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Click here to subscribeAn Unusual Art Deco Walnut Bedroom Suite, possibly by Wylie & Lochhead, comprising a three door burr veneered wardrobe with fitted interiors and lozenge shaped brass handles, 200x153cm; a matching dressing table, of inswept design with tryptych mirror divided by illuminated frosted glass uprights, above recessed frieze drawers and kneehole drawers, 121cm; a U-shaped dressing stool, a small tallboy chest, a double bed with angular stepped headboard, 180cm, a hand chair and a pair of bedside cupboards surmounted by angular offset open shelves (8).
A Good 19th Century Hungarian Oak and Pollard Veneered Bedroom Suite, comprising a double bed with foliate cresting and ribbon-tied laurel leaf edge, the head and footboards with split cane embelishments on short turned legs, wool mattress and newly sprung base, 130cm, a matching marble top bedside cupboard with high ledge back and drawer and cupboard door with carved festoon, 44cm, a pair of matching hand chairs with split cane backs, on turned legs, a large wardrobe with arched foliate cresting and mirror door above a base drawer, on short turned legs, 230x136cm and a dressing chest with pink marble top and mirror back above four long sunken field and burr figured graduated drawers, with foliate cast gilt metal handles on short turned legs, 122cm (6).
A French Mahogany and Thuyawood Inlaid Bedroom Suite, Circa 1900 comprising a triple mirror door wardrobe with wreath cornice, a bowfront bed with high headboard, 148cm wide, a dressing table with arched mirror back and pedestal cupboards on turned legs, the whole with line inlay and Neoclassical gilt metal mounts (3).
A Canton lacquer work box, in unusually finely preserved condition, of octagonal shape, the domed lid revealing a fitted interior with carved and pierced ivory fitments and needlework tools (full details on request or at www.mellorsandkirk.com), the exterior with flowers heightened in gilding on a lemon-gold lacquer ground, a drawer to the base and with a pair of giltmetal handles, on carved giltwood dog of Fo feet, 35.5 x 27cm, retaining the quilted red silk cover and rosewood box, with sliding door, mid 19th c
A George III mahogany longcase clock, the 13-inch brass dial signed on the silvered chapter ring James Butler Bolton, with subsidiary seconds dial and date aperture to the engraved centre, having rococo spandrels and eight day movement, the case with swan neck pediment and turned finials above fluted pillars, the trunk enclosed by a figured door flanked by pilasters, on panelled base with ogee feet, 227cm h
A George III oak longcase clock, the 12-inch brass dial with silvered chapter ring and roman numerals, subsidiary seconds dial and date sector, having engraved centre and rococo spandrels with lunar work above, the arch inscribed thomas radford, leeds, the eight day movement now striking on a coiled wire gong, in crossbanded case with open break arch pediment on turned pillars, the trunk enclosed by a shaped door above a panelled base and bracket feet, 224cm h
A William IV brass inlaid mahogany longcase regulator, the 12-inch diam silvered dial with twin subsidiary dials signed Hardy Preston, the deadbeat movement with shaped plates and mercury compensated pendulum, the gothic style case inlaid with brass quatrefoils and stringing, having lancet arched hood and glazed conforming door flanked by fluted pilasters, on conforming base and stepped plinth, 200cm h
A George III mahogany longcase clock, the 12-inch brass dial signed on the chapter ring R Hampson warrington with subsidiary seconds dial, a date aperture to the engraved and matted centre, having urn spandrels and eight day movement, the case with swan neck pediment and spirally fluted columns, the trunk enclosed by a finely figured full length door flanked by fluted pilasters, on panelled base, 220cm h
A George III mahogany longcase clock, the 10.5-inch brass dial signed on the chapter ring Broadhurst Macclesfield with ringed date aperture to the matted centre and mask spandrels, having eight day movement, the case with cavetto cornice and spirally fluted pillars, the trunk enclosed by a figured door flanked by pilasters, on conforming base, 194cm h
A RARE AND UNUSUAL 19TH-CENTURY OAK GOLF PUTTING-PRACTISE CAGE of oblong form, the oak sides linked by metal rods to the top and back, the oak door closing on a simple lever mechanism, 7.5cm x 18.5cm x 6.5cm high, (3in x 7.3in x 2.5in), sold with a photograph of a print by the artist Frank Moss Bennett, (1874-1953), an old-fashioned genre scene with gentlemen in earlier costume, practising their putting by using these devices (2).
A PAIR OF WILLIAM IV EARLY VICTORIAN CHILD'S POTTERY PLATES each of octagonal form, the border moulded with a double band of daisy-heads within a rope twist edge with puce lustre enrichment, the fields black transfer-printed and overpainted in red, yellow, green and blue, one depicting a mother and her two seated children at a cottage door, green painted number '2' to back, the other depicting a shepherdess beside a tree, six green dots to back, both 14cm, (5.5in) diameter (very old rim chip to first plate)
Follower of Charles Spencelayh, (1865-1958) PORTRAIT OF AN OLD VIOLINIST, seated in an open armchair, a gate-leg table, paraffin lamp and army photograph behind him, a top hat and umbrella beside the door, watercolours, unsigned, 33.5cm x 26cm, (13.2in x 10,.2in), in gilt card mount (inscribed 'C. Spencelayh'), and gilt frame under glass.
Arthur A*** Davis, (Exh. 1881-4) 'AN INDIGNANT MATRON', a sow with piglets at a barn door, disturbed by a pack of hounds and huntsman in pursuit of a fox, watercolours, signed and dated [19]09 lower left, 26cm x 36cm, (10.2in x 14.2in), in entitled gilt card mount and original swept gilt frame under glass.
AN EARLY 20TH-CENTURY GUSTAV BECKER MAHOGANY-CASED TWO-TRAIN MANTEL CLOCK having an arched hood, the bevelled door between spindle-form columns on a plinth base and metal bun feet, the movement stamped GB flanking a crowned anchor, also R over P12, striking the half-hours on a coiled gong, the silvered arched dial with subsidiary slow/fast ring, the silvered chapter ring with Roman numerals, the centre inscribed 'Ex'd by S Smith & Son Ltd, Trafalgar Roman Square, London', 25.5cm, (10in) high (sold with key).
AN EARLY VICTORIAN ROSEWOOD-CASED BRASS-DIALLED SINGLE-TRAIN MANTEL CLOCK in the gothic revival taste, having a pointed top between spire finials, the pointed-topped door having a carved fleur-de-lis, the ogee glazing above a bevelled gilt slip, on a reel-carved frieze, plinth base and three (of four) bun feet, the dial having Roman numerals, inscribed 'Simson, Southampton' (unrecorded by Baillie -perhaps a retailer?), the sides with lancet-glazed windows, the movement unmarked, 24.5cm, (9.6in) high.
Hamburg American Clock Company A SMALL EARLY 20TH-CENTURY WALNUT-CASED SPRING-DRIVEN 'VIENNA' WALL CLOCK, having a detachable surmount with turned finial on an inlaid pointed pediment above further finials etc, the arched door with integral inlaid pilasters with turned cpitals on an inlaid apron with twin pendants and basal split finial, the enamelled chapter ring with Roman numerals, the movement stamped to the backplate with the crossed arrows mark, 81cm, (32in) wide.