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TEEDOSE, Porzellan, Richard Ginori, Manifatturo di Doccia, Florenz / Italien, "Pittoria Fiesole". Quaderform mit gerundeter Schulter, zylindrischem Hals und Haubendeckel mit Zapfenhandhabe. Gearbeitet in klassizistischen Formen. Arkadisches Landschaftsdekor mit Architekturversatzstücken, Goldakzentuierungen. H. 12 x B. 7,5 x T. 5,2 cm. (Staffage minimal berieben).

Art Deko - Mokkageschirr Gio PontiPorzellan kobaltblau fondiert und reich vergoldet, 18 Teile für sechs Personen, Mokkakanne, Zuckerdose, Milchgießer und sechs Tassen mit Untertassen, jeweils Kugelform mit eckig gezackten Griffen auf schräg ausgestelltem Stand, die Kernteile mit schräg ausgestelltem Kragen und eingelegten Deckeln, Modell Barbara, auf allen Teilen leicht abstrahiertes Blumendekor, alle Griffe, Schnaupen, Standringe, Kragen und Tasseninnenseiten vollvergoldet, im Boden meist unterglasurgrüne Manufakturmarke "JOHANN HAVILAND BAVARIA" mit sog. Ginori-Marke ("RGW" mit Krone) und aufglasurrote Dekornummer "0 1351", auf den Tassen lediglich die Ginori-Marke, auf einigen Teilen zusätzlich Verkäufermarke "F. Consbruch Bielefeld", H bis 15,5 cm, Entwurf Gio Ponti (1881 - 1979) ~1925 für Richard Ginori Doccia (als Modell Il Circo), Ausführung Johann Haviland Waldershof ~1930, dazu eine weitere Tasse und zwei weitere Untertassen, alles hervorragender, scheinbar unbenutzter Zustand 9304 1907 gründete der aus der bedeutenden Limousiner Porzellandynstie stammende Johann (Jean) Haviland eine Porzellanmanufaktur im bayrischen Waldershof, 1924 übernahm Richard Ginori aus Doccia die Aktienmehrheit, 1937 wurde die Firma in den Rosenthal-Konzern integriert, die aus den bekrönten Initialen Richard Ginoris und dem Anfangsbuchstaben des Ortsnamens bestehende Ginori-Marke findet sich zwischen 1924 und 1937 auf den Erzeugnissen, der bedeutende italienische Designer Gio Ponti (1881 - 1979) war von 1923 bis 1930 künstlerischer Leiter der Porzellanmanufaktur Richard Ginori in Doccia, der ursprünglich Il Circo betitelte Entwurf wurde dann als Modell Barbara in Walderhof ausgeführt, dieses Geschirr wurde außer in Deutschland auch in der Schweiz und Italien verkauft (u.a. von dem renommierten Handelshaus Luigi Radif in Genua), während sich einzelne Mokkatassen dieses Modells mit unterschiedlichen Dekoren recht häufig finden, sind komplette Mokkageschirre sehr selten

RICHARD GINORI (Doccia, Italien) Kaffeeservice 20. Jahrhundert, Dekor "Fiesole", Goldreserven mit italienischen Landschafts- und Architekturdarstellungen in Sepiatönen, Goldstaffage, bestehend aus 1 Kaffeekanne, 1 Milchkanne, 1 Zuckerdose, 8 Tassen mit Untertassen, 8 Kuchentellern, 1 Tablett sowie 1 Gebäckplatte, Manufakturmarke

RICHARD GINORI (Doccia, Italien) Kaffee- und Mokkaservice 20. Jahrhundert, Dekor "Fiesole", Goldreserven mit italienischen Landschafts- und Architekturdarstellungen in Sepiatönen, Goldstaffage, bestehend aus 1 Mokkakanne, 1 Milchkännchen, 1 Zuckerdose, 6 Kaffeetassen mit Untertassen, 6 Kuchentellern, 10 Mokkatassen mit 10 Untertassen, 1 Tablett, 4 diversen Gebäckschalen, 2 Henkelschälchen, 7 runden Konfektschälchen, 8 eckigen Konfektschälchen, dazu 3 Konfektschälchen mit polychromer Malerei (Landschaftsdekor mit Personenstaffage), Manufakturmarke, 1 Gebäckschale berieben

An unusual Doccia figure group, c.1780, modelled with a double-faced Classical figure or goddess, one face turning up, the other turned down to a putto at her side, seated on a blue globe painted with gilt stars, all raised on a rocky base, damages and repairs, 17.3cm.

