A SELECTION OF ITALIAN PORCELAIN COFFEE WARES VARIOUS DATES SECOND HALF 18TH CENTURY Comprising: a pair of Doccia coffee cups and saucers painted with vignettes of rustic types in landscapes; a pair of saucers probably Doccia, and a Cozzi saucer painted with a fashionable couple in a palace garden, iron red anchor mark Various sizes Condition Report: Trumpet saucer cracked, its pair with chips and enamel flakes. Some wear to the other pieces. Please see additional images available from the Dept. upon request. One cup handle cracked. Please see additional images available from the Dept. upon request.Condition Report Disclaimer
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Zierteller mit Purpurcamaieu-MalereiRunde, leicht gemuldete Form. Im Spiegel fein gekleideter Bogenschütze in architekturbestandener Waldlandschaft stehend. Fahne mit blauem Fond sowie drei korrespondierenden, gemuschelten Reliefkartuschen mit Obststillleben. Purpurcamaieu-Malerei mit Goldstaffage. Ger. ber.; Manufakturmarke. D. 24 cm.Provenienz: aus der über Generationen gewachsenen Sammlung Michahelles, Hamburg.A porcelain plate painted in purple camaieu. Minor rubbed. Manufacturer's mark.Italien. Doccia. Um 1780.
Mokka-Dejeuner mit Dekor "Rapallo" von Ginori6-tlg.; Mokkakanne, Zuckerdose, Sahnegießer, 2 Mokkatassen mit Untertassen, Tablett. Empirestil mit farbigem Dekor aus arabesken Rankenornamenten, Blütenmotiven und Flechtband-Bordüre. Reiche Goldstaffage. Untertassenrand rep.; Manufakturmarke. Kannen-H. 12,5 cm.A 6-piece Empire style porcelain mocha dejeuner with decor "Rapallo". Saucer repaired at the rim. Manufacturer‘s mark.Italien. Doccia. Richard Ginori. 20. Jh.
Two small Doccia hunting groups, circa 1760In the white, one modelled as a boar being chased by two hounds, on a stepped square base, the second group modelled as a horse being attacked by a lion, on a square rocky base, 6cm high and 7.4cm highFootnotes:Provenance:Mavis Bimson CollectionA coloured example missing the stepped base is illustrated by A d'Agliano, A Biancalana, L Melegati and G Turchi (eds), Lucca e le porcellane della Manifattura Ginori (2001), p.227, no.167. A listing in the manufactory inventory probably relating to this model states:'N.5 A questo numero vi sono 13 pezzi che sono... e 10 gruppetti piccoli di animali che sono... Il secondo un porco e cani...' [No.5 In this number there are 13 pieces which are ...and 10 little groups of animals which are ... The second a pig and dogs...]. See also Beasts at the Whites' House (2020), p.6.Two larger related groups of boar hunts were sold by Sotheby's Milan on 22 March 2023, lot 91. Another larger related group was in the Winter Collection sold by Sotheby's on 10 December 2015, lot 61.For further information on this lot please visit Bonhams.com
Kaffeerestservice, 24-tlg., Richard Ginori, Doccia, Italien, 20. Jh., Dekor ''Fiesole'', Goldreserven mit italienischen Landschafts- und Architekturdarstellungen in Sepiatönen, Goldstaffage, bestehend aus 6 konischen Tassen mit Rosettenhenkeln und UT, 1 Glockentasse mit Rosettenhenkel und UT, H. 10,5 cm, 7 Kuchenteller, Ø 15,5 cm, 2 runde Keksschalen, Ø 19 cm, 1 große Gebäckschale mit seitlichen Handhaben, B. 28 cm
Historismus-Tafelaufsatz mit Schlangen. Ginori, Doccia. Blaue Pinselmarke, ab 1860. Italien. Modell-Nr. 310-2079.Kunstmajolika, polychrome Malerei. H 20 cm, Ø 33,5 cm. Dreipassschale mit blattreliefierter Wandung und 3 plastischen Schlangenhandhaben, auf dreipassigem Fuß. Innendekoration mit antikisierender Figurenszene in Landschaft, bodenseitig bezeichnet "Minone caccia Scilla" (Minone jagt Scilla.). Partiell leicht bestoßen.| Nachtrag 11.06.24: 1 Schlangenhenkel a. Ansatz restauriert, 1 RandchipAufrufzeit 13. | Juni 2024 | voraussichtlich 16:19 Uhr (CET)Historicism centerpiece with snakes. Ginori, Doccia. Blue brush mark, from 1860. Italy. Model no. 310-2079.Artistic majolica, polychrome painting. H 20 cm, Ø 33.5 cm. Tripod bowl with leaf-relief wall and 3 sculptural snake handles, on a tripod foot. Interior decoration with antique-style figural scene in a landscape, inscribed on the base "Minone caccia Scilla" (Minone hunts Scilla.). Slightly bumped in places.Call time 13 | June 2024 | probably 16:19 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
TEEDOSE, Porzellan, Richard Ginori, Manifatturo di Doccia, Florenz / Italien, "Pittoria Fiesole". Quaderform mit gerundeter Schulter, zylindrischem Hals und Haubendeckel mit Zapfenhandhabe. Gearbeitet in klassizistischen Formen. Arkadisches Landschaftsdekor mit Architekturversatzstücken, Goldakzentuierungen. H. 12 x B. 7,5 x T. 5,2 cm. (Staffage minimal berieben).
