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Click here to subscribeA 19th century drum shaped inkwell; together with two planters on stands decorated with flowers on a yellow ground, 13cms high (3).Condition ReportThe inkwell has had restorations to the right hand pen holder, there is a firing fault to the inside of the handle and there is wear to the gilding, the planters on stand are in good condition with no chips or cracks, just wear to the gilding, good overall condition
An Edwardian Rosewood and Mahogany Rectangular Stationery Casket, the lid and fall front inlaid with shell, floral and leaf scroll ornament, opening to reveal fitted interior with stationery compartments including green Morocco covered books, fitted three drawers under, pen recess flanked by inkwell recess complete with gilt metal mounted and glass inkwells, the fall front with leather lined slope on plinth base 16ins x 9ins x 12ins highExterior - there are some light scattered dents/wear to the box notably to the sides, there is also some cracking to the top of the finish, front - there is a scratch 1ins in diameter to lower left corner, when opened there is scratching to the interior top as well as a long crack to the underside of the fall front. Two notable cases of creasing/cracking to the leather-lined slope. Both inkwells appear to be in good condition with no obvious damage/loss/restoration. We are unable to pack/post this item in-house. We can recommend MailBoxes Etc or Martin Brothers, who both pack and transport within the UK and further afield
A Victorian Silver Circular Ink Stand and Silver Mounted Inkwell by George Fox, London 1877, the stand of circular form with shaped rim, pierced and cast border on three claw and ball feet, 5.75ins diameter, weight 5.89ozs and inset with spherical glass and silver mounted inkwell, engraved with monogram to lid, the body etched with floral sprays, 2.75ins high Would appear this was previously gilded - traces of gilding around the edges of the stand, and the underside, and the edge of the lid of the inkwell. Stand - good gauge of silver - light surface scratches and marks. Full hallmarks well struck the the underside edge, in addition to makers mark and lion passant further in on the underside.Inkwell - mounts are in good order. Partial marks on the underside of the lid. The etched spherical glass - light scattered surface scratches and minor nics.
A 1920s silver strawberry set to comprise pedestal cream jug, height 10cm, together with conforming sugar castor with pierced cover, height 12.5cm, Birmingham 1928, combined weight 4.5ozt, together with a pair of Edwardian silver bud vases with loaded bases, height 13cm, Birmingham 1905, a small silver topped trinket jar and a small inkwell with plated hinged lid. (6)
Attributed to Juan Patricio Morlete (San Miguel el Grande, Guanajuato, Mexico, 1713/1715 - Mexico, 1772"Portrait of Manuel López-Pintado y Almonacid"Oil on canvas.111,5 x 97 cm.Juan Patricio Morlete Ruiz was one of the greatest painters in Mexico during the second half of the 18th century. Although his biography was little known until the 20th century, his work began to be more widely disseminated through various collections, which made it possible to learn more about him. Morlete, with extensive oeuvre in Mexico, is particularly known for his series of caste paintings. The Museo de América in Madrid has a still life by his hand (inv. 2021/04/01).He founded the Academy of Painting in 1753, together with his teacher José de Ibarra, Miguel de Cabrera, José de Alcíbar and other illustrious figures. Two years earlier, in 1751, he had been part of the group of artists who inspected the image of the Virgin of Guadalupe. These two events reflect the artistic and cultural importance, as well as the social and professional recognition of the painter.The iconographic themes of his artistic production are varied. Urban views, devotional and allegorical motifs, sacred history and several portraits known to date, including those of several viceroys and a portrait of King Charles III dated 1760.Focusing on the painting we present here - and delving deeper into the identity of the sitter - the clothing and important coat worn by the sitter in our work behove us to mention two paintings on