Three Capodimonte bisque porcelain military figurines by Bruni Merli for Doccia depicting two British Hazzaars and a Lancer, inscribed "Merli", makers marks to bases, late 19th / early 20th Century, tallest height 32 cm

Deux tasses et sous-tasses de Doccia, circa 1760Two Doccia cups and two saucers, circa 1760The cups, one teacup and one chocolate cup, moulded in low relief with classical scenes embellished in enamels and gilding, with entwined vine and branch handles, respectively, gilt flower sprigs insides two cups, the saucers with shells within cartouches joined by swags of flowers, fruit and leaves, gilt edged rims; together with a similar cup, 19th century, the beaker: 7.3cm high; the saucers: 13.5cm diam. the later cup with impressed crowned N mark and gilt 5. (5)For further information on this lot please visit Bonhams.com

Tabatière italienne ovale en porcelaine monture en métal doré, possiblement Doccia, circa 1770An Italian porcelain gilt-metal-mounted oval snuff box, possibly Doccia, circa 1770Painted with flower sprays and some further scattered flowers, the cover with a gilt foliate border, the inside cover with an iron-red ground border edged with gilt scrollwork enclosing two flowers, 7.5cm across (some damage)Footnotes:ProvenanceItalian Private CollectionFor further information on this lot please visit Bonhams.com

Tabatière rectangulaire armoriée monture en métal doré, Doccia, circa 1760A Doccia gilt-metal-mounted rectangular armorial snuffbox, circa 1760The box moulded with flowers and leaves tied with a bow, heightened in enamels, against a moulded shell-like ground, the cover moulded with flowers and leaves tied with a ribbon, the inside cover with the crowned arms of the Marquis Gino Pasquale Capponi flanked by scrollwork and flowers, 7.2cm by 5.5cm (cover restored, minor wear to enamels)Footnotes:ProvenanceAldo Pironti, Benevento (paper label no. 215 to interior);European Private Collection since the 1980sMost of a service with the Capponi coat of arms still remains at the Capponi family's Villa di Monsoglio in Arezzo, see L. Ginori Lisci, La Porcellana di Doccia, p.49.For further information on this lot please visit Bonhams.com

Vase mit Drachenhenkeln Doccia, Ginori - 20. Jh. Gestreckte Eiform mit Trompetenhals, an Hals und Schulter geschwungene Chimäre aus einem weiblichen Oberkörper und einem Drachenkopf als Handhaben; auf der Wandung vegetabiler Dekor in Reliefgoldmalerei. Porzellan mit reicher Goldstaffage. Am Boden grüne Stempelmarke "Ginori". H. 40 cm.Blumenvase, Italien, italienisches Porzellan

Zwölf Teller "Farfalle e Fiori" Doccia, Ginori - 20. Jh. Runde, flache Form mit leicht gebogtem Reliefrand; im Zentrum farbig gemaltes Blumengebinde, Anstieg und Fahne mit zahlreichen Schmetterlingen, Fahne mit Blattranken und breitem Band in Gold. Porzellan. Am Boden kleine Sternmarke in Gold. Ø 25 cm. - Ein Teller beschädigt.Italien, Porzellanteller

Tabatière. Doccia um 1750. Rechteckig, mit nach oben zu öffnendem Deckel, verbunden durch vergoldete, ziselierte Montur. Wandung senkrecht gerippt mit Riffelungen, graublau staffiert und mit Goldlinien. Boden mit Muschelrelief. Auf dem Deckel reliefiert und bunt bemalt mit Venus, Putto und Tauben. Porzellan, ohne Marke, H=3,7 cm, B=8,2 cm, T=6,4 cm. Vgl. B. Beaucamp-Markowsky, S. 519, Nr. 477.

Pair of Doccia Porcelain Plates, the evangelist Luke and Mark, white glazed on later red velvet boards, 17 x 18 cm.

A Doccia porcelain baluster coffee pot and cover, c.1770, puce //. mark to pot, each side moulded with mythological scenes, possibly with the children of Niobe being slaughtered, below a gilt scalloped band border, the double-scroll handle with a shell thumbpiece, the scrolling spout with a bird’s head tip, the domed cover gilt with loose bouquets of flowers below a knop finial, 23.3cm highCondition Report: Overall in good decorative order. The spout is not perfectly straight and leans slightly to the right when viewed from the front, some firing flaws are present to the crest of the bird head, and some signs of either firing flaws or restoration are present to the scrolling attachment between the body and spout. Some light surface dirt to the body. Some minor pitting throughout. The unglazed footrim with expected wear. 

