Robert Adams (British, 1917- 1984) Two Standing Sculptural Figures , 1950Monotype on paper Signed , Adams , 50 (bottom left)Framed W49cm x H62cm Provenance : Private Collection Purchased from Austin / Desmond Contemporary Books Ltd 2005 This work was also illustrated and mentioned in Apollo Magazine August 2005, page 72. Note : Robert Adams was born in Northampton and studied life drawing at the local art school. In the late 1940s he visited Paris where he met Brancusi and Laurens amongst others, before taking up a teaching post at the Central School of Arts and Crafts in London. He had his first solo exhibition at Gimpel Fils, London in 1947 and his work was shown at the XXVI Venice Biennale in1952 and again in1962 as a retrospective exhibition. He undertook a number of large commissions throughout his working life in Europe and the United States for schools, banks, churches and the P&O liner SS Canberra; in 1951 he was commissioned to produce a 3m high carving for the Festival of Britain.
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John Wells (British, 1907- 2000) UntitledMonotype Signed bottom left , John Wells 1960Framed W42.5cm x H37.5cm Provenance : Private Collection Purchased from Austin / Desmond Contemporary Books 1998 Note : Born 1907 in London, John Wells lived in Ditchling, Sussex until early 1921 and studied medicine at University College Hospital, London, 1925-30. Though his only formal artistic training was from night classes at St Martin's School of Art during 1927-8, he exhibited in the 'Daily Express' Young Artists Exhibition at the Royal Society of British Artists in 1927. During a visit to Cornwall in 1928 he studied briefly with Stanhope Forbes in Newlyn and was introduced to Ben and Winifred Nicholson and Christopher Wood, then staying, along with Marcus and Irene Brumwell, in Feock. He was in contact with Nicholson throughout the 1930s, though work prevented him from making more than the occasional visit to his Hampstead studio. He qualified as a doctor in 1930 and, after working in a number of hospitals, was the GP for the Scilly Isles from 1936 to 1945. During the war he was able to make occasional visits to Nicholson and Hepworth in St Ives where he also met Naum Gabo, who became a major and lasting influence upon him. At the end of the war, with a new confidence in his recent work, he chose to pursue a career as a full-time artist, buying one of Forbes's former studios in Newlyn.
Stuart Knowles (British, b1948) Fiesole MemoryOil on card Signed bottom right and dated 96 Framed W67.5cm x H37.5cm Provenance : Private Collection Purchased from Austin / Desmond Fine Art Limited 1996 Note: Stuart Knowles was born in Redruth, Cornwall, before moving to Amesbury near Stonehenge. His art studies were undertaken at Farnham School of Art and Winchester School of Art, followed by postgraduate work at the Slade School, London. His fuller story is told well by Tom Cross in his 2002 survey volume, Catching the Wave, Contemporary Art & Artists in Cornwall. Aside from painting, Stuart has also had part-time teaching positions at Falmouth College of Art, and works from his studio and home in Cornwall.
Michael Cullimore (British 1936-2021) Normandy Beach Watercolour on paper Signed and dated 1991 Framed W74.5cm x H57cm ARR - Artist Resale Rights may be payable on this item. Provenance : Private Collection Purchased from Jennifer Pearce - Jan Fraser Jenkins 1998 Note : Since 1968 Cullimore has exhibited regularly in solo and group exhibitions around UK. His work picks up the tradition of English art where Blake, Palmer, Nash, Spenser and David Jones left off. A list of the series of works gives a clue to the range of interests and influences: Jonah and the Revelation of St. John, Leda, Radiometer, Time, Orpheus and Eurydice, Prospero, Enclosed Gardens. In Michael's own search for meaning in life, his work changes the way people look at existence and the world. Whether it is through a distillation of poetic, mythological or biblical texts, or through his own vision of nature, his work consistently focuses on moments of transformation; shape-shifting experiments dwelling on the eternal cycles of growth and decay, death and rebirth. Michael Cullimore's paintings are in a number of public collections including, The Ceolfrith Gallery, Sunderland; Contemporary Arts Society of Wales; University College of North Wales; The North Wales Arts Association; Hammersmith and Fulham Picture Loans Library; Swansea and The Swindon Collection.
