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A GROUP OF CHINESE IMARI PORCELAIN (5)Circa 1720-50 Comprising; a cylindrical tankard painted with an extensive landscape scene, 17cm high; two baluster mugs painted with flowers, 12.5cm and 13.5cm high; a saucer painted with quail and trees, 10.25cm diameter; also a Japanese Imari cover, Edo period, painted with flower panels, 13cm diameterCylindrical tankard- restored section to the rim, approx. 4cm by 2cm. Some wear to the gilding.Smaller baluster mug- The handle has broken, but the two pieces are available. Minor wear to the gildingLarger baluster mug-- extensively restored. Starcrack to the base.Saucer- small rim chip and some wear.Japanese cover- overall crazing to the glaze. Minor wear

A SMALL CHINESE FAMILLE-VERTE ROULEAU VASEProbably Kangxi Enamelled with an official and two attendants in a landscape, the shoulders with four panels of Buddhist emblems reserved on an iron-red cell pattern ground, the neck painted with bamboo, 26cm highProvenanceSotheby's, 06 May 1999, lot 64Condition reportThere is a very fine vertical haircrack running down the side of the vase, visible under a UV lamp, approx. 13cm lengthA tiny amount of wear to the enamels. No Sotheby's invoice, just the Sotheby's lot number is with it.

A CHINESE EXPORT BLUE AND WHITE SHAPED OVAL TUREEN AND COVER (2)Qianlong Painted with landscape and flower panels against a whorl pattern ground, set with lotus flower handles and coronet knop, 33cm across handlesThe tureen with some chipping around the edges of the handles. Fine starcrack to the base. The cover with some minor glaze fritting to the rim

A JAPANESE KUTANI RECTANGULAR WRITING BOX AND COVER (SUZURIBAKO) (3)Meiji period The cover enamelled with shaped panels enclosing a dragon, buildings in a mountainous landscape and flowers, the interior with fitted compartments and containing a water dropper, 19cm by 14.5cmThe cover has a chip running along the rim, approx. 1cm by 0.75cm. Minor wear to the enamels and the gilding. The box has a shallow chip to the inner rim, approx. 0.5cm by 0.3cm. 

A LARGE CHINESE EXPORT SHAPED RECTANGULAR DISH (12)Late 18th/early 19th century Painted in the centre with a puce landscape panel surrounded by four floral sprigs, 41.5cm wide; also a Chinese Imari Batavian ware teabowl painted with cockerels, five famille-rose Batavian ware small teabowls and four saucers and a single Batavian ware saucer painted with flowersDish- large area of restoration to the lower right corner. Some rim chips and fritting to glaze. Minor wear to the enamels.Chinese Imari teabowl- overall in good condition with minor wear to the gildingFive teabowls- in overall good condition. Very minor wearFour saucers- one with extensive restoration. Another with restoration to the rim.The other two in overall good conditionSingle saucer- minor wear to the enamels

A CHINESE BLUE AND WHITE OVIFORM JARCirca 1800 Painted with two scholars standing in an extensive mountainous landscape, 22cm highExtensive haircracks and glaze cracks around the shoulders and one side

TWO CHINESE BLUE AND WHITE VASES WITH LATER SILVER MOUNTS (2)The porcelain 18th century The first of octagonal form painted with figures in a landscape, the second of cylindrical form painted with a bird perched on a rock amongst flowering shrubs, 17.5cm and 21.5cm highThe octagonal vase has been cut down and has a diagonal haircrack from the rim, approx. 4cm lengthThe cylindrical vase has been cut down and has extensive restoration to the sides. Some shallow chips around the footrim

ELEVEN CHINESE EXPORT BLUE AND WHITE PLATES (11)Late 18th century Comprising; a set of of five plates painted with a river landscape and two figures in a boat, 23cm wide; a single plate painted with a river landscape and a boat, 23cm wide; five soup plates painted with river landscapes and boats, 23cm wideSet of five plates- one with a haircrack to the rim, approx. 1.5cm length. Another with a shallow chip to the outside of the footrim. The fifth with a chip to the underside of the rim, approx. 1.5cm by 1cm and a haircrack to the rim, approx. 4.5cm length. Some overall small chips and glaze fritting to the rims.Single plate- in overall good conditionThree similar soup plates- each with rim chips. Two also with haircracksTwo similar soup plates- each with small rim chips