A Richard-Ginori (Italy) 'Pittoria di Doccia' tea service with twelve each tea cups, saucers and plates, to/w a set of eleven Ginori coffee cups and thirteen saucers (box)

A Doccia style perfume flask and stopper c. 1900 decorated with mythological figures in relief, crowned N mark to base, 4 1/2'' tall.

A suite of four Doccia porcelain plates. Circa 1770, with blue dot and gilt borders and painted puce en camaieu with landscape scenes, diameter 24.5cm.

Four Doccia Tulipano pattern plates, c1770, each enamelled in a bright palette and gilt, 23.5cm diam, painter's No 14 to three Slight wear, no cracks or chips

A Doccia coffee cup and saucer, c.1745-50, decorated a stampa with stencilled decoration in underglaze blue of flowering branches, the saucer with a single spray within a continuous floral border, a bruise to the cup's rim, 12.5cm. (2)Provenance: the Mavis Watney Collection.

An early Doccia dish, c.1750-52, with stencilled 'a stampino' or 'a stampa' decoration in underglaze blue, a central flowering branch flanked by smaller flower sprigs to the lobed cavetto, the shaped rim with gadrooned moulding, 27cm.Provenance: the Mavis Watney Collection.The a stampino designs at Doccia were developed during the factory's first period and are believed to have been developed using real flowers which were copied as cut-outs for the copper plate 

Literature: B Molajoli e G Liverani, Il Museo delle Porcellane di Doccia; Klaus Lankheit, Die Modellsammlung der Porzellanmanufaktur Doccia; Le Statue del Marchese Ginori; and L. Ginori Lisci, La Porcellana di Doccia. (4)Provenance: the Watney Collection.

A pair of Doccia dancers, c.1760, after Meissen, both in iron-red jackets with gilt detailing, the gentleman with a matching waistcoat and a black tricorn hat, the lady holding her white apron in both hands, wearing a headscarf under her yellow hat, both on scrollwork bases picked out in puce, some good restoration to the gentleman, 17cm. (2)These models originated at Meissen around 1750 and made in two sizes. Cf. Metropolitan Museum, New York, No.1974.28.116, the Irwin Untermeyer bequest for an example of the female figure.Provenance: the Mavis Watney collection. The female figure with a paper label for Jas. A Lewis, New York.

A rare and early Doccia teapot, c.1750-52, the fluted baluster form transfer printed in underglaze blue with putti at various pursuits, including playing on a seesaw, after Jacques Stella's Jeux des Enfants, beneath a stampino flower sprays and leaves, the grooved spout with a large acanthus leaf at the base, the cover lacking, 21cm across.Provenance: the Mavis Watney collection.Illustrated: J V G Mallet, Transfer Printing in England and Italy, Transactions of the English Ceramic Circle, Volume 22 (2011). This teapot provided the evidence to back up previously made claims that Doccia combined the art of transfer printing with that of stencilling a stampa.

A Doccia double handled sauceboat, c.1750-60, the shallow double-ended form painted in famille verte enamels with simple flower sprigs, moulded with gadroons around the base, the handles picked out with puce dashes, 16.5cm across.Provenance: the Mavis Watney Collection.

A large Doccia charger c.1740-50, decorated 'a stampino' or 'a stampa' with colbalt blue flowering branches within concentric circles, brown edged rim, broken and repaired wth rivets, 32.5cmThe a stampino designs at Doccia were developed during the factory's first period and are believed to have been developed using real flowers which were copied as cut-outs for the copper plates.Prov: The Mavis Watney collection.

A Doccia figural sugar stand, c.1755, formed as a triton and a sea nymph raised on a rocky base and holding the edges of a shell above their heads, the shell largely lacking, 13.5cm.Provenance: the Watney CollectionCf. Museo Duca di Martina, Naples, inv. no. 1978 for a complete example left in the white.