Art Deko - Mokkageschirr Gio PontiPorzellan kobaltblau fondiert und reich vergoldet, 18 Teile für sechs Personen, Mokkakanne, Zuckerdose, Milchgießer und sechs Tassen mit Untertassen, jeweils Kugelform mit eckig gezackten Griffen auf schräg ausgestelltem Stand, die Kernteile mit schräg ausgestelltem Kragen und eingelegten Deckeln, Modell Barbara, auf allen Teilen leicht abstrahiertes Blumendekor, alle Griffe, Schnaupen, Standringe, Kragen und Tasseninnenseiten vollvergoldet, im Boden meist unterglasurgrüne Manufakturmarke "JOHANN HAVILAND BAVARIA" mit sog. Ginori-Marke ("RGW" mit Krone) und aufglasurrote Dekornummer "0 1351", auf den Tassen lediglich die Ginori-Marke, auf einigen Teilen zusätzlich Verkäufermarke "F. Consbruch Bielefeld", H bis 15,5 cm, Entwurf Gio Ponti (1881 - 1979) ~1925 für Richard Ginori Doccia (als Modell Il Circo), Ausführung Johann Haviland Waldershof ~1930, dazu eine weitere Tasse und zwei weitere Untertassen, alles hervorragender, scheinbar unbenutzter Zustand 9304 1907 gründete der aus der bedeutenden Limousiner Porzellandynstie stammende Johann (Jean) Haviland eine Porzellanmanufaktur im bayrischen Waldershof, 1924 übernahm Richard Ginori aus Doccia die Aktienmehrheit, 1937 wurde die Firma in den Rosenthal-Konzern integriert, die aus den bekrönten Initialen Richard Ginoris und dem Anfangsbuchstaben des Ortsnamens bestehende Ginori-Marke findet sich zwischen 1924 und 1937 auf den Erzeugnissen, der bedeutende italienische Designer Gio Ponti (1881 - 1979) war von 1923 bis 1930 künstlerischer Leiter der Porzellanmanufaktur Richard Ginori in Doccia, der ursprünglich Il Circo betitelte Entwurf wurde dann als Modell Barbara in Walderhof ausgeführt, dieses Geschirr wurde außer in Deutschland auch in der Schweiz und Italien verkauft (u.a. von dem renommierten Handelshaus Luigi Radif in Genua), während sich einzelne Mokkatassen dieses Modells mit unterschiedlichen Dekoren recht häufig finden, sind komplette Mokkageschirre sehr selten
RICHARD GINORI (Doccia, Italien) Kaffeeservice 20. Jahrhundert, Dekor "Fiesole", Goldreserven mit italienischen Landschafts- und Architekturdarstellungen in Sepiatönen, Goldstaffage, bestehend aus 1 Kaffeekanne, 1 Milchkanne, 1 Zuckerdose, 8 Tassen mit Untertassen, 8 Kuchentellern, 1 Tablett sowie 1 Gebäckplatte, Manufakturmarke
RICHARD GINORI (Doccia, Italien) Kaffee- und Mokkaservice 20. Jahrhundert, Dekor "Fiesole", Goldreserven mit italienischen Landschafts- und Architekturdarstellungen in Sepiatönen, Goldstaffage, bestehend aus 1 Mokkakanne, 1 Milchkännchen, 1 Zuckerdose, 6 Kaffeetassen mit Untertassen, 6 Kuchentellern, 10 Mokkatassen mit 10 Untertassen, 1 Tablett, 4 diversen Gebäckschalen, 2 Henkelschälchen, 7 runden Konfektschälchen, 8 eckigen Konfektschälchen, dazu 3 Konfektschälchen mit polychromer Malerei (Landschaftsdekor mit Personenstaffage), Manufakturmarke, 1 Gebäckschale berieben