KINOSHITA ITSUUN ( 1799-1866) A JAPANESE SCROLL PAINTINGMountainous landscape, ink on silk, 123cm by 42cm, mounted on brocadeFootnotes: This lot contains ivory and has been registeredin accordance with the Ivory Act (section10). Reference No. B6C9RRFV   Prospective buyersshould be aware that some countries have limitations on importing items madefrom endangered species, including materials such as coral, ivory, andtortoiseshell. Therefore, it is advisable for potential buyers to familiarizethemselves with relevant customs regulations before placing bids, particularlyif they intend to import this lot into another country. Condition reportSome discolouration to the silk

FIVE CHINESE EXPORT FAMILLE-ROSE PLATES (5)Qianlong Comprising; a pair of plates painted with a gourd and vase of flowers within a fruit and flower spray surround, 23cm diameter; an octagonal plate painted with figures and buildings in a river landscape, 22cm wide; a plate painted with precious vessels, 23cm diameter and a plate painted with flowers inside a brown whorl pattern border, 23cm diameterPair of plates- one with a starcrack across the centre and a haircrack to the rim, approx. 2.5cm length. It has three minor nicks to the underside of the rim. The other plate with two small nicks to the underside of the rim and minor wear.Octagonal plate- haircrack to the rim, approx. 2.5cm length. Shallow rim chip, approx. 1cm by 0.5cm and some minor nicks to the rim.Precious vessels plate- some chips and nicks around the rim. Minor wearFlower painted plate- minor nicks to the rim and minor wear

THREE CHINESE PORCELAIN HOLLOW RECTANGULAR TILES (3)Kangxi Each painted in a doucai-type palette, one with a fisherman with a net, another with two figures on the banks of a river, the third with a building in a mountainous landscape, 8cm by 17.5cmOverall in good condition. Some black specking and impurities  to the glaze and some light surface scratches. Some of the apertures on the sides and ends are blocked up

FOUR JAPANESE POLYCHROME DISHES ( 4)Edo period, 18th/19th century Each painted in the centre with two Chinese Immortals in a landscape, one holding a double-gourd, inside a border of clouds and Buddhist scrolls, 15cm diameter. Provenance; Woolley & Wallis, Salisbury, 17th May, 2022, part lot 32 One with glued shallow chip to the rim, One with a haircrack to the rim, approx. 1.5cm length. Overall minor wear

A LARGE CHINESE FAMILLE-ROSE YELLOW-GROUND HU VASEIron-red Qianlong seal mark but probably Republic period Each side painted with a circular landscape panel against a yellow ground filled with foliate scrolls and bats, beneath ruyi head and blue key pattern borders, set with ruyi handles suspending bats, shou medallions and tassels, 34cm highSome typical wear to the gilding, but overall in good condition

A gilt framed c.1840 oil on canvas of landscape scene depicting men working on boats to the fore in the style of Alexander Nasmyth, small hole to low left, small tear centre right, image size 750mm x 632mm

A pair of framed winter landscape watercolours of tree lined paths, indistinctly signed, image size 233mm x 117mm

David Cox (1783-1859), a framed landscape watercolour of folk sat in field within valley, 470mm x 270mm

David Wood (Cumbrian, mid to late 20th Century)"Lakeland Giants", a vast, atmospheric landscape portraying the rugged nature of the Langdale fells, oil, signed, label bearing title and Up Front Gallery receipt dated 2009 verso, in double card mount and silvered frame under glass, 61 cm x 80 cm overall[Wood was born in Suffolk and moved to Cumbria in 1975 following his military service in India, the south coast and the Shetlands. After retiring in 1986 his wife gave him a box of paints to keep him busy in his newly found free time, and so he began to discover "the joy and frustration of painting in various forms". He aims to share the beauty that he sees in nature and the world around him with others through his paintings.]

