Attributed to the Ginori Manufactory, Doccia, Florence Italian majolica faience porcelain baluster vase of large proportions, c. 1860-1880, decorated with a central reserve of old Europa scenes to the front and reverse, underglazed in polychrome, with painted gilt festoons, green glazed coiled snake handles above a Mascaron mask, yellow band and borders on cobalt blue ground, unsigned, 78cm high, on a large majolica glazed cylindrical pottery stand. (2)CONDITION REPORT: There are small losses of glaze around one handle. There is minor fading to the glaze on the handles and the stand. There are areas of restoration to each handle. The base of the vase looks to have been re-attached to the stand at some point as there is blue ground lacking. Good detail to the masks and scenes. Minor losses to the glaze on the vase. There are three chips with pieces lacking to the base of the stand with further staining.
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Three Doccia porcelain white figural candlesticks, c.1765, with two turbaned figures and another wearing a tall hat and long robes, each holding spirally-ribbed cornucopias and standing on elaborate scroll-moulded bases, two figures 18cm. high; the other 19.5cm. high (3)Provenance: Property of the Late Hugo Morley-Fletcher MA FSA (1940-2022).Note: These rare models may have been adapted from the series of ‘orientali’ of twenty-four figures (in two sizes) which were based on the engraved illustrations in 'Recueil de Cent Estampes representant différentes Nations du Levant', published in 1714, and which were thought to have been modelled by Gaspero Bruschi. Two candlestick figures of similar type, with coloured enamel decoration, are illustrated by Leonardo Ginori Lisci, La Porcellana di Doccia, Milan, 1963, Tav. LVI. For an example of the more common candlestick figure of Pomona by Bruschi (after Permoser) in the British Museum, also holding a cornucopia, see Aileen Dawson, ‘Unexpected Treasures – Doccia porcelain in the British Museum’, in Amici di Doccia, Quaderni, no. III, 2009, p. 19, and for the figure of Pomona from which the Pomona figural candlestick was adapted, see Paolo Jurio, ‘L’Europa de porcellana’, in Amici di Doccia, Quaderni, no. XIV, 2021, p. 61. For three candlestick figures representing Spring, Autumn and Winter, each holding a cornucopia, see Andreina d’Agliano, Lucca and the Porcelain of the Ginori Manufactory, Lucca, 2001, p. 224.Condition Report: All the nozzles are lacking. Man with a turban: This figure appears to be in good condition.Woman with a turban: This figure is less good condition – there are breaks through her neck, cornucopia, feet and nearby support where the original components have been discreetly re-stuck (all the pieces are present). In addition, there is some chipping to her right thumb and fingers. Man with a tall hat: Overall this figure is in good condition with the exception of his left hand which has chipping to the thumb and fingers.
A group of Doccia teawares, c.1760-80, including a teacup and matched saucer painted with flower sprays, a miniature teacup painted with flowers and the initials 'SRT', a teabowl in the Tulipano pattern, and a coffee can with similar decoration, a coffee cup with confronting cockerels in red and gilt, a coffee cup and a matched saucer with scattered fruit sprigs, a teacup with husk swags and a continuous border on a green ground, and a tin-glazed porcelain coffee cup with unusual handle, painted with flowers, puce S mark, 13cm max. (10)
A Doccia teabowl and saucer, c.1745, finely painted by or in the manner of Carl Wendelin Anreiter, the saucer with figures beneath trees on a riverbank, a village on the distant bank, the teabowl with figures beside and crossing a bridge, red line borders, incised mark to the teabowl, 11.6cm. (2)
A group of Italian porcelain teawares, c.1770-75, including three Cozzi teabowls painted with landscapes and garden statuary, a Cozzi coffee cup with a landscape and a floral monogram 'GA', another with flower sprays and a green scale border, a Doccia coffee cup painted with the tomb of the Horatii and the Curiazi, titled 'Sepocro degli Orazi', a Doccia teacup with an Italianate landscape, another with a bird on a low wall, and a coffee can finely painted with flower sprays, 7.5cm max. (9)
A group of Italian porcelain teawares, c.1750-90, including an octagonal Doccia cup painted with a monochrome landscape panel and puce flowers on a yellow ground, painter's mark G, a later Doccia coffee cup with a purple monochrome landscape, a teacup with a landscape between blue and gilt borders, a similarly decorated saucer, a monochrome saucer with a maiden seated with baskets, two saucers painted in the Sèvres manner with flower panels on a dark blue ground, a Meissen-style sucrier base moulded and painted with flowers, the sucrier and one cup cracked, 13.6cm max. (8)The blue ground saucers formerly in the Torre Collection and sold at Sotheby's, 18th November 1996.
