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Lot 23
Royal Doulton figurine titled Wistful, HN 2396. This finely crafted bone china figurine features a seated lady in an elegant floral-patterned gown with a deep red hue, accented with delicate hand-painted flowers. She holds a closed fan in one hand, exuding grace and refinement. Designed by Peggy Davies, Wistful was first issued in 1968 and retired in 1981. The base bears the Royal Doulton backstamp.Issued: 1978Dimensions: 6"HCountry of Origin: EnglandCondition: Age related wear.
Lot 150
Regency swansdown stole / pelerine together with a matching muff and two swan feather hat or hair accessories, plus vintage silk scarf printed with London scenes and two railroads, very damaged silk scarf printed with a map of the River Thames, and four early 20th century folding fans including Art Deco advertising fan, Chinese silk fan and a Chinese paper fan, and two small babygowns
Lot 1066
An early 20th century Exhibition or Trademan's Model of an Air flow toilet seat system, the carved wood and painted WC with mahogany seat set with holes to underside, on a wooden base and arched backboard with pencil drawn cistern and window, the backboard also mounted with tinplate fan system with electric light for demonstration, the whole 31 x 20 x 23.5cm.
Lot 147
The Jun-type porcelain shaped as a fan-form inset, mounted on a wooden screen.(Overall height 10 inches, height of porcelain 2 3/4 inches)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 579
A Belle Époque platinum diamond brooch, designed as a fan, set with old single-cut, old-cut, and baguette-cut diamonds, circa 1915, length 5cmCondition Report: Gross weight approx. 14.5 gramsIn good condition, some surface abrasion commensurate with age, diamonds appear bright, clasp in working condition, with small areas of discolouration to the hinge and pin termination
Lot 612
Cartier. An Art Deco French gold, mother-of-pearl and lacquer (lacque burgauté) diamond, coral and onyx vanity case, the rectangular gold case with black lacquer and tinted mother-of-pearl inlay front and back panels each depicting a Chinese scene, the interior each lacquer panel with four inlayed Chinese characters, the case sides with chased corners and coral corallium rubrum baton thumb piece to black lacquer and old-brilliant-cut diamond collet terminals, signed Cartier Paris, Londres, New York, numbered 0761, French Poinçon for the maker Boulon & Taragnat, French assay marks for 18ct gold, circa 1925, dimensions 8.5 x 5.7cm Cf. Sotheby's, Magnificent Jewels, New York, 20th April, 2010, lot 492 for similar example, also Olivier Bachet, Alain Cartier, Cartier, Exceptional Objects, p. 295, for similar case and coral thumbpiece The Chinese scene on the front depicts a government official with large fan attended by two servants in a garden and lake or pond, the back with similar scene, the text on the interior reads 'Guan shang jia guan', a pun on guan meaning both hat and official or hat over hat which interprets as rank above rank, and 'Lian ke ji di', meaning continuously passing exams also a word pun meaning both continuous and Lotus hence the scene of the lotus pond.Accompanied by a document of expertise, number XP2240-170225, dated 17th February 2025, from International Antique Jewelers Association Expertise, (IAJA), Paris, stating that in their opinion the piece is a genuine Cartier item Condition Report: Fine crack to one interior lacquer panel running across one corner, fine crack running across other panel all appear stable, general light wear to the gold case from general handling, gross weight 89.9g, US bidders please note that the coral may be subject to restrictions when imported into the US
Lot 894
Braha - Amer - Other - A fan made The Professionals 2 x car set with 1:43 scale Ford Cortina and Audi 80 in a display case, a boxed remote control Chevrolet Camaro in 1:24 scale and a OO gage static display 1902 SECR C Class 0-6-0 steam locomotive. The models appear in Good condition with storage wear. (This does not constitute a guarantee) [ba-3]
Lot 279
Two black silk Victorian skirts, a small quantity of linen, feathers, fan and gloves, black Maltese mantilla, Chinese silk top and trousers and hat with plait and a collection of christening gowns etc. All good for TV and film. Condition - black Maltese lace mantilla torn, skiers good, Chinese top trousers and hat, slightly faded.
