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Click here to subscribeCircle of Amand Durand, after Albrecht Durer - St. Anthony Reading, 19th century engraving, 9.5cm x 14cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of Thames and Hudson The World of Art books, titles including: Concepts of Modern Art, by Nikos Stangos; Fauvism, by J. E. Muller; Cubism, by Edward F. Fry; American Art Since 1900, by Barbara Rose; A Concise History of Painting: From Prehistory to the 13th Century, by David Talbot Rice; Durer, by Marcel Brion; and others, one box.
A SMALL QUANTITY OF ETCHINGS AND BOOK ILLUSTRATIONS ETC, to include Reichsdruck etchings by Albrecht Durer - Melencolia I, Sea Monster bearing away a Princess, St Jerome in his study, The Lamentation of Christ, Barthel Beham - Mary with child on breast and skull, Martin Schongaur - Madonna and Child, together with early 20th century Rembrandt etchings - The flight into Egypt, Landscape with cottage and large tree, Sacrifice of Isaac and a version of The Hundred Guilder print, an signed Oswald Von Krobshofer etching of a 'Lottie'54/100, signed Earnst Ascher portrait etching and a quantity of disbound 'Seymour's Sketches' by Alfred Crowquill etc
TWO BOXES OF ART RELATED EPHEMERA ETC, to include Penguin Modern Painters series - Ben Shahan, Matthew Smith, Edward Bawden, Stanley Spencer and John Piper, four packs of Ackermann's postcards featuring images by Durer, German publications relating to Durer, assorted other German language art publications with loose colour illustrations, Faber Gallery 'Gauguin' booklet with loose colour illustrations, Italian language booklet regarding Giotto with loose colour illustrations, Royal Academy of Art exhibition posters 1984-1996, etc
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include two etchings after Albrecht Durer 'Three peasants in conversation' stain to the margin and 'Saint Jerome in his study', an Abu Bakar Ibrahim coastal landscape watercolour, Kathleen G Jefferies etching depicting St John the Baptist church in Bristol, assorted prints, selection of butterflies in a glazed case - glass cracked, unsigned oil on canvas depicting a landscape - varnish cloudy in places (Qty)
* After Albrecht Durer (1471-1528). The Virgin Among a Multitude of Animals, circa 1607, oil on copper, with applied decorative painted border, containing faint lettering (very indistinct) to bottom centre (possibly including the words 'Gio Batt' and a date 1607?), 13cm pale scratch to upper centre, lightly rubbed, verso with faint ink manuscript annotations, including possibly 'Gio. Battista De Rosa', 36.1 x 28.2 cm (14 1/4 x 11 1/4 ins), old gilt frame with brown ink manuscript label (possibly 18th century) to upper edge verso 'Giovanni Battista de Rosa 1607' (some loss to edges), 45 x 37 cmQTY: (1)NOTE:Provenance: Downside Abbey, Somerset, UK.A early copy of Durer's famous drawing of the same subject. By 1600 Dürer's original drawing was in the collection of Emperor Rudolf II (1552-1612) in Prague Castle. He commissioned a number of artists to make copies and adaptations of the work, including an engraving by Aegidius Sadeler II (published circa 1597) and an oil painting by Jan Brueghel the Elder (1604). None of the other copies seen, nor the original watercolour, has the ornate decorative border included in the present work. Dürer's original watercolour measures 31.9 x 24.1 cm and is now in the collection of the Albertina in Vienna. A similar oil on copper version, heavily simplified (without the angels & shepherds and most of the animals) is in the collection of the Walters Art Museum in Baltimore.