canvas that we can compare stylistically and help us to date and geographically locate the painting to the first half of the 18th century in New Spain. We are talking about the portrait attributed to the painter Juan Rodríguez Juárez of Viceroy Juan Vázquez de Acuña y Bejerano (1658-1734), Viceroy of New Spain between 1722 and 1734; and the portrait of Viceroy Pedro Cebrián y Agustín (1687-1752), Viceroy of New Spain between 1741 and 1746.The attire and accessories of the sitter in our painting are comparable in quality, materials and design to those worn in the portraits of the Viceroys of the 18th century. From this we can deduce that the sitter enjoys a very high social status, possibly among the nobility or great merchants of globalisation.It should also be noted that our noble and illustrious personage holds a magnifying glass in his left hand. This element and the book of cartography resting on the table next to the silver inkwell with its quills relate the sitter to maritime activity. In this sense, moreover, the design of the decorative patterns of the garments reminds us of the waves of the sea and the symbols on the sleeves are related to the four cardinal points.The proposal suggested to satisfy the mystery of the identity of the man portrayed is that of Manuel López-Pintado y Almonacid, Admiral of the Fleet of the Indies, who was born in Toledo in 1677 and died in Seville in 1745.A portrait of Manuel López-Pintado, dated 21 December 1730, is kept in the Naval Museum in Madrid.As the Royal Academy of History informs us, "The great wealth of López-Pintado, a mixture of sailor, soldier and businessman, originated from the title of silver-master granted to him by Sebastián de Talledo in Madrid in 1704. [...] He was a deputy of the royal fleets until he obtained the title of admiral of the Fleet of the Indies in 1715-1716, and in that post he acquired a large fortune that enabled him to invest in land, buying and improving various estates and mills in different towns in the province of Seville. [...] In 1737, Philip V granted him the title of Marquis of Torre Blanca del Aljarafe, with the previous viscountcy of Cabrejas". Reference bibliography:- Caño Ortigosa, José Luis. (n.d.). "Manuel López-Pintado y Almonacid". Real Academia de la Historia. https://dbe.rah.es/biografias/51501/manuel-lopez-pintado-y-almonacid
FIVE SILVER CAPSTAN INKWELLS To include: a capstan inkwell by A. & J. Zimmerman Ltd., Birmingham 1918, engraved E. R. C, 13cm (5in) diameter, loaded; an Edwardian capstan inkwell by Henry Clifford Davis, Birmingham 1908, engraved with reeded bands, 11cm (4 1/4in) diameter, loaded; an Edwardian capstan inkwell by Goldsmiths & Silversmiths Co. Ltd., London 1909, appears to have previously sat within another item, 10cm (4in) diameter; and two other capstan inkwells 201g (6.5 oz) weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A COLLECTION OF SILVER ITEMS To include: a capstan inkwell by A. J. Poole, Birmingham 1995, of typical form, 13cm diameter, loaded; another similar, maker's mark obscured, Birmingham 1938, 8cm diameter, loaded; an Edwardian oval inkstand by Asprey & Co. Ltd., Birmingham 1903, on four pad feet, with a silver mounted cut glass inkwell, 18cm long; and an Egyptian silver coloured chamberstick, post 1946 .900 standard, with a dolphin loop handle, beaded border and foliate band, 10cm diameter 160g (5.15 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A COLLECTION OF SILVER ITEMS To include: an armada dish by William Comyns & Sons, London 1986, engraved with a presentation inscription, 17.5cm diameter; an Edwardian shaped oval pin tray by William Comyns, London 1901, chased with cherubs among clouds, 12.5cm long; a late Victorian dressing table jar cover by Henry Matthews, Birmingham 1900, chased with cherubs among clouds, 11.5cm long; a silver mounted desk clock and photo frame by Carr's of Sheffield, Sheffield 2005, 13.5cm long; a capstan inkwell, 11.5cm diameter; a paperweight; and a pill box 363g (11.7 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A collection of 19th Century tea ware to include a Rockingham tea cup and saucer, puce pink floral decorated border reserving painted flower sprig, a larger tea cup and saucer painted with floral sprigs over moulded white ground, and a Rockingham dinner plate, puce pink border with gilt heightened floral medallions, and a Staffordshire inkwell, of square form with inswept corners and four shaped feet, decorated with meandering 'coral' bands over green ground. (19)
