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Click here to subscribePat JOHNSTONE (1944-2023) Forty-two linocut templates Together with ten etchings derived from some of the templates. Largest template measures 25cm x 19cm. Postage is available on this lot from £35.50 to a UK address. Having grown up in the Lizard and having spent time in Zambia, she settled in Cornwall where she developed her love of different mediums and styles together with sculpture and pottery. She studied at Falmouth Art College and attended workshops with various artists around the country such as John Maltby. She was a prolific producer of art which reflected her passion of colour and form with cats and animals being a great source of inspiration. She practiced most significantly in watercolour and acrylics, but also created highly imaginative pieces of ceramic sculpture.
John Maltby (1936-2020), a ceramic abstract sculpture ‘Seated Kinght’, moulded maker’s mark, 19cm high Provenance - bought from Bircham Contemporary Arts, 14 Market Place, Holt, Norfolk 29/7/99Structurally good; pigments appear rubbed in places, ie shield, Knight’s neck but perhaps the artist’s intended finish.
ARR John Maltby (1936-2020), an eight-sided bowl with cane handle, 18cm high and Jane Hamyln (born 1940) a small pedestal cup, in brown glaze with wavy incised decoration, 11cm high and a brown glazed flowerpot with silvered beaded decoration and trailing foliage in low relief on three feet, 15cm diameterSome wear to the cane handle, the pottery is in good order.
Pat JOHNSTONE (1944-2023) Twenty works including etchings, screenprints woodcuts and a watercolour. Mostly unsigned Watercolour of a bearded man measures 27cm x 20cm Having grown up in the Lizard and having spent time in Zambia, she settled in Cornwall where she developed her love of different mediums and styles together with sculpture and pottery. She studied at Falmouth Art College and attended workshops with various artists around the country such as John Maltby. She was a prolific producer of art which reflected her passion of colour and form with cats and animals being a great source of inspiration. She practiced most significantly in watercolour and acrylics, but also created highly imaginative pieces of ceramic sculpture. Postage is available on this lot from £25.22 to a UK address.
Pat JOHNSTONE (1944-2023) Twenty works- Angelic Forms Mostly etchings, unsigned, together with two watercolours measuring 30.5cm x 16cm & 28cm x 19cm Having grown up in the Lizard and having spent time in Zambia, she settled in Cornwall where she developed her love of different mediums and styles together with sculpture and pottery. She studied at Falmouth Art College and attended workshops with various artists around the country such as John Maltby. She was a prolific producer of art which reflected her passion of colour and form with cats and animals being a great source of inspiration. She practiced most significantly in watercolour and acrylics, but also created highly imaginative pieces of ceramic sculpture. Postage is available on this lot from £25.22 to a UK address.
Pat JOHNSTONE (1944-2023) Ten etchings - Angel and Human themes Etchings One initialled within the plate and another to the mount Largest 27cm x 10cm and 25cm x 18cm Having grown up in the Lizard and having spent time in Zambia, she settled in Cornwall where she developed her love of different mediums and styles together with sculpture and pottery. She studied at Falmouth Art College and attended workshops with various artists around the country such as John Maltby. She was a prolific producer of art which reflected her passion of colour and form with cats and animals being a great source of inspiration. She practiced most significantly in watercolour and acrylics, but also created highly imaginative pieces of ceramic sculpture. Postage is available on this lot from £25.22 to a UK address.
Pat JOHNSTONE (1944-2023) Ten works, including coloured etchings and woodblock prints. Fiery Angel Coloured etching Artist's proof Signed and dated 2009 to the mount Plate size 25cm x 18cm Together with four others in the 'Angel' series and other etchings, with six individually signed. Having grown up in the Lizard and having spent time in Zambia, she settled in Cornwall where she developed her love of different mediums and styles together with sculpture and pottery. She studied at Falmouth Art College and attended workshops with various artists around the country such as John Maltby. She was a prolific producer of art which reflected her passion of colour and form with cats and animals being a great source of inspiration. She practiced most significantly in watercolour and acrylics, but also created highly imaginative pieces of ceramic sculpture. Postage is available on this lot from £25.22 to a UK address.