Mary Potter (British, 1900-1981) The GardenSigned on reverse , Mary Potter , 71Oil on canvasFramed W54.5cm x H44cm ARR - Artist Resale Rights may be payable on this item.Provenance : Private Collection Purchased from Freetask Ltd 2000 : Provenance Nancy Balfour Note : Born in Beckenham, Kent, she studied at the Beckenham School of Art. She was awarded a scholarship to the Royal College of Art but declined it in favour of an open bursary at the Slade. She entered in 1918, gaining a full scholarship a year later. She picked up many awards whilst there, including the Portrait prize. The latter leading to her decision that she was working to a formula and consequently ceremonially burned all her portraits.She was a member of the Seven and Five Society from 1921, and exhibited with the New English Art Club from 1922, becoming a member in 1930. Mary married the writer Stephen Potter and with two children continued to paint as she wished. It was while living by the Thames in Chiswick from 1927 that she began to dabble with the watery vision which she would explore for the rest of her life. Her first solo show was held at the Bloomsbury Gallery in 1932, being well-reviewed by contemporary critics. She went on to have many solo exhibitions with the leading London commercial galleries of the day. In 1951 the Potter family moved to Aldeburgh and it was this Suffolk fishing town that was to provide the inspiration for her finest art. After her divorce in 1955 her great friendship with the founders of the Aldeburgh Festival, Benjamin Britten and Peter Pears led to them swapping houses for six years, so that she could paint overlooking the sea from Crag House. During her isolation, with only holiday and occasional visits from artists such as John Piper, Prunella Clough and Sidney Nolan she pared down her vision, thinning her paint, blurring outlines and abolishing the horizon line and painted to ever greater acclaim. In the 1960s and 1970s Potter gained increasing recognition. From 1967 she had seven solo shows with the New Art Centre in London, which continued to champion her work following her death, holding a further five Mary Potter exhibitions. She was awarded an OBE in 1979, and major retrospective exhibitions of her work were shown at the Tate Gallery in 1980 and the Serpentine Gallery in 1981; the latter opening to great critical acclaim a few months before her death. In a review of that exhibition in The Sunday Times, Marina Vaizey wrote: "The results over the past several decades have been paintings of the most exquisite tensile webs of pale resonant colour, the subjects almost vanished, but the echoes imaginatively suggesting the fullness of life: an evanescent evocation of the shapes and surroundings in which people live. The very delicacy is paradoxically full-blooded".
§ Dame Tracey Emin CBE, RA (1963-) The Golden Milesigned and dated 'Tracey Emin 2012' (lower right); numbered 300/300photogravure42 x 50cmExhibited:St.Ives, Belgrave St. Ives Modern & Contemporary Art, Winter Exhibition 2022, 19 November - 9 January 2023Not examined out of the frame. The work is float mounted, displaying deckled edges to all sides. There is a small crescent shaped crease to the top right corner and a small handling crease in the lower right quadrant of the image. Otherwise in nice overall condition
Michael Clerizo, 2 titles: ‘George Daniels: A Master Watchmaker & His Art’, 2013, 1st edition, ‘Masters of Contemporary Watchmaking’, 2009, 1st edition, both published London, Thames & Hudson, both profusely illustrated throughout, both large 4to (30 x 30cm), original boards gilt, dust wrappers (2)
Philip Luckombe: 'A Concise History of the Origin and Progress of Printing; with Practical Instructions to the Trade in General. Compiled from those who have wrote on this curious art.', London, W. Adlard & J. Browne, 1770, 1st edition, woodcut frontispiece of Johannes Gutenberg (often lacking) + illustrations in text throughout of type and ornament specimens, parts of the printing press etc, [14],502,[4]pp, contemporary tree calf boards, later rebacked leather gilt. Philip Luckombe's work provides an overview of the history of printing and the printing press, with discussion of the invention of movable type, the development of paper, and the impact of printing on society and culture. Luckombe also discusses the various printing processes used throughout history, including woodcut, engraving, etching, and lithography. Additionally, he provides biographical information about important figures in the history of printing, such as Johannes Gutenberg and William Caxton. Scarce
