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Lot 312
Girandole, Dresden1829. Silber. Meistermarke Klotzer. Mehrfach gegliederter Balusterschaft mit zentraler Tülle und drei weiteren Leuchterarmen mit Vasentüllen. Reliefierter Blattdekor, teilweise godroniert. Stadt- Meistermarke, Jahresbuchstabe g. H 37 cm, ca. 1060 g. - Alters- u. Gebrauchsspuren.
Lot 19
A Victorian giltwood girandole, mid-19th century and later, with a ribbon-tied crest and three scrolling branches, 64cm wide108cm high Condition Report Repair and restoration, including later carving, branches and glass. Later gilding. General surface wear, with some cracks. Ready to hang. Please view 'before and after' photos for visual representation of the work undertaken.
Lot 4363
Victorian giltwood girandole mirror, the oval bevelled plate within a beaded ribbon frame with three lights and surmounted by a mask, 87 x 49 cmCondition Report: There is a long crack to the cresting which makes the portrait head loose.Some losses to gilding and the backboard is loose in place.The frame is painted gold.
Lot 44
Paar bedeutende Girandolen. Émile Gallé, Nancy um 1880. Keramik, meisterhaft als steigende Löwen modelliert, aufwendig farbig staffiert und teilw. gold gesäumt. Verso am Sockelrand signiert mit Ortsangabe und Beschriftung „déposé“. In den Tatzen halten sie je einen Turm, darin eingesteckt die vierflammige Girandole mit Blättern aus Messingblech. Vgl. Garner, Émile Gallé, München 1979, Abb. S. 61. Für kleinere Ausführungen S. Hakenjos, Keramik von Émile Gallé, Düsseldorf 1981, Kat.Nr. 37 und Kat.Nr. 42. Das gleich dekorierte kleinere Exemplar in der Sammlung des Württembergischen Landesmuseums Stuttgart, ebenfalls mit eingesteckten Bronzekandelabern (Inv.Nr. 1979-71), H=80 cm. Non-binding estimate: € 10000,- No Reserve
Lot 6120
19th century brass girandole mirror, cast with the mask of Dionysus and bordered by pierced scrollwork, issuing two acanthus moulded branches and engraved sconces, with bevelled rectangular arched plate, H44cm, together with a pair of similar rectangular wall mirrors, each with mask crestings and pierced scrollwork borders, H48cm x W25cm (3)
Lot 3015
Josef Hoffmann"Girandol"Wiener Werkstätte, Ausführung ca. 1928Silber, leichter Hammerschlagdekor; am Stand und den Tüllen gemarkt mit Tukankopfpunze, Entwerfermonogramm "JH", "900", "MADE/IN/AUSTRIA" und "WIENER/WERK/STÄTTE" (Stand); Tukankopfpunze und "WW" (Tüllen)H. 32,5 cmWiener Werkstätte-Archiv, MAK Wien: Modellnr. S di 71, Inv. Nr. KI 12124-19 (Entwurf); Inv. Nr. WWF 115-11-5 (Zeitgenössisches Foto)Die schlichte und funktionsreduzierte Form dieser aus der Endphase der Wiener Werkstätte stammenden Girandole zeigt die stilistische Rückkehr Josef Hoffmanns zur Anfangszeit der Wiener Werkstätte. Er beruft sich auf die Form der Linie und die funktionellen Details, die zwischenzeitlich mehr in den Hintergrund gerückt waren. Die handwerkliche Herausforderung - wie beispielsweise ein ebenmäßiger Hammerschlagdekor und perfekt verarbeite Nähte, an denen die Einzelteile zu einem harmonischen Ganzen verbunden werden - steht wieder im Zentrum. Durch die sich gleichende Stilistik Hoffmanns sind unsere beiden Kerzenleuchter (Lot 3014 und Lot 3015) hochinteressante Beispiele für den Anfang und das Ende der Wiener Werkstätte. (AWR)
Lot 1126
A pair of Georgian silver and gold ruby and diamond Girandole earrings, circa 1790, later retailed by Edward Tessier of London, collet set with oval-cut rubies and table-cut diamonds, within pierced and foliate relief embossed bow frame, suspending 3 hinged drops with later shepherd hook fittings, 38.1mm, 13.7g, in fitted green leather caseBoth have later attached fittings, 1 hinged drop has been re-soldered, all stones present, rubies are a deep vivid pinkish red, both unmarked
Lot 58
PAAR KANDELABER/GIRANDOLE,Historismus Epoche, 5-flammig, Messingguss, sockelförmgier Stand auf vier ausgetsellten Füßchen, zentral durchbrochen gearbeitet mit Marmorscheibe, zentral Schaft mit vier u-förmigen Leuchterarmen, allseits Reliefdekor versch Stile, je orig Gluttöter, H 50,5 cm, tlw leicht verbogen
Lot 832
A pair of George III mahogany fretwork girandole wall mirrors, each with an inverted gilt painted shell crest over a rectangular mirrored plate, within a giltwood slip, above a single arm brass sconce, 62cm x 31cm (2)Condition reportThe brass back plates to the sconces are different, both the sconces are possibly later associated.Minor silvering chips on the edges of both mirrored plates.Slight backward warp to the top of both mirror frames.Minor chips and splits to the veneer, both back boards to the mirrors appear to be later indicating a degree of restoration.