A group of Great War British and Imperial German photographs and postcards, including studies of German soldiers dug into a snowy landscape, a group of German infantry posed for the camera in a trench, a postcard inscribed "Guns going into action at Redesdale" depicting field guns and mechanised transport, military encampments at Trawsfynydd, etc

A contemporary Dennis Farrell vessel "Derelict Pier 2", in red earthenware blended with stoneware crank clays and engobes, over-painted, in the style of a painting on canvas, with a depiction of a desolate and abstract coastal landscape as viewed from a dilapidated pier, enhanced heavenwards by a rugged wavelike sgraffito skyline, 30.5 cm, with 2018 Red Barn Gallery purchase invoice and maker's biography. [Dennis was born in Liverpool in 1949 and attended St Helens School of Art and the Polytechnic Wolverhampton where he gained a Diploma in Art & Design, Ceramics in 1971. He has been a lecturer/demonstrator for colleges and ceramic groups across the UK including St Helens School of Art and set up studios in Lancashire and West Yorkshire before moving to Shropshire in 1991 to take up a lecturing post at the University of Wolverhampton. Dennis currently lives and works in Church Stretton, Shropshire, creating "Ceramic Paintings" where he crafts sea-washed and weather-worn structures set within rural and coastal landscapes on a pottery medium echoing the passage of time and change through his layered use of light, colour and texture. He exhibits both nationally and internationally and has work in both private and public collections including: Arthur Anderson Collection of Contemporary Art; Glasgow City Art Gallery; Hansley Museum and Art Gallery of Stoke on Trent; Huddersfield Art Gallery; Lotherton Hall within Leeds City Art Gallery, and, York City Art Gallery.]

A contemporary Annette Poulson Ceramics square dish with rippled rim, glazed in a rich denim blue and decorated with impressed palmate leaves, the outer leaves decorated in hues of green and yellow whilst the central leaf is overlaid in a resplendent metallic plum, the whole piece finished with accents of metallic silver and gold, together with business card, diameter 26 cm. [Annette Poulson is a ceramicist, community artist and frequent exhibitor at Penrith Potfest, based in County Durham, she has a love of gardening, landscape and rich glazes]

A group of studio pottery, including; a Bryan Trueman earthenware bowl decorated with autumnal glazes and handpainted monochromatic detailing, together with business card; two asymmetrical stoneware wall plaques and a highly decorative bowl depicting a mermaid beneath the sea, largest 28 cm. [Bryan Trueman is an English-born potter who moved to Australia in 1975 to lecture in ceramics at Caulfield Institute of Technology in Melbourne. He returned to England in 1992 and is currently based at Farfield Mill near Sedbergh in Cumbria. His work is known for his use of glazes to "paint" the Australian landscape]

A Chinese Qing Dynasty blue and white vase painted figures in landscape, 23cm

A unusual silver ring set with landscape agate

A nineteenth-century French silver sewing or needlework case, ensuite with a fitted interior, to include a figural needle case, modelled in the form of a standing queen, scissors, thimble, and bodkin, some fittings marked, "pensez a moi" (think of me), the case with lined interior, and mirror plate, the exterior decorated with a landscape scene, apparently unmarked, height of needle case 9.2cm, case dimensions 13.7x10x2.5cm approx (a/f)

A twentieth-century Japanese silver shaving mug, of squat cylindrical form, the exterior embossed with irises in a watery landscape on a planished ground, with fitted internal perforated sieve section, the underside marked 'STERLING', Samurai Shokai, Yokohama, height 5.1cm, weight 164g/5.27ozt approx

A nineteenth-century Russian silver niello snuffbox, the exterior decorated with a horse and rider, and a landscape scene, with gilt interior, struck with the assay mark for Andrey Antonovich Kovalsky, Moscow 1857, length 7.5cm, together with a smaller niello box, decorated with a deer, combined weight 101g/3.24ozt approx (2)

A framed and glazed print 'The Gleneagles Hotel, Queens Course, 18th Hole', by Graham Baxter, signed in pencil lower right, together with a limited edition atmospheric golfing picture 'Digging For Victory' and A framed and glazed rocky river landscape signed G Trendry? lower right (3)

Continental School A large watercolour depicting a woman strolling through a scenic mountainous landscape, indistinct signature to lower left, 42.5 x 60cm, mounted in a gilt frame.

