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Paul Dubois (Nogent-sur-Seine, 1829 - Parigi, 1905), "San Giovanni Battista", 1861.Scultura in bronzo patinato, reca timbro della fonderia e iscrizioni "P. Dubois Roma 1861" e al "F. Barbedienne Fondeur", H cm 39x11x11.5

A vintage French horticultural pruning arm, inscribed 'Preneuse-Dubois', 99cm long.

Ch. dubois. Circa 1890. Landscape with a traveler on a sandy path. Oil on linen. Dimensions: H 80 x W 60 cm. In good condition.

Searle, Ronald (1920-2011) The Man Who Suffers From Neck-Tumour, Anglo-Saxon Era watercolour, bodycolour and pencil on thick paper, 37.5 x 52.5cm, signed lower right, mounted, shortened title ('For neck tumor ...') to foot of mount, verso of mount with full printed title (mounted) and address stamp 'Ronald Searle, C/o Mr. V. Caloutsis, 4 Rue Antoine Dubois, Paris 6ieme' (partially obscured by tape-marks)Note: Note: One of a series of caricatures by Searle depicting fanciful historical remedies.Provenance: Valerios Caloutsis (1927-2004), Greek artist.

FRANCE, Henri Germain, Fondateur du Crédit Lyonnais, 1910, a bronze 25 Year Service award medal by C.P. Pillet, named (M. Robert Joffre), 81mm (BM Acq. 1978-82, p.45, 124; BDM –; cf. DNW 147, 1888); Alphonse Gentil, 1912, a uniface bronze-gilt plaque by E. Fernand-Dubois, 109 x 78mm (BDM VII, 296); Jean Jaurès, 1936, a bronze plaque by G. Crouzat, 57 x 47mm (CGMP p.109; cf. DNW M8, 2308) [3]. Second very fine, others extremely fine and in cases of issue £50-£70

An old violin with bow in fitted carrying case, the violin bearing label for Jules Dubois - Saint Vernon CONDITION REPORT60cm x 21cmback measurement 37cm x 21cmCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.

JEROME VINCENT DUBOIS (Paris) Porzellantabatiere - um 1800, oval-passiger Korpus mit gewölbtem Scharnierdeckel, Deckel und Wandung purpurfarben mit Putten- und Floralmotivik bemalt, Malermonogramm ¨A.C.¨, vergoldete Metallmontur, am Boden gekreuzte Pfeilmarke, L ca. 9,5cm, H 4,5cm

Ovale Schmuckdose. Messing mit teils beriebener Vergoldung. Boden und zylindrische Wandung mit vollflächigem, überwiegend floralen Reliefdekor. Im Deckel eingelegte Gouache mit Brustportrait einer jungen Frau mit Spitzenhaube nach Frédéric Dubois. Innen mit weinrotem Samt ausgepolstert. 2,8x 7x 6 cm.

Bureau plat im Louis XV-Stil81 x 183 x 96 cm.Frankreich, um 1880.Frei stellbares Möbel nach dem berühmten „Choiseul Bureau Plat“ von Jacques Dubois, das um 1750 entstand und erst im Château du Raincy stand und sich nun im Louvre in Paris befindet (Inv.Nr. OA6083).In bronzenen Volutenfüßen stehen die vier gekanteten wie geschweiften Beine des allansichtigen Möbels mit reichem bewegtem, aus vegetabilen Formen bestehendem Bronzebeschlag. Die Zarge dreischübig mit traditionell erhöhtem Mittelschub, die Zuggriffe aus Ormolu-Astwerk gebildet. Den Zügen des Möbels folgende Deckplatte mit Bronzeprofil und eingelegter, gold punzierter roter Lederschreibplatte. Ein Schlüssel vorhanden. (1330509) (1) (13)Bureau plat in Louis XV style81 x 183 x 96 cm.France, ca. 1880.Free-standing piece of furniture based on the famous “Choiseul Bureau Plat” by Jacques Dubois, which was created in ca. 1750. It initially stood in the Château du Raincy and is now held at the Louvre in Paris (inv. no. OA6083).

