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2 FISHING RODS, 3 SPINNING REELS, LINE, FLOATS ETC

Foster Bros 'The Perfect' three piece split cane fishing rod, in canvas slip case, together with another three piece split cane fishing rod and two pieces of another

ARR GEOFF BUTTERWORTH (b.1951) *ARROn Leaving the Park, Uppermill, watercolour, signed lower left,38 x 15.5cm.A XIX Century watercolour of a Fisherman, unsigned and an A. Dunington watercolour of Fishing Boats. (3)

ARR DAVID NOBLE (Sheffield Artist, b.1945) *ARRFigure Entering an Agricultural Barn, oil on board, signed lower left,44 x 60cm.W. KNOWLES (Contemporary)Farmyard, watercolour, signed and dated 1982 lower right,30 x 42cm.F.W. WAUGH (Early XX Century)Fishing Boats, watercolour, signed and dated 1918 lower right,21 x 38cm. (3)

An imposing pair of amphorae and coversSèvres porcelain_x000D_Rare decoration of cartouches with figures and English hunting and fishing scene, on blue ground of gilt ornamentation_x000D_Gilt bronze mounts_x000D_Octagonal marble stands_x000D_Marked to underside_x000D_France, 19th century_x000D_(fault to one handle)85x50 cm (amphorae)60x41 cm (bases)

William Hood (British 20th Century): Fishing Village and River Landscape, two oils on canvas signed 29cm x 44cm, in heavy gilt frames with repeating acanthus decoration (2)

GEORGE HOUSTON RSA RSW (SCOTTISH 1869 - 1947), GLEN ORCHY oil on canvas, signed framed image size 70cm x 90cm, overall size 86cm x 106cm Note: George Houston was born in Dalry, Ayrshire. He was a prolific artist in both oils and watercolours. He specialized in the landscapes of Ayrshire and Argyll and his exceptional talent lay in creating the atmosphere, climatic conditions and season of each scene. He sometimes worked on a large scale but unlike many artists, the quality of his work remained constant. His style was not influenced by modernist trends and is best described as "late Impressionism". Houston achieved substantial commercial success, which funded a comfortable lifestyle for his ever growing family. He received widespread critical acclaim and was admired by his contemporaries for the apparent ease with which he painted. He only started painting professionally in his late thirties but "quality" came naturally to him as it usually does for truly "gifted" painters. Houston loved fishing and he loved country life. This love of the natural environment has always been (and remains) clear and obvious to the many who appreciate his paintings.

GEORGE HOUSTON RSA RSW (SCOTTISH 1869 - 1947), UNTITLED oil on board, signedframed and under glassimage size 24cm x 32cm, overall size 28cm x 36cmNote: George Houston was born in Dalry, Ayrshire. He was a prolific artist in both oils and watercolours. He specialized in the landscapes of Ayrshire and Argyll and his exceptional talent lay in creating the atmosphere, climatic conditions and season of each scene. He sometimes worked on a large scale but unlike many artists, the quality of his work remained constant. His style was not influenced by modernist trends and is best described as "late Impressionism". Houston achieved substantial commercial success, which funded a comfortable lifestyle for his ever growing family. He received widespread critical acclaim and was admired by his contemporaries for the apparent ease with which he painted. He only started painting professionally in his late thirties but "quality" came naturally to him as it usually does for truly "gifted" painters. Houston loved fishing and he loved country life. This love of the natural environment has always been (and remains) clear and obvious to the many who appreciate his paintings.

JOSEPH (JOE) MILNE (SCOTTISH 1861 - 1911), EAST COAST FISHING VILLAGE oil on canvas, signedframed and under glassimage size 35cm x 25cm, overall size 64cm x 54cmNote: Joseph (Joe) Milne was born in Edinburgh in 1857, the elder brother of the painter William Watt Milne (1869-1949) and the father of John Maclauchlan Milne (1886-1957). He painted mainly in oils, but occasionally in watercolours, producing land and seascapes which were notable for their bold tones. Although he lived much of his life in Edinburgh, he worked for a time in Dundee and also in Ayrshire. He exhibited extensively at the Royal Scottish Academy, from 1877 until 1902 (a total of 81 works) and at the Glasgow Institute (now the RGI) from 1880-1902 (45 works); he also had 7 works shown at the Royal Academy (London) between 1887 and 1908. Favourite subjects were the coasts of Scotland and working rivers, particularly “The Silvery Tay”. Joseph Milne died in Edinburgh in 1911, at the age of 53. There are 23 works by Joseph Milne in UK public collections.