Professor Borghi (Italian). A late 19th century school painting depicting a family crossing a bridge in a snow filled landscape, watercolour, signed to lower left, 46.5cm x 66cm, mounted in a gold and black frame.

A 19th century English school. A wintery sunset landscape depicting children and animals in the foreground, a church and buildings in the distance, appears unsigned, oil on canvas in a gilt frame, 39 x 72 cm, old label verso.

A Moorcroft vase, Landscape Medley, designed by Sian Leeper, 20.5cm, ©2005.

A WMF plated oval tray decorated in relief with a fox having a duck in its mouth, within a landscape and a companion tray depicting a retriever carrying a pheasant within Art Nouveau-decorated borders, the backs stamped 242 and 242a, 28 x 46cm, (2).

James Stinton (1870-1961) PHEASANTS IN A LANDSCAPE Signed watercolour, 24 x 35cm and a companion GROUSE IN A HIGHLAND LANDSCAPE, (2).

Titta Fasciotti (Italian 1927-1993), a rocky river landscape, oil on canvas, signed, 46 x 61cm.

Ivars Jansons (Australian 1939-2017), gum trees in an extensive landscape with a mountain range beyond, oil on canvas, signed 39.5 x 47cm.

Circle of Birket Foster (English School 19th Century), figures and a dog in a rural landscape with a church and cottage beyond, oil on board, 25.5 x 20cm.

Oskar Larsen (Austrian 1882-1972), Cartoon study of multiple figures in a landscape, watercolour, signed lower left, 35 x 49cm. Framed and glazed. Condition Report: Under glass, colours good, but may benefit from a light clean.

George William Bissell (British 1896-1973), a winter landscape at dusk with figures and a cottage, oil on canvas, signed, 35.5 x 46cm.Condition Report: Good overall, canvas slightly uneven, some of the paint in the sky is cracked but stable.

Jules Rozier (French 1821-1882). a river landscape at dusk, oil on canvas, signed, 27 x 41cm.

Peter Lanz Hohnstedt (American 1872-1957), landscape view with rolling hills, oil on board, signed, 20 x 25cm.

Sir Alfred East (1849-1913), Landscape with a woman seated near a croft, watercolour signed and dated 1883 lower right, 34 x 51cm. Framed and glazedCondition Report: Under glass, slightly faded and discoloured, some light foxing, may benefit from a clean.

Edward Wesson (British 1910-1983), a landscape view with an extensive blue sky, watercolour, signed, 44 x 64cm.

After Thomas Barker of Bath, 19th Century, 'The Woodman in Winter', male figure and his dog in a winter landscape with a church on the horizon, oil on canvas , 43 x 36cm. Condition Report: Has been lined, dirty surface, discoloured varnish.

After Gainsborough, 'Musidora', a scantily clad female figure seated in a landscape, 19th Century, oil on canvas, 60 x 45cm oval.

R.S Rogers (British 19th/20th Century), Richmond 1886, river landscape, watercolour, signed, 26 x 44cm, along with a view of the Thames under Richmond Bridge by Antony Kerr, 34 x 51cm, watercolour, signed (2).

A Pinxton plate decorated with gilt and pink rose swags, with a central rural landscape within a gilt reserve. Pattern 253 label on reverse. Circa late 19th century. Size 20.3cm diameter. Condition. Some scratches and glaze bubbles to front, small chips to foot rim. Wear to gilding. Ref. See ND Gent page 65. Provenance. The Michael Oscroft Collection.

