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Click here to subscribeTwo Graduated Continental Porcelain Dessert Dishes, possibly Doccia, early 19th century, of lobed oval form, painted with classical ruins in oval panels within gilt borders, 28.5cm and 25cm; and A Worcester Porcelain Fluted Tea Bowl and Saucer, circa 1775, with underglaze blue, foliate and cell decoration (4)
An extensive 'di Doccia of Florence' pottery part dinner service,hand-painted by Richard Ginori, to include:32 dinner plates, 26cm,21 dessert plates, 21cm,32 sandwich plates, 19cm,36 side plates, 16.5cm,25 soup bowls, 19.5cm,24 crescent-shaped salad plates,12 square bowls, 14cm,24 dessert bowls, 14cm,23 tea cups,57 saucers in two sizes,13 tureens,4 assiettes, 38cm long,7 sauce boats with integral saucers,9 cream jugs,a fish server, 58cm, 2 coffee pots and covers,2 teapots and covers,4 preserve pots and covers,4 miniature tureens and covers, with integral bases,4 egg cups (qty.)
Porcellana bianca con decorazioni nei toni del blu e dell’oro, marcato sotto la base Richard Ginori – Pittorìa Doccia, composto da 11 piatti fondi, 35 piatti piani, 12 piattini da frutta, 2 coppette ovali, 4 piatti ovali da portata grandi in gradazione, 2 grandi piatti tondi da portata, 1 alzatina, 1 cremiera con piattino e cucchiaino, 1 insalatiera, 1 zuppiera con coperchio, 2 formaggere, 8 bicchierini. Zuppiera H cm 19x40x24 (lievi difetti)
A PAIR OF ITALIAN DOCCIA STYLE PORCELAIN VASES AND COVERS, the body with a polychrome painted and raised battle scene below a pierced border and cover with crown finials, standing on three feet, on a raised base, gilt marks, 19th/early 20th century, 12" high; a similar urn-shaped vase and a tankard (4)
A small Doccia figure from the commedia dell'arte, c.1760, probably Trivellino, wearing a wide-legged white costume edged in green, with a slouch hat and a black mask, his right hand outstretched, raised on a small square base, some good restoration to his right hand, 12cm. Trivellino often acted as a counterpart to Harlequin and his costume is often described as edged with triangles of blue or green.
A Doccia porcelain cup and saucer with applied floral design, Italy, 18th C. H.: 5 cm - Dia.: 9 cm (the cup)Dia.: 13,5 cm (the saucer) We have more lots available for bidding on on our website only, see www.rm-auctions.com. Both auctions are being held simultaneously, but the extra lots are not available during our live auction nor on this platform. Condition reports and high resolution pictures are available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
A Doccia quatrefoil sucrier, c.1750, white-glazed and moulded in relief with scenes of Classical figures and putti, and an Italian white-glazed figure of a girl, holding the end of her apron across her right hand, standing barefoot on a small pad base, small damages, the sucrier's cover lacking, 11.3cm max. (2)
A Doccia cup and saucer, c.1770-80, painted in puce monochrome with buildings beneath trees in a European landscape, the rim with gilt C scroll designs on a deep blue ground, and a small Continental porcelain plaque painted with a figure on horseback, framed and glazed, the plaque probably cut from a saucer, 14.5cm max. (3) Cf. Leonardo Ginori Lisci, La Porcellana di Doccia, pl.LIII, for a plate with similar landscape decoration.
18th century Continental porcelain, to include a Doccia cup and saucer, Marcolini Meissen cup and saucer moulded with prunus, and a Lille custard cup and cover, (8) Condition report: The Lille cup base has a painted over foot chip, hairline to the handle base and gilt wear. The Doccia cup and saucer, Meissen cup and saucer and the other cup and saucer are free from damage or restoration. Wear to the decoration on the Doccia saucer.
A large 19th century Doccia 'Capodimonte' casket with panels in relief, male and female figures, horses, angels, cherubs and temples, within a gilded leaf decoration, height 16 x 23cm and a Doccia 'Capodimonte' beaker with decoration of classical figures in relief, blue marks to base, height 9cm (2).
A study collection of porcelain teabowls and saucers most 18th century, including a Chinese blue and white teabowl from the Ca Mau cargo, a Chinese teabowl and two saucers, later enamelled to imitate the Queen Charlotte pattern, two moulded Chinese saucers in the Kakiemon palette, a Worcester Warmstry-fluted teabowl in the Kakiemon palette, a Meissen saucer painted with flowers, two Doccia saucers with moulded decoration, a similar coffee cup, a Chinese cup and saucer with floral decoration, a teabowl painted with European figures, and an English saucer, perhaps Baddeley-Littler, painted with Chinese figures, some damages, 13.5cm max. (16)
A pair of Naples porcelain portrait plaques 19th century, in the Doccia manner, decorated in high relief with profile portraits of Louis XVI and Marie-Antoinette, within embossed borders of floral panels, and a Doccia style plate with a moulded scene of Classical figures in a landscape, crowned N marks in blue, 35.7cm max. (3)
A Doccia porcelain rectangular snuff box, probably 19th century, the cover with raised decoration of Cupid embracing Psyche, whose left hand reaches out to a pair of doves beside her, the sides and base with wave and shell moulding, decorated in a pale lilac with narrow gilt bands, with gilt metal mounts, 8.2cm across.