Deux tasses et sous-tasses de Doccia, circa 1760Two Doccia cups and two saucers, circa 1760The cups, one teacup and one chocolate cup, moulded in low relief with classical scenes embellished in enamels and gilding, with entwined vine and branch handles, respectively, gilt flower sprigs insides two cups, the saucers with shells within cartouches joined by swags of flowers, fruit and leaves, gilt edged rims; together with a similar cup, 19th century, the beaker: 7.3cm high; the saucers: 13.5cm diam. the later cup with impressed crowned N mark and gilt 5. (5)For further information on this lot please visit Bonhams.com
Tabatière italienne ovale en porcelaine monture en métal doré, possiblement Doccia, circa 1770An Italian porcelain gilt-metal-mounted oval snuff box, possibly Doccia, circa 1770Painted with flower sprays and some further scattered flowers, the cover with a gilt foliate border, the inside cover with an iron-red ground border edged with gilt scrollwork enclosing two flowers, 7.5cm across (some damage)Footnotes:ProvenanceItalian Private CollectionFor further information on this lot please visit Bonhams.com
Tabatière rectangulaire armoriée monture en métal doré, Doccia, circa 1760A Doccia gilt-metal-mounted rectangular armorial snuffbox, circa 1760The box moulded with flowers and leaves tied with a bow, heightened in enamels, against a moulded shell-like ground, the cover moulded with flowers and leaves tied with a ribbon, the inside cover with the crowned arms of the Marquis Gino Pasquale Capponi flanked by scrollwork and flowers, 7.2cm by 5.5cm (cover restored, minor wear to enamels)Footnotes:ProvenanceAldo Pironti, Benevento (paper label no. 215 to interior);European Private Collection since the 1980sMost of a service with the Capponi coat of arms still remains at the Capponi family's Villa di Monsoglio in Arezzo, see L. Ginori Lisci, La Porcellana di Doccia, p.49.For further information on this lot please visit Bonhams.com
Vase mit Drachenhenkeln Doccia, Ginori - 20. Jh. Gestreckte Eiform mit Trompetenhals, an Hals und Schulter geschwungene Chimäre aus einem weiblichen Oberkörper und einem Drachenkopf als Handhaben; auf der Wandung vegetabiler Dekor in Reliefgoldmalerei. Porzellan mit reicher Goldstaffage. Am Boden grüne Stempelmarke "Ginori". H. 40 cm.Blumenvase, Italien, italienisches Porzellan
Zwölf Teller "Farfalle e Fiori" Doccia, Ginori - 20. Jh. Runde, flache Form mit leicht gebogtem Reliefrand; im Zentrum farbig gemaltes Blumengebinde, Anstieg und Fahne mit zahlreichen Schmetterlingen, Fahne mit Blattranken und breitem Band in Gold. Porzellan. Am Boden kleine Sternmarke in Gold. Ø 25 cm. - Ein Teller beschädigt.Italien, Porzellanteller
Tabatière. Doccia um 1750. Rechteckig, mit nach oben zu öffnendem Deckel, verbunden durch vergoldete, ziselierte Montur. Wandung senkrecht gerippt mit Riffelungen, graublau staffiert und mit Goldlinien. Boden mit Muschelrelief. Auf dem Deckel reliefiert und bunt bemalt mit Venus, Putto und Tauben. Porzellan, ohne Marke, H=3,7 cm, B=8,2 cm, T=6,4 cm. Vgl. B. Beaucamp-Markowsky, S. 519, Nr. 477.