A group of Doccia tea and coffee wares, c.1750-60, four coffee cups left in the white and moulded with various scenes of Classical figures, the teabowl similarly moulded with Neptune and bacchanalian figures with polychrome decoration, three of the saucers sprigged with flowering branches and shell motifs, one cup and saucer painted in red and gilt with confronting cockerels, the last cup with flowering branches in the Oriental manner, some damages and losses, 13.8cm max. (11)Provenance: the Mavis Watney Collection.

A Doccia coffee cup, c.1745-50, decorated a stampa with stencilled blue decoration of flowering branches, with narrow blue lines to the rim and foot, a plain loop handle, 7.4cm.Provenance: the Mavis Watney Collection.

A Doccia blue and white plate, c.1745, painted with a central flowering rose with hatched shading, the rim and cavetto decorated with a diaper border, a rim crack, 23cm.Provenance: the Mavis Watney collection

A small and early Doccia coffee pot, c.1750, of fluted baluster form, left in the white, the spout modelled as the neck of a mythical creature with large feathers, with grooved strap handle, the cover lacking, a chip to the spout, 17.cmProvenance: the Mavis Watney collection.

A rare small Doccia jug or creamer, c1745, the ribbed form left in the white, a firing crack and filled chip, 7.5cmProvenance: the Mavis Watney collection.

18th century Italian porcelain coffee pot, possibly Doccia, painted in green enamel with classical ruins, 21cm high

Miniatur-Pilgerflasche im Renaissance-Stil Majolika. Beidseitig abgeflachte Form, seitlich reliefierte Masakarons. Polychromer Dekor, schauseitig ein Fabelwesen. Manufakturmarke. H. 13 cm.A miniature polychrome painted maiolica pilgrimbottle. Manufacturer's mark.Italien. Doccia. Richard Ginori. Um 1900.

Cachepot, Ginori, Doccia, Florenz, 20. Jh., seitliuche Handhaben, beidseitig Reserven mit Landschaftsdekor, Ziervergoldung, H. 17 cm, Ø 17 cm

A rare Doccia figure emblematic of Winter, circa 1750After Balthasar Permoser, modelled as a bearded man holding a torch with flames, a fur cloak wrapped around him, standing beside a fire, the billowing smoke forming a rococo pedestal supporting the figure, left in the white, 19cm highFootnotes:ProvenanceBonhams, 16 November 2005, lot 125Mavis Bimson CollectionThis figure is modelled after one of the four seasons sculpted in ivory by Balthasar Permoser. Klaus Lankheit, Die Modellsammlung der Porzellanmanufaktur Doccia (1982), p.96, illustrates a similar coloured figure in the Museo Corrreale di Sorrento, his left arm hanging down rather than holding a torch. Another, slightly later polychrome model of the same type is in the Metropolitan Museum of Art, The Charles E Sampson Memorial Fund, and is illustrated by J. Munger, Eighteenth-century Doccia porcelain in the Metropolitan Museum of Art, New York, in Quaderni degli amici di Doccia, I (2007), ill.18. In the Doccia factory inventory, the series of the four seasons is mentioned around 1760 as Le quattro Stagioni di Baldassar senza padellina, e con candeliere, alte circa mezzo braccio, where it is also mentioned that the ivory originals were kept in the collection of Marchese Giuseppe Ginori in Florence. These figures appear to be lost. Lankheit notes there are two series of the seasons by Permoser mentioned in the inventory, which might relate to the figure groups with and without candle holders. Balthasar Permoser (1651-1732) moved to Florence in 1675 where he worked for Giovanni Battista Foggini, in whose studio he remained fourteen years before returning to Dresden in 1689 where he worked at the court of Johann Georg III, Elector of Saxony. Permoser returned to Florence once more in 1697, this time remaining only a year. A closely related ivory series of the four seasons by Permoser dated 1685-90 is in the Green Vaults in Dresden, inv. nos.II 45-47, published in Balthasar Permoser hats gemacht: Der Hofbildhauer in Sachsen, exhibition catalogue, Skulpturensammlung (2001), no.18a-d, where the existence of two other ivory versions of the Four Seasons is noted. Another Doccia example of this figure was sold by Bonhams on 16 November 2005, lot 125.For further information on this lot please visit Bonhams.com

