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Lot 330

† JOHN MALTBY (1936-2020); a stoneware sculpture of a mother and child, impressed M mark and inscribed signature, height 15.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 333

† JOHN MALTBY (1936-2020); a stoneware spade vase decorated with a stylised bird, inscribed signature, height 22cm, width 19.5cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 329

† JOHN MALTBY (1936-2020); a stoneware cup form decorated with stylised flowers and crosses, inscribed signature, height 13.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 338

† JOHN MALTBY (1936-2020); 'Gothic Flowers and Star', a stoneware teabowl, impressed M mark, collection sticker, height 9cm. Provenance: Jack Blackburn collection; purchased from the artist, 1989.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 340

† JOHN MALTBY (1936-2020); 'King and Angel', a stoneware sculpture, impressed M mark and inscribed signature and title, height 35.5cm.Condition Report: Small glaze flake to top edge of base, otherwise appears good with no further signs of faults, damage or restorations.

Lot 327

† JOHN MALTBY (1936-2020); a stoneware bowl covered in pale grey glaze to the interior and tenmoku breaking to kaki glaze to the exterior and rim decorated with stylised fishing nets, impressed M mark, diameter 21.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 335

† JOHN MALTBY (1936-2020); a tall stoneware sculpture of a king on a metal stand, impressed M mark, height 38cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 339

† JOHN MALTBY (1936-2020); 'Helm', a stoneware sculpture of a bearded face with lug handles surmounted by a bird, inscribed title and signature, height 32cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 324

† JOHN MALTBY (1936-2020); a small salt glazed basket, impressed M and SP (for Stoneshill) marks, height 11.5cm, and a cup (2).Provenance: Richard Launder collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 341

† JOHN MALTBY (1936-2020); 'Reclining Knight (Tomb)', a stoneware sculpture, impressed M mark and inscribed title, height 19.5cm, width 25.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 328

† JOHN MALTBY (1936-2020); a stoneware cup form decorated with stylised boats, inscribed signature, height 14cm. Provenance: Estate of Chris Jensen.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 343

† JOHN MALTBY (1936-2020); 'Three Figures and a Wall', a stoneware sculpture, inscribed title and signature, height 24cm, length 38.5cm.Provenance: Purchased from Beaux Arts, Bath.Condition Report: Small chip to top right corner of wall, otherwise appears good with no further signs of faults, damage or restorations.

Lot 334

† JOHN MALTBY (1936-2020); a tall stoneware basket form decorated with stylised boats, inscribed signature, height 39.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 323

† JOHN MALTBY (1936-2020); a large stoneware wall piece of three reclining women, impressed M marks, 28 x 27.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 342

† JOHN MALTBY (1936-2020); 'Sentenel' (sic), a tall stoneware sculpture, inscribed title and signature dated 2010, height 46cm.Condition Report: Glaze flake to one shoulder, otherwise appears good with no further signs of faults, damage or restorations.

Lot 331

† JOHN MALTBY (1936-2020); a stoneware sculpture of a warrior on a horse, impressed M mark, height 15.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 322

† JOHN MALTBY (1936-2020); a large stoneware teapot with cane handle decorated with flowers, inscribed signature, gallery sticker, height 19.5cm (excluding handle). Provenance: Purchased in Aberyswyth, 1998.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 7083

JOHN MALTBY (1936-2020) (ARR) A studio pottery figure of a stylised woman and child, marked to base. 16.5cm high

Lot 7065

JOHN MALTBY (1936-2020) (ARR) A studio pottery sculpture, King and Crow with fish. Metal rod and base mounted onto wooden plinth. Made for an exhibition at The Galerie Besson. Seal verso. 39cm high

Lot 7084

JOHN MALTBY (1936-2020) A Stoneshill Pottery bowl, the interior decorated with Heart, Spade, Club and Diamond motifs. Impressed seal. 22cm diameter x 6.5cm high

Lot 7076

JOHN MALTBY (1936-2020): A studio pottery square dish with painted motifs in blue, black and red. Painted "Maltby" to base and Peter Dingley Gallery label, 25cm x 25.5cm x 5cm high

Lot 1

John Maltby (British 1936-2020): studio pottery teapot decorated with flowers, the spout and handle with tenmoku glaze, signed beneath, including handle H29cm

Lot 551

John Maltby (1936-2020)Seated Figuresigned and titled20cm high, 14.5cm wide. Condition appears good with no damage or restoration. The base is wooden. Provenance - private collection.

Lot 553

John Maltby (1936-2020)Footed dishdecorated with birds and shapessigned7cm high, 23cm across. Appears good with no damage or restoration. Some sticker residue to underside.