A Doccia porcelain baluster coffee pot and cover, c.1770, puce //. mark to pot, each side moulded with mythological scenes, possibly with the children of Niobe being slaughtered, below a gilt scalloped band border, the double-scroll handle with a shell thumbpiece, the scrolling spout with a bird’s head tip, the domed cover gilt with loose bouquets of flowers below a knop finial, 23.3cm highCondition Report: Overall in good decorative order. The spout is not perfectly straight and leans slightly to the right when viewed from the front, some firing flaws are present to the crest of the bird head, and some signs of either firing flaws or restoration are present to the scrolling attachment between the body and spout. Some light surface dirt to the body. Some minor pitting throughout. The unglazed footrim with expected wear.
An early Doccia dish, c.1750-52, with stencilled 'a stampino' or 'a stampa' decoration in underglaze blue, a central flowering branch flanked by smaller flower sprigs to the lobed cavetto, the shaped rim with gadrooned moulding, 27cm.Provenance: the Mavis Watney Collection.The a stampino designs at Doccia were developed during the factory's first period and are believed to have been developed using real flowers which were copied as cut-outs for the copper plate
A pair of Doccia dancers, c.1760, after Meissen, both in iron-red jackets with gilt detailing, the gentleman with a matching waistcoat and a black tricorn hat, the lady holding her white apron in both hands, wearing a headscarf under her yellow hat, both on scrollwork bases picked out in puce, some good restoration to the gentleman, 17cm. (2)These models originated at Meissen around 1750 and made in two sizes. Cf. Metropolitan Museum, New York, No.1974.28.116, the Irwin Untermeyer bequest for an example of the female figure.Provenance: the Mavis Watney collection. The female figure with a paper label for Jas. A Lewis, New York.
A rare and early Doccia teapot, c.1750-52, the fluted baluster form transfer printed in underglaze blue with putti at various pursuits, including playing on a seesaw, after Jacques Stella's Jeux des Enfants, beneath a stampino flower sprays and leaves, the grooved spout with a large acanthus leaf at the base, the cover lacking, 21cm across.Provenance: the Mavis Watney collection.Illustrated: J V G Mallet, Transfer Printing in England and Italy, Transactions of the English Ceramic Circle, Volume 22 (2011). This teapot provided the evidence to back up previously made claims that Doccia combined the art of transfer printing with that of stencilling a stampa.
A large Doccia charger c.1740-50, decorated 'a stampino' or 'a stampa' with colbalt blue flowering branches within concentric circles, brown edged rim, broken and repaired wth rivets, 32.5cmThe a stampino designs at Doccia were developed during the factory's first period and are believed to have been developed using real flowers which were copied as cut-outs for the copper plates.Prov: The Mavis Watney collection.
A Doccia figural sugar stand, c.1755, formed as a triton and a sea nymph raised on a rocky base and holding the edges of a shell above their heads, the shell largely lacking, 13.5cm.Provenance: the Watney CollectionCf. Museo Duca di Martina, Naples, inv. no. 1978 for a complete example left in the white.
A group of Doccia tea and coffee wares, c.1750-60, four coffee cups left in the white and moulded with various scenes of Classical figures, the teabowl similarly moulded with Neptune and bacchanalian figures with polychrome decoration, three of the saucers sprigged with flowering branches and shell motifs, one cup and saucer painted in red and gilt with confronting cockerels, the last cup with flowering branches in the Oriental manner, some damages and losses, 13.8cm max. (11)Provenance: the Mavis Watney Collection.
Miniatur-Pilgerflasche im Renaissance-Stil Majolika. Beidseitig abgeflachte Form, seitlich reliefierte Masakarons. Polychromer Dekor, schauseitig ein Fabelwesen. Manufakturmarke. H. 13 cm.A miniature polychrome painted maiolica pilgrimbottle. Manufacturer's mark.Italien. Doccia. Richard Ginori. Um 1900.