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include two etchings after Albrecht Durer 'Three peasants in conversation' stain to the margin and 'Saint Jerome in his study', an Abu Bakar Ibrahim coastal landscape watercolour, Kathleen G Jefferies etching depicting St John the Baptist church in Bristol, two Chinese watercolour paintings of Panda Bears, watercolours by Yvonne Parkhouse, assorted prints, selection of butterflies in a glazed case - glass cracked, unsigned oil on canvas depicting a landscape - varnish cloudy in places
Egidius II Sadeler nach Albrecht Dürer, "Maria und Kind mit einer Vielzahl von Tieren und Pflanzen", Kupferstich um 1597Egidius Sadeler (auch Aegidius Sadeler; tschechisch Jiljí Sadeler genannt) ca. 1570 Antwerpen - 1629 Prag, flämischer Maler und Kupferstecher am Hofe Rudolf II. in Prag, Kupferstich nach Albrecht Dürer, "Maria und Kind mit einer Vielzahl von Tieren und Pflanzen", 24,5 x 24,3 cm, kräftiger Abzug mit 1 cm Plattenrand, an den Ecken auf Trägerpapier fixiert, bez. "Cum privil. S. C. Mtis." / "Albertus Durer Almanus Inventor / S.C.M. Sculptur Aegid. Sadeler Sculpsit", Hollstein 72 II / Bartsch 75Egidius Sadeler stammte aus einer Antwerpener Kupferstecherfamilie. Er war der Sohn von Aegidius Sadeler I. und ein Neffe von Johann Sadeler und Raphaël Sadeler bei denen er bis 1585 ausgebildet wurde. 1589 wurde er in die Malerzunft aufgenommen. Anschließend war er zunächst in Deutschland, ab 1593 in Rom und seit 1595 in München tätig. Er wurde von dort aus 1597 an den Prager Hof berufen, wo er für Rudolph II., sowie für Mathias und Ferdinand II. tätig war. Seit 1621 war er Mitglied der Malerinnung der Prager Kleinseite. Zu seinen Schülern gehören Wenzel Hollar und Joachim von Sandrart.
Alexander Appleby Digital Memories, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alex's main influences are derived from popular culture and undoubtedly the artworld which he is firmly a part of. Alex considers he was born to a painter and as such art these influences run deep within his family. To quote Alex, "a broad stroke of art practices excited me. Lately it is work of old masters like Botticelli, Durer and da Vinci, but I also see inspiration from modern painters like Christian Rex van Minnen, Dani Calundy and John Stark". Education Wimbledon UAL Select Exhibitions/Awards Appleby Bros - Castlegate House Gallery - May 2023 Gallery Representation Castlegate House Gallery Statement about AOAP Submitted Artwork This is a work about digital media. The kind of imagery we consume through a computer screen. It sparks a fire in me as half my memories are tied to the virtual world. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Attributed to Albrecht Durer (1471-1528)The peasant and his wife at market, 1519engraving - black on ivory paper, 11.5 x 7cm, framed and glazed Further details: damage to paper upper section (tears at date and faces - see photographs), artist's monogram scratched / lacking from the boulder lower right section
Hans Baldung (German, 1484-1545)Group of Seven Wild Horses (Bartsch 56) Woodcut, 1534, on heavy laid paper, a good but later impression, some wormholes and cracks to the block, with some small pen and ink addition, thread marginsSheet 212 x 328mm (8 3/8 x 12 7/8in)Footnotes:Hans Baldung was a painter and engraver apprenticed to Albrecht Durer in 1503-1507 and became an extremely skilled woodcut artist. In 1534 he produced three woodcuts of equestrian subjects which are unlike anything else in his oeuvre. Two are offered here, depicting stallions competing for a female and dominance within the herd; the third depicts a stallion rejected by a mare.The subject matter and compositions are unusual and without precedent. Although horses were considered to be noble beasts carrying warriors into battle, they have also been regarded as symbols of lust and it is this baser instinct on display here. In the second image Baldung has included a monkey, also symbolizing lust, and a human figure, underlining the correlation between animal and human behaviour.The artist emphasizes the intensity of these encounters by filling the frame, whilst the exaggerated animated poses convey the urgency and ferocity of overwhelming carnal impulses. Baldung was interested in exploring human passions and the fragility of human nature and these works can be seen as an allegory of human lust, uncontrollable and often unsatisfied.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A selection of hardback books, primarily relating to art, titles including: Albrecht Durer: Green Passion, in folder; two volumes of the Burlington Magazine, 1905-06, and 1913; Dawn of Art in the Ancient World, by William Martin Conway; Lectures on Art, by John Ruskin; Rembrandt: A Study of his Life and Work, by G. Baldwin Brown; The Fine Arts, by G. Baldwin Brown; and others, one box.