GEORGE HOUSTON RSA RSW (SCOTTISH 1869 - 1947), HIGHLAND LANDSCAPE WITH SNOW IN THE DISTANCE oil on canvas, signedframed and under glassimage size 39cm x 49cm, overall size 53cm x 63cm Note: George Houston was born in Dalry, Ayrshire. He was a prolific artist in both oils and watercolours. He specialized in the landscapes of Ayrshire and Argyll and his exceptional talent lay in creating the atmosphere, climatic conditions and season of each scene. He sometimes worked on a large scale but unlike many artists, the quality of his work remained constant. His style was not influenced by modernist trends and is best described as "late Impressionism". Houston achieved substantial commercial success, which funded a comfortable lifestyle for his ever growing family. He received widespread critical acclaim and was admired by his contemporaries for the apparent ease with which he painted. He only started painting professionally in his late thirties but "quality" came naturally to him as it usually does for truly "gifted" painters. Houston loved fishing and he loved country life. This love of the natural environment has always been (and remains) clear and obvious to the many who appreciate his paintings.

FRANK MEADOW SUTCLIFFE (British, 1853-1941); four photographic prints of Whitby titled 'Harbour from Scotch Head', 'Fishermen of Whitby', 'Water Rats 1889' and 'Fishing Boats in Whitby Harbour', all images mounted on card, titled and signed by the photographer lower right, 22.5 x 30.5cm, framed and glazed (4).Condition Report: I'm afraid we cannot garentee this signature is genuine.

A contemporary Chinese model of a Heron fishing, 70cm high

British School 18th/19th Century - Beach scene with fishermen, unsigned, oil on canvas, with label inscribed 'Pollitzer, fishing scene' verso, 50 x 68 cm, gilt framed

Jan Van Os (Dutch, 1744-1808) Dutch fishing boats and other vessels in calm waterssigned 'J. Van Os' l.r., oil on panel19 x 25cm Provenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 29 x 35cmFine craquelure. Appears to be in otherwise generally good order. Not examined under UV light, for a full report please contact the department.

ARR John Maltby (1936-2020) a plate decorated stylised hills, trees, lighthouses and fishing nets, signed to base, 29cm diameterIn good condition - no breaks, repairs or restoration.

A quantity of assorted pictures and prints including a map of the river Tweed fishing pools and other works (a lot) The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A collection of Darlington Crystal wine and sherry glasses, etched with horses, dogs, and fishing flies, all in original boxes, one glass missing, (A Lot).  The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A German Fiwa fishing rod and a vintage traveling case, 24 x 35 x 11 cm. 

A large quantity of assorted china, predominately mugs and tea cups, to include, Royal Worcester fishing design, Portmeirion Botanic Garden, ( A Lot ). The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A Hardy Bros. Elarex fishing reel.  The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A large collection of fishing rods held within box. (Please note not all the rods have been examined and potential buyers are strongly encourage to view in person).  The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A tackle box with a large quantity of fishing equipment, including flies. The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A collection of fishing reels, to include; Pridex, Anon-Shaw, and others, along with two reel cases, (8). The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A Hardy "Perfect" 3 3/4 fishing reel.  The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A framed Prattware pot lid with highland scene, 12 cm, two others depicting fishing, one titled "The Enthusiast", a framed ceramic of Osborne House and a modern relish pot, (5). The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

A Pro-x fishing rod bag, along with a fish cooler bag and a horn topped thumb stick, (3).   The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

Three Grace Darling pressed glass boat ornaments together with oval mid 20th century wall hanging mirror, three mortar bowls and a green glass fishing float witch's ball

Fishing tackle bag containing flies and reels together with an Orvis fishing guide and other related books, etc

Anglo-Chinese School (Late 18th to Early 19th century): Figures Net Fishing in a Chinese Water Landscape, oil on canvas unsigned 58cm x 79cm

THREE EARLY 20TH CENTURY WOOL WORK AND SILK EMBROIDERED PICTURES. Depicting a couple in landscape with cottages, one with the figures fishing in a stream and another with the figures standing before cats and dog before a pond in landscaped garden, 59cm x 71cm (3) These three embroidered pictures appear to tell the life story of a Lincolnshire couple. Provenance Christie's South Kensington, 6 March 2012, lot 345. With David J. Hansord & Son Acquired East Halton, Humber Back, North Lincolnshire. Some typical wear, mainly evident to the cotton edges, minor fraying, very slight staining, minor loose threads, otherwise ok.