Lot 695

John Maltby (1936-2020) at Stoneshill PotteryDishtenmoku with oatmeal patternimpressed pottery seal15cm diameter; and a Stoneshill Pottery wine jar (2).

Lot 552

John Maltby (1936-2020)Footed bowldecorated with blue, red, and black abstract motifs on a cream and tenmoku groundimpressed potter's seal10cm high, 11cm diameter. RF taken to Ox 17/01/24 Firing dots prevelant to the interior. No sign of damage or restoration.

Lot 50

Breon O'CASEY (1928-2011) Red Fish, 2000 Carborundum, signed and dated, Printer's Proof, sheet 50.5 x 68.5cm, framed 62 x 80cm Purchased New Ashgate Gallery, 2009Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 63

Nicola LORD Hillside, 2001 Mixed media, signed and titled to verso, 27 x 26cm, framed 41 x 39.5cmProvenance - Bettles Gallery Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 48

Breon O'CASEY (1928-2011) Red Bird on Magenta, 1999 Etching/aquatint, signed, dated and numbered 8/15, plate 39 x 58cm, framed 58 x 76cm Purchased New Ashgate Gallery, 2008Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 46

Mary FEDDEN (1915-2012) Purple Hellebore, 1999 Gouache on paper, signed and dated, 29 x 27cm, framed 48 x 44cm New Ashgate Gallery, 2000Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 43

Mary FEDDEN (1915-2012) Red Throated Diver, 1997 Oil on board, signed and dated, 60 x 75cm, framed 71 x 86cm Royal West of England Academy (label to verso)Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This oil is in wonderful original condition with no damage and no restoration. An examination under UV light shows no anomalies.

Lot 58

John MALTBY (1936-2020) Wind fresh to strong, GALE FORCE at times...., c1991 Painted wooden automata, signed to verso, inscribed 'Wind fresh to strong, GALE FORCE at times.... Lighthouse Keeper... A Wallis.. his house'31 x 25cm, (44 cm including pendulum) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. There is some yellowing to the varnish, this is particularly evident in the white pigment of paint. Other than this, this charming and characterful piece is in good condition.

Lot 47

Mary FEDDEN (1915-2012) Yellow Hellebore, 1999 Gouache on paper, signed and dated, 29 x 25cm, framed 48 x 44cm Purchased New Ashgate Gallery, 2000Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This float-mounted glazed watercolour is in excellent condition, it is on paper with a deckle edge

Lot 55

Peter JOYCE (1964) Tall Coast, 1999-2000 Acrylic on canvas, initialled and dated, signed, titled and dated 1999 and 2000 to verso, 63.5 x 51cm, framed 72 x 59cmExhibited - Anthony Hepworth Gallery, 2000 (label verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 68A

Jessamine KENDALL neé Leach (1920-2014) Tubular silver and lapis beads with African trade beads Silver, stamped, length 66cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from Devon Guild, 1997.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 44

Mary FEDDEN (1915-2012) Fruit & Scabious, 1993 Gouache on paper, signed and dated, artist's label to verso, 45.5 x 57.5cm, framed 61 x 71cm Purchased Beaux Arts, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This glazed gouache is in excellent condition Purchased Beaux Arts, 1995

Lot 40

Bryan PEARCE (1929-2006) Tulips & Daffodils, 1986  Oil on board, signed, titled and dated to verso, 61 x 51cm, framed 75 x 64cm Purchased Beaux Arts, 2004Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This is in remarkably good condition, still with its original frame. It comes to us from an important private collection and was acquired from Beaux Arts, Bath

Lot 49

Breon O'CASEY (1928-2011) Bird over Blues & Grey, 1999 Carborundum, signed, dated and numbered 15/15, plate 39 x 58cm, framed 64 x 82cm Purchased New Ashgate Gallery, 2001Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This work is in excellent condition.