Important SÈVRES vase. France, Napoleon III period, second half of the 19th century.Enamelled porcelain and gilt bronze.Signed "Georges Émile Poitevin" on the front.With Sèvres stamp inside the base and inside the lid.Measurements: 98 x 38 x 30 cm.Ornamental vase decorated with pictorial scenes, the front with an allegorical theme and the back with a landscape theme, both by Georges Émile Poitevin, a Parisian painter recorded as exhibiting many porcelain themes in the Paris Salons of the 1870s and early 1880s and listed by W.Neuwirth, Porzellanmaler-Lexicon 1840-1914. Poitevin has decorated the front with great care, depicting a robed lady in the classical manner surrounded by little angels of love dancing around her, one of them carrying a bow. Both the base on which the main body rests and the mouth of the vase are decorated with gilt fretwork, characteristic of the Sèvres style, combined with finely delineated floral and animalistic representations. Also noteworthy are the attributes of Cupid depicted on the mouth of the vase, with a quiver, a bow and a torch, objects closely related to the allegorical ornamentation on the front. The design of the vase is completed by bronze handles decorated with scrolls, as well as a circular base decorated with masks, an aspect typical of the aesthetic of the Sevrès manufacture.Originally founded in Vincennes in 1740, the Manufacture Nationale de Sèvres was transferred to Vincennes in 1756. One of the leading European porcelain factories, the Manufacture was successively named after different political regimes: royal, imperial and national manufactory. Still active today, the firm continues to produce objects created since 1740, although its current production is largely oriented towards contemporary creation. The Manufacture de Vincennes was founded with the support of Louis XV and Madame de Pompadour, with the idea of creating pieces for the court and competing with the porcelain productions of Meissen and Chantilly. In fact, the first experiments were carried out by the brothers Robert and Gilles Dubois, who came from the Chantilly manufactory. By 1745, under the direction of the Gravant couple, important results had already been achieved, in particular the creation of models of porcelain flowers to decorate all kinds of pieces. The new building in Sèvres, where the manufactory moved in 1756, was built on the initiative of Madame de Pompadur. Three years later, it was designated a royal factory, and from that time onwards it was the only one in France to use fine gold. In its early years, the factory produced mainly soft paste; hard porcelain, with kaolin, was not marketed in Sèvres until 1770. Among the innovations of this manufactory in the 18th century were coloured backgrounds and the use of biscuit for small sculptures. During the French Revolution, the factory suffered a decline in production, but experienced a revival between 1800 and 1847 under the direction of Alexandre Brongniart, who brought the factory international fame. During these years, many important technical innovations were made, and a number of contemporary artists collaborated with the manufacture. During this period, a new gilding technique was introduced, which was made shiny by burnishing the surface with an agate stone. The pieces were also decorated with opaque gilding, which was done by rubbing the gold with very fine sand. It was at this time that, for ornamental vases, a cartouche became established as a central theme, in the manner of an oil painting, with a gilt cartouche on a monochrome background. From the mid-19th century onwards, the dominant styles were eclecticism and historicism, and some models revived typologies from the past, such as the Mannerism of Fontainebleau and the Baroque of Versailles.

Paul DUBOIS (1829-1905) 'John the Baptist' made of patinated bronze, Foundry mark of Barbedienne. Marked 'Reduction Mechanique, A. Colas' 1861. Dimensions: (H: 82 cm)

A French botanist's cane/pruner with bamboo shaft and patent snippers by Adrien Dubois, 111 cm

IndiaThe History of the Indian Revolt and of the Expeditions to Persia, China and Japan, 1856-7-8. W. & R. Chambers, 1859, four colour maps (three double-page), text illustrations, original cloth gilt;Shurreef (Jaffur), Qanoon-E-Islam, or the Customs of the Mussulmans of India ..., Madras: Higginbotham, 1895, nineteen plates (one with pencil annotation), may lack a frontis, two leaves torn with taped repairs and a little loss of text, original cloth; Dubois (J. A.), A Description of the Character, Manners and Customs of the People of India ..., Madras: Higginbotham ..., 1879, frontis, original cloth;with eleven others (14) 1. Busted, echoes of Old Calcutta2. Harisschandra, The sacred city of Anuradhapura 3. Marshall, A guide to Sanchi4. E.R.C.P and Moses, A guide to the spoken Arabic of Mesopotamia 5. Miles, fifty-two stories of Indian muting6. Willson, The Malim Sahib's Hindustani 7. Dayal, advanced Anglo - Persian grammar8. Havell, handbook to the agra and the Taj 9. Richardson, Beigal annual for 183010 Indian civil service manual madras11. Distincts (Not Collated)