Americana. Herrera (Antonio de) & Stevens (Captain John, translator), The General History of the Vase Continent and Islands of America, Commonly call'd, The West-Indies, volume VI only (but complete in itself), first edition thus, London: Printed for Jer. Batley at the Dove in Pater-noster-row, 1726, red and black title-page, 1 folding plate (The People of Florida Sacrificing their first Born to the Sun), defective final publisher's catalogue leaf, disbound, 8vo, [Genealogy] Early Maltby, with Some Roades (sic) History and that of the Maulsby Family in America, signed presentation copy from the author, sole edition, Baltimore: Ella K. Barnard, 1909, full-page and folding plates and pedigrees, split, original blue cloth, 8vo, Taylor (Rev. Isaac), Scenes in America, second edition, London: J. Harris and Son, 1822, half-title, folding map frontispiece, plates, lacking ffep, original publisher's red roan gilt over pictorial papered boards, 12mo, [Slavery] Stowe (Harriet Beecher), The Key to Uncle Tom's Cabin, London: Clarke, Beeton, and Co., n.d., original publisher's cloth, uncut, 8vo, Conrad Aiken first edition, etc., (7)
Natural History. [Ornithology] Sharpe (R. Bowdler), A Hand-book to the Birds of Great Britain, four-volume set, London: W.H. Allen & Co., Limited, 1894, hand-coloured plates, volume I frontispiece detached, otherwise unexamined, original cloth over marbled boards, some wear, 8vo, Yarrell (The Late William, VPLS, FZS), A History of British Birds, volumes I & II, fourth edition, London: John Van Voorst, 1871-82, b/w in-text illustrations, contemporary maroon burgundy quarter-morocco over cloth by Maltby of Oxford, some rubbing, top-edges gilt, 4to, & [Lepidopterology] Kirby (W.F., FLS), Butterflies & Moths, four-volume set, London: Edward Lloyd, Limited, 1896, colour plates, original publisher's cloth, 8vo, (10)
Ten Hardback Golf Books - Riverside Golf Club 1892-1992 A Centenary History John Arnold and Joseph Johnson, Victoria Golf Club 1903-1988 Don Lawrence, The Gleneagles Hotel 1999 Jane Nottage, Golf Club Design, Fitting, Alteration & Repair 1974 Ralph Maltby, A Temple of Golf A History of Woking Golf Club 1893-1993 James Connelly, The Game of Golf c1930s Joyce and Roger Wethered, The Badminton Library Golf 1893, The Ryder Cup 1981 Walton Heath James Braid by Bernard Darwin, Golfing Ephemera 1991 Sarah Fabian Baddiel, The Badminton Library Golf 1902 Horace G Hutchinson, from a smoker's home
WW2 Dambuster Les Munro signed 7 x 3 inch full length photo (modern copy) of Munro in full RAF flight gear. Very unusual and collectable. Squadron Leader John Leslie Munro, CNZM, DSO, QSO, DFC. He moved to England in October 1941 for further training and joined 97 Squadron at Woodhall Spa in Lincolnshire. There, he flew Avro Manchesters and then Avro Lancasters in 1942/43 and while there his Distinguished Flying Cross was gazetted, on 11 June 1943. On 25 March 1943, Munro, along with Flight Lieutenant Joe McCarthy and Squadron Leader David Maltby, were transferred to 617 Squadron to be part of the secretive Dambusters raid forming at RAF Scampton. The squadron was created to attack the dams of the Ruhr in an effort to wreck the industrial capacity of Germany. It was initially called Squadron X, as the speed of its formation outstripped the RAF process for naming squadrons. Twenty-one bomber crews were selected from existing squadrons in 5 Group. These crews included RAF personnel of several different nationalities, as well as members of the Royal Australian Air Force (RAAF), Royal Canadian Air Force (RCAF) and Royal New Zealand Air Force (RNZAF), who were frequently attached to RAF squadrons under the Empire Air Training Scheme. Munro (the only RNZAF pilot in the squadron) took part in the Upkeep trials on 12 May: flying ED921. In Operation Chastise Munro was in Wave 2 in ED921 W. Of the 19 Lancasters that flew on that full-moon night, only 11 returned. Munro, as pilot of W-Willie, was scheduled to bomb the Sorpe dam. Over the Netherlands, his aircraft was damaged by flak which knocked out all communications, so it turned back to land in Lincolnshire, still carrying its mine. His Distinguished Service Order was awarded while he was with 617, on 28 March 1943. Munro was promoted to squadron leader[8] on 14 February 1944 and was posted to command 1690 BDTF Squadron (Bomber Defence Training Flight) on 13 July 1944. His logbook shows that when departing Scampton to bomb Bremen with four 500 lb general-purpose bombs, his aircraft crashed and burned shortly after take-off, but the crew escaped. Munro took part in Operation Taxable in conjunction with the D Day landings in Normandy in which the Lancasters flew precise, elongated circuits dropping Window (aluminium strips),[10] to convince German radar installations that a huge flotilla of ships was approaching Cap d'Antifer. The ruse was successful and the last of No. 617 Squadron Window droppers witnessed German shore batteries firing on the Ghost convoy. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
John Maltby (British, 1936 -2020), a stoneware figurative sculpture, early to mid-1990s, painted maker's mark underneath with the title 'Sight seeing (Rievaulx)', 'M' Maltby stamp towards the front of the piece. 25 by 35cm. Provenance: Round House Gallery, Foston, Derbyshire. Note: Artist Resale Rights apply