A Doccia group of Cupid and Psyche, circa 1750After the model by Giovanni Battista Foggini, the reclining Cupid stretching out his right arm, his leg just stretching over the edge of the bed, leaning on a pillow, Psyche would have been to the right, now missing, left in the white, 17cm high, 30cm longFootnotes:ProvenanceBonhams, 14 November 2007, lot 71Mavis Bimson CollectionFor a discussion of this group see Baroque Luxury Porcelain, the Manufactories of Du Paquier in Vienna and of Carlo Ginori (2005), p.432f, nos.285 and 286, where it is noted that apart from the 20th century biscuit casts, there are no known surviving examples of this group in porcelain. The wax model for this group is listed in the inventory of models at Doccia and was made by Vincenzio Foggini, the son of Giovanni Battista, who was paid for an Amore e Psiche group and other items on 5 November 1748. The group is discussed by Klaus Lankheit, Die Modellsammlung der Porzellanmanufaktur Doccia (1982), p.121, 22:17, ill.124, based on the biscuit casts taken after the original moulds.For further information on this lot please visit Bonhams.com

A rare Doccia figure emblematic of Summer, circa 1750 En suite with Winter, after Balthasar Permoser, modelled as Ceres wearing long flowing robes, holding a wheat sheaf, a putto beside her, left in the white, 20.7cm high Footnotes: Provenance Mavis Bimson Collection See the footnote to the figure of 'Winter', lot 308 in this sale. Another example is in the Metropolitan Museum of Art, New York (inv. no.1982.28). For further information on this lot please visit Bonhams.com

Paar Bechertassen mit Unterschalen. Doccia 18. Jh. Porzellan, korallenrot bemalt und gold überdekoriert. Ohne Marke. (best.)

Paar Suppenteller. Doccia 18. Jh. Porzellan, korallenrot bemalt und gold überdekoriert. Ohne Marke, D=23,5 cm.

A Doccia porcelain figure of a putto, possible modelled by Gaspare Bruschi, mid 18th century, 13cm high

A Doccia relief-moulded plaque, circa 1770Moulded with a scene from the Marriage Feast of Perseus and Andromeda, after Guglielmo della Porta, painted in polychrome colours, 14cm x 27.8cmFootnotes:An oval bronze cast of the scene by Guglielmo della Porta from the 16th century is in the collection of the Metropolitan Museum of Art, New York (accession no. 60.55.68).For further information on this lot please visit Bonhams.com

Mokka-Dejeuner mit Dekor "Fiesole" von Ginori 6-tlg.; Mokkakanne, Zuckerdose, Sahnegießer, 2 Mokkatassen mit Untertassen, Tablett. Empirestil mit goldgerahmten Architektur-Landschaften in Grisaillemalerei. Reiche Goldstaffage. Kannen-H. 15,5 cm.A 6-piece Empire style porcelain mocha dejeuner with decor "Fiesole" pattern. Manufacturer‘s mark.Italien. Doccia. Richard Ginori. 20. Jh.

CACHEPOT, zwei Handhaben, Reserven mit Landschaftsdekor, Goldstaffage und -rand, H 17, Richard GINORI, DOCCIA, FLORENZ, 20.Jh.

Ginori Fayenceteller ItalienDoccia, wohl Ende 19. Jh., im Renaissancestil, signiert Ginori 20-356, rötlicher Fayencescherben, hellblau glasiert, im tief gemuldeten Spiegel Portrait einer jungen Frau, weite Fahne mit typischer Ornamentik, kleine Glasurabplatzer am Rand, D 25,5 cm.

A pair of 18th century Doccia leaf form butter boats moulded leaves and painted flowers, 9.5cm x 6.5cm

A pair of Doccia coffee cans and saucers, late 18th c, painted with floral sprigs in polychrome enamels, black and red line borders, angular scroll handles, the cans 6cm h, another pair, similar, painted with fruit, (4) Some surface wear affecting portions of decoration. The fruit cans chipped.

Richard Ginori Manufattura di Doccia Florence: Großes KaffeeservicePorzellan Aufglasur polychrom bemalt und vergoldet, bestehend aus 12 Kaffeetassen mit Untertassen, 12 Mokkatassen mit Untertassen, 12 kleinen und 12 großen Kuchentellern, Kaffeekanne, Zuckerdose und Sahnegießer, Korbdurchbruchschale, Gebäckteller, Konfektschale mit Deckel, weitere Zuckerdose, rechteckige Zierdose, große Schale, insg. 61 Teile, ohne Besch., Z1-2.