A large pair of Derby figures of the Italian Farmers c.1765, he standing and holding a cockerel, his wife with a hen, each dressed in elaborately patterned costume and standing before tall flowering bocage, raised on scrolled bases picked out in turquoise and gilt, small restorations, 25.5cm. (2) The Italian Farmers were so called because it was believed they were copied from Doccia originals. However, both the Doccia examples and the Derby derive from a model made at Meissen.
An 18th century Italian group, possibly Doccia, the standing gentleman by a tree in the act of passing an apple to a lady seated on a rock, a dog behind her, 18.5cm (7.25 in) high (D) The fingers from her outstretched left hand are chipped off as is the top of the tree and half the basket of flowers behind it
Three Doccia dishes, circa 1740-5, painted with Ottoman figures centrally to insects and flower sprigs on rims edged with interlacing ribbons, one of a man holding a bagpipe accompanied by a ram, another of a lady seated by a sheep, 36cm (14.25 in) wide and the smallest of a lady with a stork, 31cm (12.25 in) wide (3) (D) Other Notes: There seem to be just three other dishes from this series recorded. Two are in the Museo Richard-Ginori della Manifattura di Doccia, attributed to the painter Johann Carl Wendelin Anrieter von Zirnfeld (1702-47). A similarly attributed dish is in the Metropolitan Museum and is said to be after Jacopo Ligozzi (1547-1627). Arthur Lane in his 'Italian Porcelain' suggests that these dishes were painted by Anrieter's son, Stephan Carl (1727-1801) who would have been aged between 13 and 18 when these might have been painted. The album of 29 pages painted by Ligozzi may have been a commission from Niccolo Gaddi while the artist was in Florence. The album passed into the hands of Marchese Carlo Ginori in about 1740 giving Anrieter a direct source to copy from. 20 pages of this album are currently in the Uffizi. Each are worn and cracked across
GIO PONTI 1891-1979 Vaso Piumato Richard Ginori Doccia 1928 ca. In porcellana bianca e decorato in oro, corpo decorato da un lato con l’allegoria della Fede e dall’altro fontana con conchiglia e polipo, sul fondo marchio ‘Richard Ginori pittura di Doccia’ ed etichetta dello stabilimento di Doccia con il numero a penna: ‘1150-2’. Trasformato in lampada con un inserto in gesso e bronzo sulla bocca. 41 cm e 30 cm ca Marked: Maker’s mark: ‘Richard Ginori pittura di Doccia’ and a label ‘1150-2’. 16,1 in. and 11,8 the vase 1000
A pair of Naples porcelain portrait plaques 19th century, in the Doccia manner, decorated in high relief with profile portraits of Louis XVI and Marie-Antoinette, within embossed borders of floral panels, and a Doccia style plate with a moulded scene of Classical figures in a landscape, crowned N marks in blue, 25.7cm max. (3)
A Doccia mug c.1780-90, decorated in iron red and gilt with two cockerels or galli rossi fighting on holey rockwork in a Chinese landscape, with narrow angular handle, 8.7cm. The first record of the use of this Chinese-inspired decoration is in 1747 and refers to cockerels painted in black. However, the same design was also executed in green, red and blue usually with gilt highlights.
A set of four Doccia circular plaques or roundels mid 18th century, each depicting a Classical scene, including Jupiter hurling a thunderbolt, Venus punishing Cupid, and Asclepius holding his staff, all applied in white on a blue ground, within raised beaded borders, one broken and restuck, 6.3cm. (4) Cf. Woolley and Wallis, 24th February 2015, lot 234 for a similar pair of plaques bearing double portraits.
GIO PONTI Un vasetto fitomorfo in porcellana per RICHARD-GINORI, 1925, modello 91 E. Marcato "Richard-Ginori 26 ITALIA"Cartiglio in oro della Pittoria di Doccia datato 1925. Altezza cm 13. A phitomorphic porcelain vase, "91 E" model, manufactured by RICHARD-GINORI, DOCCIA factory. 1925. Marked "Richard-Ginori 26 ITALIA". Golden cartouche of the Doccia pittoria dated 1925. 5.1in. high.Letteratura: Società Ceramica Richard-Ginori, Catalogo Ceramiche d'Arte Richard-Ginori, 1930, p. 37 Paolo Portoghesi, Anty Pansera, Gio Ponti alla manifattura di Doccia, Sugar-co, 1982, p. 62.
A Vienna plate 2nd half 18th century, of shaped octagonal form after a Du Paquier design, painted with sprays of purple and orange flowers, blue shield mark, a Doccia porcelain custard cup and cover of barrel form, painted with naive flower sprays, incised A mark, and an Ansbach jar and cover in the Meissen style with bands of osier moulding, blue A mark, 22.3cm max. (5)