A captivating acrylic and collage artwork on canvas by Patrick Archer, titled Elevating Thoughts (A Central Light). This mixed-media piece showcases Archer's unique ability to blend abstract forms and textures with vibrant colors, creating a visually striking composition. Signed and dated 92 by the artist on the lower center front and inscribed with the title, medium, and dimensions on the reverse, this work represents Archer"s creative exploration of light and thought. The painting incorporates a variety of elements, including layered textures, abstract geometric forms, and a dynamic use of color, inviting the viewer to immerse themselves in its intricate details. Housed in a minimalist brass-colored frame, the piece is a true statement of contemporary art. Patrick Archer is a contemporary artist celebrated for his innovative use of mixed media and abstraction. His work often explores themes of light, energy, and transformation, blending vibrant colors and intricate textures to create thought-provoking compositions. Archer's ability to merge acrylic paint with collage elements demonstrates his mastery of layered storytelling within abstract art. His works have been displayed in various galleries and exhibitions, earning him recognition among collectors and enthusiasts for his bold artistic vision. Artwork dimensions with frame: 53.50"L x 45.50"H x 2"W.Artist: Patrick Archer (American 1926-2024)Issued: 1992Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear.
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This unique art glass vase showcases a contemporary oval-shaped body with a striking design. The vase features a clear glass body accented by a swirling band of vibrant blues, greens, and earthy amber tones that wraps around its circumference. The intricate color combination provides an abstract, flowing aesthetic, emphasizing the craftsmanship involved in its creation. The base is heavy and stable, ensuring the vase is both decorative and functional. Ideal for collectors or as a centerpiece, this stunning piece is a testament to modern glass artistry.Dimensions: 7.75"HCondition: Age related wear.
A striking Art Deco-inspired lithograph by the renowned French poster artist Razzia, titled Le Touquet Paris-Plage. The artwork captures a stylized scene of the famous French seaside resort, featuring a swimmer in a yellow cap and white robe gazing towards an architectural diving platform. The clean lines, bold colors, and minimalist composition are hallmarks of Razzia's signature aesthetic, reminiscent of the golden age of travel posters. Signed in the lower right corner by the artist, this framed piece exemplifies Razzia's celebrated ability to blend vintage advertising styles with modern graphic design. His works are highly sought after by collectors of contemporary poster art, especially for their association with luxury, travel, and lifestyle branding. Artwork dimensions with frame: 48.50"L x 64.50"H x 2"W. Artwork can be unframed and rolled for shipment.Artist: Razzia (a.k.a. Gerard Courbouleix Deneriaz, b. 1950) Issued: c. 1986Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear. Minor color bleed on upper right side of poster, likely due to printing inconstancy.
This original poster titled A Journey Through Time by Louis Vuitton is a striking work by Razzia, a renowned contemporary poster artist known for his Art Deco-inspired advertising and luxury brand collaborations. This piece pays homage to A.M. Cassandre's legendary travel posters, embodying a blend of classic and modern graphic design. The composition features a majestic Louis Vuitton steamer trunk, visually transformed into a grand ocean liner, a motif reminiscent of Cassandre's famed Normandie (1935) poster. The LV monogram pattern takes center stage, reinforcing the brand's rich heritage in luxury travel. Surrounding the imagery are city names-New York, Paris, London, Venice, Hong Kong, Sydney, Tokyo, and Moscow-highlighting Louis Vuitton's global influence. The typography reflects the bold, geometric style often associated with Art Deco aesthetics. This lithograph includes the printed signature of Razzia and is inscribed: A Tribute to Cassandre - Original Lithograph. The artwork is an exceptional collector's piece, combining elements of luxury, travel, and timeless Art Deco design. Dimensions with frame: 48.25"L x 61.50"H. Artwork can be unframed and rolled for shipment.Artist: Razzia (a.k.a. Gerard Courbouleix Deneriaz, b. 1950) Issued: c. 1980Dimensions: In descriptionCountry of Origin: FranceCondition: Age related wear. Minor buckling.