Attributed to Thomas Purchas (British, 1880 - 1894)Watercolour Boy Fishing By The RiverUnsigned [28x32cm]

Y A MĀORI FISHING LURE/HOOK NEW ZEALAND 19TH CENTURY Wood, abalone shell, bone and twine, modern base lure 10.5cm long Together with two mother-of-pearl fishing hooks/lures, Solomon Islands, 19th Century, twine, bone and tortoiseshell, modern bases, 9.5 and 6cm long Provenance: Ex Private UK collection (3 and x 3 display stands)

* ANGUS GRANT, GREEN SALMON oil on canvas, signedframedimage size 47cm x 35cm, overall size 52cm x 41cm Note: Angus Grant is a painter and craftsman, based in the Cairngorms National Park. His work is inspired by this beautiful location and the changing light on the landscape. In particular, his paintings feature lochs, mountains and wildlife. His studio is at the Spey Bank Studio in Grantown-on-Spey. Angus’s love of fishing is also an important part of his recent collections. He loves to explore the lochs of the Cairngorms and beyond, often finding inspiration instead of fish. Angus says: “Time spent walking or fishing is never wasted and constantly throws up new ideas and imagery to use in my pictures.” Angus initially studied art at Central St Martins School of Art, before going on to study jewellery design at Middlesex University, where he specialised in Japanese-style carving and acrylic. He taught Western Jewellery Design at the National Institute of Jewellery Design in Gudgerat, where he also learned about traditional goldsmithing. After university, he worked for jewellery designer Kirt Holmes in London. He returned to the Highlands in the early 2000s to start his own jewellery business. Angus currently teaches art and design at Grantown Grammar School, tutors the Spey Art Group, and teaches various adult workshops on painting, printmaking, ceramics, jewellery-making and pottery. He is joint owner of the Spey Bank Studio with his partner, Jane Candlish. “The way the light changes here is of great interest to me. The Cairngorms never look the same from one day to the next. In my paintings, I try and capture something of that fleeting ethereal quality of light.”

* JACK KNOX RSA RSW RGI (SCOTTISH 1936 - 2015), HERON FISHING pastel on paper, signed, titled label versomounted, framed and under glassimage size 21cm x 29cm, overall size 42cm x 50cm Label verso: The Open Eye Gallery, EdinburghNote: Painter, draughtsman and teacher, born John Knox at Kirkintilloch, Dunbartonshire. He studied at Glasgow School of Art, 1953–7, where his teachers included William Armour and David Donaldson. In 1958 won a travelling scholarship which enabled him to study in Paris under André Lhote. Knox painted in a variety of styles, being influenced by the American Abstract Expressionists for a time, although on occasion creating still lifes in the manner of the Dutch Old Masters. From 1965–81 Knox taught at Duncan of Jordanstone College of Art, Dundee, in 1981 becoming head of painting at Glasgow College of Art. Took part in many group shows in Scotland and abroad and had a series of one-man exhibitions, including 57 Gallery, Edinburgh; Serpentine Gallery in London; and Civic Arts Centre, Aberdeen. In 1983 a solo show was toured to a number of Scottish venues by the Scottish Arts Council; Drawings 1956–1998 was held by Cyril Gerber Fine Art and Compass Gallery, Glasgow, in 1998. Was elected RSA and has work in many public collections, including Scottish National Gallery of Modern Art, Edinburgh. Lived for some time in Carnoustie, Angus.