Lot 711
TWO BOXES OF METALWARE AND TREEN, included four wood twist detail candlesticks with metal detail at the top, small decorative boxes, one has vintage technical drawing items in, a carved wooden zanpar mould, an animal horn finished with a brass cap, eight small framed portrait prints of vintage ladies, oriental hand fan, selection of EPNS decorative trays, three arm candelabrum, a pair of vintage pewter vases, floral design, makers symbol on the base, a four piece cruet set cut glass in a metal carry tray, also some brass candlesticks and planters, etc. (2 boxes), (sd/af)
Lot 754
TWO BOXES OF ASSORTED VINTAGE EPHEMERA AND BOOKS to include a large quantity of assorted black and white personal photographs in UK and European destinations in albums, a box of military/service badges to include Nyasaland police, two Malaysian police badges, St Johns Ambulance, Ceylon Light Infantry, an Irish 'Coisite' badge, a Royal Marine badge, etc, assorted vintage birthday and Christmas cards, assorted postcards to include Edwardian Birmingham and the wider West Midlands area, pets, mid-century Italy, Chicago, a box of assorted books to include assorted books, issues 13-20 of Rarn Marc Bolan Fan Club magazines, etc (2 boxes) (s.d)
Lot 1054
18th century fan, the horn sticks and guard with silvered and gilded decoration, the silk leaf painted in strong colours with a young couple in a garden setting, within a border of gold coloured sequins, framed and glazed, overall H35cm L55cmProvenance: From the Estate of the late Dowager Lady St Oswald
Lot 1139
Pair 20th century Chinese famille verte bottle vases, each decorated with green and purple dragons chasing pearls amidst auspicious flames, the neck with yellow and green stylised foliate and cell borders, and the white glazed body incised throughout with fan shapes, each with red character mark beneath flanked by green dragons, H38cmCondition Report: General age related wear including surface scratches and some deeper scratches to the glaze.Typical production flaws including pitting.Rim to one example with two small surface losses, the other example with damage, repair and crack to rim running part way through neck.Please see additional images for a better illustration as to the condition of this lot.
Lot 1055
18th century fan, possibly Italian, the mother-of-pearl sticks and guard carved, pierced, silvered and gilded, the silk leaf painted with figures at various pursuits in gardens after Fragonard, within a border of brightly painted flowers, silvered sequins and gilt foliage, framed and glazed, overall H37cm L60cmProvenance: From the Estate of the late Dowager Lady St Oswald
Lot 1366
Edwardian inlaid mahogany collector's cabinet on stand, moulded rectangular top inlaid with central fan motif and fan spandrels, two bevel glazed doors enclosing small drawers and shelf, the stand with moulded upper surround over single drawer with matching inlays, on square tapering supports united by undertier Dimensions: Height: 116cm Length/Width: 52cm Depth/Diameter: 28cm
Lot 1268
19th century Neo Classical design gilt wood and gesso overmantel mirror, the cresting rail decorated with flower heads and central panel depicting linen swags, plain mirror plate enclosed by Ionic scroll and acanthus leaf capitals and fluted uprights, shaped and fan decorated lower corner brackets Dimensions: Height: 171cm Length/Width: 137cm Condition Report:Some losses. See images.
