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Click here to subscribeThree Silver Casters, One by Robert Stebbings, London, 1913, One by Harrison Brothers and Howson, Sheffield, 1906 and One by Joseph Gloster Ltd., Birmingham, 1966, variously formed, the last example plastic lined, 17cm high and smaller, weighable silver 7oz 18dwt, 246gr (3)The casters are each marked as expected. There is some overall surface scratching and wear, consistent with age and use. There are some minor bruises on some.
A pair of Edwardian silver sauce boats, Harrison Brothers & Howson, Sheffield 1904, bulbous form, with gadrooned rims, scrolled acanthus leaf handle and hoof feet, length 18cm, 15.6oz total . Condition Report:Feet are pushed inwards and bodies have numerous small dents all over, general wear to high points but still heavy gauge, hallmarks slightly worn
A Novelty Hallmarked Silver Tabby Cat Page Marker, Harrison Brothers & Howson Ltd, Birmingham 1994; Walker & Hall; A Victorian Hallmarked Silver Vesta Case, Sheffield 1899, engraved with sail ship and "Elder Dempster & Cos" "R.M.S Lake Champlain", engraved "Souvenir of Trial Trip May 4th 1900" verso, to suspension loop, gilt washing lining to inner (worn). (2)
* PETER HOWSON OBE (SCOTTISH b. 1958), CLIFFS EDGE pastel on paper, signedframed and under glassimage size 27cm x 19cm, overall size 47cm x 40cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), HOLOCAUST oil on canvas, signed, titled versoframedimage size 180cm x 90cm, overall size 204cm x 112cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), ANGRY MAN mixed media on paper, signed, titled versomounted, framed and under glassimage size 23cm x 18cm, overall size 47cm x 40cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b. 1958), LITTLE BIRD, 1989 oil on canvas, initialled framed image size 56cm x 56cm, overall size 64cm x 64cm Note: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.
* STEVEN CAMPBELL (SCOTTISH 1953 - 2007), UNTITLED oil on card, signed and dated 1989 versoframed and under glass image size 49cm x 39cm, overall size 65cm x 54cm Note: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale.
* PETER HOWSON OBE (SCOTTISH b. 1958), LAND OF COCKAIGNE oil on canvas, signedframedimage size 91cm x 61cm, overall size 118cm x 87cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* PETER HOWSON OBE (SCOTTISH b. 1958), SELF ink on paper, signed, titled and dated 2013mounted, framed and under glassimage size 20cm x 20cm, overall size 44cm x 44cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
* HUGH GERARD BYARS (SCOTTISH b. 1957), PORTRAIT oil on canvas, signedunframedoverall size 70cm x 60cm Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.
* HUGH GERARD BYARS (SCOTTISH b. 1957), PORTRAIT pastel on paper, signedframed and under glassimage size 36cm x 33cm, overall size 47cm x 45cm Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.
PETER HOWSON O.B.E. (SCOTTISH B.1958) CRISPIN JACKSON: A HERO OF THE PEOPLE, 1987 The complete portfolio of 14 linocuts plus 2 additional linocuts (the two sections of image 7 printed on separate sheets), ed. 40, each signed and variously numbered 31/40 and 33/40 by the artist, printed by Simon King, published by Charles Booth-Clibborn, under his imprint, The Paragon Press, London; Accompanied by the complete book containing 12 linocuts, 10/70, with an original pencil drawing on the title page, dedicated in pencil ‘To Ian Flooks/from Peter Howson’, signed in pencil by the artist and author Crispin Jackson and numbered on the justification page, published by The Paragon Press, London, in the original grey imitation leather boards and slipcase (17) each portfolio sheet 55cm x 38cm (21.5in x 15in), unframed
Fine prize bindings, 19th century by Wells of Winchester - five volumes, comprising: 1. Ball (Sir Robert Stawell), The Story of the Heavens, New and Revised ed., pub. Cassell & Company, 1893, 18 colour plates and 90 engravings, binding in full red calf with gilt lined borders and gilt crest of Winchester College, spine in six compartments with gilt decoration, black morocco labels, aem, marbled end papers, pastedown prize certificate dated 1894 to Charles Pelham Rowley (1877-1916) to ffep, 8vo (wear to extremities, spine a little faded, page 215-218 loose); 2. Guillemin (Amédée), The Heavens. An Illustrated Handbook of Popular Astronomy, 9th ed., pub. London: Richard Bentley & Son, 1883, similar binding with pastedown prize certificate to ffep to Charles Pelham Rowley dated 1891, 8vo. (slight wear to extremities, spine a little faded, occasional spotting); 3. Jamin (M.), Cours de Physique de L'Ecole Polytechnique, 4th ed., pub. Paris 1887, binding in full red morocco gilt, with lined borders and gilt crest for Selbourne College, spine in six compartments, aeg, marbled end papers, pastedown prize certificate to ffep to Charles Pelham Rowley dated 1894, 8vo; 4. Atkinson (E.), Elementary Treatise on Physics Experimental and Applied...., 13th ed., pub. London: Longmans, Green, and Co., 1890, binding in full green morocco gilt, with lined borders and gilt crest for Selbourne College, spine in six compartments (faded), aeg, marbled end papers, pastedown prize certificate to ffep to Charles Pelham Rowley dated 1893, 8vo; 5. Conybeare (The Rev. W. J.) and Howson (The Very Rev. J. S.), The Life and Epistles of St Paul, New Ed., pub. London: Longmans, Green, and Co., 1889, binding in full maroon morocco gilt, with lined borders and gilt crest for Winchester College, spine in six compartments, aeg, marbled end papers, pastedown prize certificate to ffep to Charles Pelham Rowley dated 1890, 12mo. * Charles Pelham Rowley was the elder son of Admiral Charles John Rowley of Botley, Hampshire and Alice, daughter of George Carey Elwes of All Souls, Oxford. He entered the Royal Garrison Artillery in 1900 and served in India for 12 years, later moving to Tynemouth, where he trained detachments of the New Army. He was sent to France in early 1915 and served at the Second Battle of Ypres, acting for 11 months as Adjutant to the 13th Brigade, R.G.A. He returned to assist with training of heavy artillery in Winchester, but was tragically killed during his preparation for a return to the front in October 1916, whilst on home leave at Holmesland, Botley. He was tending to the broken branches on an elm tree which had been damaged in a gale and one of the branches fell, killing him instantly.