William and Edward Finden (illustrated); Mary Russell Mitford (ed.): 'Finden's Tableaux: The Iris of Prose, Poetry, and Art, for MDCCCXL.', London, Charles Tilt, [1839], added engraved title page + 11 plates complete (1 loose), all with contemporary hand colouring, folio, original full decorative morocco gilt (worn), all edges gilt
![Five assorted folio volumes, including Owen Jones: 'The Psalms of David Illuminated', [London: Day & Son, 1861], chromoli](https://cdn.globalauctionplatform.com/17ea92d7-4eea-447c-9470-b26f00ed3fcd/2004c712-8131-4332-bdbe-b28500610e94/468x382.jpg)
Five assorted folio volumes, including Owen Jones: 'The Psalms of David Illuminated', [London: Day & Son, 1861], chromolithograph ornamental and printed titles, dedication on two pages, and 50 thick card chromolithograph leaves illuminated in gold and colours (complete), a/f, internal reinforcement to margins of 11 leaves, some just affecting plates, several leaves detached, folio, original relievo leather (very worn, lacks backstrip, upper board detached but present), front cover embossed with the words "The Victoria Psalter"; together with 'The Book of Beauty (Late Victorian Era) A Collection of Beautiful Portraits with Literary, Artistic, and Musical Contributions By Men and Women of the Day', edited Mrs F. Harcourt Williamson, London, Hutchinson, 1896, second edition deluxe, limited edition, No.13 of 100 copies, signed by the publisher, xii,194pp, 93 photogravures & illustrations, list of subscribers to rear, Artists reproduced include John Everett Millais, Lord Leighton, Edward Hughes, W B Richmond, James McNeil Whistler, John Singer Sargent etc, literary contributors include Rudyard Kipling, Hall Caine, Theodore Watts-Dunton, George Moore, Israel Zangwill, Wilfrid Blunt etc, large folio (41 x 33cm), original cloth gilt (slightly worn/rubbed), rebacked retaining majority of orig. backstrip; an oblong folio album of manuscript humorous well executed pen & ink drawings c.1974, presented to Douglas Shepherd (1922-1989), architect and designer for the Ind Coope Brewery and a member of the Art Workers’ Guild, presumably on his retirement, 9 leaves of manuscript pen & ink drawings/calligraphy, plus 2 pages of tipped in signatures at end, contemporary cloth backed boards (33 x 41cm). Shepherd was responsible for several pub interiors during the 1970s which reflected the style of renowned artist and designer William Morris, and collected silver by Omar Ramsden, Robert Ashbee and Archibald Knox between 1950s and 1970s; plus 2 others on fin de siecle German poster art and Japanese prints (5)
George Bickham: ‘The Universal Penman; Or, the Art of Writing. Made Useful To the Gentleman and Scholar, as well as the Man of Business. Exemplified in all the useful, and ornamental Branches of Modern Penmanship (&c,&c) and engraved by George Bickham’, London, H. Overton, 1743. Folio. Additional engraved title (with separate imprint of Robert Sayer). Both titles soiled. 207 of 212 plates (bound without plates 97, 129, 210-212). Some light staining to first few leaves, else contents in good condition. Contemporary calf, old re-back, worn and rubbed but still sound.
Bretby Art Nouveau stoneware clockcase, circa 1900, impressed factory marks, registration mark and pattern no. 1788, glazed to simulate bronze, moulded with a whiplash motif and surmounted with a bust of a maiden and two Ruskin-style turquoise cabochons, with later replacement contemporary quartz timepiece, 28cm high Condition ReportFlat footrim chip to the underside of one rear foot, minor wear to glaze overall, as noted the Quartz clock is a modern replacement.
Deirdre Burnett (1939-2022), A Studio Pottery Stoneware hand built vessel of organic form with frilled layers in spherical composition on cylinder stem, 24cm, raised DB mark to inside of stemDeirdre graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Deirdre's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts
Ca. AD 1 - 300.A necklace composed of glass tubular beads in hues of amber and purple with small annular green beads alternating. Restrung on a modern thread, suitable for contemporary wear.Size: 180/360mm x 8mm; weight 13gProvenance: Private UK collection; acquired on the UK art market, pre-2000.
Rare, Blenko hand-blown art glass pouch vase in a rich amethyst hue, by Winslow Anderson #434s - circa 1953. The piece exhibits a smooth, polished pontil on the base, indicative of its handcrafted nature. Its contemporary yet timeless design highlights the artisans skill and the elegant interplay of color and form, making it a captivating centerpiece or decorative item. Issued: 1953Dimensions: 10.5"HCountry of Origin: United StatesCondition: Age related wear.