Lot 603
A Sevres porcelain and gilt metal mounted girandole, 19th century, the circular plate centrally decorated with a courting couple, the border with floral reserves, within a bleu celeste and gilt highlighted cavetto, the gilt metal mounts terminating with a mask of the green man between two sconces, printed maker's mark verso struck through for second quality, 35cm high (at fault)
Lot 33
An early 20th century Austro-Hungarian silver gilt gem set necklace, the necklace with a circular cut green garnet and glass doublet to the centre, surmounted by a two-tailed mermaid motif. A large pendant drop rub set with a circular cut garnet and glass doublet, accented by smaller oval garnet and glass doublets and blister pearls, to an open scrolling frame with girandole fringes, one deficient. The back chain designed as a line of pierced plaques, set with green garnet and glass doublets, one collet vacant, flanked by seed pearls and faux pearls. Austro-Hungarian hallmark for 800 standard 1867 to 1937, for Pest, 39.54g. 420mm long. With fitted caseCondition ReportClasp secure.Wear to the gilding.Minor chips and abrasions to some of the stone.The central girandole drop is deficient.One collet vacant in the back chain.A few small pears were replaced with imitation pearls.
Lot 162
A pair of 18ct gold orange sapphire and diamond girandole earrings, total orange sapphire weight 2.97ct, total diamond weight 1.68ct, each engraved to mounts, diamonds estimated H-I colour, VS2-SI clarity, mount stamped 750, length 3.3cm, 7.7gOverall very good conditionDiamonds are well matched, bright and livelyOrange sapphires are a deep reddish orange to orange hue, with good clarityOrange sapphires with light abrasions With fixed post fittings for pierced earsClients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lotFor enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Lot 516
Paar Girandole-Ohrgehänge18 kt Gelbgold. Mehrteilige Gehänge in ziselierter Vasenform mit Fransenpendilien, gefasst mit folierten ovalen Pastesteinen und besetzt mit natürlichen Saatperlen. Nicht gestempelt. Ohrbügel durch Stecker mit Schrauben ersetzt. H 6,5 cm. Gesamtgewicht 10,70 g.Wohl Italien, 19. Jh.
Lot 726
A 19th century continental gilt gesso wall mirror/girandole. The ornate scrolled crest with inset picture, the frame with floral mouldings above two twin branch candle sconces, with a small central shelf, height 121cm, width 64cm.The shell crest has a glued repair, there are a few replacements and glued sections and breaks below the shelf, and there are also a few cracks in the gesso.Please see the additional images.
Lot 742
An Empire style gilt wood and gesso girandole. 19th century, with eagle crest above two oak leaf and acorn branches, with twin candle sconces, height 78cm.A leaf scroll on the right below the ribbon is missing, there are a few chips and losses on the oak leaves.One candle branch is lower than the other, and it is unclear whether this has been reduced, both supports have a few cracks and losses to the gesso.Please see the additional images.