A Naples (Real Fabbrica Ferdinandea) cup, c.1790, the flared form painted in green camaieu with trees before a ruined building, with a gilt line border and a plain handle, blue crowned RFF mark and incised ll, and an early Doccia coffee cup, c.1740-45, painted in purple monochrome in the manner of Giuseppe Romei, with buildings flanked by trees in a rural landscape, a red line border above the foot, 7cm max. (2)Illustrated: Saul Levy, Tazzine Italiane da Collezione, Pl.LX (the Doccia).
Three tall Doccia coffee cups and a can, c.1760-70, painted in the Meissen style, the three cups with pastoral figures at various pursuits in rural settings, the can with a chinoiserie figure beneath a tall tree, all within laub und bandelwerk cartouches with Böttger-style lustre panels, with finely modelled elaborate handles, 7cm max. (4)Cf. D'Agliano, Meligati, etc., Lucca and the Porcelain of the Ginori Manufactory, p.164 for a similar cup.
A Doccia coffee cup, c.1755, and a Chinese porcelain coffee cup of a similar date, painted with the same design of a squirrel on a fruiting pomegranate branch beside fruiting vine and flowering plants, 6.5cm max. (2)The Doccia cup is a direct copy of the Chinese original, and yet much more finely painted.
Two Doccia cups and a teabowl, c.1760-70, painted in the Meissen manner, one cup with a girl washing clothes in the river, the other with a courting couple, the teabowl with chinoiserie figures, within elaborate laub und bandelwerk panels, the interiors with gilt flower sprays, 5cm high max. (3)
An early Doccia coffee cup and a beaker, c.1745, the cup finely painted in the Du Paquier manner with a bold spray of European flowers including convolvulus with flying insects around, the beaker in the Meissen style with scattered insects and a loose floral spray, a short rim crack and small chips to the beaker, 7.5cm. (2)Cf. The Gardiner Museum, Toronto, Object number G96.5.376, for an identical cup from the Hans Syz Collection.
A large and rare Doccia teabowl, c.1740-45, gilded in the Meissen manner with chinoiserie scenes of figures in garden settings above a formal laub und bandelwerk border, a small rim chip, 8.5cm dia.This style of decoration appears to have been first adopted at Doccia by Carl Anreiter but continued at the factory for a number of years. Other artists were known to have adopted this style after Anreiter, most notably Giuseppe Nincheri (known as il Monachina). Cf. A Biancalana, Porcellane et Maioliche a Doccia, Le Fabbrica del Marchesi Ginori, p.128 for a cup with similar decoration.
A Doccia porcelain coffee can, circa 1780, enamel decorated in the Tulipano pattern, h.6.5cm, together with another Doccia porcelain coffee can, circa 1770, decorated with a castle in a landscape, h.6.5cm, and a Furstenburg porcelain coffee can, 18th century, enamel decorated with flowers, h.5.5cm (3)Castle image - chip to base. Wear to decoration especially on handle.Purple flower design - small repair to base, tiny chip on handle.
A Doccia porcelain coffee can, circa 1780, enamel decorated in the Tulipano pattern, h.6.5cm, together with another Doccia porcelain coffee can, circa 1770, decorated with a castle in a landscape, h.6.5cm, and a Furstenburg porcelain coffee can, 18th century, enamel decorated with flowers, h.5.5cm (3)
Großer Flakon Ginori, Doccia, um 1900 Rötlich-beiger Scherben, weiß glasiert und der Korpus bis zum Fuß vollflächig mit polychromer Bemalung versehen: Heiligenfigur in Jugendstilmanier vor einer bergigen Flusslandschaft. Beidseitig jeweils ein Doppelhenkel mit darunter befindlichem plastischem Satyr-Kopf. Drehbarer Verschluss entsprechend gestaltet. Am Boden mit Manufakturmarke sowie weiteren Bezeichnungen. H. 40 cm.