Three Jeremy Annear publications and other art publications "Arts of Japan 3; Tea Ceremony Untensils", Ryoichi Fujioka. First edition. Published 1973, John Weatherhill Inc. "40 Years of Acting", Tatsuya Nakadai. "Ten Penwith Printmakers". Published 1998 by Penwith Printmakers. Softcover. "The Printmakers of Atelier 17". Published by Austin/Desmond Contemporary Books. Softcover. "Works on Paper; by Modern British Artists II". Published by Austin/Desmond Fine Art. Softcover. "Forensic Traces", Jeremy Annear. Exhibition Catalogue. 2010, Campden Gallery. Signed by the artist. "Jeremy Annear" Exhibition catalogue. New Millenium Gallery. "The Eye of the Spirit" Jeremy Annear. Exhibitio catalogue. 2011. Messum's London. "Keith Vaughan". Pallant House Gallery magazine. "Michael Canney; Paintings, constructions and reliefs". Exhibition catalogue. The Belgrave Gallery. 1990. "Michael Canney; Paintings, constructions and reliefs". Exhibition catalogie. Katharine House Gallery. 2005.
§ Dame Tracey Emin CBE, RA (1963-) The Golden Milesigned and dated 'Tracey Emin 2012' (lower right); numbered 300/300photogravure42 x 50cmExhibited:St.Ives, Belgrave St. Ives Modern & Contemporary Art, Winter Exhibition 2022, 19 November - 9 January 2023Not examined out of the frame. The work is float mounted, displaying deckled edges to all sides. There is a small crescent shaped crease to the top right corner and a small handling crease in the lower right quadrant of the image. Otherwise in nice overall condition
Bretby Art Nouveau stoneware clockcase, circa 1900, impressed factory marks, registration mark and pattern no. 1788, glazed to simulate bronze, moulded with a whiplash motif and surmounted with a bust of a maiden and two Ruskin-style turquoise cabochons, with later replacement contemporary quartz timepiece, 28cm high Condition ReportFlat footrim chip to the underside of one rear foot, minor wear to glaze overall, as noted the Quartz clock is a modern replacement.
Francis Picabia (Paris, France, 1879 - 1953)"Female nude"Charcoal drawing on paper. Signed.29,5 x 22,5 cm.The paper is quite darkened by sunlight. The white margin shown in the last picture shows the original colour of the paper. Francis Picabia was a French avant-garde artist of Spanish origin who stood out, as noted by the Museo Thyssen-Bornemisza in its artist profile, "for his free spirit and great versatility in changing styles according to his own impulses." Thus, throughout his nomadic artistic career spanning France, Spain, the United States, and Switzerland, he engaged with and left an impact on multiple contemporary styles such as Impressionism, Orphism, Surrealism, and the Dada movement. He had connections with figures like Alfred Stieglitz, Tristan Tzara, Hans Arp, André Breton, and Marcel Duchamp, with whom he formed a close friendship.His versatility is not limited exclusively to styles: he experimented with various techniques, including figurative painting, drawing, and collage. His art is characterized by shifts in themes, yet it consistently remains within the realm of "the imaginary and symbolic," as stated by the CCCB (Centre de Cultura Contemporània de Barcelona). Furthermore, his artistic exploration extended beyond painting into other disciplines, such as set design—for instance, his work on René Clair's film Entr'acte —and literature, where he collaborated with several magazines and founded others, like the magazine 391 in Barcelona.The Museo Nacional Centro de Arte Reina Sofía has numerous paintings by the artist in its collection. Countless exhibitions of his work have been held in museums worldwide, as can be seen on his official website (https://www.picabia.com/ ). Reference bibliography:- Museo Nacional Thyssen-Bornemisza. (s.f.). “Francis Picabia”. https://www.museothyssen.org/coleccion/artistas/picabia-francis- Centre de Cultura Contemporànea de Barcelona. (s.f.). “Francis Picabia”. https://www.cccb.org/es/participantes/ficha/francis-picabia/12170- Fundació Tàpies. (s.f.). “Francis Picabia. Máquinas y españolas”. https://fundaciotapies.org/es/exposicio/francis-picabia-maquinas-y-espanolas/
A pair of modern Art Deco style table lamps, white shades, each standing 60cm high; a large pair of chrome plated table candlesticks; others, contemporary; A contemporary pair of clear glass storm vases, with flared bowls, long cylindrical stems, 56cm high; a set of four oval asparagus dishes; Villeroy & Boch plates; etc
A striking framed print by British artist Edwina Sandys, signed and dated '15. Known for her bold and abstract designs, Sandys often explores themes of unity and duality. This artwork features a juxtaposition of black-and-white forms with vibrant red accents, presenting a compelling visual narrative. Framed and under glass, the piece measures 24.25"L x 31.25"H. The back is paper-wrapped and includes a wire for hanging. Sandys' works have been widely exhibited and are featured in collections worldwide, making this piece an excellent addition to any contemporary art collection. Dimensions: See DescriptionCondition: Age related wear.