A Doccia coffee cup and saucer, c.1765-70, finely painted in the Meissen manner, the cup with a maiden beneath trees, the saucer with Cupid beside a bird in a cage, reserved within laub und bandelwerk borders in red, gilt and lilac, the cup with an angular scroll handle, 12.6cm. (2)Cf. D'Agliano, Meligati, etc., Lucca and the Porcelain of the Ginori Manufactory, p.164 for a similar cup.

Zierteller mit Monogramm von Baron Marcello Sergardi Im leicht vertieften Spiegel bekröntes Monogramm MS in Ligatur in Lorbeerkranz-Medaillon. Korrespondierende Randbordüre. Polychrome, goldgehöhte Malerei. Im Boden bez.; D. 23,5 cm. A porcelain plate with crowned ligated monogram MS of baron Marcello Sergardi.Italien. Doccia. Um 1800 - 1820.

A SMALL GROUP OF CONTINENTAL PORCELAINSecond half 18th century Each piece painted with flowers, comprising; a Vienna hot milk jug, 18cm high; a Doccia plate with moulded border, 24cm diameter; a Ludwigsburg plate, 23.5cm diameter and another plate, probably Italian of German, with a spray of fruit to the border, 27cm diameter, the Vienna jug and Ludwigsburg plate with blue factory marks (4)Vienna jug- cover lacking. Restoration to spout.Doccia plate- crack to rim, approx.6cm lengthLudwigsburg plate- minor wearLast plate- some wear to the enamels

A GINORI 'IL PELLEGRINO DI MONTESANTO' ANNIVERSARY COUPE1985 After a design by Gio Ponti, made to commemorate the 250th anniversary of the Doccia factory, black printed marks, 19cm highGood condition

Bildplatte mit Allegorie der Unschuld Doccia, Ginori - 1870-1930 Coupeform über rundem Standring; flächendeckende Darstellung eines unbekleideten Paares in idyllischer Landschaft, umgeben von friedlichen Tieren. Majolika mit farbiger Bemalung, Unterseite weiß belassen. Am Boden unter Krone bez. "Ginori 188 - 1102 / Innocenza / 19". H. 3 cm, Ø 29,5 cm.Historismus, Italien, Italienische Majolika, Keramik

10 Teile Porzellan, meist 2. H. 20. Jh., farbig und gold staffiert, bestehend aus Teller Meissen, Durchmesser 22,5 cm, blaue Schwertermakre mit zwei Schleifstrichen, Teller Nymphenburg, D 16,2 cm, Stempelmarke in Grün, zwei Cremetöpfchen (Höhe 9,3 cm) auf Untertassen (D 13 cm) Richard Ginori Doccia, grüne Stempelmarke, eine Deckeldose Herend, H ca. 10 cm, L ca. 13,5 cm, blaue Stempelmarke, Möwe Hollohaza, H 14,5 cm, blaue Stempelmarke, geflügelter Putto Dresden als Allegorie auf den Winter, H 14 cm, blaue Stempelmarke, und Konsole mit Putto Dresden Karl Klette, H 11,5 cm, B 13,7 cm, blaue Stempelmarke. 3819-0009

A Doccia white figure of a Saint, circa 1750Likely based on a model by Massimiliano Soldani-Bemzi, draped in a cloak, holding a book under his right arm, on a square plinth, 23.5cm high (left arm broken offFootnotes:It has been suggested that this figure could be related to the series of reliquaries with gold statues of various saints mounted in ormolu and hardstone that were made for Grand Duke Cosimo III de Medici's Capella di Camera. This was one of the first major orders directly from Cosimo III to the young sculptor, Massimiliano Soldani Benzi, some of whose bronzes and wax models were acquired by the Marchese Ginori to serve as models for his Doccia porcelain manufactory. For further information on the series and Ginori's reproductions, see: D. Zikos, Il decoro della nostra Italia in ragione di scultura, in La Fabbrica della Bellezza, La manifattura Ginori e il suo popolo di statue, exhibition catalogue, Museo Nazionale del Bargello (2017), p. 52ff.For further information on this lot please visit Bonhams.com

A Doccia oval portrait medallion, second half 18th centuryPossibly depicting the Emperor Vespasian, the biscuit bust on a blue background, the glazed frame with beaded border and pierced for hanging, 4cmFor further information on this lot please visit Bonhams.com

