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shaped circular outline, with a gadroon & shell border, pierced rim & sides and raised on three scroll legs, by George Howson, London 1911,together with a small silver tea pot, a pierced bonbon dish and and an Art-Nouveau period sugar bowl, mixed makers & dates; the fruit dish 8" (20.2cm) diameter; 31.25ozt (4). *CR Each piece with wear & in mixed conditions, the bonbon dish with a bent foot. Please contact Connor for further information connor.swanwick@lawrences.co.uk.

Late Victorian silver pepper, of cylindrical form with screw threaded pierced flat topped cover, the openwork body decorated with flowers of the Union, roses, thistles and shamrocks, revealing a ruby glass liner, upon a spreading circular foot, hallmarked Harrison Brothers & Howson, London 1900, H8cmCondition Report: Good overall condition, with some general light wear in the form of somr surface scratches.Interior glass liner fixed.Gilding to interior underside of cover and screw threads.Hallmarks generally clear and legible, however makes mark to side of body partly worn.

Collection of Golf Clubs to include Howson, Impact etc

Oblong silver cake basket, Sheffield hallmark, dated 1900, with hooped wire sides and gadroon rim with scroll ends, approx 29 x 17 cms, mm Harrison Bros & Howson (George Howson) approx 504.7 gms. 

A George VI silver four piece tea set, of angular form, coffee and tea pots with ebonised handles and finials, hallmarked by Harrison Brothers & Howson, Sheffield, 1945. Total gross weight approx. 1752.01 grams (56.3ozt) Condition: tea set generally in good condition, tarnishing and general wear.

Sporting Goods - a golf club set, Howson, with bag and stand; another, Viper, Donnay, etc, Ping bag

A canteen of plated flatware for six, Harrison Bros. & Howson, mahogany case, c.1930

A SET OF SIXTEEN GEORGE IV KING'S PATTERN KNIVES AND CARVING SET MITCHELL & SONS, GLASGOW 1824 foliate detail to blade, engraved crest to terminal; together with a carving set, by Harrison Bros & Howson of Sheffield, marked STERLING D to terminal, comprising, two carving knives and one fork, of Queen's pattern (19) 20.7cm long, 36cm long (longest carving knife)

Howson and other golf clubs - in bag on trolley

A SMALL ASSORTMENT OF SILVER, to include a silver money clip, hallmarked 'Harrison Brothers & Howson Ltd' Birmingham 1998, a silver bookmark, hallmarked 'Douglas Pell Silverware' London 2002, approximate gross weight 22.5 grams, together with a pair of white metal and carnelian cufflinks, stamped 925, approximate gross weight 8.4 grams, together with a white metal stick pin (condition report: general moderate wear, overall condition good)

A Harlequin 12-place setting suite of George III and later silver cutlery in the Kings pattern, comprising twelve each of tablespoons, dessert spoons, teaspoons, table forks, dessert forks, table knives and dessert knives, mostly by Mary Chawner & George W Adams, but makers also to include William Eaton, H J Lias & Son (Henry John Lias & Henry John Lias), George Adams, Charles Eley, mainly London assays, the knives by Harrison Brothers & Howson (George Howson), Sheffield 1959 (the year they were taken over by Viners Ltd) with stainless steel blades by Alexander Scott of Glasgow, table knife length 25cm, teaspoons length 14.5cm, weighable silver gross weight 140.9ozt

An impressive George V silver twin handled serving tray, of shaped rectangular form with a gadrooned rim and conforming applied handles, the otherwise plain ground having engraved monogram to the centre, maker Harrison Brothers & Howson (George Howson), Sheffield 1930, approx 61 x 46,5cm (excluding handles), weight approx 144ozt

George V silver waiter with a pie crust rim, on 3 involute scroll feet, by George Howson, Sheffield, 1923, Dia.19.7cm, 384grs