Francis Picabia (Paris, France, 1879 - 1953)"Female nude"Charcoal drawing on paper. Signed.29,5 x 22,5 cm.The paper is quite darkened by sunlight. The white margin shown in the last picture shows the original colour of the paper. Francis Picabia was a French avant-garde artist of Spanish origin who stood out, as noted by the Museo Thyssen-Bornemisza in its artist profile, "for his free spirit and great versatility in changing styles according to his own impulses." Thus, throughout his nomadic artistic career spanning France, Spain, the United States, and Switzerland, he engaged with and left an impact on multiple contemporary styles such as Impressionism, Orphism, Surrealism, and the Dada movement. He had connections with figures like Alfred Stieglitz, Tristan Tzara, Hans Arp, André Breton, and Marcel Duchamp, with whom he formed a close friendship.His versatility is not limited exclusively to styles: he experimented with various techniques, including figurative painting, drawing, and collage. His art is characterized by shifts in themes, yet it consistently remains within the realm of "the imaginary and symbolic," as stated by the CCCB (Centre de Cultura Contemporània de Barcelona). Furthermore, his artistic exploration extended beyond painting into other disciplines, such as set design—for instance, his work on René Clair's film Entr'acte —and literature, where he collaborated with several magazines and founded others, like the magazine 391 in Barcelona.The Museo Nacional Centro de Arte Reina Sofía has numerous paintings by the artist in its collection. Countless exhibitions of his work have been held in museums worldwide, as can be seen on his official website (https://www.picabia.com/ ). Reference bibliography:- Museo Nacional Thyssen-Bornemisza. (s.f.). “Francis Picabia”. https://www.museothyssen.org/coleccion/artistas/picabia-francis- Centre de Cultura Contemporànea de Barcelona. (s.f.). “Francis Picabia”. https://www.cccb.org/es/participantes/ficha/francis-picabia/12170- Fundació Tàpies. (s.f.). “Francis Picabia. Máquinas y españolas”. https://fundaciotapies.org/es/exposicio/francis-picabia-maquinas-y-espanolas/
M.F. Husain, "Untitled (Pavan Putra)", Watercolour on Paper (1913-2011).This painting depicts Hanuman, the revered monkey god from Hindu mythology, carrying the mythical Sanjeevani mountain. The composition features bold outlines and fluid brushwork, capturing the dynamism of Hanuman in mid-flight. The earthy tones of his figure contrast against the soft blue sky, while the green foliage of the mountain adds a vibrant focal point. The figure is minimally detailed yet striking, emphasizing movement and spiritual strength. Signed in the lower right, this piece embodies Husain’s modernist reinterpretation of Indian mythology with a sense of energy and devotion.Maqbool Fida Husain (1913–2011) was one of India’s most celebrated modern artists, often referred to as the "Picasso of India." A pioneering figure in Indian contemporary art, Husain was known for his bold, expressive style, which fused traditional Indian themes with modernist influences. His works, characterized by fluid lines, vibrant colors, and fragmented forms, often depicted themes from Indian mythology, rural life, and urban modernity. He was a founding member of the Progressive Artists' Group, which sought to break away from colonial artistic traditions and establish a new, independent identity for Indian art. Husain’s career spanned over seven decades, during which he gained international recognition, but also courted controversy for his depictions of Hindu deities in unconventional forms. Despite facing political and religious opposition, he remained an influential force in the art world, leaving behind a legacy that continues to inspire artists and collectors globally.Approximately 66 x 44cmProvenance: From a distinguished collector based in the United States.
M.F. Husain, "Sawari", Hand-Painted Wooden Toy (1913-2011).A hand-painted wooden toy sculpture by M.F. Husain, depicting a stylized horse and rider in bold geometric patterns. The composition is rendered in vibrant colours with sharp angular forms, evoking a sense of dynamic motion and traditional folk art influences. The back is signed "Husain."Maqbool Fida Husain (1913–2011) was one of India’s most celebrated modern artists, often referred to as the "Picasso of India." A pioneering figure in Indian contemporary art, Husain was known for his bold, expressive style, which fused traditional Indian themes with modernist influences. His works, characterized by fluid lines, vibrant colours, and fragmented forms, often depicted themes from Indian mythology, rural life, and urban modernity. He was a founding member of the Progressive Artists' Group, which sought to break away from colonial artistic traditions and establish a new, independent identity for Indian art. Husain’s career spanned over seven decades, during which he gained international recognition, but also courted controversy for his depictions of Hindu deities in unconventional forms. Despite facing political and religious opposition, he remained an influential force in the art world, leaving behind a legacy that continues to inspire artists and collectors globally.Approximately 30 x 19.2cmProvenance:From a distinguished collector based in the United States.