Lot 1249
Maple & Co. Edwardian inlaid mahogany display cabinet, raised triple panelled back inlaid with quarter-matched veneers, break bow-fronted top over figured frieze with checkered stringing, enclosed by two astragal glazed doors and central panelled door, oval fan inlay with ribbon tie and trailing bell flowers, on square tapering supports with spade feet united by under tier, with 'Maple & Co.' circular makers plaque to the backDimensions: Height: 170cm Length/Width: 142cm Depth/Diameter: 44cm
Lot 1253
Edwardian inlaid satinwood etagere, removable tray top with glass base and brass carrying handles, two graduating tiers each inlaid with central oval panel depicting lute and flute with manuscript, enclosed within a scrolling acanthus leaf border, on square tapering supports with splayed feet, decorated with shaped and fan inlaid corner brackets, united by curved X-framed stretchers Dimensions: Height: 82cm Length/Width: 90cm Depth/Diameter: 56cm
Lot 1005
Fortunino Matania RI (1881-1963) Italian Venus and other beauties Mixed media, possibly a fan design, together with five further mixed media figurative renditions, one possibly an illustration for "Vanity Fair", one of mountaineering interest and another seemingly a Burberry Clothing original advertisement illustration, 26.5cm by 53.5cm, 38cm by 27.5cm, 38cm by 24.5cm, 47cm by 25cm, 34cm by 24cm and 44.5cm by 31cm respectively, the first framed only (6)Provenance: From a collection of sketches and drawings from the studio of Fortunino Matania Private Collection, North Yorkshire Framed fan design: Light cockling throughout, more pronounced in the gilded area with several creases (see images in RL). Deep crease at right edge. Micro-flaking of the gold (see images). Oxidised at the edges, a few tiny foxing spots.Lady & Lamp: Creases, cockling throughout. Rough edges. Oxidised paper, light staining and marking.Vanity Fair: Creases, cockling throughout with folds, small tears at edges. Light dirty marking and oxidisation to paper.Trying on Shoes: Slight cockling and creases top and bottom and middle. Tear middle left. Foxing throughout, and oxidisation of paper.Mountaineers: Mounted on card, which is itself marked. Feint tight creases top left quadrant, small tear bottom edge. Light foxing and brown material in a few small patches on the surface.Burberry: Fold creases at the centre with further creasing at the top. Several tears, dogearred corners, foxing and light marking, oxidisation of paper.
Lot 1077
John Pettie RA, HRSA (1839-1893) ScottishDeparting the masquerade ballSigned, with indistinct presumably related Glasgow Herald newspaper cutting to stretcher verso, oil on canvas, 120.5cm by 86.5cmWax lined, all keys present, fair tension. Brittle age craquelure throughout, flat and stable. Fairly open drying cracks in passages, largely through and surrounding the figure. There has been a campaign of retouching to suppress these in places (see images). There has been some abrasion to the paint layers, notably the hair/forehead, face, and drapery. A few scattered minor restored losses, including a small one in the hand holding the fan. Old ingrained yellowed varnish in passages. An upper, fairly even varnish, not too yellowed. Light surface dirt.
Lot 254
TWO JAPANESE WOODCUTS IN COLOUR, LATE EDO/MEIJI PERIOD. The first by Kuniyoshi (1797/98-1861)Actor doing a fan dance, 35.7cm x 22.5cm, together with a woodcut by Utagawa Kunisada (Toyokuni III), Actor as Courtesan in Moonlight (Hazuki) from the series Junitsuki no uchi, 19.5 cm x 12.5cm (2) The first cut down and lacking margins, some slight patches of water staining to left side, minor creasing, short tear to one edge, some typical wear overall and minor discolouration, remnants of old tape to reverse. The second also cut down and pasted to black paper backing, some creasing and general wear.
Lot 40
A collection of hand tools to include a large wooden mallet, a wooden handle shovel, a Record bench vice, a boxed Makita cordless fan vest, a Veteran Series metal storage unit 29cm (W) x 19.5cm (H) x 40cm (D), a boxed parallel rolling rule from HMS Collingwood Naval Training Centre, a Eberspacher water dispensing unit and a PA system to include two speakers and a control unit.