Victorian silver Queen's Pattern sauce ladle, by Francis Higgins II, London, 1843, L.18.3cm; silver mounted pen knife, by George Howson, Sheffield, 1906, W.7.2cm; 3 spoons, 3 knife blades, bottle cap marked "Sterling Silver", and a white metal spoon, (unmarked), gross weighable 230grs. (10). (Provenance: From the Collection of The Late Sir Ray Tindle)

George VI silver urn with cover, 2 handles, semi-reeded body, and pedestal foot, by Alexander Clark & Co. Ltd., Birmingham, 1937, H.13.5cm, and a small model of a fishing boat, Import Marks for Harrison Brothers & Howson Ltd., London, 1997, W.4.5cm, 130grs. (2). (Provenance: From the Collection of The Late Sir Ray Tindle)

PETER HOWSON OBE (BRITISH B.1958) AGE OF UNCERTAINTY Etching, signed inscribed and dated 90 in pencil, 22.5 x 30cm (9 x 12") Condition Report:Sound condition. Light cockling. Not examined out of frame

PETER HOWSON OBE (BRITISH B.1958) HEAD IN PROFILE Ink on hotel paper, signed lower right, dated (19)98, 13 x 10.5cm (5 x 4") Fair condition. Creased, minor damage to edges, sheet discoloured

PETER HOWSON OBE (B.1958) CENTURION Etching, signed and inscribed in pencil, 30 x 22.5cm (11.75 x 9") Condition Report:Good condition

A Victorian Silver Cigarette-Box, by George Howson, London, 1893 oblong, the hinged flat cover engraved with the arms of Lister quartering those of Cunliffe, below the crests of Cunliffe and Lister and above a motto, the base wood-lined17cm wideThe coat-of-arms is probably that of Samuel Cunliffe Lister, later 2nd Baron Masham (1857-1917).Fully marked on bezel and further part marked inside hinged cover. There is some minor wear to the marks. There is some overall surface scratching and wear, consistent with age and use as well as some bruising. There is some staining and marks to the wood lining. The two compartments applied with stickers for 'Turkish' and 'Virginia'. The wear is noticeable as a softening to the engraving.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), CABIN AT SMOKEY HOLE oil on canvas, signed, titled label versoframed and under glass image size 51cm x 51cm, overall size 68cm x 68cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* FRANK TO (SCOTTISH b. 1982), SELF PORTRAIT WITH PLAGUE DOCTOR MASK mixed media on board, signed versoframed and under glassimage size 16cm x 19cm, overall size 33cm x 34cm Note: Frank To was born in Glasgow and studied at the University of Huddersfield and then Duncan of Jordanstone Art College in Dundee. He lives in Glasgow and has a studio in the city. He has earned an enviable reputation for himself as a contemporary figurative painter, having already established a loyal following, including a number of high profile buyers including Star Trek legend, Sir Patrick Stewart who now owns several of Frank's paintings. In recent years he has exhibited alongside some of the greats of the Scottish and International art scene including Peter Howson and Damien Hirst. His work has also featured in numerous national art fairs and art shows including at Bath, Harrogate, London, Aberdeen, Dundee, Edinburgh and Glasgow and is held in the collection of Dundee University. Frank To has regularly received critical acclaim even from early in his career and is one of his generation's most written about artists.