A George V silver topped cut glass large inkwell, of chamfered square form with hobnail cut base and hinged cover, by Alexander Clark & Co. Ltd, Birmingham 1921, 10cm wide, together with an Edwardian silver topped cut glass trinket box, Birmingham 1904, 9cm wide, and a silver mounted cut glass scent bottle and stopper. (3)
A collection of silver, to include a late Victorian cream jug and sugar basin, Birmingham 1898, a pair of peppers, a decanter label for Sherry, an eastern white metal small dish embossed with lions, a silver topped cut glass globular scent bottle, a pocket watch, and inkwell etc, 8.5oz weighable, a pair of plated bottle coasters and other plated oddments. (qty)
A GROUP OF FRENCH GILT AND PATINATED BRONZE DESK ORNAMENTS 19TH CENTURY To include: An inkwell, modelled as knelling winged cherub before an altar, lid with General's helmet above well interior 9.5cm high, 11.5cm wide Together with a gilt and patinated bronze mounted paperweight, with hands conjoined, polished black hardstone base, 7cm high, and an oil lamp after the antique, serpent handle, 15cm wide Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some rubbing to gilding of each Inkwell- lacks sword end, reservoir well broken- patina quite worn to bronze Paperweight- nibbles and small chips along most of the edges Lamp- some distortion around spout hole and to foot Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
CHAWNER & CO; a Victorian hallmarked silver dinner fork, a Georgian hallmarked silver dessert spoon and a collection of hallmarked silver flatware including caddy spoon, two lidded dressing table pots and a napkin ring, combined approx 8.6ozt/270g, and a hallmarked silver bell shaped inkwell (weighted) (qty).
A Norwegian silver shot cup, marked 830S, Torgersen, another marked 830S, inscribed 'Sundre Hotel', a smaller example marked 830S, a mother of pearl-handled baby rattle (af), two fob medals, a silver-topped glass inkwell, a Negretti & Zambra silver-cased mother of pearl compass, a white metal ladle, assorted mounted coins, buckles etc, weighable silver 106gms (qty) Condition Report:Available upon request
A VICTORIAN SCOTTISH GREEN LEATHER WRITING SLOPEBY W & J MILNE, EDINBURGH,C.1860-70with tooled decoration, the hinged lid with a sunken brass handle and with the initials 'J.S.M.' revealing two slopes, the stationery section with compartments for pens, letters and with a travelling inkwell and lightbox, with a Bramah lock, stamped 'W.&J. Milne, makers 126 Princes St. Edinburgh15.8cm high, 38.5cm wide, 28cm deep
Early 20th century silver capstan inkwell, hallmarked rubbed, of plain form, weighted, the hinged lid engraved with a crest, 15cm diameter together with an early 20th century silver and tortoiseshell glass scent bottle, hallmarks rubbed, the hinged silver and tortoiseshell lid with pique decoration, the glass globular body with bow and swag engraving, 9cm high
19th century mother-of-pearl mounted card case, a silver plated cut glass salt grinder, a 19th century brass inkstand and blue opaque glass sander and inkwell, a Chinese handpainted egg in box, a small tureen bowl, a set of four grey painted card holders on tray, mounted with playing card motifs and paper flowers, a Zeiss Ikon camera and other items Condition ReportAdditional photos uploaded
Derby porcelain two-handled compressed campana-shaped inkwell, circa 1820, iron-red crown, cross batons and D marks, painted with puce and pink leaves and gilt scrolls, a miniature Royal Crown Derby Imari pattern teacup and saucer, circa 1985, three faceted Imari coffee cups and a saucer and a demitasse, a coffee cup, a flared teacup and a coffee can
A pair of Staffordshire earthenware greyhounds 19th c, on blue gilt lined platform with inkwell and a reproduction Arbour group with figures of the Parson and clerk with the Bride and Groom, 16cm h Hairline crack to centre top centre of Arbour group and some slight scratching to top rear of one greyhound, otherwise condition is good with no other apparent restoration or damage