Sèvres vase. France, 18th century.Hand-painted porcelain and gilt bronze mount.With stamp on the inside of the lid indicating that the date of production was around 1753.Measurements: 48 x 25 x 19 cm.Ornamental vase with bronze base and structure. It is decorated with pictorial scenes, the front with winged angels and the back with musical instruments, both delicately worked in its brushstrokes. Originally founded in Vincennes in 1740, the Manufacture Nationale de Sèvres was moved here in 1756. One of Europe's leading porcelain factories, the Manufacture was successively named after different political regimes: royal, imperial and national manufactory. Still active today, the firm continues to produce objects created since 1740, although its current production is largely oriented towards contemporary creation. The Manufacture de Vincennes was founded with the support of Louis XV and Madame de Pompadour, with the idea of creating pieces for the court and competing with the porcelain productions of Meissen and Chantilly. In fact, the first experiments were carried out by the brothers Robert and Gilles Dubois, who came from the Chantilly manufactory. By 1745, under the direction of the Gravant couple, important results had already been achieved, in particular the creation of models of porcelain flowers to decorate all kinds of pieces. The new building in Sèvres, where the manufactory moved in 1756, was built on the initiative of Madame de Pompadur. Three years later, it was designated a royal factory, and from that time onwards it was the only one in France to use fine gold. In its early years, the factory produced mainly soft paste; hard porcelain, with kaolin, was not marketed in Sèvres until 1770. Among the innovations of this manufactory in the 18th century were coloured backgrounds and the use of biscuit for small sculptures. During the French Revolution, the factory suffered a decline in production, but experienced a revival between 1800 and 1847 under the direction of Alexandre Brongniart, who brought the factory international fame. During these years, many important technical innovations were made, and a number of contemporary artists collaborated with the manufacture. During this period, a new gilding technique was introduced, which was made shiny by burnishing the surface with an agate stone. The pieces were also decorated with opaque gilding, which was done by rubbing the gold with very fine sand. It was at this time that, for ornamental vases, a cartouche became established as the central theme, in the manner of an oil painting, with a gilt cartouche on a monochrome background. From the mid-19th century onwards, the dominant styles were eclecticism and historicism, and some models revived typologies from the past, such as the Mannerism of Fontainebleau and the Baroque of Versailles.

Dubois, Paul (1829-1905) "Courage Militaire", Bronze dunkel patiniert, am Sockel sign., Gießerstempel: F. Barbedienne, H. 28cm, min. berieben

8 Kinder-/ Jugendbücher 19. Jhdt. I. *Was soll denn aus ihr werden?* Johanna Spyri, eine Erzählung für junge Mädchen, EA, Friedrich Andreas Perthes Gotha 1887, 270 S., ill. OHln, etwas schiefgelesen, Name auf dem Vorsatz, hin und wieder leicht fleckig, gut, II. *Erlebtes* von M. Stein, Verlag von Schmidt & Spring Stuttgart, 197 S. mit 4 Bildern im Farbendruck, illustr. OHLn, Rücken beschädigt, teils fehlend, III. Mirval, C.-H. *L'anarchis Indien ou les voyageurs en asie* Lehuby Paris 1838, (4) 332 S., 3 Tafeln, Papp d. Zt. Der Einband berieben, Rückenkanten angeplatzt, Schnitt etwas stockig, IV. *La morale enseign‚e par exemple* Le Prieur Paris 1814, 334 S., 16 Tafeln, Hldr der Zeit mit Rückentitel, Einband berieben und bestoßen, innen teils etwas fleckig, V. Thainville, A. Dubois de *Études et plaisirs petites histoires* P. C. Lehuby Paris ca. 1842, 252 S., OLn. mit Gold-, Farb- und Blindprägung, Rücken später mit Leinen stabilisiert, innen fleckig, gut brauchbar, VI. Julie Delafaye-Brehier *Le Collège Incendié ou lec ècoliers en Voyage* Paris 1839,351 S.,

patriotische Grabenarbeit u.a. Brieföffner in Form eines kleinen Dolches aus Granathülse gearbeitet, L ca. 18 cm dazu Schweizer Taschenuhr in Silber 800, gemarkt Philippe Dubois & Fils Le Locle, mit unterlegtem Brustbild von Adolf Hitler, Handaufzugswerk läuft an, Ø ca. 4 mm, patriotisches Taschenmesser mit 2 Klingen, Abzeichen *Für treue Dienste in der SS* am Band, Eisernes Kreuz 2.Klasse 1914 für Kämpfer mit beiligendem Band, ges. 6 Teile, nicht geprüft