Lot 53

Peter JOYCE (1964) Durlston Country Park, 1993 - 1997 Mixed media on canvas, initialled and dated '97, signed and inscribed to verso, 101 x 11cm, framed 106 x 115cmThis work was started in 1993 and re-worked to completion in 1997 (notes to verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 66

Jessamine KENDALL neé Leach (1920-2014) Lapis and ancient Carnelian necklace Silver, stamped, length 44.5cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from the Devon Guild, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 57

Peter JOYCE (1964) Rough Surf, 2002 Mixed media on board, signed, dated and titled to verso, 31.5 x 32cm, framed 54 x 54cm Purchased directly from the artist (artist's label verso), 2002Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 59

Brian GRAHAM (1945) Creswell Crags, 2004 Acrylic on canvas, signed and dated, 121 x 91cmProvenance - Hart Gallery (label verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This work is in excellent condition

Lot 56

Peter JOYCE (1964) Sennen's Surf, 2002 Mixed media on board, initialled and dated '02, signed and titled to verso, 32 x 32.5cm, framed 54 x 54cm Bought directly from the artist (artists label verso), 2002Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 65

Jessamine KENDALL neé Leach (1920-2014) Incised Lapis and Glass necklace Silver, stamped, length 50cm. Together with a second Lapis, Carnelian and silver necklace, stamped, length 45cm. (2)Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website The first, purchased from New Ashgate, 1996. The second, purchased from Devon Guild, 1996.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 42

Bryan PEARCE (1929-2006) Still Life with Orange Flowers, 1996  Oil on board, signed, artist's label to verso, 61 x 51cm, framed 75 x 65cm Purchased Beaux Arts, 1997Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This is a wonderful vibrant still-life in excellent condition with its original frame. There is a tiny degree of bumping to the corners.

Lot 52

Peter JOYCE (1964) Ancient Coast, 1996-2000 Mixed media on canvas, signed and dated to verso, 95 x 70cm, framed 105 x 80cmCatalogue NoteThis painting was worked on over the course of four years between 1996 and 2000, it is signed and dated accordingly to verso Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 45

Mary FEDDEN (1915-2012) Fishing Boats, 2000 Watercolour, signed and dated, 18 x 29cm, framed 40 x 48cm Purchased Beaux Arts, 2000Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This float-mounted watercolour is in excellent condition. The colours look strong, there is no foxing and no others condition issues

Lot 64

Jessamine KENDALL neé Leach (1920-2014) Lapis, Carnelian and Crystal necklace Silver, stamped, length 46cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased from the Devon Guild, 1995Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 41

Bryan PEARCE (1929-2006) Mousehole Harbour, 2002 Oil on board, signed, titled and dated to verso, 51 x 61cm, framed 65 x 75cm Purchased at Beaux Arts, 2004Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This oil is in excellent condition but for a tiny pigment loss about 9mm long to the extreme bottom edge. It has a stylish high-quality frame.

Lot 54

Peter JOYCE (1964) Ringstead Walk, 1999 Acrylic/mixed media on canvas, signed, titled and dated to verso, 55 x 45cm, framed 66 x 56cmProvenance - Bought directly from the artist, 2001 Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 68

Jessamine KENDALL neé Leach (1920-2014) Glass and silver bead necklace Stamped, length 43cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased directly from the artist, 2005.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 61

David TINDLE (1932) Open Doors,  Etching/aquatint, signed, titled and numbered 5/75, plate 32.5 x 53.5cm, framed 60 x 81cm Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 60

Brian GRAHAM (1945) Atapuerca. Dance of Terror, 2007 Acrylic on canvas, signed and dated, 121 x 91cmProvenance - Hart Gallery (label verso) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This work appears to be in excellent condition although it has not been examined out of its glazed frame. The glass is cracked bottom right.

Lot 62

Eric WARD (1945) Purbeck Hills Over Poole Harbour Oil on canvas board, signed, artist's label to verso, 26 x 26cm, framed 41 x 41cmProvenance - Maltby Gallery Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This nicely framed oil is in excellent condition

Lot 51

Breon O'CASEY (1928-2011) Grey Bird, 2001 Carborundum, signed, dated (MMI) and numbered 6/20, sheet 58 x 76cm, framed 70 x 87cm Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This float-mounted work is in excellent condition.

Lot 67

Jessamine KENDALL neé Leach (1920-2014) Brass, silver and African trade bead necklace Stamped, length 46cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased directly from the artist, 2001.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.

Lot 108

John Maltby (British 1936-2020) "King" Stoneware sculpture with applied metal on oval base, impressed seal mark to reverse. 19cm high Good condition, no faults or damage.

Lot 40

§ John Maltby (1936-2020), a stoneware box and cover, the lid modelled with a reclining angel, applied monogram mark to underside21cm wide

Lot 172

JOHN MALTBY (1936-2020), a mixed media automota, with Albert Herring boat off Atlantic coast, signed on reverse, height excluding pendulum, 34cmGood condition, no breaks or repairs, some surface dirt

Lot 253

John Maltby (1936-2020), a free-standing automata titled ‘A Happy Birthday Machine’ and with musical cylinder playing happy birthday, signed John Maltby England to reverse, 6cm wide x 25.5cm high

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