ARTS, ANTIQUES & THE CITY OF GLASGOW, A COLLECTION OF BOOKS AND VOLUMES including The Wes Anderson Collection, David Hockney, El Greco, Albrecht Durer, Collecting Glass, The Dutch Golden Age, Ernest Gambart, William Holman Hunt, Tracy Emin, Brutalist Architecture, John Bellany, Existentialism, Goya, The Decorative Arts Society, Richard Gardner Antiques, a small selection of works and picture books on Glasgow, also auction catalogues including some Christie's - Brian Sewell Critic & Collector
Cecilia Lucy Brightwell (1811 - 1875), a collection of loose and bound etchings, to include a folio size book titled 'Twelve Etchings by Cecilia Lucy Brightwell, Norwich 1847', and a folio sized album containing 35 assorted bound and loose etchings after Rembrandt, Durer, Rysdale, Wilson...,The Cotman family collection.
SIX BOXES OF ASSORTED 20TH CENTURY BOOKS, a number of books are written in German including a copy of Durer by Wilhelm Waetzoldt with colour plates, other subjects include sociology, history, general knowledge, religion, art, autobiographies etc, the books are in well used condition (6 boxes)
Johannes Wierix (1539-1620) - Venus drying her feet / Description: Venus seen on profile, seated drying her feet, a basin of water seen to left; Cupid scratching his head and carrying a bow to right; a landscape seen through a window. This is one of the famous prints after old masters (Durer, Raphael) done at a young age to show his geniality, and signed AE 14 top right. This allows to date the print in 1563. The print follows an engraving by Marcantonio made after Raphael circa 1512-1520 (Bartsch XIV.224.297). The date 1563 mentioned to be engraved bottom left in the first state is not present. (erased, or second state) / Dimensions: 16,50 x 13,10 cm / Condition: Excellent to brilliant impression on a dense laid paper from the period trimmed just on plate border. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1902) --- Mauquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (1601) --- Alvin 1866 / Catalogue raisonné de l'oeuvre des trois frères Jan, Jérome et Antoine Wierix (1432) --- Bartsch (Raimondi) 297C / Medium: Engraving /Circa: 1563
Albrecht Durer, The Holy Family with three hares / Description: The Holy Family with three hares, Large woodcut made by Albrecht Dürer (1471-1528) ca 1498, Bartsch 102, Meder 212 I from I. In excellent condition. Very good dark impression on laid paper with 2 mm margins. / Dimensions: 38,9 cm x 27,5 cm / Condition: In excellent condition. Very good dark strong impression on laid paper with 2 mm margins. / Literature: Bartsch 102, Meder 212 I from I. / Medium: woodcut /Circa: 1498
The entombment of Christ - Albrecht Dürer, school / Description: The entombment of Christ; on the right St Joseph and two men are lowering the body of Christ into the tomb, on the right the Virgin sitting, behind her Johannes, on the left in the background the city of Jerusalem and a rising sun, above which a putto with an inscribed shield, in the right background forest and a ruin. c.1580-1620Engraving signed on the plate with AD monogram on the tablet on the tree and date AD 1507 on the tomb. State with addresses of Johann Balthasar Probst and Johann Michael Probst and publisher Jeremias Wolf. This print with a complex design combining figure groups, landscape, architectural elements and ornament breathes the atmosphere of one of the most famous designs by the master: Knight and devil. Hence the ruin in the woods upper right. Longtime attributed to Durer there is no proof of a direct relation to one of his known works. / Dimensions: 23,00 x 17,50 cm / Condition: Good impression trimmed just outside the image. Good condition. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (7) --- Bartsch / Le Peintre graveur (III.232.35) --- Heller 2254, Matthias Mende, Wirkung und Nachleben Durer's, Nuremberg 1976, no. 113 / Medium: Engraving /Circa: 1580-1620
