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OIL ON CANVAS PAINTING IN THE PETER HOWSON STYLE

mixed media on paper, signed and titled mounted, framed and under glass image size 20cm x 13cm, overall size 47cm x 38cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

pastel on paper, signed, titled and dated 1988 label verso mounted, framed and under glass image size 55cm x 38cm, overall size 75cm x 54cm Label verso: Flowers East, London Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

mixed media on paper, signed mounted, framed and under glass image size 29cm x 20cm, overall size 46cm x 36cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

mixed media on board, signed, titled and dated 1996 verso framed and under glass image size 134cm x 56cm, overall size 150cm x 73cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.

CELTIC F.C. INTEREST - PETER HOWSON (SCOTTISH, 1958-), BROTHER WALFRID, LIMITED EDITION BOXED SET comprising one signed and numbered 472/1,888 print, a certificate dated 6th November 2014, and DVD, in gilt tooled simulated snake skin card boxPrint 41.5x29cm overallCondition generally good. Light wear to outer box. Print well preserved. Additional images now available.

PETER HOWSON, BROTHER WALFRID LIMITED EDITION PRINT, 77/1888 with certificate of authenticity, boxedCondition generally good. One small spot to print. Minor wear to outer box. Additional images now available.

WWI Victory Medal, awarded to DM2-075556 Pte W Howson ASC.

A collection of silver flatware, by Harrison Brothers & Howson, 1935, comprising, two table forks, two dessert forks, two dessert spoons, two silver coffee spoons, four silver handles knives, and a silver napkin ring, a salt and a mustard, a pierced spoon and two tongs, and a pair of silver mounted decanters, 22cm high, 20ozt, of weighable silver (20)Condition ReportAll good overall.

An Edwardian silver stick handle with rococo decoration, hallmarked for Army & Navy Cooperative Society Ltd., London, 1900, cartouche initialled, with dent and six Edwardian silver apostle coffee spoons by Harrison Brothers & Howson, Sheffield, 1906, 125g (2)

Ruskin Pottery, a Crystalline four handled vase, 1931, shouldered cylindrical form, various shades of marbled and streaky blue, impressed marks and Howson Taylor signature, 25.5cm high

* PETER HOWSON OBE (SCOTTISH b. 1958), RAVEN mixed media on paper, signed and dated 2022, titled versomounted, framed and under glassimage size 14cm x 17cm, overall size 41cm x 44cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* PETER HOWSON OBE (SCOTTISH b. 1958), DONNA (ON FRONT - RED) pastel on paper, signed, titled and dated 1988 versomounted, framed and under glassimage size 38cm x 56cm, overall size 57cm x 72cm Label verso: Flowers East, LondonNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* HUGH GERARD BYARS (SCOTTISH b. 1957), PORTRAIT pastel on paper, signedframed and under glassimage size 36cm x 33cm, overall size 47cm x 45cm Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.

* PETER HOWSON OBE (SCOTTISH b. 1958), NUDE STUDY ink on paper, signed and dated 2012 mounted, framed and under glass image size 8cm x 6.5cm, overall size 28cm x 25cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* PETER HOWSON OBE (SCOTTISH b. 1958), DONNA (UPPER BODY) pastel on paper, signed, titled and dated 1988 label versomounted, framed and under glass image size 55cm x 38cm, overall size 75cm x 54cm Label verso: Flowers East, LondonNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* ALLY THOMPSON (SCOTTISH 1955 - 2016) THE SERENE SUMMER pastel on paper, signed, titled and dated 2003 versomounted, framed and under glassimage size 54cm x 74cm, overall size 85cm x 103cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.

* PETER HOWSON OBE (SCOTTISH b. 1958), CHRIST IN THE TEMPLE charcoal and wash on paper, signed and dated 2008, titled versomounted, framed and under glassimage size 30cm x 22cm, overall size 56cm x 47cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANK MCFADDEN (SCOTTISH b. 1972), TOTENKOPF (DEATHS HEAD) oil on canvas, signed, titled and dated 2020 label versoframed image size 51cm x 46cm, overall size 66cm x 61cm Artist's label versoNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.Condition of the picture is good overall, with no visible or known issues.