Three boxes of books, racing, fishing and military etc

Two toolboxes with quantity of spanners and fishing shelter

Two Bilston enamel patch boxes, circa 1790, oval form, one with a colour transfer lid of a milkmaid, the other with two women fishing by a river, blue grounds, 5cm (2)

Thomas Bush Hardy (British, 1842-1897), Wind Against Tide, signed, titled, and dated 1890 l.l., watercolour, 29 by 48cm, framed. Note: the scene depicts fishing vessels off Zeebrugge habour. The sails are marked with a 'Z' which is the official sign for Zeebrugge

An Art Deco patinated art metal figure of a boy fishing, circa 1930, verdigris and bronzed, on a stepped marble and onyx base, 42cm high

Angling Interest: an extensive collection of fly fishing flies and ephemora, including Salmon flies used on the river Tees, a leather bound vellum wallet of examples with inscribed date 1856, a similar wallet of fishing wire, with log of salmon caught on the Tees 1859 to 1862 by Robert Thornton of Stapleton, two letters relating to flies, one with attached fly and description of its use and construction, and a tin of smaller examples

Thomas Bush Hardy (British, 1842-1897), On the North East Coast, signed, titled, and dated 1889 l.r., watercolour, 33 by 51cm, framed. Note: the scene depicts fishing vessels entering Scarborough harbour. This picture is very similar to another Bush Hardy watercolour which is titled 'Off Scarborough Harbour'. Also, the vessel sails are marked with the harbour’s official sign

Michael Matthews (British, 1933-1995), a Dutch winter landscape with figures and fishing boats on a frozen polder, signed l.r., oil on board, 30 by 45cm, framed. Note: Artist Resale Rights apply

An oil on canvas of fishing boats on shore, a classical tapestry in frame & a signed picture of Richard Branson

Assorted fishing rods, and a barometer (5)

MANNER OF JOHN MOORE OF IPSWICH (1820-1902) Fishing boats in heavy seassigned "j. Moore" lower left, indistinctly titled to the stretcher verso, oil on canvas, 30cm x 46cm Provenance: Wabey House, Upwey.

LESLIE SANDS (1917-1995) Fishing boats and pleasure craft at the coastprobably at Williamstown, Victoria, Australia, signed "Sands" in pencil lower right, oil on board, 28cm x 40cmProvenance: Wabey House, Upwey.

Will Ashton (1881-1963) Fishing on the Nile, a fisherman with his catch in a moored rowing boat, with felucca crafts on the river beyond, signed lower right, monogrammed with date 1924 lower left, watercolour, 33 x 46 cm, frame 50 x 63 cmCondition:The painting is a watercolour, framed under glazing - not examined external to the frame. The sheet appears in generally good condition, no obvious tears, losses or deterioration. The paint surface appears generally good no obvious paint loss or deterioration, some minor paint fade. cockling present to the mount, frame has wear and tear

Robert John Hammond (act. 1879-1911) a Pair of Rural Landscapes, one showing children fishing at a millside stream, signed and dated 1893 lower right, oil on canvas 26 x 36 cm, frame 45 x 55 cm, together with a further landscape showing a shepherd and his wife resting with their flock on a country track by the same hand (2)

Three French enamel boxes, one marked Palais Royale with boy fishing to front, another with cockerel atop a cannon, length of longest 7cm

Two eagle sculptures on wooden bases.Condition:- general wear throughout, wing broken on larger one, both wings broken & glued fixed with access resin glue dripping alot, small chips throughout, fishing wire wrapped around one bird.

Early 20th century school, oil on canvas, young boy fishing, 21cm x 27cm, indistinctly signed, gilt frame, 30cm x 35.5cm.

A mixed lot of collectables including vintage Coronet camera, collectors plates, brass twist dial telephone, vintage fishing reels, 'The Q Code' aeronautical book, etc.

A group of assorted fishing rods to include sea & fly rods etc.

Three fishing rods, hickory shafted golf clubs including mashie and niblick etc

A box of approx 10fly fishing reels, flies, night vision binoculars and a spotting scopeCondition (scope & binoculars only):- General wear with signs of heavy use, untested, no sign of any major damage or repair. The night vision binoculars do power up when switched on and appear to be in working order.

4 fly fishing rods in tubes - Greys 9ft carbon fly rod; Shakespeare Oddysey 2.7 metre fly rod; Greys 10ft carbon fly rod; 10ft True Fly rod

7 fly fishing rods including Daiwa, Fladen Euro fly (2.8m), Shakespeare 2.8m carbon etc

A Milwards wooden fishing reel, 9cm wide.

Mixed fishing rods to include Shakespeare. Not available for in-house P&P

John Thomas Hamilton Macallum (British, 1841-1896) - A 19th century watercolour on paper maritime painting. The watercolour depicting a moored fishing boat ashore with clouds in the background. Possible signature behind mount. Mounted, framed & glazed. Measures approx. 26cm x 45cm without frame.