* PETER HOWSON OBE (SCOTTISH b. 1958), AT WHAT COST pastel on paper, signed, titled label versomounted, framed and under glass image size 46cm x 60cm, overall size 66cm x 80cm Label verso: Roger Billcliffe Gallery, GlasgowNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), REPAST oil on canvas, signed, titled versoframed and under glass image size 51cm x 61cm, overall size 59cm x 69cm Handwritten artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* PETER HOWSON OBE (SCOTTISH b. 1958), JOHN LENNON PORTRAIT pastel on paper, signedmounted, framed and under glass (slipped in the mount)image size 65cm x 49cm, overall size 96cm x 80cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), THE RED HAT oil on canvas, signed, titled versoframed and under glass image size 41cm x 51cm, overall size 48cm x 58cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* FRANK MCFADDEN (SCOTTISH b. 1972), TROPHY FACE I pastel on paper, signed mounted, framed and under glassimage size 20cm x 15cm, overall size 43cm x 37cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* PETER HOWSON OBE (SCOTTISH b. 1958), STUDY OF A MAN ink on paper, signed and dated '07mounted, framed and under glassimage size 15cm x 10cm, overall size 31cm x 26cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANK MCFADDEN (SCOTTISH b. 1972), SOPPING UP THE FREE-RADICALS oil on canvas, signed, titled versoframedimage size 51cm x 42cm, overall size 68cm x 59cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* PETER HOWSON OBE (SCOTTISH b. 1958), PORTRAIT OF A MAN pastel on paper, signedmounted, framed and under glassimage size 29cm x 22cm, overall size 51cm x 43cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANK MCFADDEN (SCOTTISH b. 1972), BEHIND THE MASK pastel on paper, signedmounted, framed and under glassimage size 59cm x 45cm, overall size 92cm x 78cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), GREEN DOOR oil on canvas, signed, titled label versoframed and under glass image size 15cm x 21cm, overall size 34cm x 39cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

Peter Howson OBE, Scottish b.1958 - Portrait of a Boy with Yellow Hair; pastel on paper, signed lower right 'Howson', 29.6 x 19.8 cm (ARR)Provenance: with William Hardie Fine Art Consultants and Valuers, Glasgow (according to the label attached to the reverse of the frame); private collection

A silver sauce boat, Harrison Brothers & Howson, Sheffield 1929, of typical from with acanthus leaf capped scroll handle and raised on three stepped hoof feet, 11cm high, weight 9oz

Edward VII silver sugar caster, Sheffield 1905, Harrison Brothers & Howson, of plain baluster form with pierced lid and knop finial raised on a circular stepped foot, 16cm high, 5.15ozt

A Victorian three-piece silver bachelors tea service, maker Harrison Brothers & Howson, Sheffield, 1885, crested of oval outline with half reeded decoration, total weight of silver 440gms, 14.14ozs (dents)

A GOLF BAG CONTAINING CALLAWAY,PING AND TAYLOR MADE CLUBS including 3,4,5,6,7,8,9,S and P, a Zing putter and V Steel 4 and 7 drivers along with other clubs by Howson and a Hickory shafted putter

A quantity of golf clubs mainly Howson

A Victorian silver and mother-of-pearl dessert canteen, having a central shield brass plaque, containing a twelve piece setting, with mother-of-pearl handles and silver ferrules, marks for Sheffield 1893, maker Harrison Brothers & Howson Condition report: The knives measure approximately 20.5cm and the forks 16.5cm. Overall good condition with some light surface wear. Silver hallmarks to the knife blades, fork stems and ferrules. 

A pair of George V silver grape scissors, Harrison Brothers & Howson (George Howson), Sheffield 1911, 3.1ozt

A silver handled carving set - Sheffield 1937, Harrison Brothers & Howson (George Howson), with pistol grip handles capped with foliate scrolls, within a fitted box.

A Ruskin Pottery Vase, of high-shouldered form, decorated in mottled blue and orange glazes, impressed mark and sign W. Howson Taylor, 30cm high Some minor surface scuffs to the glaze, no chips, cracks and restoration

A George V Silver Butter-Dish and Cover, by George Howson, Sheffield, 1928, the plain circular base with reeded rim and glass liner, the conforming domed cover with tapering thumbpiece, 13.5cm diameter; Together With an associated Edward VII silver stand, by Atkin Brothers, Sheffield, 1903, circular and with openwork swag sides and reeded rim, total weight of silver 14oz, 436gr (2)

PETER HOWSON OBE (SCOTTISH b. 1958) Jesus Meets the Women of Jerusalem, from The Stations of the Cross Series, oil on canvas, signed, framed, canvas size 48.3cm x 38.4cm, frame size 67.5cm x 57.3cmNote: This lot would be subject to Artist's Resale Rights

