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JOHN MALTBY (1936-2020) “Billy Budd”, painted wood “rocking boat” sculpture with lead weight, signed in pencil verso, 36cm high x 15.5cm wide overall.

JOHN MALTBY (1936-2020) - a polychrome decorated studio pottery rectangular dish with stylised floral and lattice work decoration, raised on four bracket feet, bearing signature to underside, 26.5 cm long x 17.9 cm wide x 6 cm high (ARR) CONDITION REPORTS Has crazing to the glaze throughout. Some sort of brush marks to the leaf of the flowers in the vase. In need of a good clean. General wear and tear conducive with age and use to include some light surface scratching, firing faults etc - see images for more details

JOHN MALTBY (1936-2020), a stoneware pedestal dish with abstract landscape design, signed to base, top 15 x 15cm, height 8cm . Condition Report: 1 small chip to edge of top (approx 4x 5mm), no other chips, cracks or restoration

ARR John Maltby (1936-2020) a stoneware sculpture on metal stand, decorated with a stylised scene with lighthouse, on a painted metal stand, signed Maltby verso, 30cm high x 26cm wideA tiny rim chip, indiscernble from the rest of the rough edge, to the inner corner of the top right promontory.

ARR John Maltby (1936-2020) A wall hanging automaton with rocking boat 'Albert' on the Atlantic Ocean, named buildings on the coast including 'A. Wallis...His House', 'Lighthouse Keeper', 'Coastguard' and 'Customs House', signed John Maltby, England verso, 33cm high x 25.5cm wideNeeds a bit of a clean but overall good condition

ARR John Maltby (1936-2020) a slab type vase or pocket, decorated a bird in flight, signed Maltby under, 17cm wide, 6cm deep, 26cm highOverall very good. Three insignificant chips to feet.

ARR John Maltby (1936-2020) a stoneware vase decorated with stylised buildings, of oval form on circular foot, 14cm wide, 7cm deep, 14.5cm highNo damage, repairs or restoration.

ARR John Maltby (1936-2020) a stoneware handled vase with a stylised design to the front, on a slab base, 13.5cm wide, 5cm deep, 23.5cm highIn good conditon, no damage, repairs or restoration.

ARR John Maltby (1936-2020) a rectangular dish on four low feet, decorated with a stylised scene of a boat by the coast under a half-moon, signed Maltby beneath, 19cm wide, 11cm deep, 4.5cm highGood condition - no damage, repairs or restoration.

A Selection of Studio Pottery including a green glazed plater (23cm diam., Winchcombe June 1952), Bryan & Julia Newman, Bladon Pottery, Cricklade, John Maltby? and Grindon, etc.

† JOHN MALTBY (1936-2020); a stoneware cup form decorated with stylised flying birds, inscribed signature, height 12cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); a large square stoneware tile/wall hanging of two fishermen and fishing nets, impressed M marks, 29 x 29cm.Provenance: Andy & Di McInnes collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); a stoneware key holder surmounted by the bust of woman, impressed M mark, height 21.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020) for Stoneshill Pottery; a stoneware teapot with cane handle covered in tenmoku breaking to kaki glaze with iron decoration, impressed pottery mark, height 11.5cm (excluding handle).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); 'Mozart's House', a stoneware sculpture, impressed M mark and inscribed title and signature, height 28.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); a small stoneware box, the cover surmounted by a sculpture of woman standing on a bird, impressed M mark and inscribed signature, height 13cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); a small stoneware box, the cover surmounted by a sculpture of a woman with neckless, inscribed signature, height 14.5cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); 'A Flying Machine of 1930', 'A Bi-Plane', and 'A Fishing Boat', a trio of Orchard House Cutouts produced between 1977 and 1980, largest 31.5 x 25.5cm, and a painted piece of torn cardboard signed by Maltby (4). Condition Report: Flying Machine cutout partly sliced, otherwise appears good with no further signs of faults, damage or restorations.