Paul Dubois (1829-1905), Mandolinenspieler, braun patinierte Bronze auf runder Plinthe mit umlaufenden Perlband, darin sign. u. Gießerstempel ''Reduction Mecanique Collas'', ebenso bez. mit dem Namen des frz. Kunstverlegers F. Barbedienne, ber., H. 48 cm

Paul Dubois (1829-1905), ''Courage Militaire'', Historismus-Figur eines sitzenden Soldaten mit Drachenhelm und Löwenwappen, braun patinierte Bronze auf Terrainsockel, darin berso sign. u. gest., gegossen von der Gießerei F. Barbedienne Fondeur, dazu auch seitl. bez., H. 50 cm

BOXING, signed Lonsdale gloves, inc. black glove signed by Daniel Dubois & Frank Warren in silver pen, red glove signed by Carl Froch & George Groves in black pen, EX, 2

CLEMENT FRANCOIS THEODORE DUBOIS (1837-1924); a hand written and signed letter in French, written on four sides, framed and glazed on both sides, the letter 14cm x 22cm

A French painted metal bread rack, maker Dubois Construction rue Moliere Lyon, the wheatsheaf decorated scroll top and bar back with a row of four shelves with scrolling divides, 180cm wide, 51cm deep, 225cm high

Vivien Leigh signed 8x6 vintage sepia photo. Vivien Leigh (5 November 1913 – 8 July 1967; born Vivian Mary Hartley), styled as Lady Olivier after 1947, was a British actress. She won the Academy Award for Best Actress twice, for her definitive performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). Although her career had periods of inactivity, in 1999 the American Film Institute ranked Leigh as the 16th greatest female movie star of classic Hollywood cinema. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

DUBOIS, "Ski Poster,"1950s,Lithograph,100 x 62 cm

Dubois (Hippolyte, 1837-1909). Lady in elegant dress holding a rapier, oil on canvas, signed lower right, small repair to verso, 46 x 32.5 cm, framedQTY: (1)

A carnelian beaded necklace Circa 1st B.C-2nd Century A.D. and laterIncluding six intaglios of tabloid form engraved with a: two lions; b: two nude males with chlamys on the left arm; c: two warriors; d: XII; e: two herms and a torch; f: a capricorn, Tyche holding a cornucopia and rudder, Minerva, and another figure, Hellenistic-Roman and later; with a central oval Roman intaglio engraved with Harpocrates holding a cornucopia and extending his finger towards his mouth, interspersed with various later shaped carnelian beads and modern gold openwork Byzantine style openwork scrolled discs, 167cm longFootnotes:Provenance:Goddard (1869-1925) and Josephine Cook DuBois (1864-1961) Collection, USA, acquired in Egypt, circa 1901-1907; thence by descent to grandson George DuBois, then passed to his wife Judith on his death; by decent to the present owner.The Goddard & Josephine Dubois Collection was exhibited at the Metropolitan Museum of Art, New York 1920-38, the Museum of Fine Arts Boston, 1945-60, and the Museum of Man California 1968.For an example of a Ptolemaic Period intaglio of tabloid form, cf. J. Boardman and D. Scarisbrick, The Ralph Harari Collection of Finger Rings, London 1977, p.31, fig. 44a-d.For further information on this lot please visit Bonhams.com

A Roman amber and garnet bead necklace Circa 1st-2nd Century A.D. and laterThe amber beads of spherical form interspersed with spherical heart-shaped gold pendants with scrolled terminals, squat spherical garnets encased within filigree decorated discs pendant below, two Byzantine style openwork scrolled discs flanking, the bead section 25cm long, 63cm overall, re-strung with modern goldFootnotes:Provenance:Goddard (1869-1925) and Josephine Cook DuBois (1864-1961) Collection, USA, acquired in Egypt, circa 1901-1907; thence by descent to grandson George DuBois, then passed to his wife Judith on his death; by decent to the present owner.The Goddard & Josephine Dubois Collection was exhibited at the Metropolitan Museum of Art, New York 1920-38, the Museum of Fine Arts Boston, 1945-60, and the Museum of Man California 1968.For further information on this lot please visit Bonhams.com