A Doccia pair of figures of Arlecchina and Arlecchino from the Commedia dell'Arte, circa 1765-70Decorated in yellow, white and red costumes, standing on naturalistic rocky bases, 11.8cm high, incised '4' to bothFootnotes:Provenance:Carlo Colli Collection, MilanLiterature:Biancalana, Alessandro. Porcellane Ginori a Doccia, La Stanza delle Meraviglie di Carlo Colli, 2023, cat.no. 14, p. 190According to Biancalana (p. 192) the first mention of the Commedia dell'Arte as a subject at Doccia is in 1749, and proved such a popular subject, that it was continued well into the late 18th century.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Doccia porcelain snuff box, circa 1745-50Decorated in basso relievo, all scenes picked out in polychrome colours, the interior of the box gilt, the cover with a polychrome scene of a seated huntress or shepherdess, the moulded cover with the Triumph of Bacchus after the example by Massimiliano Soldani Benzi, 5.4cm high, 7.2cm diam.,Footnotes:Provenance:With Pasquale Falanga, Milan;Carlo Colli Collection, MilanLiterature:Biancalana, Alessandro. Porcellane Ginori a Doccia, La Stanza delle Meraviglie di Carlo Colli, 2023, cat.no. 118, p. 478The medal by Soldani Benzi which served as an example for the moulding of the cover was commissioned by the Grand Duke of Tuscany, Cosimo III (1642-1723) for the physician and naturalist Francesco Redi (1656-1740). For further reading see: Biancalana, op.cit. p. 480.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Doccia figure of Brighella from the Commedia dell'Arte, circa 1765Standing on a marbled base, wearing a green edged white suit and head, a black mask and brown-golden shoes, 10.6cm high, paper label to base with numerals 254 (some restoration)Footnotes:Provenance:With Lukacs-Donath, Rome;Carlo Colli Collection, MilanLiterature:Biancalana, Alessandro. Porcellane Ginori a Doccia, La Stanza delle Meraviglie di Carlo Colli. 2023, cat.no. 13, p.188According to Biancalana (p.188), the Doccia factory often took its inspiration from Vienna models. Figures from the Commedia dell'Arte appear very early in the canon of production. This figure appears in the collection of the Victoria and Albert Museum (Gift of Mr. W.A.J. Floersheim, C.176-1931). It is also published, together with a detailed description on the Italian Comedy, in Frescobaldi et al., 'The Victoria and Albert Museum Collection,' Amici di Doccia Quaderni, VII, 2013, (2014) p.59, Cat.32 32.e.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
RICHARD GINORI (Doccia, Italien) Historismus-Ziergefäß Ende 19./Anfang 20. Jahrhunderts, Majolika mit polychromer Glasur, Pilgerflaschenform mit Schraubdeckel, seitliche Maskaronhenkel, schauseitig mit szenischer Darstellung einer Schlacht, rückseitig Fahnenträger, am Boden nummeriert 2.833 sowie Manufakturmarke, H 40cm
Italienisch -- 17. Jh. Wächter des Sultans im Kurzrock aus besticktem Goldbrokat.Aquarell und Gouache über Kohle auf Bütten, auf altem Sammlerkarton montiert. 