† JOHN MALTBY (1936-2020); a square stoneware dish, the rim covered in tenmoku breaking to kaki glaze, the well decorated with stylised cobalt and copper red flowers, impressed M mark, 23.5 x 23.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); 'Bouquet', a stoneware plaque mounted on board, impressed M mark and inscribed title and signature dated 2010, 9.5 x 21cm, framed. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); a stoneware sculpture of an angel, impressed M mark and inscribed signature, height 16cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); a large stoneware box covered in tenmoku breaking to kaki glaze, the cover with cobalt and iron decoration on white ground, impressed M mark, diameter 17.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); a large shallow stoneware bowl, the rim and exterior covered in tenmoku breaking to kaki glaze, the well with cobalt and wax resist decoration on pale grey/ochre ground, impressed M mark, diameter 36cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† JOHN MALTBY (1936-2020); 'A Mermaid Sleeping ...', a stoneware plaque mounted on board, impressed M mark and inscribed title and signature dated 2019, 8 x 22.5cm, framed.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

JOHN MALTBY (1936-2020) Footed stoneware dish with abstract glazed pattern. Painted signature to base numbered '2'. 20cm wideShows no obvious signs of damage or restoration. There is crazing which is part of the design.

JOHN MALTBY (BRITISH 1936-2020) ANGEL AND TOWER signed and dated (to base), impressed maker's seal, stoneware on wooden base 21cm high, 11.5cm deep (8 ¼in high, 4 ½in deep) Private Collection, U.K.

JOHN MALTBY (BRITISH 1936-2020) MAD KING signed and titled (to base), impressed maker's seal, stoneware 24.6cm high (9 ¾in high) Private Collection, London.

JOHN MALTBY (BRITISH 1936-2020) ANGEL AND TIGER impressed maker's seal, stoneware 19.5cm high, 13.8cm long (7 5/8in high, 5 3/8in long) Private Collection, U.K.

JOHN MALTBY (BRITISH 1936-2020) BIRD AND TWO ANGELS titled (to base), impressed maker's seal, stoneware on wooden base 22.5cm high, 21.5cm deep (8 7/8in high, 8 ½in deep) Private Collection, U.K.

JOHN MALTBY (1936-2020) THREE FIGURES, CONTEMPORARY stoneware, each with impressed maker's mark the largest 23.6cm high, 20cm wide; 23cm high, 14cm wide; 21cm high, 10cm wide

Registration No: AUA 170 Chassis No: D10727 MOT: August 2025Re-bodied on the request of the then owner and aspiring trials driver Maurice Zwick when three years oldCampaigned before WW2 as the Zwick Rapier on the Land's End, Exeter and Edinburgh Trails etcRaced at Goodwood, Silverstone, and Great Auclum after WW2 by John Marshall, Margaret 'Peggy' Harman, and AC GriffithsSupplied with a history file with numerous period photographs of the Rapier in competitionIntroduced at the 1933 Olympia Motor Show, the Lagonda Rapier was intended to capitalise on the growing market for small capacity sports cars. Although based around a conventional ladder-frame chassis complete with all-round semi-elliptic leaf-sprung suspension and four-wheel Girling 13-inch drum brakes, the newcomer boasted a highly advanced engine. The work of consultant Thomas 'Tim' Ashcroft the 1104cc four-cylinder unit utilised twin overhead camshafts to produce a quoted 50bhp @ 5,400rpm. Praised by the contemporary motoring press for its performance, refinement and agility, the model was supplied in bare chassis guise only and bodied via the likes of E.D. Abbott, John Charles, Maltby and E.J. Newns. Prohibitively expensive to manufacture, the Rapier was dropped when the Staines firm went into administration during 1935. Convinced that the reborn Lagonda (LG Motors Ltd) had made a mistake, Tim Ashcroft, William Oates and Nevil Brockelbank secured the rights to the small capacity sports car shortly thereafter. Operating as Rapier Cars Ltd of Hammersmith they contributed a further 46 cars to the total production tally of 470 before closing their doors in 1938.Beginning life as an Abbott-bodied Tourer, chassis D10727 was road registered as ‘AUA 170' on the 10th August 1934. Purchased by aspiring trials driver Maurice Zwick in 1936 (who would go on to contest five Monte Carlo rallies), the Lagonda soon proved a competitive mount. Buoyed by podiums on the Land's End, Exeter, and Edinburgh Trials during 1937, Zwick had the Rapier re-bodied (from the bulkhead back) and supercharged. With little to show for his endeavours in 1938, he side-lined ‘AUA 170' storing it at Thompson & Taylor's Brooklands premises during WWII. Purchased by Weybridge garage owner John Marshall, the Lagonda was converted into a circuit racer - complete with a lightweight body and strengthened engine internals - in time to enter the 1st BARC Goodwood Race Meeting in 1948. Campaigned by subsequent keeper Mrs Margaret `Peggy' Harman in 1949-1950 at Silverstone and Great Auclum etc, she entrusted its maintenance to Maurice Leo.Initially used by the next owner Joe Branson, as a daily commuter, he went on to win the Lagonda Club's prestigious Arthur Fox Trophy aboard `AUA 170' in 1958. Somewhat tired by the time Charles Hoskins of Market Rasen acquired it, restoration work began in the 1980s and had yet to be completed when the gentleman who completed the restoration acquired the Rapier in 2004. Purchased by the previous keeper in 2016 from H&H, the Rapier required recommissioning at this stage and was provided with over £5,000 worth of expenditure that comprised new rear axle seals, front brake overhaul, new exhaust system, and a service. Purchased by the vendor most recently, the Rapier was again not running, with the vendor recommissioning the car, and since ‘AUA 170’ has thankfully been in regular use. Running and driving excellently for the photography session, the Rapier will be driven to the sale. Supplied with a history file with in-depth history details of ‘D10727’, instruction book, previous MOTs, a current MOT until August 2025 with no advisories, numerous period competition photographs, and the V5C. For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452