Gouffe,J.: Le livre de cuisine. Comprenant la cuisine de menage et la grande cuisine. 2. ed. Paris, Hachette 1870. 4°. Mit 25 Taf. in Chromolithogr. u. zahlr. Holzschn. 2 Bl., XI, 844 S. Neuer Hldr. mit Kopfgoldschn. u. Rverg. Vicaire 417. Slg. Schraemli 99: "Dieses ganz hervorragende Werk ist nach meiner Überzeugung das schönste Kochbuch, das je gedruckt wurde". - Gouffe war Mundschenk im Pariser Jockey-Club. Sein Werk zählt in seinem Umfang und seiner Seriosität neben Urbain Dubois zu den modernen Klassikern des Genres. Doch braucht es schon eines Budgets, um die Winke dieses kulinarischen Weisen zu befolgen. - Chromolithos tls. mit leichtem Abrieb. - (461)

12 bts Ch. Beauséjour Duffau-Lagarrosse 1995 owc St-Émilion 1er Grand Cru Classé Dubois-Challon 4 hf/i.n, 8 i.n

Louis XV-KommodeHöhe: 85,5 cm.Breite: 83 cm. Tiefe: 44 cm. Signiert „DUBOIS“. Frankreich, 18. Jahrhundert.À jour gearbeitete vergoldete Bronzesabots mit gekanteten und bewegten Beinen. Die Knie mit reliefiertem vergoldetem Blattwerk. Zweischübiger Korpus sans travers. Die beiden Schübe mit übergreifender Ormolu-Kartusche mit Rocaillezierwerk, marketiert mit Spiegelfurnier und kontrastreich gelegtem Blütendekor. Die Schübe jeweils mit zwei gegenständigen Rokoko-Handhaben und Schlüsselschildern, ein Schloss vorhanden. Übergreifende, den Zügen des Möbels folgende Marmordeckplatte in Breche d‘alep. Rest. (1320913) (1) (13)Louis XV commodeHeight: 85.5 cm.Width: 83 cm.Depth: 44 cm.Signed “DUBOIS“.France, 18th century.

Alexandre Jean Dubois Drahonet (French, 1791-1834)An architectural capriccio with a mother and child Signed and dated 'Drahonet anno 1810' (lower left)Gouache on laid paper laid down on board73.1 x 57.8cm (28 3/4 x 22 3/4in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

[Menon.] Cuisine et office de santé, propre à ceux qui vivent avec oeconomie & régime, first edition, lacking half-title, ink name 'Dubois' and 3 later numbers in green ink to head of title, occasional pen trials, some spotting, water-stained, contemporary mottled calf, richly gilt spine in compartments, lacking label, head of spine and corners worn, rubbed and scuffed, [Cagle 335; Oberlé Fastes 119; Simon BG 1037; Vicaire 591-592; Blake p.301], 12mo, Paris, Le Clerc, Prault & Babuty, 1758.⁂ Rare first edition of this 'small dictionary giving gastronomic advice and recipes' (Simon).

DUBOIS & BERNARD, "La Cuisine Classique" 2 Bände"études pratiques, raisonées et démonstratives de l'ecole Francaise". E. Dentu, editeur. Paris. 1890. 30,5 x 24,5 cm. 15. Auflage. 64, 431 Seiten und 29 Tafeln. / 507 Seiten und Tafeln 30-80. Beide im geprägtem Ledereinband mit Goldschrift Minimale Gebrauchsspuren.

Trade cards, a collection of 80+ USA & Continental Early non-insert advertising cards, various issuers and subjects inc. Pont-Neuf, A Dubois, J H Bufford & Sons, T C Fletcher & Co, Estes & Lauriat, Boston, etc (mixed condition, poor/gd)

Full title: Seven polychrome glazed stoneware vases, a.o. Roger GuŽrin, Perignem, Losson and Dubois, 20th C.Description:H 49 cm (the tallest)Ê H 21 cm (the smallest)About this sale: Paul De Grande is one of the major dealers of antique furniture, fine sculptures and decorative arts in Europe. In 1974, he moved to the Castle of Snellegem near Bruges. From there, he catered to the rich and famous, important decorators and museums around the world. Entering a new chapter, Paul has decided it is time to part with his private collection and part of his trade stock. This sale presents a unique opportunity to clinch a piece of this wonderful personality's history. Paul's main focus has always been on Renaissance sculpture, French and Italian furniture and pieces of museal quality. He has had sales with Christies and Sotheby's in the past. He's also an important personality on various Belgian tv shows.