* ALLY THOMPSON (SCOTTISH 1955 - 2016), FROM BEYOND THE TORRENTS OF THE NIGHT, A CHIMERA mixed media on board, signed, titled and dated 1996 versoframed and under glassimage size 134cm x 56cm, overall size 150cm x 73cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.

* PETER HOWSON OBE (SCOTTISH b. 1958), WHAM BAM limited edition lithograph on paper, signed, titled, dated '94 and numbered 23/50mounted, framed and under glassimage size 51cm x 38cm, overall size 78cm x 65cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANK MCFADDEN (SCOTTISH b. 1972), TROPHY FACE I pastel on paper, signed mounted, framed and under glassimage size 20cm x 15cm, overall size 43cm x 37cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* PETER HOWSON OBE (SCOTTISH b. 1958), UNTITLED mixed media on paper, signedmounted, framed and under glassimage size 21cm x 15cm, overall size 51cm x 42cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANK MCFADDEN (SCOTTISH b. 1972), IN ICTU OCULI (IN THE BLINK OF AN EYE) oil on canvas, signed, titled and dated 2020 label versoframed image size 51cm x 46cm, overall size 66cm x 61cm Artist's label versoNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.Condition of the picture is good overall, with no visible or known issues.

* FRANK MCFADDEN (SCOTTISH b. 1972), TWILIGHT SADNESS pastel on paper, signedmounted, framed and under glassimage size 30cm x 24cm, overall size 53cm x 47cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* PETER HOWSON OBE (SCOTTISH b. 1958), GORGON pastel on paper, signedframed and under glassimage size 60cm x 44cm, overall size 80cm x 64cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANK MCFADDEN (SCOTTISH b. 1972), GREASER oil on board, signed and dated '08mounted, framed and under glassimage size 19cm x 19cm, overall size 39cm x 37cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK MCFADDEN (SCOTTISH b. 1972), PORTRAIT OF A MAN pastel on paper, signedmounted, framed and under glassimage size 40cm x 29cm, overall size 61cm x 49cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* PETER HOWSON OBE (SCOTTISH b. 1958), 1984 mixed media on paper, signed, titled and dated '09 mounted, framed and under glass image size 31cm x 22cm, overall size 50cm x 40cm Label verso: Flowers, London Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* PETER HOWSON OBE (SCOTTISH b. 1958), THE JOURNEY pastel on paper, signed, titled and dated 2021 verso mounted, framed and under glass image size 18cm x 19cm, overall size 37cm x 37cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* FRANK MCFADDEN (SCOTTISH b. 1972), PORTRAIT STUDY mixed media on paper, signedmounted, framed and under glassimage size 29cm x 20cm, overall size 46cm x 36cmNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK MCFADDEN (SCOTTISH b. 1972), MANY FACES pastel on paper, signed mounted, framed and under glassimage size 62cm x 46cmm overall size 87cm x 70cmNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK TO (SCOTTISH b. 1982), CONTRACT oil on board, signed versoframedimage size 40cm x 40cm, overall size 43 x 43Note: Frank To was born in Glasgow and studied at the University of Huddersfield and then Duncan of Jordanstone Art College in Dundee. He lives in Glasgow and has a studio in the city. He has earned an enviable reputation for himself as a contemporary figurative painter, having already established a loyal following, including a number of high profile buyers including Star Trek legend, Sir Patrick Stewart who now owns several of Frank's paintings. In recent years he has exhibited alongside some of the greats of the Scottish and International art scene including Peter Howson and Damien Hirst. His work has also featured in numerous national art fairs and art shows including at Bath, Harrogate, London, Aberdeen, Dundee, Edinburgh and Glasgow and is held in the collection of Dundee University. Frank To has regularly received critical acclaim even from early in his career and is one of his generation's most written about artists.