A COLLECTION OF SILVER ITEMS To include: a cup by G. M. & S., Birmingham 1934, with a loop handle and on a circular moulded spreading foot, 11cm (4 1/4in) long; a tea strainer by Harrison Brothers & Howson (George Howson), Sheffield 1914, with twin pierced foliate swag handles, 10cm (4in) long; a pair of Victorian cylindrical pepperettes by Barnett Henry Abrahams, Birmingham 1899, with wrythen cone finials to the pierced domed covers, pierced bodies and on three shell feet, 8cm (3 1/4in) high, with two blue glass liners; a pair of Victorian fiddle pattern table spoons by Josiah Williams & Co (James & Josiah Williams), Exeter 1862, engraved L,13cm (9in) long; a pair of electro-plated table knives; and other silver items 674g (21.7 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A COLLECTION OF SILVER ITEMS To include: a silver mounted rectangular cigarette box, no maker's mark, Birmingham 1913, the cover applied with S. R, 13cm (5in) long, with a cedar liner; a cigarette case by S. Blanckensee & Son Ltd., Birmingham 1918, the cover engraved with foliage, 8cm (3 1/4in) long; a pair of collar stiffeners by Carr's of Sheffield, Sheffield 2008, 6.5cm (2 1/2in) long; a money clip by Harrison Brothers & Howson Ltd., Birmingham 2005,, engraved AR, 5cm (2in) long; and a gilt metal lighter by S. T. Dupont, with engine turned decoration, 5cm (2in) high 76g (2.45 oz) gross weighable Provenance: The Estate of a deceased Gentleman Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
Y A COLLECTION OF SILVER FLATWARE VARIOUS MAKER'S, DATES AND PATTERNS To include: a mother of pearl handled butter knife by James Deakin & Sons, Sheffield 1907, 17cm (6 3/4in) long; five tea knives by Harrison Brothers & Howson, Sheffield 1907, with steel blades; 16.5cm (6 1/2in) long; two white metal mythical creature menu holders, 8cm (3 1/4in) high; and a large quantity of assorted silver flatware 1938g (62.3 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A COLLECTION OF SMALL SILVER ITEMS To include: nine Hanoverian pattern tea spoons by Harrison Brothers & Howson, Sheffield 1919 (5) and 1920 (4), 11cm (4 1/4in) long; a salt and pepperette by John Grinsell & Sons, Birmingham 1952, with a cone finial to the pierced domed cover, a shaped border, engraved with a crest and on three pad feet, 7.5cm (3in) high, with a blue glass liner; a Georgian candlesnuffer, with a scroll handle, engraved with a crest and a beaded border, 9cm (3 1/2in) high; and other items 247g (7.95 oz) gross Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A silver tea set by Harrison Brothers & Howson (George Howson), Sheffield consisting of a teapot (1926) with a hinge top lid and cast phenolic handle, 20cm 526gms, a sugar bowl (1922,) 10cm 241gms, and a milk jug (1922), 11cm 171gms , and a George VI sauce boat on three turned feet by Mappin & Webb, Sheffield 1937, 6cm 106gms, and a cut glass silver topped sugar sifter Walker & Hall, Sheffield, 1902, 15cm 263gms (all in). (5)
A canteen of George VI silver flatware, twelve place settings, Harrison Brothers & Howson (George Howson) Sheffield, dates range from 1948 to 1951, total weighable silver approximately 4425g / 142.2toz, servers, knives and carving set total approximately 3184g / 102.4toz, in a fitted walnut canteen, with lift lid and two drawers.
mixed media on paper, signed and titled mounted, framed and under glass image size 20cm x 13cm, overall size 47cm x 38cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
pastel on paper, signed, titled and dated 1988 label verso mounted, framed and under glass image size 55cm x 38cm, overall size 75cm x 54cm Label verso: Flowers East, London Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
mixed media on paper, signed mounted, framed and under glass image size 29cm x 20cm, overall size 46cm x 36cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
mixed media on board, signed, titled and dated 1996 verso framed and under glass image size 134cm x 56cm, overall size 150cm x 73cm Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
CELTIC F.C. INTEREST - PETER HOWSON (SCOTTISH, 1958-), BROTHER WALFRID, LIMITED EDITION BOXED SET comprising one signed and numbered 472/1,888 print, a certificate dated 6th November 2014, and DVD, in gilt tooled simulated snake skin card boxPrint 41.5x29cm overallCondition generally good. Light wear to outer box. Print well preserved. Additional images now available.
Pair of Ruskin vases, of crystalline design. 25cm high approx. Impressed marks to the underside. signed William Howson Taylor. Together with a Carlton Ware ginger jar in chinoiserie design with pagodas, figures, lake and trees. 27cm high approx. (3) (B.P. 21% + VAT) One of the vases appears undamaged, the other in very poor condition with large cracks all through the body, chips and losses.
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