Nasreen Mohamedi, Untitled, Ink and Pencil on Paper (1937-1990).This composition by Nasreen Mohamedi exemplifies her mastery of precision and abstraction, rendered through fine, intersecting lines that create an intricate play of geometric forms and depth. The delicate yet rigid structure of the piece showcases her distinct approach to modernist aesthetics, where linear elements evoke architectural landscapes and spatial illusions. Her restrained yet deeply expressive use of ink and pencil reflects an introspective and meditative artistic practice, often inspired by the rhythms of nature and urban environments. Mohamedi’s work remains a significant contribution to contemporary Indian art, pioneering non-representational forms in a period dominated by figuration.Nasreen Mohamedi (1937–1990) was a pioneering Indian modernist known for her minimalist and abstract aesthetic. Her works, primarily composed of delicate ink and pencil drawings, explored precision, geometry, and spatial abstraction, setting her apart from her contemporaries. Inspired by nature, architecture, and calligraphic traditions, Mohamedi's art was deeply meditative, reflecting an introspective approach to form and structure. She rejected figurative representation, instead creating intricate, rhythmic compositions that evoke a sense of movement and timelessness. Despite receiving widespread recognition only posthumously, her influence on contemporary Indian abstraction remains profound, positioning her as one of the most significant artists in South Asian modernism.Approximately 48 x 38cm
Ram Kumar, "Untitled", Oil on Board (1924-2018).An early work by Ram Kumar, this oil on board painting showcases his signature abstract style with an interplay of earthy tones, deep greens, and layered textures. The composition presents a fragmented landscape with bold brushstrokes, evoking a sense of movement and depth. Signed in the lower left, the piece reflects Kumar's transition from figurative art to abstraction, a hallmark of his artistic evolution. Ram Kumar (1924–2018) was one of India's most celebrated modernist painters, known for his evocative abstract landscapes and melancholic urban depictions. Initially trained as an economist, he shifted to painting after studying at the École Nationale Supérieure des Beaux-Arts in Paris, where he was influenced by the likes of Fernand Léger and André Lhote. His early works featured figurative compositions reflecting themes of social alienation and existential despair, but he later transitioned into abstraction, particularly inspired by the ghats of Varanasi and the vastness of nature. His textured canvases, often composed of muted tones and geometric forms, conveyed a deep emotional intensity, reflecting themes of solitude and introspection. A contemporary of artists like M.F. Husain and S.H. Raza, Ram Kumar played a crucial role in shaping India’s modern art movement. His legacy remains influential, with his works housed in major national and international collections.Approximately 46.8 x 35cmProvenance: From a distinguished collector based in the United States.
Bob Law, British 1934-2004,Two Crosses; A Cross to bare; Kiss for me; Cross for you; Double kisses; Cross and broken double Cross; Double double Crosses; Double Cross; Cross for me Kiss for you; all from 2000; the set of eight Kisses and Crosses portfolio, each monochrome etchings on wove, each signed in pencil and numbered 28/30, published by Art Hester, each sheet: 47 x 54 cm, (framed) (ARR) (8) Note: there is a set of these prints in the V and A Museum, London.Provenance: The Contemporary Art Society
A Modern Contemporary erotic bronze statue of nude female embraced by a two headed dragon. The sculpture by Rodolfo Bucacio an established contemporary artist. The sculpture described by European art critics as Expressive Modernist art. A medium size stimulating bronze of monumental importance. Small limited edition. Height 90cm
A pair of modern Art Deco style table lamps, white shades, each standing 60cm high; a large pair of chrome plated table candlesticks; others, contemporary; A contemporary pair of clear glass storm vases, with flared bowls, long cylindrical stems, 56cm high; a set of four oval asparagus dishes; Villeroy & Boch plates; etc
A striking framed print by British artist Edwina Sandys, signed and dated '15. Known for her bold and abstract designs, Sandys often explores themes of unity and duality. This artwork features a juxtaposition of black-and-white forms with vibrant red accents, presenting a compelling visual narrative. Framed and under glass, the piece measures 24.25"L x 31.25"H. The back is paper-wrapped and includes a wire for hanging. Sandys' works have been widely exhibited and are featured in collections worldwide, making this piece an excellent addition to any contemporary art collection. Dimensions: See DescriptionCondition: Age related wear.
This framed mixed media artwork by Valery Cherkashin depicts a surreal representation of the Moscow Metro, blending photography, paint, and collage elements. Signed and dated 1991, the piece is titled "The Earth's Crust in the Subway" and includes a unique dedication on the back reading "About the Moscow subway, Moscow 1993, Cherkashin Valery." The artwork with the frame measures 19"L x 16"H. A compelling addition to any collection of contemporary or Soviet-era art, this piece offers both aesthetic and historical significance. Dimensions: See DescriptionCondition: Age related wear.