Lot 56
A lot comprising a pair of gilt metal Girandole three branch mirrored wall sconces, 43cm high x 27cm wide, another Venetian style circular etched glass mirror wall sconce, 36cm diameter and a pair of gilt metal rococo style Cherubim ceiling light fixtures (5) Condition Report:Available upon request
Lot 285
PAIR OF REGENCY STYLE GIRANDOLE MIRRORS LATE 19TH CENTURY the convex mirror plates in beaded and moulded frames issuing three gilt metal foliate scrolling candle arms with moulded sconces, with eagle and Prince of Wales plume cresting and acanthus and rosette terminals belowDimensions:99cm high, 36cm wide, 20cm deep
Lot 587
Three pieces of turquoise and turquoise matrix jewellery a turquoise matrix nugget necklace; a 19th century Continental turquoise, blister pearl (untested) and silver girandole brooch (a/f), closed back setting; and a turquoise matrix lavallière negligée pendant to a faceted belcher link chain necklace combined gross weight 97gCondition: Girandole brooch: traces of enamel highlights, one collet vacant, one possible substitute, three discoloured
Lot 4
A PAIR OF GIRANDOLE WALL MIRRORS IN VENETIAN TASTE 20TH CENTURY Each with a pair of candle arms 43cm high, 35cm wide Provenance: Private Collection, Lady Caroline Conran Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe plates with dirt, discolouration, bloom, as in the catalogue online images one plate does appear 'cleaner' than the other The metal arms with pitting and surface corrosion, and these are loose to their fittings, some signs of repair and damage to the arms Although some difference in the condition of the plate and the angle of the arms it is most likely these are a pairPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 175
A 19th Century Victorian brass worked girandole Ladies dressing table mirror. The mirror of oval form housing a single bevelled edge plate mirror glass within foliate decoration to the frame. Twin Candle sconces to the front surround by floral decoration and rococo detailing. Plain armorial cartouche above Measures approx. 56cm x 34cm. All lots in this auction are part of a private collection of antique furniture and smaller effects. The collection having been amassed over a 30-40 year period by an ex-furniture restore who's eye for a good piece shows through in this auction. Items in this auction may have defects or signs of repairs. Please ask for condition reports at conditionreports@auctioneum.co.uk.
Lot 1307
A Georgian baroque pearl and flat-top garnet flowerhead girandole necklace and earring set, circa 1780, openwork foliate and lobed decoration, apparently unmarked gold?, necklace 43cm, earrings 32.5mm, 44.6g total (2) Earrings have been made from spare necklace links, a few small solder repairs, general wear to high points, unmarked
Lot 1155
An 18th century Portuguese foil-back pink topaz girandole cluster drop brooch, circa 1760, the unmarked silver and gold closed-back settings with vari-cut peach pink and yellow topaz, height 35.7mm, 10.6g 2 of the topaz on the cluster drop appear to have been replaced, drop hoop possibly re-soldered and brooch fitting possibly a later addition with filed down top loop of principal stone, fitting working, unmarked
Lot 125
A rare pair of 'Coque de Perle' earrings, circa 1760, each of girandole design, composed of 'coque de perles' in gold settings, length 6.6cm each, hook and clip fittings'Coque de Perle' is the term given to filled composites of mother of pearl, consisting of a curved outer section taken from a spiral shell, backed with a flat section of mother of pearl and filled for stability and weight, designed to imitate large natural pearls. These rare earrings take the form of the girandole, a popular 18th century earring shape, which suspends three pendants. Cf.: a pair of similar 'coque de perle' earrings in the collection of the MFA Boston, originally in the collection of Elizabeth Day-McCormick, accession no. 43.2122a-b
Lot 122
A fine topaz and diamond pendant, possibly Portugal, 18th century, of girandole design, composed of a circular openwork cluster above a floral spray, suspending three detachable pear-shaped pendants, set with circular-cut, calibré-cut, cushion- and pear-shaped topaz and rose-cut diamonds, in foiled closed-back settings, mounted in silver, length 7cmCf.: a page of comparable girandole designs with floral elements in JH Pouget, Traité des Pierres Précieuses, France, 1762, cited by Diana Scarisbrick in Brilliant Impressions: An Exhibition of Antique Paste and Other Jewellery, SJ Phillips Ltd, 2010, p.26
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