A 9ct yellow gold circular bangle with chased decoration, approx 15.1g, to/w a 9ct yellow gold lady's wristwatch by DuBois, 16.9g all in (2)

Bollinger Champagne Special Cuvee 12% 150cl magnum bottle (creasing to label) with a Gerard Dubois Blanc de Blancs Chardonnay Champagne 12% 750ml (2)

Death of Lord Nelson, 1805, a copper medal, unsigned, 39mm (BHM 582; E -); Orphans of the Légion d’Honneur, 1810, a copper medal by B. Andrieu & A. Depaulis, 40mm (Bramsen 980; BDM I, 559); Victories in the Peninsular War, 1812, a white metal medal, unsigned, 36mm (BHM 740; E -; Bramsen 1172); Victories of Lord Wellington, 1812, a white metal medal by T. Halliday, 48mm (BHM 745); Earl of Wellington, 1812, a copper medal by T. Webb, 53mm (BHM 746; E 1029; Bramsen 1174); Treaty of Paris, 1814, a white metal medal by G. Mills & E. Dubois for Mudie, 40mm (BHM 776; E 1047; Bramsen 1438); English Re-Enter Hanover, 1814, a white metal medal by T. Webb & J.-J. Barre for Mudie, 40mm (BHM 777; E 1058; Bramsen 1489); Abdication of Napoleon, 1814, a copper medal, unsigned, 38mm (BHM 798; E -; Bramsen 1388); Field-Marshal von Blücher, 1814, a white metal medal, unsigned [by J. Westwood], 43mm (BHM 817; E -); Napoleon I, 1838, a gilt-bronze medal by A. Caqué, 51mm (Bramsen 1975) [10]. Varied state, one pierced, another scratched £150-£200

FRANCE, Reception of the Siamese Ambassadors at Fontainebleau, 1861, a copper medal by A. Dubois, laureate head of Napoleon III right, rev. reception scene, 72mm (Page-Divo 438; BDM I, 631). About extremely fine £600-£800

Marcel Dubois (active between 1920 and 1930)"Wardrobe design for the Folies Bergère or the Moulin Rouge Paris"Gouache, gold paint and ink on paper. Signed. Circa 1920.30 x 24 cm.Marcel Dubois was, alongside Erté, one of the main artists who worked on the wardrobe and scenography designs at the legendary Folies Bergère and Moulin Rouge in Paris during the 1920s and 1930s.

Marcel Dubois (active between 1920 and 1930)"Dandy"Ink drawing on paper. Signed. Circa 1920. 24 x 18 cm.Marcel Dubois was, alongside Erté, one of the main artists who worked on the wardrobe and scenography designs at the legendary Folies Bergère and Moulin Rouge in Paris during the 1920s and 1930s.

Marcel Dubois (active between 1920 and 1930)"Summer elegance"Ink and gouache on paper. Signed. Circa 1920. 22,8 x 16,2 cm.Marcel Dubois was, alongside Erté, one of the main artists who worked on the wardrobe and scenography designs at the legendary Folies Bergère and Moulin Rouge in Paris during the 1920s and 1930s.

AFRICAN INTEREST BOOKS,comprising 'Through the Dark Continent' by Henry Stanley, published London 1899, two volumes, along with 'Inland Waters of Africa' by Worthington, 'Timbuctoo' the Mysterious by Dubois, and 'Serengeti' by Moore