A captivating abstract portrait painting signed by Alexander Gore showcasing a striking composition of bold black brushstrokes against a textured, multi-colored background. The piece evokes a raw, expressive quality with its use of simplified facial features and gestural marks, characteristic of contemporary abstract expressionism. Presented in a substantial metallic silver frame that complements the artwork's modern aesthetic. Alexander Gore, born in 1958 in St. Petersburg, Russia, is a contemporary artist renowned for his abstract and semi-abstract works. Growing up near the Hermitage Museum, he developed an early fascination with Western art, which significantly influenced his creative direction. In 1980, Gore immigrated to New York City, immersing himself in the vibrant art scene and seeking avenues for full artistic expression. After a decade in New York, he relocated to Miami, Florida, where he established his own gallery. His experiences in Central America and the Caribbean have also left a notable imprint on his work, infusing it with elements inspired by tribal cultures and primitive art forms. Gore's distinctive style, which he terms Agorism, is characterized by the organic movement of color across the canvas, utilizing strong lines that hint at emerging shapes. His paintings often feature intricate, curvilinear forms and gestural marks, creating an atmosphere that invites viewers to engage their imagination. Signature and date on lower left side. Artwork dimensions with frame: 22.50"L x 27"H x 2"W. Artist: Alexander Gore (Russian-American b. 1958)Issued: 2022Dimensions: See DescriptionCountry of Origin: Russia/United StatesCondition: Age related wear.
This striking abstract artwork on paper by W. Scott Wilson showcases his masterful use of color and texture in a mixed media composition. The dynamic interplay of bold reds, vibrant greens, and earthy tones creates a visually captivating piece, inviting the viewer to explore its depth and complexity. The composition is an exemplary representation of Wilson's signature style, balancing abstract expressionism with intricate detailing. Signed W. Scott Wilson in the lower-left corner, this piece reflects the artist's commitment to bold creativity and individuality in contemporary abstract art. Professionally matted with a black border and housed in a custom giltwood frame with an inner decorative border, this work is ready to enhance any art collection or space. W. Scott Wilson is celebrated for his innovative approach to abstract art, combining traditional techniques with experimental media to create evocative and thought-provoking pieces. His works are known for their emotional depth, making them highly sought after by collectors and enthusiasts. Artwork dimensions with frame: 46"L x 56.25"H x 1.75"W.Artist: W. Scott Wilson (American, 20th century)Dimensions: See DescriptionCountry of Origin: USAProvenance: Single owner; bought from artist.
A striking gilt bronze sculpture by renowned designer Naomi Schindler, this piece exemplifies modernist elegance and sophisticated abstraction. Its elongated and fluid form demonstrates a keen understanding of movement and balance, while its polished finish highlights the brilliance of the bronze material. The design captures Schindler's signature aesthetic, merging organic contours with contemporary artistry. Naomi Schindler is celebrated for her ability to transform bronze into captivating works of art, seamlessly combining function and beauty. This sculpture serves as both a decorative and collectible piece, appealing to admirers of modern design and fine art. Naomi Schindler marked with limited edition number. Weight: 64 lbs. Artist: Noemi (Naomi) Schindler (Israeli, 1919-1991)Issued: 20th centuryDimensions: 28.5"HCondition: Age related wear.
A striking contemporary abstract portrait rendered in vibrant tones of red, yellow, green, and black. The artwork expressive brushstrokes and bold lines, capturing an emotional intensity that draws the viewer into its modern aesthetic. The composition combines layered textures with a rich color palette, creating a dynamic visual experience. The work is mounted in a sleek modern frame that complements the piece's artistic style. Alexander Gore is a renowned contemporary artist celebrated for his innovative approach to abstract expressionism. Born in Russia and now based in the United States, Gore's works are inspired by the enigmatic interplay of form, color, and emotion. His art reflects a unique blend of surrealism, abstraction, and figurative elements, creating a visual language he describes as 21st-century surrealism. Gore's paintings often delve into the subconscious, inviting viewers to interpret the intricate narratives within his works. His creations have been exhibited internationally, garnering a dedicated following among collectors of modern and abstract art. Artwork dimensions with frame: 17.25"L x 21.25"H x 1.75"W. Artist: Alexander Gore (Russian-American b. 1958)Issued: 2022Dimensions: See DescriptionCountry of Origin: Russia/United StatesCondition: Age related wear.