Albrecht Durer - Ungrateful fools / Description: Von Undanckberkeyt' Der Geprügelter Narr - Of the vyce of vnkyndnes- "Who wants good service every day, / But never 'thank you' wants to say, / His thunder God on him will vent.". Woodcut made by the young Albrecht Durer in 1494 for Sebastian Brant's Stultifera navis - Das Narrenshiff. The Basel humanist Sebastian Brant described the sea journey of fools (representing the follies of human weakness and vice) to "Naragonia" the paradise of fools. The fine woodcut is the one commissioned for the first edition (in German) of 1494. This is one of the 75 of the 112 woodcuts now attributed to Dürer, who resided in Basel for a few months in 1494. "The woodcut illustrations created for the Das Narrenschiff are of immense density and tenseness. Since there was no iconographical tradition for this newly conceived text, the subjects and scenes of the illustrations had to be created entirely new. The images presented are of such convincing force that their equal in design had never before been seen" (A Heavenly Craft, p. 63). The woodcut here on auction from the Latin edition of 1511. / Dimensions: 11,60 x 8,50 cm / Condition: Very good black impression trimmed outside the borderline. Small Latin text letters on the backside. Overall very good condition. / Literature: Schramm 1169 - Rogner & Bernard 1375 / Medium: Woodcut /Circa: 1494
Albrecht Durer - A brawl of fools / Description: "Narrenprügelei'. Of Enuyous Folys - Of envy and hatred. Woodcut made by the young Albrecht Durer in 1494 for Sebastian Brant's Stultifera navis - Das Narrenshiff. The Basel humanist Sebastian Brant described the sea journey of fools (representing the follies of human weakness and vice) to "Naragonia" the paradise of fools. The fine woodcut is the one commissioned for the first edition (in German) of 1494. This is one of the 75 of the 112 woodcuts now attributed to Dürer, who resided in Basel for a few months in 1494. "The woodcut illustrations created for the Das Narrenschiff are of immense density and tenseness. Since there was no iconographical tradition for this newly conceived text, the subjects and scenes of the illustrations had to be created entirely new. The images presented are of such convincing force that their equal in design had never before been seen" (A Heavenly Craft, p. 63). The woodcut here on auction from the Latin edition of 1511. / Dimensions: 11,60 x 8,50 cm / Condition: Very good black impression trimmed outside the borderline. Small Latin text letters on the backside. Overall very good condition. / Literature: Schramm 1164 - Rogner & Bernard 1370 / Medium: Woodcut /Circa: 1494
Albrecht Durer - Beggar's Family / Description: Bettlernarr und Familie'. Woodcut made by the young Albrecht Durer in 1494 for Sebastian Brant's Stultifera navis - Das Narrenshiff. The Basel humanist Sebastian Brant described the sea journey of fools (representing the follies of human weakness and vice) to "Naragonia" the paradise of fools. The fine woodcut is the one commissioned for the first edition (in German) of 1494. This is one of the 75 of the 112 woodcuts now attributed to Dürer, who resided in Basel for a few months in 1494. "The woodcut illustrations created for the Das Narrenschiff are of immense density and tenseness. Since there was no iconographical tradition for this newly conceived text, the subjects and scenes of the illustrations had to be created entirely new. The images presented are of such convincing force that their equal in design had never before been seen" (A Heavenly Craft, p. 63). The woodcut here on auction from the Latin edition of 1511. / Dimensions: 11,70 x 8,50 cm / Condition: Very good intense black impression trimmed just outside the borderline. Small Latin text letters on the backside. Small chip missing of the bottom left corner. / Literature: Schramm 1173 - Winkler 26 - Rogner & Bernard 1378 / Medium: Woodcut /Circa: 1494
Master of the Haintz Narr (1498) - A ship of fools (frontispiece) / Description: From 'Das Narrenshyff' published by Sebasitan Brandt in 1498, where the majority of the woodcuts are attributed to the young Albrecht Durer, this one by another woodcutter working along Durer in the workshop referred to as the Haintz Narr Meister.The humanist and theologian Sebastian Brant's satirical allegory in verse about contemporary vices was first published in German under the title Daß Narrenschyff ad Narragoniam in 1494. The book was a great success and was reprinted in several translations, including a Latin edition in 1497 (Stultifera Navis). The book describes a ship full of jesters en route to the "jester's paradise", Narragonia. Through the various jesters, different kinds of follies are depicted, such as the corrupt judge, the drunkard and the useless doctor. Folly was an important literary tool for writers of the time to criticize the established order unhindered. The print shows a ship full of fools. On their banner is a figure wearing a jester's hat with bells. The woodcut was used as a frontispiece starting from the Latin version and was made by the master of the Haintz Narr. Published in 1498 by Johann Bergmann in Basel. / Dimensions: 11,40 x 8,40 cm / Condition: Strong impression with the woodcut in excellent condition; In a full little sheet with the Latin letterpress remarginned bottom left corner. / Literature: / Medium: Woodcut /Circa: 1498