Bernard, Émile -- und Urbain Dubois (1818 Trets - 1901 Nizza). Souffles, Crevetten, Pasteten und andere Delikatessen. 6 Lithographien mit altem Kolorit, Gold und Silber gehöht, von Henri Muller, verso mit typogr. Text. Je ca. 29,5 x 22,5 cm. Aus: La Cuisine Classique, Etudes pratiques, raisonnées et démonstratives de l'Ecole française appliquée au service à la Russe. Paris, o. J. Schraemli 89.Sechs äußerst ansprechend kolorierte Tafeln mit essbaren Kreationen aus dem in mehreren Auflagen erschienenen berühmtesten Rezepte- und Menü-Werk der Spitzenköche Émile Bernard und Urbain Dubois, dessen erste Ausgabe 1856 erschien. "Das bis dahin schönste und vollkommenste Werk über die Kochkunst, bis heute weder erreicht noch übertroffen" (Schraemli). Mit über 3100 Rezepten, zu Beginn die Speisekarten des europäischen Hochadels mit Menus für 12 Personen bis zu Buffets mit 5000 Gedecken. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

STEPHAN ABEL SINDING (NORWEGIAN-DANISH, 1846-1922), A VERDIGRIS PATINATED BRONZE FIGURAL GROUP EARLY 20TH CENTURY Seated male figure above nude woman at his feet, cast signature 'Stephan Sinding in. pr', Foundry mark 'AKTIEN GESELLSCHAFT - GLADENBECK BERLIN - FRIEDRICHSHAGEN.'60cm high, 53cm wide, 64cm deepStephan Sinding was born in Norway, studying in Paris in 1874-5 picking up the French Realist influences of Auguste Rodin and Paul Dubois. Sinding moved to Denmark before settling in Paris in 1883, working in his known style combining realism and symbolism.The Gladenbeck Foundry (1851-1926), was founded by Carl Gustav Hermann Gladenbeck and was one of the most important foundries in Germany.Condition Report: Please see additional images - provenance vendor from the south of england- no known historyGenerally good- even patination, some dirt build up to crevices- small paint spots- notably to her left eye socket- now presented on black modern pedestal base, 92cm high, 55.5cm wide, 71cm deepPlease see numerous additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Law (John, finance minister in France, bap. 1671, d. 1729) Autograph Letter signed to [Louis Henri, Duc de Bourbon], in French, 1½pp. with conjugate blank, 289 x 205mm., Venice, 24th January 1721, in the wake of his banishment from France after the failure of his financial system for the second time, expressing his deep gratitude for a letter written by the duke to the French diplomat Théodore Chevignard, Chevalier de Chavigny (a friend of Law's but also an ally of his powerful opponent Cardinal Dubois), "les absens principalement ceux de mon espece n'ont que peu d'amis, en revenge je ne suis ennemi de personne. Je souhaitte a tous ceux qui servent le regent succes dans leur ministere..." ("Exiles, especially those of my sort, have few friends, and yet I am nobody's enemy. I wish success in their ministry to all those who serve the regent"), folds.⁂ Very scarce; autograph letters signed by John Law rarely appear at auction. "On 5 January 1720... [Law] was appointed controller-general of finance and in April received the more prestigious title of superintendent. In the course of April and May 1720 he was effectively chief minister and minister of finance, a sort of latter-day Cardinal Mazarin and Nicolas Fouquet combined; but on 27 May, the first crisis of his 'financial system', he was temporarily dismissed from office and threatened with imprisonment in the Bastille in Paris. Yet the eclipse was only brief: he returned to office on 2 June with the additional responsibilities of the superintendence of French commerce, the director-generalship of the Banque Royale, and a councillorship of state with a seat in the council of regency. With the collapse of his system Law was forced to offer his resignation on 9 December 1720, and he went into exile abroad... ." - Oxford DNB.

oil on canvas, 61,5 × 50,5 cm, signed bottom right, with orange, "Albert Dubois"

BOXING, signed black Lonsdale glove, by Daniel Dubois & Frank Warren, in silver marker pen, EX

Paul Emile DUBOIS dit SMARA (Active in the 40's and 50's)TrioGraphite on paper and estompe15,5 x 25 cmMysterious artist sought by collectors, close to Jean Genet, rare and never signed drawings.