This elegant glass vase, attributed to Salvatore Polizzi, features a graceful blue form with a striking black base. Standing at 10.75" tall, the vase showcases Polizzi's signature style, with a smooth, frosted texture on the top portion that transitions to a clearer, polished finish toward the base. The vase bears an engraved signature, adding to its provenance. The modern design and expert craftsmanship make this a sought-after collectible for enthusiasts of contemporary glass art. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
This striking limited edition bronze sculpture is the work of renowned American sculptor Ken Treister, known for his emotive and introspective works. Active since the 1970s, Treister's sculptures often blend classical and modern styles, with a focus on texture and expressive form. One of his most notable works is the Holocaust Memorial in Miami Beach. The piece, cast in a unique, rough-hewn style that highlights the contemplative nature of the subject, stands on a solid marble base. Marked with the artist's signature, edition number (68/250), and the year (1980), this sculpture is a fine example of modern figurative art. Treister's mastery is evident in the intricate texture and expressive detail, making it a standout piece for collectors of contemporary sculpture. Artist: Ken Treister (American, b. 1930)Issued: 1980Dimensions: 10.5"HCondition: Age related wear. The bust a bit detached from the base. Glue residue on base.
oil on canvas, signed, titled verso framed image size 30cm x 40cm, overall size 48cm x 58cm Note: In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith (Art Critic, The Scotsman), described the work of Graham McKean as a cross between the painters John Byrne and Stanley Spencer, but with an “interesting bite”. Graham McKean needs little introduction to our buyer audience having been consistently one of our most popular and best selling artists since the inaugural Scottish Contemporary Art Auction in November 2008.
oil on canvas, signed, titled verso framed image size 60cm x 40cm, overall size 87cm x 68cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
oil on canvas, signed, titled label verso framed and under glass image size 51cm x 61cm, overall size 70cm x 80cm Label verso: Thompson's, London Note: Robert Kelsey was born in Glasgow and studied at the Glasgow School of Art (1966-1970) under David Donaldson, Alexander Goudie and James D. Robertson. Kelsey has earned a formidable reputation as one of Scotland's finest and most sought after contemporary artists. His numerous one man shows in London in particular enjoy huge success and his sell out exhibition at Thompson's Gallery (London) in 2004 was reported on BBC's "Breakfast" as "one of the biggest contemporary art exhibitions in London in recent years". The prestigious Thompson's Gallery described the event as "the most successful solo exhibition we have ever had". Robert has been a regular exhibitor for many years at The Royal Glasgow Institute, The Royal Institute of Oil Painters, Paisley Art Institute, The Royal Scottish Society of Painters in Watercolour and The Royal Scottish Academy. He has enjoyed success in New York , Budapest and Chicago and is widely exhibited throughout the UK. He has featured in many magazines including "Homes & Interiors" and "Scotland Magazine" and BBC News 24 has reported his achievements. The book "Robert Kelsey-the artist" was published in 2004. His style is distinctly "Contemporary Scottish Colourist" and although his work reveals his GSA training the strongest influences remain Peploe and Cadell. Robert writes : "I love the loneliness and serenity to be found at certain locations such as the beaches of the Outer Hebrides. I say "loneliness", which sounds like a bad thing, better to describe it as being at peace in serene places, where you can be alone with your thoughts, listen to the sea birds and the trickle of water". Robert's home and studio are in Paisley but his commercial success has allowed him to travel the world in search of the light and colour that are such strong features within his work. This broadening of horizons has been reflected in his "gallery prices" as his career and reputation continues to flourish. Kelsey collectors include : Sir Arnold Clark, The Duke of Bedford, Lord McFarlane of Bearsden, Cairn Energy PLC, Credit Lyonnais Bank, Taylor Woodrow, The Dunfermline Building Society, Highland Spring Water, Enterprise Oil, Paisley Art Gallery, Turnberry Hotel & Golf Club, Alliance & Leicester Building Society, Arisaig Partners (Asia) and The Fleming Collection.
Biren De (1926 - 2011)Oil on Canvas24 x 18 inchesSigned Lower LeftYear - 1967Published - Past Present into the Future Contemporary India Art Page no. 20 December 2007.Provenance - Originally acquired from Dhoomimal Art GalleryKnown for his Neo-Tantric paintings Biren De moulded an artistic career for himself across five decades beginning as a portrait painter. The early works were figurative and strongly influenced by Post-Impressionist European painters. He gradually evolved into abstraction and by the sixties had abandoned figuration altogether developing what became known as his signature ‘Neo-tantric’ style. His tantric style works show symmetrical patterns of geometry concentric rings crescents and orbs. The presence of tantric symbols such as the mandala phallus and vagina which represent the masculine and feminine energies of the universe. De’s tantric works often had dark blues and bright reds which was meant to awaken the psyche towards an undivided consciousness.For further information on the artist, click here.