PETER HOWSON OBE (SCOTTISH b. 1958) Gomer, oil on canvas, signed, framed, canvas size 61.2cm x 51.5cm, frame size 80.4cm x 70.4cmNote: This lot would be subject to Artist's Resale Rights

PETER HOWSON OBE (SCOTTISH b. 1958) Portrait of a Man, white pastel on black paper, signed, framed, image size 27cm x 26.5cm, frame size 54cm x 53cmNote: This lot would be subject to Artist's Resale Rights

HARRISON BROTHERS & HOWSON; an Edward VII hallmarked silver bowl with repoussé decoration and initialled 'HAW', Sheffield date rubbed, 7.5 x 11.5cm, approx. 5.4ozt.

Harrison Bros & Howson Stylish Handle Steak Knives and Forks, in original fitted cases; together with a set of Slater steak knives and forks and a three piece meat carving set, in a fitted case.

A small group of silver, including a set of six fish knives and forks, Sheffield 1893 and 1894 by Atkin Brothers, a pair of fish servers, Sheffield 1899 by John Batt, two fish knives and forks, Sheffield 1912 and 1915 by Harrison Brothers & Howson (all lacking handles), and a set of six sterling cocktail sticks, cased, weighable items 643.4g, together with a group of plated items.

An Edwardian silver circular card salver, the centre inscribed 'Presented to "Jimmy" James by the London Committee of the Riley Motor Club in every Grateful Memory of the very Great Help and Consideration which he has given us over such a long Period' with the Riley Motor Club logo, framed by facsimile signatures, within a raised and beaded rim, on claw and ball feet, Sheffield 1906 by Harrison Brothers & Howson, weight 426.6g, diameter 25.5cm.

A late Victorian silver circular salver, the centre presentation inscribed 'Presented to Bro. Sigismund Pollitzer PM by the Members of the Montefiore Lodge No. 1017...' within a lobed and beaded rim, on claw and ball feet, Sheffield 1900 by Harrison Brothers & Howson, weight 739.3g, diameter 31cm.

PETER HOWSON OBE (BRITISH B.1958)  CHILD  Etching, signed, dated (19)94 and no.12/50 in pencil, 15 x 10cm Condition Report:Good condition

HARRISON BROTHERS & HOWSON; a George V hallmarked silver comport, Sheffield 1924, diameter 18cm, height 6.5cm, approx 8.44ozt/262.4g.

A George V silver four-piece tea and coffee service by Harrison Brothers & Howson (George Howson), Sheffield 1917, of plain barge form, with black composite handles, comprising coffee pot, tea pot, sugar bowl and cream jug, 1931gs., (62.2ozs), gross, (4)

Set of hallmarked silver bone handled fish knives and forks, Sheffield assay, by Harrison Brothers & Howson (Later became Viners) Total Weight Approx. 846.8g reasonable used condition

WWI and Interwar British Army Jack Knife, with marlin spike and tin opener, manufacturer Harrison Brothers & Howson

Charles Howson Bennett (1862-1940), oil on canvas, Still life of flowers, ‘Nature Study’, signed and dated 1910, details verso, together with a similar oil, one framed. Condition - poor to fair

A pair of Edwardian dwarf Corinthian column silver candlesticks, by Harrison Brothers and Howson, Sheffield 1908 (loaded), 15.5cm high and a Victorian silver pedestal sugar bowl by Jacobes J Oosterbaan, London 1878, 148g. Condition - fair

acrylic on canvas, signed and dated 2020, titled label verso framed and under glass image size 59cm x 49cm, overall size 67cm x 56cm Label verso: Open Eye Gallery, Edinburgh Note: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.

pastel on paper, signed mounted, framed and under glass image size 61cm x 47cm, overall size 96cm x 82cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

Single Blade Sailor's Knife, blade stamped "Burch & Sons Sheffield", with Marlin spike (12.2cm closed); A Two Blade Folding Knife, blade stamped "Harrison Brothers & Howson" (10.5cm closed). (2)