Kathleen Emily Temple-Bird (British 1879 - 1962) Lake Louise, Alberta, Canada signed K.E. Temple-Bird (lower left) watercolour 20 x 26 cm, framed 46 x 52 cmand eight other Canadian landscapes, watercolours, (two framed) Qty: 9 Provenance: By family descentExhibited: 1931 - Walker Art Gallery 1936 - Forum Club 1953 - Ridley Art Club 1954 - The Forum Club 1954 - Artists Exhibition Bureau, 'Commonwealth Landscapes' Tour 1960 - The Forum ClubFootnote: In 1908 Kathleen Temple-Bird was appointed Head of Art at the Havergal College in Toronto for two years. Click the following link for further details on this lot - Canadian Landscape Briefing Notes.pdf. With thanks to the artist's family for providing theses notes.Biography:Kathleen Temple-Bird was an artist, teacher and believer in Women’s suffrage. Having been brought up in Ipswich, she trained at the Slade School of Art before travelling to France and Italy. She later travelled alone across Canada, becoming Head of Art at Havergal College, Toronto. She married in 1911 and settled in London, where she exhibited the majority of her paintings, but moved to St Ives for the duration of the Second World War. Further details on the artist are available at the following website - Kathleen Temple-Bird Artist

A collection of sixteen pieces of 20th century Japanese blue and white ceramic part dinner services. The lot to include two footed lobed dishes decorated with blue and white sprigs of flowers. Together with six Kraak style sugar bowls decorated with landscape, bamboo and birds. Further together with eight octagonal square dishes, decorated with landscape and foliate borders.Largest measures 3cm tall x 21cm long.

A collection of ten glass inside painted snuff bottles. The lot comprising an oviod shaped snuff bottle with faucet cut stopper, inside painted with lanscape, lion mask on each side, a square snuff bottle depicting gold fishes, landscape, lotus flowers and crane, a rectangular shaped snuff bottle depicts houses, landscape and figurines, a white glass snuff bottle with boats and riverscape, further five small moon flask snuff bottles with different colour border, landscapes and birds.Largest measures approx. 10cm tall.The largest one has cracks A/F.

Signed card featuring the autograph of Malcolm Forbes, the influential publisher of Forbes magazine and one of the most prominent figures in American business journalism. Forbes was known for his entrepreneurial vision and lavish lifestyle, shaping the financial media landscape. The signature is neatly placed on an ornate decorative card, making this a distinctive collectible for business and autograph enthusiasts alike. Certificate of Authenticity included.Issued: 20th centuryDimensions: 10"HCondition: Age related wear.

French, late 20th century. Applied with lion mask handles, with transfer-printed decoration depicting horsemen in a Chinese mountainous landscape. Height 17 inches, diameter 16 inches.Qty: (2)One vase with chip at foot, one vase with small glaze imperfection at rimOne vase with chip at foot, one vase with small glaze imperfection at rimAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

In gilt decorated black lacquer with faux bamboo legs. Each top and lower shelf with landscape scenes. 20th century. Height 27 inches, width 23 inches, depth 15 inches. Qty: (2)Flaking and cracked lacquer.Flaking and cracked lacquer.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

10k yellow gold ring set with shell cameo depicting a windmill in a landscape. The cameo set within a scalloped frame with four flowers as the setting claws (one flower missing petal). Marked 10k and unidentified maker's mark.Ring size: 6 US. Height: 23.04 mm x width: 27.22 mm x depth: 7.69 mm. Gross weight: 9.3 g.Condition: Tarnishing and wear to the gold, some accretions. One petal from flower claws missing.

Nino Caffe (Italian, 1908-1975). Oil on board painting titled "Vecchio Cantiere" depicting a seaside town landscape. Signed along the lower center. With a label with the title along the verso.Unframed; height: 6 in x width: 12 in. Framed; height: 10 1/4 in x width: 16 1/4 in x depth: 2 in.Condition: The colors may be slightly muted. There is a minute area of in-painting which is beginning to flake off along the upper right corner. No other visible restorations. Light wear to the frame.