A Doccia gilt-metal mounted oval snuff box, circa 1755-60The box painted with a continuous European landscape scene with Watteau-style figures, the gilt-edged underside with a landscape vignette, the cover with a Watteau-style scene of elegant figures lounging in a landscape, the interior with scattered flower sprays surrounded by a gilt border, 7cm wide, 5.6cm deep, 3.8cm high (minor rubbing)For further information on this lot please visit Bonhams.com

Italienische Fayencevase mit DoppelschlangenhenkelnRichard Ginori, Doccia, Florenz, nach 1860, rötlich-beiger Scherben, weiß glasiert, der Korpus bis zum Fuß vollflächig mit polychromer Bemalung versehen, die Wandung mit der mythologischen Darstellung "Vertumne und Pomone" ("Jupiter und Ceres"), Vertumne als alte Frau, sich der Nymphe Pomone unter einem Baum nähernd, zu ihren Füßen Äpfel und eine Flasche, in einer Landschaft mit Gebirgskette, die Vase von gedrückt kugeliger Form mit umgestülptem, leicht ausschwingenden Mündungsrand, beidseitig jeweils ein Doppelschlangenhenkel mit darunter befindlichem plastischem Satyr-Kopf, auf nodiertem Rundfuß, mit vier angesetzten sichelförmigen Stützen, auf quafratischem Stand mit abgeschrägten Ecken, Boden mit unterglasurblauer Pinselmarke mit Krone, Ziffern "64 - 1104" sowie Aufschrift "Vertunno e. Pomona", H: ca. 27 cm. Part. min. Alters- und Gebrauchsspuren.

25 Teile überwiegend Kaffeegeschirr, Ginori. Geradlinige Form mit zylindrischen Tassen. Umlaufend polychrome Blatt- und Blütengirlande mit violettem Band. Goldränder. Bestehend aus: Rechteckiger Platte, sechs Kaffeegedecken, Zuckerdose, Gießer, ovalem Anbietschälchen und Mokkatasse mit zwei Untertassen. Stemepelmarke Richard Ginori, Doccia/Florenz, Italien, 20. Jh. Platte D. 23x 33 cm.

KonvolutKaffee- und Speiseservice-Teile für 18 Pers., Ginori um 1990. Entw.: Claudio La Viola. Türkisgrüner Fond m. versch. gold-weißen Dekor-Elementen. Am Boden grüner Firmenstempel, Tafel "Manifattura Di Doccia, Florence, Italy", Schriftzug "Claudio La Viola" bzw. Monogr. "CLV". Best. aus: 18 Kaffee- tassen m. 19 UT, 20 Suppenteller, 20 Kuchen- teller, ov. Platte, Fußschale, Sahnegießer, Zuckerdose, zus. 81 Teile. Gold teils leicht berieben (v.a. UT u. Kuchen- teller), Platte minim. berieben, Gold teils leicht fleckig, 1 x Tassenlippe m. minim. Chip (unter Gold, wohl manufaktureigen).Art Deco-Stil, Claudio La Viola, Doccia, Firmenstempel, Florenz, Italien, Stern, Streifen, türkis, weißgold

Gr. Kaffee-/ Tee- und Speise-Servicefür mind. 12 Pers., Ginori 20. Jh. Glatte Formen, Flächen jew. m. rechteckigen Kartuschen m. Sepia-Landschaften, schwarz/ gold gerahmt, verbunden durch feine Gold-Zweige, d. Kanten m. feinem Goldmuster. Am Boden grüner Firmenstempel, goldgrundige Tabula (jew. variierende Versionen). Best. aus: Kaffee: 12 Kaffeetassen m. UT, 14 Kuchenteller, 4 Mokkatassen m. 3 UT, Kaffeekanne, Teekanne, 2 Sahnegießer, 2 Zuckerdosen, rd. Gebäck- schale; Speise: 14 Speiseteller, 14 Suppenteller, 2 rd. Terrinen, 2 versch. ov. Platten, gr. rd. Schüssel, Saucière; sowie: rechteckiges Tablett, 2 kl. Tellerchen, 3 versch. kl. Schälchen, kl. Cachepot, zus. 93 Teile. Dekor partiell berieben (v.a. Speise- u. Kuchen- teller), 1 Kaffeetasse m. gr. Chip, 1 Mokkatasse m. Sprung, Saucière m. Chip u. Sprüngen.Doccia, Firmenstempel, glatt, Grisaille, Italien, Landschaft, Richard Ginori, Sepia