John Maltby (1936-2020): A Stoneware Circular Box and Cover, painted with three blue crosses and dots, tenomku glaze edge, impressed potter's mark, labelled,7.5cm diameterProvenance: Peter Dingley Gallery, Stratford-upon-Avon.John Maltby (1936-2020): A Porcelain Miniature Teapot and Cover, dolomite glaze, cane handle, labelled,14cm high (damaged) (2)Provenance: Peter Dingley Gallery, Stratford-upon-Avon.

John Maltby (British, 1936-2020), bird and three fish sculpture, signed Maltby and dated 2010, 36cm high. Note: Artist Resale Rights apply

John Maltby (British, 1936-2020), an easel stoneware mirror, decorated with low relief trees and a folly, stamped to the front with S.P (Stoneshill Pottery) and M (Maltby) mark, 24cm high. Note: Artist Resale Rights apply

John Maltby (British, 1936-2020), a rare triangular dish, decorated with green and orange enamelled floral motifs, triple feet, signed Maltby, 31cm wide. Note: Artist Resale Rights apply

John Maltby (British, 1936-2020), a tall slab-sided vase with a deep tenmoku glaze inside and poured glazes to the exterior, Wells Cathedral cross to both sides, stamped M to the side, 32cm high. Note: Artist Resale Rights apply

John Maltby (British, 1936-2020), a strap-handled dish, decorated inside with a soft red floral motif, triple feet, signed Maltby, 20cm wide. Note: Artist Resale Rights apply

John Maltby (British, 1936-2020), a strap-handled sculptural vase, decorated with a tenmoku glaze and a flying bird, signed Maltby to the base, 39cm high. Note: Artist Resale Rights apply

John Maltby, a figure with a shield standing on the back of a toned red stylised horse, M impressed mark. H 24cms

John Maltby, a painted plywood automaton, the two masted ship Peter Grimes bobbing on a pendulum between the two boards with views named Land's End and Alfred Wallis's house. H 29.5cms

A John Maltby slab built vase, the black sides decorated with the moon and stars above 'Night Flowers' in white, signed. H 23cms

Five Japanese and European studio pottery yunomi, including an example by John Maltby, 10.5cm, together with another signed with a ‘P’ to the base. Condition - good.Condition - First image, top left - with impressed seal mark M at footrim; tiny flake to glaze at bowl rim.  Top right - impressed seal mark C but indistinct; good.  Bottom left - indistint seal mark; good.  Bottom centre - impressed P to underside; good.  Bottom right unsigned; good.