Lot 1333
Chinese Terracotta Army Figures, Tommy Steele and other Reveille Fan Club photos, Prunus Blossom decorated ginger jars, Tang style horse, Japanese Geisha plaque, etc:- One Tray.smallest warrior - hair bob repaired. white ginger jar - no lid, rim crack, other pieces - no visible chips, cracks or restoration
Lot 274
A good collection of silver and costume jewellery - mostly second and third quarter 20th century, including a white metal and amethyst necklace; two glass faux-lapis lazuli bead necklaces; a pair of Danish silver leaf-design clip earrings; an Edwardian white metal and paste cluster target brooch; two white metal filigree floral brooches; a silver openwork modernist pendant, Edinburgh 2004 hallmarks; a turquoise bracelet; a Victorian shell cameo and fan-carved abalone necklace; an agate bead necklace with gilt ball spacers; etc.
Lot 748
Three mid-20th century feather fans - one with faux-tortoiseshell sticks and curved black and white feathers, 32cm long; and two ostrich feather fans, one black, the other stained pale blue (both with losses and deterioration); together with a group of mid-20th century hat pins.* The brown/white fan with curled feathers and blue fan are fully strung and no large feathers are loose. The black ostrich fan is almost completely unstrung with all but two of the strings broken. Both ostrich fans are shedding feather filaments. The blue fan is worse in this regard. The brown/white curled feather fan is not shedding at all and is in good condition overall.
Lot 142
Kikukawa Ezian (1787-1867)Study of a standing BijinColoured woodblock, diptych, 66cm by 22cmA Similar WoodblockCourtesan Shige Juko drawing pictures on a fan35cm by 22cmAnother SimilarA beauty before a landscape34cm by 24cmUtagawa Toyokuni (1769-1825) SpringColoured woodblock, diptych, 36cm by 49cmA Similar Komachi washing the manuscript 35cm by 23cm (5)
Lot 351
Eleanor Daly Straight to my head, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Eleanor Daly is a figurative oil painter who uses her energetic painting process and confident command of colour to tell stories. Her practice is rooted in a love for the act of painting, and an understanding of the role of the painter as a vessel. Daly's work is an autobiographical exploration of lesbian dynamics, fan studies and how painting can be used as a means of self-understanding. Using representational images and appropriation of painting's history, her work is honest, not shying away from humour nor pain. Education 2019-2021 BA in Fine Art, Goldsmiths, University of London, London, UK 2017-2018 Art and Design Foundation Diploma, Oxford Brookes University, Oxford, UK Solo Exhibitions 2022 Two Polythene Bags, Parlour Gallery, London, UK Group Exhibitions 2024 Pool Boy At The Vampire Mansion, Sundhöll Seyðisfjörður, Seyðisfjörður, Iceland Try-Pty-Kon, Skaftfell & Herdubíó, Seyðisfjörður, Iceland Fan Art? Yeah I'm A Fan Of Art!, 52 Cyprus Street, London, UK Loosing, Looping, Forgetting, List í Ljósi Light Festival, Seyðisfjörður, Iceland 2023 Ingram Prize 2023, Cromwell Place, London, UK Own Personal Jesus, 52 Cyprus Street, London, UK Universal Love, New House Art Space & Gallery, Guildford, UK Toughness and Tenderness, Bermondsey Project Space, London, UK Mollies, Parlour Gallery, London, UK 2022 Start x MMG Emerging Artist Prize, Saatchi Gallery, London, UK South East London Archive at The Livesey Exchange, London, UK The Signature Art Prize, The Bankside Hotel, London, UK Youth Platform X GALA, GALA Festival Peckham Rye Park, London, UK In Our Bodies, Transfund4london at Curtain Road, London, UK Two Doors, Tart Gallery x The House of Saint Barnabas, London, UK Awards 2023 The Ingram Prize, Finalist 2022 Start x MMG Emerging Artist Prize, Shortlist Signature Art Prize, Shortlist 2021 Freelands Painting Prize, Winner Public Collections South East London Archive, London, UK Statement about AOAP Submitted Artwork Straight To My Head and Under Her Tongue (both oil on paper) are born out of their small scale, depicting intimate images of consumption and excess. I wanted the viewer to be aware that they are an onlooker, catching a candid moment of pleasure, literally leaning in to the space of the painting. I used rich colours and thick, energetic application of paint that fills the paper to create this tempting feeling of excess. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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