This framed mixed media artwork by Valery Cherkashin depicts a surreal representation of the Moscow Metro, blending photography, paint, and collage elements. Signed and dated 1991, the piece is titled "The Earth's Crust in the Subway" and includes a unique dedication on the back reading "About the Moscow subway, Moscow 1993, Cherkashin Valery." The artwork with the frame measures 19"L x 16"H. A compelling addition to any collection of contemporary or Soviet-era art, this piece offers both aesthetic and historical significance. Dimensions: See DescriptionCondition: Age related wear.
A captivating abstract portrait painting signed by Alexander Gore showcasing a striking composition of bold black brushstrokes against a textured, multi-colored background. The piece evokes a raw, expressive quality with its use of simplified facial features and gestural marks, characteristic of contemporary abstract expressionism. Presented in a substantial metallic silver frame that complements the artwork's modern aesthetic. Alexander Gore, born in 1958 in St. Petersburg, Russia, is a contemporary artist renowned for his abstract and semi-abstract works. Growing up near the Hermitage Museum, he developed an early fascination with Western art, which significantly influenced his creative direction. In 1980, Gore immigrated to New York City, immersing himself in the vibrant art scene and seeking avenues for full artistic expression. After a decade in New York, he relocated to Miami, Florida, where he established his own gallery. His experiences in Central America and the Caribbean have also left a notable imprint on his work, infusing it with elements inspired by tribal cultures and primitive art forms. Gore's distinctive style, which he terms Agorism, is characterized by the organic movement of color across the canvas, utilizing strong lines that hint at emerging shapes. His paintings often feature intricate, curvilinear forms and gestural marks, creating an atmosphere that invites viewers to engage their imagination. Signature and date on lower left side. Artwork dimensions with frame: 22.50"L x 27"H x 2"W. Artist: Alexander Gore (Russian-American b. 1958)Issued: 2022Dimensions: See DescriptionCountry of Origin: Russia/United StatesCondition: Age related wear.
This striking abstract artwork on paper by W. Scott Wilson showcases his masterful use of color and texture in a mixed media composition. The dynamic interplay of bold reds, vibrant greens, and earthy tones creates a visually captivating piece, inviting the viewer to explore its depth and complexity. The composition is an exemplary representation of Wilson's signature style, balancing abstract expressionism with intricate detailing. Signed W. Scott Wilson in the lower-left corner, this piece reflects the artist's commitment to bold creativity and individuality in contemporary abstract art. Professionally matted with a black border and housed in a custom giltwood frame with an inner decorative border, this work is ready to enhance any art collection or space. W. Scott Wilson is celebrated for his innovative approach to abstract art, combining traditional techniques with experimental media to create evocative and thought-provoking pieces. His works are known for their emotional depth, making them highly sought after by collectors and enthusiasts. Artwork dimensions with frame: 46"L x 56.25"H x 1.75"W.Artist: W. Scott Wilson (American, 20th century)Dimensions: See DescriptionCountry of Origin: USAProvenance: Single owner; bought from artist.
A striking gilt bronze sculpture by renowned designer Naomi Schindler, this piece exemplifies modernist elegance and sophisticated abstraction. Its elongated and fluid form demonstrates a keen understanding of movement and balance, while its polished finish highlights the brilliance of the bronze material. The design captures Schindler's signature aesthetic, merging organic contours with contemporary artistry. Naomi Schindler is celebrated for her ability to transform bronze into captivating works of art, seamlessly combining function and beauty. This sculpture serves as both a decorative and collectible piece, appealing to admirers of modern design and fine art. Naomi Schindler marked with limited edition number. Weight: 64 lbs. Artist: Noemi (Naomi) Schindler (Israeli, 1919-1991)Issued: 20th centuryDimensions: 28.5"HCondition: Age related wear.