Master of the Haintz Narr (1498) - Of too much care / Description: From 'Das Narrenshyff' published by Sebasitan Brandt in 1498, where the majority of the woodcuts are attributed to the young Albrecht Durer, this one by another woodcutter working along Durer in the workshop referred to as the Haintz Narr Meister. The humanist and theologian Sebastian Brant's satirical allegory in verse about contemporary vices was first published in German under the title Daß Narrenschyff ad Narragoniam in 1494. The book was a great success and was reprinted in several translations, including a Latin edition in 1497(Stultifera Navis). The book describes a ship full of fools on its way to the " fools' paradise", Narragonia. Through the various jesters, different kinds of follies are portrayed, such as the corrupt judge, the drunkard and the useless doctor. Folly was an important literary tool for writers of the time to criticize the established order unhindered. This print shows how a jester with donkey ears and bells, bears all the cares of the world on his back. "De inutilibus curis vitandis" caps the title, "about avoiding useless worries". As such, this print illustrates folly 24, in the Latin version published by Johann Bergmann in Basel in 1498. The print was made by the Master of the Haintz Narr. / Dimensions: 12,00 x 8,50 cm / Condition: Good condition, full page with text and image. Laud paper with fragment of a watermark. / Literature: / Medium: Woodcut /Circa: 1498
A collection of 18 prints and a small oil study in the manner of Constable to include; Antoine Waterloo, Figures conversing by a wooden bridge, signed and inscribed 'Antoni Waterlo Fe./ R. & I. Ottens ex.' (upper left in the plate), Robert-Dumesnil collectors stamp (lower centre), etching on laid paper, believed to be the second state, 12.5 x 14cm & Two Hermits, signed 'Antoni Waterlo Fe.et in.' (upper left in the plate), etching on laid paper, believed to be second state; Hans Baldung, Job Tempted by a Demon, verso text from Speculum Patientiae, woodcut on paper, later state, 16 x 10.8cm; Pennell, After Richard Parkes Bonington, Follower of Durer and others, various sizes (19)
Ballarin (Alessandro). Doso Dossi, la pittura a ferrara negli anni del ducato di Alfonso I, 2 volumes, Ferrara: Cassa di Risparmio di Ferrara, 1995, numerous colour & monochrome illustrations, original uniform cloth in dust jackets & slipcase, spines lightly rubbed, folio, together with:Strehlke (Carl Brandon & Cecilia Frosinini), The Panel Paintings of Masolino and Masaccio, the role of technique, 1st edition, Milan: Continent 5, 2002, numerous colour & monochrome illustrations, original cloth in dust jacket, large 4to, plusEisler (Colin), The Genius of Jacopo Bellini, the complete paintings and drawings, New York: Harry N. Abrams, 1989, colour & monochrome illustrations, original cloth in dust jacket, 'as new' in original plastic wrap, folio, andAkkema (Bernard & Beverly Louise Brown, editors), Il Rinascimento a Venezia e la pittura del nord ai tempi del Bellini, Durer, Tiziano, 1st edition, Milan: Bompiani, 1999, numerous colour & monochrome illustrations, original cloth in dust jacket, large 8vo, plus other modern Italian Renaissance art reference & related, some Italian language, all original cloth in dust jackets, VG, 8vo/folio QTY: (3 shelves)
Redoute (Pierre-Joseph), Roses 2, published by The Ariel Press, together with Fruits and Flowers, each folio, also Albert Durer Revived, a book of Drawing (late 18th century), a hand written account of ' The Installation of Ladies to the Most Noble order of The Needle', three unframed pencil marine studies and other ephemera including a 1931 copy of The Laws of Croquet