*John Maltby [1936 - 2020], a stoneware sculpture The Ancient King, the standing figure holding a shield in his left hand and stood atop a stone wall, set on wooden base, captioned and signed to the underside, 30cm high.

*John Maltby [1936 - 2020], a stoneware sculpture The Wise Man, the visage modelled with a long bushy beard with an owl perched atop his head, on a mound base with embossed personal seal, captioned, signed and dated 2013 to underside, 40cm high.

*John Maltby [1936 - 2020], a stoneware sculpture The Ancient King, the large visage sporting a single ear ring and decorated in relief with a pack of hunting hounds, on metal stand, captioned, signed and dated 2012 to the underside, 45cm high.

John Maltby (1936-2020) - Dressing Chest, glazed stoneware in mottled brown, with one upper working drawer, impressed monograms to lower edge on one side, 24 x 12 x 7.5cm

David LEACH (1911-2005) Lowerdown Pottery Foxglove Bowl Stoneware, impressed seal to base, diameter 14.5cm. Together with two Leach Pottery standard ware pieces. (3) Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more.

John MALTBY (1936-2020) King, Queen & Tower, (Blythburgh) Stoneware, signed and inscribed to base, further seal to base, height 41cm, width 28.5cm. Purchased 2001, Beaux ArtsOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. No condition issues.

John MALTBY (1936-2020) 3 Birds, 5 Fish Stoneware with wooden plinth, signed and inscribed to base, height including plinth 20cm, length 67cm. Purchased 2003, directly from the artistOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. No condition issues.

David LEACH (1911-2005) Lidded Jar with Fluted Detailing Porcelain with tenmoku glaze, impressed seal to base, height including lid 13.5cm Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more.

David LEACH (1911-2005) Footed bowl Stoneware, impressed seal to base, height 14cm. Purchased 1990, Beaux ArtsOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. Good condition with no areas of concern.

Marcus O'MAHONY (1952) Square Bottle Vase Stoneware with salt glaze, impressed seal to base, height 32cm. Purchased 2004, Alpha HouseOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more.

David FRITH (1943) Large Bottle Vase Stoneware, impressed seal to base, height 55cm. Purchased 1989, AberystwythOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more.

Mary RICH (1940) Bulbous Vase Porcelain with green and gold lustre glaze, impressed seal to base, height 16cm. Purchased 1989, Sheila HarrisonOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. This deligthful vase is in excellent condition with no signs of damage or restoration.

David Howard JONES (1953) Fish Form Raku with lustre glazes, signed to base, height 46cm. Purchased 1987, Candover GalleryOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. Good condition, with no signs of damage or restoration.

Jim MALONE (1946) Footed Bottle Vase Stoneware with wax resist under cobalt glaze, impressed seal to base, height 24.5cm. Purchased 1996, Alpha HouseOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. Good condition, with no areas of concern.

David LEACH (1911-2005) Willow Tree Charger Stoneware with dolomite over tenmoku glaze, impressed seal to base, diameter 38cm. Purchased 1997, Gallerie BessonOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. This charming piece is in good condition.

Robin WELCH (1936-2019) White Banded Bottle Vase Stoneware with porcelain top, impressed seal to base, height 55cm. Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. No condition issues.

Janet LEACH (1918-1997) Bottle Vase with Lugs Stoneware, impressed personal and Leach Pottery seals to base, height 18.5cm. Purchased 1993, AmalgamOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. Good condition.

Byron TEMPLE (1933-2002) Lidded Jar Anagama fired stoneware with bamboo handle, impressed seal, height 8cm. Purchased 2001, Alpha HouseOver the last 40 years, Ian & Ann Head have gathered an outstanding collection of paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to learn about Ian & Ann's artistic passions and the arc of their collecting process. Our June Cornish & Fine Art Sale hosted the sale of a number of particularly glorious works by notable artists such as Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering as part of our inaugural Studio Pottery sale an impressive selection of Ian and Ann’s ceramic collection, which includes works by John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more. This striking piece is in good condition, with no areas of concern.