24 x 18,6 cm. Wz. Fleur-de-Lis im Doppelkreis mit angehängtem Buchstaben V (Fragment; vgl. Heawood Nr. 1591). In der zweiten Hälfte des 16. Jahrhunderts entwickelte sich europaweit ein bemerkenswertes Interesse an Trachten, das sowohl historische als auch zeitgenössische sowie traditionelle Modelle umfasste. Diese Neugier manifestierte sich in einer zunehmend systematischen Publikationstätigkeit von Verlegern, die Bildbände mit detaillierten Kostümillustrationen aus aller Welt herausbrachten. Die Darstellung von Trachten diente hierbei nicht der Porträtierung individueller Figuren, sondern vor allem der geographischen und kulturellen Verortung. So entstand eine visuelle Topographie, die das europäische Wissen über „andere“ Kulturen über das Medium der Kleidung vermittelbar machte. Die Faszination für diese Mode wurde oft im Kontext von Reisebeschreibungen in den illustrierten Büchern vermittelt. Ein bekanntes Beispiel ist Nicolas de Nicolay, der in den Jahren 1551 bis 1552 Konstantinopel besuchte. Seine Erfahrungen fanden später Eingang in seine 1568 in Lyon veröffentlichte Publikation Les Quatre premiers livres des navigations et peregrinations orientales, ein Werk, das nicht nur Cesare Vecellio, sondern auch Künstler wie Jacopo Ligozzi beeinflusste.Melchior Lorck, einer der herausragendsten Trachtenzeichner des 16. Jahrhunderts, lieferte ebenfalls bedeutende Beiträge zur Trachtenillustration. Zwischen 1555 und 1559 reiste Lorck als Mitglied der Gesandtschaft unter Ogier Ghiselin de Busbecq nach Konstantinopel. Dort fertigte er vor Ort naturgetreue Zeichnungen an, die später als Vorlage für seine berühmten Holzschnitte dienten. Diese Werke waren prägend für die Entwicklung einer genuin europäischen Vorstellung des Orients.Auch spätere Künstler wie Abraham de Bruyn (Antwerpen, 1581) und Hans Weigel (Ulm, um 1577), ließen sich von den vorausgehenden Trachtenbüchern inspirieren, übernahmen Kompositionen und entwickelten diese weiter. Dabei verfeinerten die Künstler häufig Details, sie nahmen Elemente der Vorlagen auf, transformierten sie und schufen dadurch eine eigene künstlerische Sprache. Jacopo Ligozzi etwa erweiterte seine Serie von Figuren des Osmanischen Reiches (Florenz um 1580/85) durch das Hinzufügen von Tieren und Fantasiewesen, was den Darstellungen eine zusätzliche Ebene der allegorischen Bedeutung verlieh.Die prächtigen, farbenfrohen Aquarelle Ligozzis lassen sich als zentrale Quelle für die hier vorliegenden Zeichnungen identifizieren (Los 6513-6515), da sie in vielen Details und in der Auffassung der Figuren übereinstimmen. Das Wasserzeichen deutet auf eine Entstehung unserer Zeichnungen um das Jahr 1670 hin oder geringfügig später. Die anhaltende Rezeption von Ligozzis Arbeiten zeigt sich auch in der Porzellanmanufaktur Doccia, die 1737 in Sesto Fiorentino gegründet wurde. Um 1750 beauftragte der Gründer Marchese Carlo Ginori zwei venezianische Maler, die Ligozzis Figuren auf Porzellantellern verewigten. So führt die Tradition der Trachtenillustration, die im 16. Jahrhundert begann, weit in das 18. Jahrhundert hinein und zeigt die beständige Wirkungskraft von Ligozzis ikonischen Werken. Unser anonymer Zeichner führt diese Tradition mit bemerkenswerter technischer Sicherheit und frischen, leuchtenden Farben fort. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Five early 19th century Regency & French porcelain china coffee cans along with two matched saucers. The lot comprising an Italian Doccia style can and saucer with gilt rim & foliate design in gilt and puce; a Paris porcelain style can and saucer with hand painted European countryside scenes; and a further three Paris porcelain coffee cans with decorative gilt designs.Each coffee can measures approx. 6cm tall.