Victorian hallmarked silver coffee pot raised on four squat ball feet, Sheffield 1895, maker Harrison Brothers & Howson, height 22cm, weight 688g all in

George V hallmarked silver three piece tea set of bulbous rectangular form with incuse corners, Sheffield 1928, maker Harrison Brothers & Howson, length of teapot 26cm, weight of all three items 806g all in

3 silver easel photograph frames - 2 x Carrs of Sheffield 2012 with large Diamond Jubilee hallmarks 13.5cm x 19cm & 16cm x 21.cm and 1 x Harrison Bros & Howson London 2018, 18.5cm x 23cm

A Ruskin Pottery High-fired stoneware vase by William Howson Taylor, dated 1922, slender, shouldered form covered in a sang de boeuf glaze over silver-grey, and a small Ruskin Pottery egg-shell bowl covered in a yellow splashed lustre glaze, impressed factory marks, dated 1922, 18.5cm. high (2)

A Ruskin Pottery vase by William Howson-Taylor, dated 1935, shouldered form, covered in a pale blue lustre glaze, another similar and a Ruskin Pottery baluster vase with crystalline glaze dated 1932, impressed factory marks, second lustre vase cracked, 21cm. high (3) ProvenanceArts and Crafts, Woolley and Wallis Auctioneers, 14th June 2006, lot 98 (main vase)Private collection

A small Ruskin Pottery High-fired stoneware vase by William Howson-Taylor, dated 1933, ovoid with tapering neck and flaring rim, lavender with turquoise splashes on a silver-grey ground impressed factory marks, 11.5cm. high

A Ruskin Pottery High-fired stoneware vase by William Howson-Taylor, shouldered cylindrical form, covered in a sang de boeuf glaze with running bands of lavender, impressed factory marks, kiln kiss to side, 28cm. high ProvenanceBritish Art Pottery, Woolley and Wallis Auctioneers, 30th November 2005, lot 885.Private collection.

A Ruskin Pottery High-fired stoneware vase by William Howson-Taylor, dated 1912, shouldered form, sang de boeuf under running pale blue, the shoulder with turquoise band, impressed marks, 23cm. highProvenanceBritish Art Pottery, Woolley and Wallis Auctioneers 30th November 2005, lot 890.Private collection.

A Ruskin Pottery High-fired stoneware vase by William Howson-Taylor, dated 1909, shouldered form, glazed with running pale blue and lavender glaze over sang de boeuf, impressed factory marks, 21cm. high

A Ruskin Pottery High-fired stoneware vase by William Howson-Taylor, shouldered, flaring cylindrical form covered in a speckled turquoise glaze over purple, sang de boeuf and white painted scissor mark, impressed monogram, 24.5cm. high

A Ruskin Pottery High-fired stoneware salt by William Howson-Taylor, flambe glaze to the base rim over silver-grey, a Ruskin Pottery orange lustre ginger jar and cover with simple foliate band, a yellow lustre vase decorated with ivy and two small bowls, impressed marks, 8.5cm. high (salt), (6)ProvenanceA Private collection of British Art Pottery, Woolley and Wallis Auctioneers 14th June 2006 lot 82 (salt)

A Ruskin Pottery floating bowl by William Howson-Taylor, dated 1922, covered in a petrol lustre glaze, a smaller Ruskin Pottery bowl with a souffle glaze, two other bowls and a Ruskin Pottery egg cup, impressed marks, 31cm. diam. (5) LiteratureBritish Art Pottery, Woolley and Wallis Auctioneers, 30th November 2006 lot 908.

