo delle Culture, Lugano, 2020 - 2022.Literature: the exhibition catalogue Kakemono, Five centiuries of Japanese painting. The Perino Collection, p. 177, no 161.Similar example can be seen in the Philadelphia Museum of Art, dated the same year, accession number 2007-144-1.A comparable scroll was sold at Christie’s New York on 24th March 2003, lot 36. The instantly recognisable Mount Fuji is seen rising above the mist, its iconic shape echoed in the reflections in the surface of rice paddies in the foreground. Descended from the eighth Tokugawa shōgun, Bunchō inherited samurai status from his father, poet Tani Rokkoku (1729–1809). He began his artistic career studying the techniques of the Kanō school under Katō Bunrei (1706 – 1882). Following Bunrei’s death, Bunchō developed his own artistic style working with a number of different masters from various schools, such as the literati painter Kitayama Kangen (1767–1801). In 1804 he completed his three-volume Meizan Zufu (Illustrations of Japan’s Famous Mountains) and his familiarity with Mount Fuji is clearly visible in this atmospheric depiction of the famous landmark. Bunchō’s versatility as an artist is visible as he moves away from his more well-known literati style of landscape to an image inspired by Japanese Zen-ga works. This lot has been imported from outside the UK for sale and placed under the Temporary Admission (TA) regime. Import VAT is payable at 5% on the hammer price. Standard VAT at 20% will be added to the buyer’s premium. Buyers are invited to familiarise themselves with these rules prior to bidding.
Lot 30
A collection of ceramics and glassware, to include Murano glass vase, motto ware dish, cranberry glass bon bon dish, Meissen cup and saucer, Noritake nippon teapot, sugar bowl and milk jug etc. Chip and crack to Meissen cup, tall landscape vase cracked and repaired to rim, Royal Doulton vase cracked to base, serpent spout jug chipped to spout, Notirake teapot chipped to spout, Goebel girl cracked to hat.
Lot 110
A late 19th century Continental silver tea caddy and cover, import marks for Edwin Thompson Bryant, London 1896, of rectangular bombe form, the sides repousse panels of figures within a landscape bordered by shells and 'C' scrolls, the cover with cherub finial, impressed marks to base, height 13.2cm. (171.6g)
Lot 902
A CHINESE MOON FLASK AND A WASH JUG WITH A BASIN to include a blue and white Chinese moon flask with painted peacock landscape scenes with foliate patterns outside of the main subject, a four blue character manufacturers mark to the stepped base, height 44cm x width 27cm (some inclusions to the grain, firing cracks near to the handle, some small cracks to the glazed circular frame), an unmarked water jug and basin with floral patterns (heavily crazed, with hairline cracks, dull when tapped) (3) (Condition Report: itemised conditions above)
Lot 963
FOUR LATE 20TH CENTURY PAINTINGS AND PRINT, comprising a Sherree Valentine Daines signed limited edition print 'Ladies day Royal Ascot', 536/850 published 1990, approximate size 43cm x 54cm including margins, together with a Richard Akerman landscape oil on canvas, a Jacqui Talbot watercolour of a fishing village, a pastel drawing of a Tiger signed Mark and pen and watercolour drawing of St Philips Cathedral in Birmingham (qty)
Lot 961
A SMALL QUANTITY OF LATE 20TH / EARLY 21ST CENTURY PICTURES ETC, comprising a John Cooper watercolour landscape dated 1982, an unsigned pastel coastal landscape, Carole Lorrimore oil on board woodland landscape, an indistinctly signed oil on board river landscape, an indistinctly signed oil on canvas coastal village scene, two Helen L. Robertson pastel coastal landscapes of Skye, a Michael Ewins signed print and a modern needlework sampler
Lot 970
PICTURES AND SUNDRY ITEMS ETC, comprising an early 20th century river landscape signed H. James bottom left, oil on canvas, approximate size 50cm x 75cm, a moonlit estuary scene without a visible signature, oil on canvas, a crystoleum depicting distant figures standing beside a river, a print of a young girl holding a Dachshund, a further print of a young girl and a wooden tray containing assorted flat wares etc
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