* MARY BATCHELOR (SCOTTISH 1944 - 2017), GREEN DOOR oil on canvas, signed, titled label versoframed and under glass image size 15cm x 21cm, overall size 34cm x 39cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.
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Peter Howson OBE, Scottish b.1958 - Portrait of a Boy with Yellow Hair; pastel on paper, signed lower right 'Howson', 29.6 x 19.8 cm (ARR)Provenance: with William Hardie Fine Art Consultants and Valuers, Glasgow (according to the label attached to the reverse of the frame); private collection
A Victorian silver and mother-of-pearl dessert canteen, having a central shield brass plaque, containing a twelve piece setting, with mother-of-pearl handles and silver ferrules, marks for Sheffield 1893, maker Harrison Brothers & Howson Condition report: The knives measure approximately 20.5cm and the forks 16.5cm. Overall good condition with some light surface wear. Silver hallmarks to the knife blades, fork stems and ferrules.
A George V Silver Butter-Dish and Cover, by George Howson, Sheffield, 1928, the plain circular base with reeded rim and glass liner, the conforming domed cover with tapering thumbpiece, 13.5cm diameter; Together With an associated Edward VII silver stand, by Atkin Brothers, Sheffield, 1903, circular and with openwork swag sides and reeded rim, total weight of silver 14oz, 436gr (2)
A small group of silver, including a set of six fish knives and forks, Sheffield 1893 and 1894 by Atkin Brothers, a pair of fish servers, Sheffield 1899 by John Batt, two fish knives and forks, Sheffield 1912 and 1915 by Harrison Brothers & Howson (all lacking handles), and a set of six sterling cocktail sticks, cased, weighable items 643.4g, together with a group of plated items.
An Edwardian silver circular card salver, the centre inscribed 'Presented to "Jimmy" James by the London Committee of the Riley Motor Club in every Grateful Memory of the very Great Help and Consideration which he has given us over such a long Period' with the Riley Motor Club logo, framed by facsimile signatures, within a raised and beaded rim, on claw and ball feet, Sheffield 1906 by Harrison Brothers & Howson, weight 426.6g, diameter 25.5cm.
A late Victorian silver circular salver, the centre presentation inscribed 'Presented to Bro. Sigismund Pollitzer PM by the Members of the Montefiore Lodge No. 1017...' within a lobed and beaded rim, on claw and ball feet, Sheffield 1900 by Harrison Brothers & Howson, weight 739.3g, diameter 31cm.
acrylic on canvas, signed and dated 2020, titled label verso framed and under glass image size 59cm x 49cm, overall size 67cm x 56cm Label verso: Open Eye Gallery, Edinburgh Note: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.
pastel on paper, signed mounted, framed and under glass image size 61cm x 47cm, overall size 96cm x 82cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
A SET OF TWELVE PISTOL GRIP HANDLED TABLE AND DESSERT KNIVES, AND A FIVE PIECE CARVING SET HARRISON BROTHERS & HOWSON, SHEFFIELD 1931 With steel blades and fittings The table knives 25cm (9 3/4in) long Condition Report: The handles are tight to the blades Marks generally clear, some are slightly obscured Some minor dents particularly to the end of the handles, surface scuffs and some general wear commensurate with age and use. There is some rust spots to the blades, particularly to the carving knife blades, and to the sharpeners. The knives remain in the majority sharp, some small knocks to the blade edges. Condition Report Disclaimer
AN EDWARDIAN SILVER WIREWORK BASKET HARRISON BROTHERS & HOWSON, LONDON 1902 With a reeded border and twin bar handles 24.5cm (9 1/2in) long 357g (11.5 oz) Condition Report: Marks are clear Stands well No engraving Light scratches and wear commensurate with age and use Condition Report Disclaimer
An Edward VII silver two handled tray, mark of Harrison Brothers & Howson (George Howson), Sheffield 1901, of rectangular form with turned corners and gadrooned rim, the field with a monogram, two applied cast foliate handles, verso retailer signed, 65cm over the handles x 41cm, 3085g (99ozt)Overall in good condition with no obvious signs of damage or repair. Some surface scratches all over, as to be expected and commensurate with use. Hallmarks and engraving clear and crisp.