A rare Doccia figure emblematic of Winter, circa 1750After Balthasar Permoser, modelled as a bearded man holding a torch with flames, a fur cloak wrapped around him, standing beside a fire, the billowing smoke forming a rococo pedestal supporting the figure, left in the white, 19cm highFootnotes:ProvenanceBonhams, 16 November 2005, lot 125Mavis Bimson CollectionThis figure is modelled after one of the four seasons sculpted in ivory by Balthasar Permoser. Klaus Lankheit, Die Modellsammlung der Porzellanmanufaktur Doccia (1982), p.96, illustrates a similar coloured figure in the Museo Corrreale di Sorrento, his left arm hanging down rather than holding a torch. Another, slightly later polychrome model of the same type is in the Metropolitan Museum of Art, The Charles E Sampson Memorial Fund, and is illustrated by J. Munger, Eighteenth-century Doccia porcelain in the Metropolitan Museum of Art, New York, in Quaderni degli amici di Doccia, I (2007), ill.18. In the Doccia factory inventory, the series of the four seasons is mentioned around 1760 as Le quattro Stagioni di Baldassar senza padellina, e con candeliere, alte circa mezzo braccio, where it is also mentioned that the ivory originals were kept in the collection of Marchese Giuseppe Ginori in Florence. These figures appear to be lost. Lankheit notes there are two series of the seasons by Permoser mentioned in the inventory, which might relate to the figure groups with and without candle holders. Balthasar Permoser (1651-1732) moved to Florence in 1675 where he worked for Giovanni Battista Foggini, in whose studio he remained fourteen years before returning to Dresden in 1689 where he worked at the court of Johann Georg III, Elector of Saxony. Permoser returned to Florence once more in 1697, this time remaining only a year. A closely related ivory series of the four seasons by Permoser dated 1685-90 is in the Green Vaults in Dresden, inv. nos.II 45-47, published in Balthasar Permoser hats gemacht: Der Hofbildhauer in Sachsen, exhibition catalogue, Skulpturensammlung (2001), no.18a-d, where the existence of two other ivory versions of the Four Seasons is noted. Another Doccia example of this figure was sold by Bonhams on 16 November 2005, lot 125.For further information on this lot please visit Bonhams.com
A Doccia group of Cupid and Psyche, circa 1750After the model by Giovanni Battista Foggini, the reclining Cupid stretching out his right arm, his leg just stretching over the edge of the bed, leaning on a pillow, Psyche would have been to the right, now missing, left in the white, 17cm high, 30cm longFootnotes:ProvenanceBonhams, 14 November 2007, lot 71Mavis Bimson CollectionFor a discussion of this group see Baroque Luxury Porcelain, the Manufactories of Du Paquier in Vienna and of Carlo Ginori (2005), p.432f, nos.285 and 286, where it is noted that apart from the 20th century biscuit casts, there are no known surviving examples of this group in porcelain. The wax model for this group is listed in the inventory of models at Doccia and was made by Vincenzio Foggini, the son of Giovanni Battista, who was paid for an Amore e Psiche group and other items on 5 November 1748. The group is discussed by Klaus Lankheit, Die Modellsammlung der Porzellanmanufaktur Doccia (1982), p.121, 22:17, ill.124, based on the biscuit casts taken after the original moulds.For further information on this lot please visit Bonhams.com
A rare Doccia figure emblematic of Summer, circa 1750 En suite with Winter, after Balthasar Permoser, modelled as Ceres wearing long flowing robes, holding a wheat sheaf, a putto beside her, left in the white, 20.7cm high Footnotes: Provenance Mavis Bimson Collection See the footnote to the figure of 'Winter', lot 308 in this sale. Another example is in the Metropolitan Museum of Art, New York (inv. no.1982.28). For further information on this lot please visit Bonhams.com
A Doccia relief-moulded plaque, circa 1770Moulded with a scene from the Marriage Feast of Perseus and Andromeda, after Guglielmo della Porta, painted in polychrome colours, 14cm x 27.8cmFootnotes:An oval bronze cast of the scene by Guglielmo della Porta from the 16th century is in the collection of the Metropolitan Museum of Art, New York (accession no. 60.55.68).For further information on this lot please visit Bonhams.com
Mokka-Dejeuner mit Dekor "Fiesole" von Ginori 6-tlg.; Mokkakanne, Zuckerdose, Sahnegießer, 2 Mokkatassen mit Untertassen, Tablett. Empirestil mit goldgerahmten Architektur-Landschaften in Grisaillemalerei. Reiche Goldstaffage. Kannen-H. 15,5 cm.A 6-piece Empire style porcelain mocha dejeuner with decor "Fiesole" pattern. Manufacturer‘s mark.Italien. Doccia. Richard Ginori. 20. Jh.
A pair of Doccia coffee cans and saucers, late 18th c, painted with floral sprigs in polychrome enamels, black and red line borders, angular scroll handles, the cans 6cm h, another pair, similar, painted with fruit, (4) Some surface wear affecting portions of decoration. The fruit cans chipped.
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