DuBOIS Montre Monnaie Herrenchronograph in Stahl/Lederband, Schweiz um 2000, Automatik, beids. vergl. Geh. m. Münzrand, Boden aufgedr., silb. Zifferbl. teilw. guill., Datum b. 4, rhod. Werk Kal. ETA 7750, verg. guill. Rotor, 25 Steine, Feinreg., D. ca. 39 mm, Überh. empf., EZ 2DuBOIS Montre Monnaie gents chronograph in steel/leather strap, Switzerland around 2000, self winding, on both sides glazed case with coin-edge band, snap on case back, silvered dial partial engine-turned, date at 4, rhodium plated movement calibre ETA 7750, gold plated engine-turned rotor, 25 jewels, precision adjustment, diameter approx. 39 mm, overhaul recommended at buyer's expense, condition 2

Wölfle, Alphons. Von der Wollust und dem Laster. Privatdruck für die Freunde des Künstlers. Mit radiertem Titel und 8 (von 10) signierten Original-Radierungen. Ca. 1925. Unter Passepartout.Eins von 100 (GA 130) nummerierten Exemplaren. - Die Radierungen mit "Dubois" signiert, dem Pseudonym Woelfles. - Sechs Radierungen mit erotischen Randglossen. - Blattgröße von 16 x 12 cm bis 18 x 14 cm.

A pair of black and white prints of women 'Beauty' and Madamoiselle Dubois, 24 x 20cm and one of cupid and Venus - all in gilt and black frames

Damenuhren Taschenuhren 585: GG. 3 Taschenuhren. u.a. Fritz Brandt, La Chaux de Fond Gehäuse 585 GG. Innendeckel Metall. An Armband von KJ Kollmar u. Jourdan Pforzheim Pat.-Band. Taschenuhr NG Galleries Reunies SA. 800 Silber, Umhängeuhr bez. Dubois mit Jagdhundmotiv. versilb. Sowie Herrentaschenuhr versilb. unbez. zum Rep. Uhrwerke laufen nicht an. Gek. wie besichtigt. D

A GROUP OF CERAMICS AND GLASSWARES, to include a pair of large Belgian ceramic vases signed A Dubois, an art glass cockerel, glass paperweights depicting fish and an octopus, a Fieldings Devon Ware Etna bud vase height 13.5cm, a small pair of footed Crown Devon Teck planters, an unmarked studio pottery vase with landscape scene, a pair of small milk glass, plated handled vases painted with flowers, etc (Condition report: most pieces appear in good condition, sd) (14)

A framed photograph of Henri Dubois together with his 1914 French Union of Combatants Veterans Medal, and 1915 French Journee Du Poilu medal, and a French Foreign Legion 1886 bayonet for the Lebel Rifle.

1 bt Le Corton Dom du Ch. de Beaune 1967 Bouchard Père et Fils bs, cork floating but capsule remains intact 1 bt Bourgogne Cuvée des Moines 1980 Charles Laurent Fils lms 1 bt Bourgogne Rouge Pinot Noir 1985 Dubois Robert et Fils us 1 bt Vosne Romanée Vintage Unknown Dom Henri Lamarche bls, bs, missing label, ID from capsule Above four bottles

1 bt Brut de Seillac Blanc de Blancs Vin Mousseux de Qualité NV 1 bt Ch. Chaumet Poire Mousseux Superieur Demi Sec NV 1 bt Codorniu Cuvée Raventòs Cava NV loose neck label 1 bt Henkell Trocken Fine Sekt Vin Mousseux NV 1 bt Marquis de Reminy Cuvée Speciale de Reserve Poire Mousseux Superieur NV 1 bt Ostereichischer Sekt Klostersekt Rosé Stift Klosterneuburg NV 1 bt Pol Remy Demi-Sec Vin Mousseux NV 1 bt Prestige Brut Cava NV M & S 1 bt Sekt Dubois Seco NV 1 bt Veuve de Bomonde Blanc de Blancs Brut Vin Mousseux NV sl cdl Above 10 bottles

12 bts Ch. Beauséjour Duffau-Lagarrosse 1995 owc St-Émilion 1er Grand Cru Classé Dubois-Challon 4 hf/i.n, 8 i.n

12 bts Ch. Beauséjour Duffau-Lagarrosse 2000 owc St-Émilion 1er Grand Cru Classé Dubois-Challon 6 hf/i.n, 6 hf

Vivien Leigh signed 2x2 approx irregular album page cutting. Vivien Leigh ( 5 November 1913 - 8 July 1967; born Vivian Mary Hartley and styled as Lady Olivier after 1947) was a British actress. She won the Academy Award for Best Actress twice, for her definitive performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). Although her career had periods of inactivity, in 1999 the American Film Institute ranked Leigh as the 16th greatest female movie star of classic Hollywood cinema. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99