A George V silver salver, by George Howson, of shaped circular form, with engraved inscription, Sheffield, 1932, 25.1cm, 17oz.**conditionreport**Minor surface scratches in places. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
AN ELIZABETH II SILVER FOUR PIECE TEA SERVICE OF CONICAL FORM, all on a short pedestal, black Bakelite fittings, comprising teapot, hot water jug, milk jug and sugar bowl, makers Harrison Brothers & Howson (Viners by this date), Sheffield 1962, 32.97ozt, 1025.2 grams (4) (Condition Report: teapot handle is broken off but present, cover detached from hot water jug, base rocks slightly on a level surface, areas of tarnish, some light wear to hallmarks)
A SILVER FRUIT KNIFE AND OTHER ITEMS, a late Victorian silver blade fruit knife hallmarked 'Harrison Brothers & Howson (Henry Harrison)' Birmingham 1883, fitted with a mother of pearl handle with a vacant cartouche, approximate open length 16cm, a white metal Maltese cross detailed spoon with coin bowl, a white metal filigree bracelet, a boxed white metal pendant necklace, and a silver Claddagh ring hallmarked Dublin, a small wooden box and tin of assorted pin badges, British Legion badges and cap badges, cufflinks, a boxed gents 'Pulsar' wristwatch, 'Reflex' watch, an AF 'Newmark' watch, EP apostle top teaspoons, a Grouse foot brooch, pill box, a white metal dagger with cover, etc
A pair of silver napkin rings, hallmarked Birmingham 1920 ESB maker plus a Towle Sterling 1970 spoon, a horn-handled cased carving set, three piece by Harrison Bros and Howson, cutlers to her Majesty el trenchant incomparable, plus three sets of butter knives, Total silver weight 3.1toz (1 bag)
* DONALD MACLEOD (SCOTTISH 1956 - 2018), MAN AND TREE oil on board, monogrammedframedimage size 49cm x 36cm, overall size 57cm x 45cm Note: Donald MacLeod was born in Glasgow in 1956, studying drawing and painting at Glasgow School of Art for two years before leaving to join the Royal Highland Fusiliers. During the 1980's he travelled through Europe with the artist Peter Howson. After initially settling in England, he returned to Scotland initially as studio assistant to Peter Howson, before becoming a full-time artist in 1992. Donald developed a keen eye for the basic truths in Scottish tales, poems and myths. His portraits give the observer and insight to the nature of the subject. He took part in various mixed shows, including Flowers East, London, and was a regular at RGI Annual Exhibition in Glasgow. He had various one man shows, including the Compass Gallery, Veneer, and Art Exposure, Glasgow. His work is widely regarded and can be found in many collections, both private and public, in Europe and North America.
* PETER HOWSON OBE (SCOTTISH b. 1958), PORTRAIT OF JOHN LENNON pastel on paper, signedmounted, framed and under glassimage size 63cm x 47cm, overall size 95cm x 80cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), SET SKETCH FOR DON GIOVANNI ink on paper, signedmounted, framed and under glassimage size 20cm x 28cm, overall size 35cm x 43cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* DONALD MACLEOD (SCOTTISH 1956 - 2018) MILLING oil on canvas, signed, titled versoframedimage size 92cm x 92cm, overall size 110cm x 110cm Note: Donald MacLeod was born in Glasgow in 1956, studying drawing and painting at Glasgow School of Art for two years before leaving to join the Royal Highland Fusiliers. During the 1980's he travelled through Europe with the artist Peter Howson. After initially settling in England, he returned to Scotland initially as studio assistant to Peter Howson, before becoming a full-time artist in 1992. Donald developed a keen eye for the basic truths in Scottish tales, poems and myths. His portraits give the observer and insight to the nature of the subject. He took part in various mixed shows, including Flowers East, London, and was a regular at RGI Annual Exhibition in Glasgow. He had various one man shows, including the Compass Gallery, Veneer, and Art Exposure, Glasgow. His work is widely regarded and can be found in many collections, both private and public, in Europe and North America.
* PETER HOWSON OBE (SCOTTISH b. 1958), STUDY OF A MAN ink on paper, signedmounted, framed and under glassimage size 18cm x 12cm, overall size 52cm x 46cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), JOHN LENNON pastel on paper, signedmounted, framed and under glassimage size 63cm x 48cm, overall size 95cm x 80cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), JIVE MOTHER artist's proof etching on paper, signed, titled, dated '90 and inscribed 'A/P V'mounted, framed and under glassimage size 23cm x 15cm, overall size 64cm x 51cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
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