Zwölf Tassen mit zwölf Untertassen Doccia, Richard Ginori - 20. Jh. Über rundem Standfuß kugelbauchiger Korpus mit ausschwingendem Rand und hochgezogenem Rosettenhenkel; unter dem Rand jeweils unterschiedlich ornamentierte Bordüren, schauseitig und im Spiegel verschiedene Motive mit Blumen, Figuren in Landschaften oder Kartuschen. Porzellan mit polychromem Dekor. Am Boden grüne Stempelmarke mit Zusatz "Manufattura di Doccia Florence Italy". H. 9 cm, Ø UT 11 cm.Florenz, Italien, italienisches Porzellan
A Richard Ginori 'Granduca Coreana' pattern, Italian porcelain Dinner Service; ten place settings, comprising dinner plates, soup plates, side plates and desert bowls, a large serving platter, three vegetable dishes and two sauce boats, all stamped, 'Richard Ginori Manifattura Di Doccia Florence Italy', in excellent condition (46)
Großes Fischservice für 21-22 Personen, 120-tlg., Richard Ginori, Doccia, Italien, Ende 20. Jh., Form Neuosier, Hummer-u. Meeresfrüchtedekor in Terrakottatönen, eisenroter Rand, vereinz. ber. o. best., 22 Speiseteller, Ø 24,5 cm, 21 Dessertteller, Ø 19,5 cm, 22 Brotteller, Ø 15,5 cm, 21 Suppentassen mit 22 UT, Ø 18 cm, große Fischplatte, Chip, L. 66,5 cm, Saucière auf festem Untersatz, L. 23 cm, 10 Beilagenschalen, L. 25 cm
Speiseservice für 4-6 Personen, 30-tlg., Richard Ginori, Doccia, Italien, Ende 20. Jh., weiß, quadratische Form 'Vela', 6 Speiseteller, B. 26,5 cm, 6 Gourmetteller, B. 31,5 cm, 4 Dessertteller, B. 20 cm, 6 Salatschalen, B. 19,5 cm, 5 Dessertschalen, B. 13 cm, Deckelterrine, B. 31 cm, Saucière auf Untersatz, L. 18 cm
Große Istoriati - Platte "Das Gastmahl des Dionysos"Cremefarbene Majolika auf gelblichem Ton farbig bemalt und matt glasiert, große runde Platte mit leicht ansteigender Fahne auf niedrigem, leicht profiliertem Standring, über die gesamte Fläche Darstellung des Gottes Dionysos mit Gefolge vor einem Rundtempel (Monopteros) in arkadischer Landschaft, die Protagonisten bringen dem Gott des Weines erlegte Tiere, Speisen, Wein, Früchte und Öle dar, rückseitig cremefarben glasiert, am Rand unterglasurschwarzes Zeichen (Monogramm?), Rand (wohl später) umlaufend schwarz lackkonturiert, Ø 62 cm, Gewicht 7.700 gr., Italien Mitte 19. Jhd. (möglicherweise Manufaktur Ginori Doccia), insgesamt guter Zustand, Glasur rückseitig teils blasig und fehlerhaft, am Rand unten mehrere Glasurfehler, diese später schwarz übermalt, alte Metallaufhängung 1801 Imposante Platte mit vielfiguriger Szene im Istoriati-Stil des frühen 16. Jahrhunderts wohl aus der Manufaktur Ginori in Doccia unter der Aegide von Lorenzo II. Ginori (1847 - 1878), die bedeutende Größe mit einem Durchmesser von 62 cm hebt diese Platte aus der üblichen Produktion hervor, möglicherweise handelt es sich um ein frühes Probestück oder ein Ausstellungsexemplar Versand aufgrund der Größe nur nach Absprache per Spedition
A SELECTION OF ITALIAN PORCELAIN COFFEE WARES VARIOUS DATES SECOND HALF 18TH CENTURY Comprising: a pair of Doccia coffee cups and saucers painted with vignettes of rustic types in landscapes; a pair of saucers probably Doccia, and a Cozzi saucer painted with a fashionable couple in a palace garden, iron red anchor mark Various sizes Condition Report: Trumpet saucer cracked, its pair with chips and enamel flakes. Some wear to the other pieces. Please see additional images available from the Dept. upon request. One cup handle cracked. Please see additional images available from the Dept. upon request.Condition Report Disclaimer
Zierteller mit Purpurcamaieu-MalereiRunde, leicht gemuldete Form. Im Spiegel fein gekleideter Bogenschütze in architekturbestandener Waldlandschaft stehend. Fahne mit blauem Fond sowie drei korrespondierenden, gemuschelten Reliefkartuschen mit Obststillleben. Purpurcamaieu-Malerei mit Goldstaffage. Ger. ber.; Manufakturmarke. D. 24 cm.Provenienz: aus der über Generationen gewachsenen Sammlung Michahelles, Hamburg.A porcelain plate painted in purple camaieu. Minor rubbed. Manufacturer's mark.Italien. Doccia. Um 1780.