Alex Grey (American, b. 1953). Acrylic on wood painting titled "The Soul Finds It's Way" depicting a cross-section of a human head below a vibrant and surreal landscape of waving lines and flaming eyes all leading towards the same cosmic vanishing point, 2001. Signed and dated along the lower right. The work is from the "Progress of the Soul" series.Lot Essay:Alex Grey is an American artist known for his spiritual and psychedelic artwork, particularly his Sacred Mirrors series, which includes 21 life-sized paintings exploring human anatomy and consciousness. Grey's work integrates the physical, metaphysical, and spiritual realms, often featuring detailed representations of the body’s systems alongside religious symbols like auras and chakras. His art has been widely exhibited and is recognized for its visionary style, blending sacred, scientific, and psychedelic elements. Grey has been influential in the art world and in psychedelic culture, with his artwork appearing on album covers for bands such as Tool, Nirvana, and the Beastie Boys. He is also a key figure in the Visionary Art movement and has authored several books on art, consciousness, and spirituality.Grey has described Visionary Art as a movement whose mission is to "make the soul perceptible...Visionary art encourages the development of our inner sight. To find the visionary realm, we use the intuitive inner eye: the eye of contemplation; the eye of the soul. All inspiring ideas we have as artists originate here."In 2004, he and his wife, Allyson Grey, founded the Chapel of Sacred Mirrors (CoSM), a sanctuary dedicated to visionary art located in Wappingers Falls, New York. The CoSM aims to inspire a global community through sacred and visionary art, offering a space for both reflection and worship. He has appeared in various documentaries, such as "ARTmind" and "CoSM The Movie," and has spoken at conferences worldwide. Alongside his artistic work, he and Allyson Grey have created a podcast discussing topics ranging from art to philosophy and spirituality.Unframed; height: 14 in x width: 11 in. Framed; height: 18 1/2 in x width: 15 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no losses or restorations. Light wear to the frame. There appears to be some moisture exposure to the paper backing of the frame; however, this does not affect the recto or verso of the artwork. 

Paul-Emile Pissarro (French, 1884-1972). Pastel on paper drawing titled "La Village Sous La Neige" depicting an idyllic landscape. Signed along the lower right.Sight; height: 8 3/4 in x width: 10 1/2 in. Framed; height: 24 3/4 in x width: 28 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no major visible tears or creases. Undulation to the sheet throughout. Floated in frame. Framed under plexiglass, light wear to the frame. Not inspected out of frame.

14k yellow gold brooch set with a shell landscape cameo depicting a woman near a gate house amongst trees. With locking c clasp closure, marked 14k along the clasp.Height: 55.88 mm x width: 47.13 mm x depth: 12.44 mm. Gross weight: 17.3 g.Condition: Wear to the setting and the high points of the carving.

Group of three 14k yellow gold pocket watches, including:One Elgin pocket watch in a yellow gold hunter case engraved Dorothy on the front and set with an old mine cut diamond. White dial with Roman numerals and raised details and sub-seconds dial with Arabic numerals. Serial number10842834. Front case inside marked 1642065, back case inside marked Keystone 14k 1642065, interior case inside marked warranted 14k U.S. Assay.One Elgin pocket watch in a yellow gold open face case with ornate swirling detail. White dial with gold Arabic numerals. Serial number 12520626. Back case inside marked Nat'l.W.C.Co. 14k 134584. Interior case engraved Christmas 1908 and interior case inside marked 14k 134584.One Waltham pocket watch in a 14k yellow gold hunter case with ornate swirling details, stars, and landscape cartouche. White dial with Roman numerals and Arabic numeral sub-seconds dial. Serial number 3553282. Front case inside marked 14k 262849. Back case inside marked Waltham 14k 262849. Inner case engraved Lottie L. Packard, inner case inside marked 14k 262849.Diameter ranges from 29.03 mm to 35.43 mm. Gross weight: 91.2 g.Condition: Elgin Dorothy and Elgin Christmas run, not tested for time. Waltham does not run. Wear to each case, some accretions to dials and wear to crystals.

Arthur H. Twells (Irish, 1921-1996). Oil on canvas painting depicting a coastal landscape. Signed very faintly along the lower left corner.Sight; height: 19 3/4 in x width: 25 1/2 in. Framed; height: 25 in x width: 31 in x depth: 1 1/2 in.Condition: There are no visible tears, losses, or restorations. Network of minute accretions most visible in the sky. Light wear to the frame. Edges and verso not inspected.

14k yellow gold antique 19th century earrings of ornate swirling form with floral details on French hooks. Each set with a fine oval enamel panel depicting figures in traditional dress against a landscape. Unmarked, tested 14k.(Each) Length: 2 in x width: 1 in x depth: 1/4 in. Gross weight: 7.8 g.Condition: Light wear, some accretions to the back of the enamel.