Rini Dhumal (1948 - 2021) Oil on Metal Sheet 17.5 x 18 Inches Signed Lower Centre Rini Dhumal was a prominent artist whose work was shaped by her background in printmaking. Born in Rongpur Bangladesh she studied at MS University Vadodara India where she later became a faculty member. Dhumal’s art focused on the strength and complexity of women often exploring themes of power and resilience through her "Devi" series. Drawing inspiration from both mythology and contemporary life her work conveyed the enduring nature of women’s roles in society. Her use of color and form was deliberate blending aesthetics with meaning.
Brian Taylor F.R.B.S F.S.P.S (1935-2013) - Plaster - Bust of the Horse of Selene, on contemporary stand, 34ins x 33ins high Note: A Fellow of the Royal Society of British Sculptors and Vice Principal of the Society of Portrait Sculptors, Brian Taylor was a British sculptor, particularly well regarded for his studies of both human and animal forms. His love of the medium developed steadily in the years to follow, and in 1958 Taylor won a three-year scholarship to study sculpture in Rome. Italy proved to be a great influence on the artist, with both ancient and modernist sculpture fuelling his formative appreciation of sculptural styles, from life-size marble carvings to more modest clay portraits. The artist taught at the Camberwell School of Art between the years of 1965–1984. Horses were of particular interest, the Burano Horse among his most celebrated works, and his other monumental bronze sculptures featuring regularly in both group and solo exhibitions in England and Italy.
(Mining) Fifteen very good works 'South African School of Mines and Technology. Calendar for the Year 1912,' first and only edition, original cloth with silver gold lettering to front board giving a different title of 'Day Calendar and Evening Class Prospectus', ex libris label Courtney Library, pp.7 of advertisements to front, b+w photographic frontis, plates with some being fold outs, vg to fine, appears to be very scarce with no references on WorldCat found, lacks an imprint (the cataloguer can not find a reference), Johannesburg, 1912; 'The Diamond Prospecting Core Drill,' lacks wraps, ex libris label pasted to front, nibbles and ink stains, staple bound, pp.16, no imprint but most likely Royal Institution of Cornwall, Netherton and Worth, Truro, 1893; Frederick Colyer. 'Pumps and Pumping Machinery,' second edition, two volumes, original cloth with gilt tooled lettering, rubbed to extremities, ex libris Courtney Library, pp.200, profuse with fold out charts to the rear, E. &. F. N. Spon, London, 1892; William T. Molyneux. 'C.M.A. Sectionlised with Amendments and New General Regulations,' fourth edition revised, original cloth, ex libris, vg, Thomas Wall and Sons, The Science and Art of Mining Office, Wigan, 1926; W. O. Alexander. 'A Brief Review of the Developments of the Copper, Zinc and Brass Industries in Great Britain from A. D. 1500 to 1900,' pp.389 to 427, staple bound, Volume 1, No.15, Review, Published by Murex Ltd, Essex, 1955; Stephen Michell. 'Mine Drainage. Being a Complete and Practical Treatise on Direct-Acting Underground Steam Pumping Machinery,' first edition, original binding with gilt lettering to spine with splits to hinges, tear to ffep, ex libris, Rebecca Hussey Book Charity and St Just Literary Institution ink stamps throughout, pp.277, plus 48 pages of adverts at the back being a catalogue of books pub by Crosby Lockwood & Co etc, a scarce work, Crosby Lockwood and Co, London, 1881 (Michell was an expert on contemporary mining technology. He co-authored an essay ‘’The Cornish System of Mine Drainage’’ prior to writing this comprehensive survey); With nine other good works including by W. A. Macleod, Bennet H. Brough, John MitchellRhead and Sexton &c, &c. (15)
(Modern Art) Six good large format works David Anfam. 'Abstract Expressionism,' bright card wraps, colour illustrations throughout, vg, on occasion of the exhibition, Royal Academy of Arts, London, 2016; Norman Rosenthal et al. 'Apocalypse. Beauty and Horror in Contemporary Art,' card wraps, colour illustrations throughout, vg, on occasion of the exhibition, Royal Academy of Arts, London, 2000; Alain borer. 'The Essential Joseph Beuys,' unclipped dj, illustrated throughout, vg, Thames and Hudson, London, 1996; With three other works including 'Van Gough. A Retrospective', 'Tapies. Objects of Time' and 'Magnum Stories'. (6)
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