Mokka-Dejeuner mit Dekor "Rapallo" von Ginori6-tlg.; Mokkakanne, Zuckerdose, Sahnegießer, 2 Mokkatassen mit Untertassen, Tablett. Empirestil mit farbigem Dekor aus arabesken Rankenornamenten, Blütenmotiven und Flechtband-Bordüre. Reiche Goldstaffage. Untertassenrand rep.; Manufakturmarke. Kannen-H. 12,5 cm.A 6-piece Empire style porcelain mocha dejeuner with decor "Rapallo". Saucer repaired at the rim. Manufacturer‘s mark.Italien. Doccia. Richard Ginori. 20. Jh.
Two small Doccia hunting groups, circa 1760In the white, one modelled as a boar being chased by two hounds, on a stepped square base, the second group modelled as a horse being attacked by a lion, on a square rocky base, 6cm high and 7.4cm highFootnotes:Provenance:Mavis Bimson CollectionA coloured example missing the stepped base is illustrated by A d'Agliano, A Biancalana, L Melegati and G Turchi (eds), Lucca e le porcellane della Manifattura Ginori (2001), p.227, no.167. A listing in the manufactory inventory probably relating to this model states:'N.5 A questo numero vi sono 13 pezzi che sono... e 10 gruppetti piccoli di animali che sono... Il secondo un porco e cani...' [No.5 In this number there are 13 pieces which are ...and 10 little groups of animals which are ... The second a pig and dogs...]. See also Beasts at the Whites' House (2020), p.6.Two larger related groups of boar hunts were sold by Sotheby's Milan on 22 March 2023, lot 91. Another larger related group was in the Winter Collection sold by Sotheby's on 10 December 2015, lot 61.For further information on this lot please visit Bonhams.com
Kaffeerestservice, 24-tlg., Richard Ginori, Doccia, Italien, 20. Jh., Dekor ''Fiesole'', Goldreserven mit italienischen Landschafts- und Architekturdarstellungen in Sepiatönen, Goldstaffage, bestehend aus 6 konischen Tassen mit Rosettenhenkeln und UT, 1 Glockentasse mit Rosettenhenkel und UT, H. 10,5 cm, 7 Kuchenteller, Ø 15,5 cm, 2 runde Keksschalen, Ø 19 cm, 1 große Gebäckschale mit seitlichen Handhaben, B. 28 cm
Historismus-Tafelaufsatz mit Schlangen. Ginori, Doccia. Blaue Pinselmarke, ab 1860. Italien. Modell-Nr. 310-2079.Kunstmajolika, polychrome Malerei. H 20 cm, Ø 33,5 cm. Dreipassschale mit blattreliefierter Wandung und 3 plastischen Schlangenhandhaben, auf dreipassigem Fuß. Innendekoration mit antikisierender Figurenszene in Landschaft, bodenseitig bezeichnet "Minone caccia Scilla" (Minone jagt Scilla.). Partiell leicht bestoßen.| Nachtrag 11.06.24: 1 Schlangenhenkel a. Ansatz restauriert, 1 RandchipAufrufzeit 13. | Juni 2024 | voraussichtlich 16:19 Uhr (CET)Historicism centerpiece with snakes. Ginori, Doccia. Blue brush mark, from 1860. Italy. Model no. 310-2079.Artistic majolica, polychrome painting. H 20 cm, Ø 33.5 cm. Tripod bowl with leaf-relief wall and 3 sculptural snake handles, on a tripod foot. Interior decoration with antique-style figural scene in a landscape, inscribed on the base "Minone caccia Scilla" (Minone hunts Scilla.). Slightly bumped in places.Call time 13 | June 2024 | probably 16:19 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
TEEDOSE, Porzellan, Richard Ginori, Manifatturo di Doccia, Florenz / Italien, "Pittoria Fiesole". Quaderform mit gerundeter Schulter, zylindrischem Hals und Haubendeckel mit Zapfenhandhabe. Gearbeitet in klassizistischen Formen. Arkadisches Landschaftsdekor mit Architekturversatzstücken, Goldakzentuierungen. H. 12 x B. 7,5 x T. 5,2 cm. (Staffage minimal berieben).
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