OFFICINA BODONIFELICIANO (FELICE) Alphabetum Romanum, edited by Giovanni Mardersteig, German edition, number 146 of 160 copies, 25 letters of the alphabet hand-coloured by Ameglio Travella in the style of the original fifteenth century manuscript in the Vatican, 5 heliogravure plates, original prospectus loosely inserted, original morocco-backed cloth, transparent wrapper, slip-case, 8vo, Verona, 1960--TORNIELLO (FRANCESCO) L'Alfabeto, English edition, number 27 of 160 copies, illustrations, original cloth-backed boards, transparent wrapper, slip-case, 4to, Verona, 1970--BEMBO (PIETRO) De Aetna liber & Pietro Bembo dell' Etna, Italian edition, number 117 of 125 copies, prospectus loosely inserted, original morocco-backed boards, 8vo, Verona, 1969--GOGOL (NICOLAS) The Overcoat. From the Tales of Petersburg, number 115 of 160 copies signed by the artist, 6 full-page etchings by Pietro Annigoni, prospectus loosely inserted, slip-case, Verona, 1975--TERENCE. Andria. Commedia, nella traduzione di Niccolò Machiavelli, number 128 of 160 copies, woodcut illustrations by Fritz Kredel after Albrecht Durer, prospectus loosely inserted, transparent wrapper, slip-case,Verona, 1971--FREDERICK II, King of Prussia. Epitre au marquis d'Argens du 23 septembre 1757, limited to 225 copies, Montagnola di Lugano, 1924, the last 3 original vellum-backed cloth or boards--MARDERSTEIG (GIOVANNI) The Officina Bodoni: An Account of the Work of a Hand Press 1923-1977, limited edition, plates and illustrations, original cloth, slip-case, Verona, Stamperia Valdonega, 1980, the last 4 folio; together with 2 other limited edition folios printed at the Stamperia Valdonega and 3 copies of catalogue of the Officina Bodoni exhiition held at the King's Library in 1978 (12)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
After Albrecht Durer, (1471-1528) - 'Knight, Death and the Devil' (Bartsch 98a; Meder, Hollstein 74; Schoch Mende Scherbaum 69), Engraving, 1513-1550, on laid paper, without watermark, trimmed to margins, lightly inscribed in ink verso, 24.5cm x 18.5cm, with later frame under glass (inspected and displayed out of frame)For smilar examples (monogrammed but undated to waymarker) sold at auction, see: Christies, Oliver Hoare Collection, 25th October 2019, lot 49 Swann Galleries, New York, 1st Novermber 2018, lot 2491(catalogued as "circa 1600, 240mm x 185mm... Trimmed on the plate mark")
* Dürer (Albrecht, 1471-1528). The Annunciation (from The Life of the Virgin), 1503-1504, woodcut on laid paper with a Flower with Triangle watermark (Meder watermark 127, dated 1471-1524), a good, clear Meder a impression printed after the Latin book edition of 1511, trimmed to the borderline, two small losses at the upper sheet edge, a short fissure at the right sheet edge, two wormholes at the right sheet edge, sheet size 32.2 x 21.1 cm, plus three other woodcuts by Durer from the same series: The Glorification of the Virgin, circa 1505, published 1511, probably a good but uneven Meder a impression after the Latin text edition of 1511, without a discernible watermark, with some wear in the lower left quadrant, trimmed to the borderline, a strip of surface loss to the right of the upper sheet edge, some pale staining upper left and lower centre, minor pinhole damage at the sheet corner tips, The Sojourn of the Holy Family in Egypt, circa 1502, a very good, presumably Meder b-c impression after the 1511 Latin book edition, without a discernible watermark, some losses and damage due to wormage, and The Presentation in the Temple, 1511, some discolouration, two unobtrusive worm tracks (visible when light is shone through) and three small holes towards the upper sheet edgeQTY: (4)
Cranbrook Press. (George Booth Michigan). 'The Revelation of St John the Divine'. 1901. 191/240. 16 reproductions after Durer with dedication signed by George G. Booth to Miss Mary Beveridge. 4to. 1/2 vellum, damp stains and tears to cover (285 x 225mm) plus Cresset Press: The Shepheardes Calendar. John Nash (Illus). 270/350. London 1930. 1/4 vellum (335 x 210mm) plus St Dominics Press: 'Officium Defunctorum Lectiones ad Matutinum'. Ditchling 1925. Eric Gill Illus (?) 7/220. Cloth bindings loose. B/p, white linen, stained and bumped (310 x 255mm) plus one further title (4)
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