HOWSON IN PEN & INK DRAWING TITLED ''GAY LORD'' 56.5CMS (H) X 37.5CMS (W) APPROX

SIGNED PETER HOWSON ARTISTS PROOF CHALK FARM - 50CMS (H) X 45CMS (W) APPROX

SIGNED PETER HOWSON ARTISTS PROOF - 32CM X 37CM

PETER HOWSON PRINT (SLIGHT RIP BUT CAN BE HIDDEN UNDER A REFRAME) 69.5CMS (H) X 53CMS (W) APPROX

Silver wine taster with an embossed body and twin dolphin loop handle, by Harrison Brothers & Howson Ltd., Birmingham, 1994, Dia.7.5cm, in a Broadway & Co. box; and a novelty egg shaped scent bottle, by S J Rose & Son, Birmingham, 1991, H.5.5cm, with a funnel marked "925", H.4.4cm, boxed, gross 110grs. (5)

Manner of Peter Howson, figures embracing, oil on canvas, unframed.

A mixed lot of silver and silver plated items To include: [a] A silver plate coffee and tea set with Celtic motifs, marked Charles S. Green & Co, Birmingham [b] A large silver plate goblet with foliate design, marked William Hutton & Sons of Birmingham [c] An ashtray indistinctly marked [d] A silver and coloured glass mustard pot, marked 'E J & S,' circa 1899 [e] Nine silver dessert spoons, marked 'IB,' circa 1793 [f] A pair of silver grape scissors, marked Harrison Brothers & Howson, Sheffield, circa 1894 [g] A Celtic revival silver plate footed tray  Property of a gentleman From the collection of Peter Roe Total silver weight: 280 grams

A small collection of silver items and plated items including a collection of cutlery; a George V pickle fork by Harrison Brothers & Howson, a Edward VII pickle fork hallmarked for 1904 by Francis Howard Ltd with a mother of pearl handle, a silver spoon with indistinct hallmarks, an Elizabeth II miniature silver trophy, hallmarked for Birmingham 1972 by HIE, two small dishes with engraved initials, a pill box, along with a large selection of silver plated items, including Mappin & Webb spoons, a collection of teaspoons, knives, toddy ladles, a sugar sifter, along with a boxed stainless steel carving set and other items. Condition Report: Weighable silver 7.0 ozt / 220 grams.

Silver three-piece tea service in the Georgian taste comprising a teapot, sugar and cream, crested to the obverse, by Harrison & Howson, Sheffield 1921-22, engraved to the underside Mackay & Chisholm, Edinburgh, 1,088g, and a similar EP tea kettle, also bearing engraving for Mackay & Chisholm of Edinburgh.  (4)CONDITION REPORT: Kettle stand missing (EP), otherwise in good condition.

A collection of silver plated flatware, including a group of eighteen knives by Harrison Bros & Howson Cutlers to Her Majesty, many in King's pattern. CANNOT POST

A boxed set of hallmarked silver coffee spoons Sheffield 1955 Harrison Brothers & Howson (Henry Harrison) in original box with Harrods stamp to the interior. 54gms.

A set of twelve Edwardian rat tailed silver teaspoons, lacking sugar tongs, in original box Sheffield 1906 by Harrison Brothers & Howson (George Howson), a spoon and fork presentation set Birmingham 1937 Arthur Price & Co Ltd and glass items with silver top and collar. Weighable silver 187gms.

5 Teile Jagd Bratenbesteck mit Gehörngriffen und Silber Manschetten in Eichen Etui, MZ: Harrison Bros & Howson, Sheffield, L. 27-38cm

A VICTORIAN SILVER POSY HOLDER, WILLIAM ROBERT SMILY, LONDON, 1863 ◉ showing traces of gilding, trumpet shaped, with a beaded rim set below with coral cabochons and chain swags and engraved to the body with a band of anthemions above a further band of coral cabochons, the stem engraved ‘Clelia Howson’ surrounded by three sprung legs contained by a sprung terminal, 11.5cm longSee another posy holder, of the same pattern but set with turquoise cabochons, sold in this room, 25 May 2016, lot 470, marked for Macrae & Goldstein, 1867.

A silver coffee pot by Harrison Brothers & Howson, Sheffield 1932, 14.8ozt