A striking contemporary abstract portrait rendered in vibrant tones of red, yellow, green, and black. The artwork expressive brushstrokes and bold lines, capturing an emotional intensity that draws the viewer into its modern aesthetic. The composition combines layered textures with a rich color palette, creating a dynamic visual experience. The work is mounted in a sleek modern frame that complements the piece's artistic style. Alexander Gore is a renowned contemporary artist celebrated for his innovative approach to abstract expressionism. Born in Russia and now based in the United States, Gore's works are inspired by the enigmatic interplay of form, color, and emotion. His art reflects a unique blend of surrealism, abstraction, and figurative elements, creating a visual language he describes as 21st-century surrealism. Gore's paintings often delve into the subconscious, inviting viewers to interpret the intricate narratives within his works. His creations have been exhibited internationally, garnering a dedicated following among collectors of modern and abstract art. Artwork dimensions with frame: 17.25"L x 21.25"H x 1.75"W. Artist: Alexander Gore (Russian-American b. 1958)Issued: 2022Dimensions: See DescriptionCountry of Origin: Russia/United StatesCondition: Age related wear.
This elegant glass vase, attributed to Salvatore Polizzi, features a graceful blue form with a striking black base. Standing at 10.75" tall, the vase showcases Polizzi's signature style, with a smooth, frosted texture on the top portion that transitions to a clearer, polished finish toward the base. The vase bears an engraved signature, adding to its provenance. The modern design and expert craftsmanship make this a sought-after collectible for enthusiasts of contemporary glass art. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
This striking limited edition bronze sculpture is the work of renowned American sculptor Ken Treister, known for his emotive and introspective works. Active since the 1970s, Treister's sculptures often blend classical and modern styles, with a focus on texture and expressive form. One of his most notable works is the Holocaust Memorial in Miami Beach. The piece, cast in a unique, rough-hewn style that highlights the contemplative nature of the subject, stands on a solid marble base. Marked with the artist's signature, edition number (68/250), and the year (1980), this sculpture is a fine example of modern figurative art. Treister's mastery is evident in the intricate texture and expressive detail, making it a standout piece for collectors of contemporary sculpture. Artist: Ken Treister (American, b. 1930)Issued: 1980Dimensions: 10.5"HCondition: Age related wear. The bust a bit detached from the base. Glue residue on base.
Biren De (1926 - 2011)Oil on Canvas24 x 18 inchesSigned Lower LeftYear - 1967Published - Past Present into the Future Contemporary India Art Page no. 20 December 2007.Provenance - Originally acquired from Dhoomimal Art GalleryKnown for his Neo-Tantric paintings Biren De moulded an artistic career for himself across five decades beginning as a portrait painter. The early works were figurative and strongly influenced by Post-Impressionist European painters. He gradually evolved into abstraction and by the sixties had abandoned figuration altogether developing what became known as his signature ‘Neo-tantric’ style. His tantric style works show symmetrical patterns of geometry concentric rings crescents and orbs. The presence of tantric symbols such as the mandala phallus and vagina which represent the masculine and feminine energies of the universe. De’s tantric works often had dark blues and bright reds which was meant to awaken the psyche towards an undivided consciousness.For further information on the artist, click here.
Rini Dhumal (1948 - 2021) Oil on Metal Sheet 17.5 x 18 Inches Signed Lower Centre Rini Dhumal was a prominent artist whose work was shaped by her background in printmaking. Born in Rongpur Bangladesh she studied at MS University Vadodara India where she later became a faculty member. Dhumal’s art focused on the strength and complexity of women often exploring themes of power and resilience through her "Devi" series. Drawing inspiration from both mythology and contemporary life her work conveyed the enduring nature of women’s roles in society. Her use of color and form was deliberate blending aesthetics with meaning.
Brian Taylor F.R.B.S F.S.P.S (1935-2013) - Plaster - Bust of the Horse of Selene, on contemporary stand, 34ins x 33ins high Note: A Fellow of the Royal Society of British Sculptors and Vice Principal of the Society of Portrait Sculptors, Brian Taylor was a British sculptor, particularly well regarded for his studies of both human and animal forms. His love of the medium developed steadily in the years to follow, and in 1958 Taylor won a three-year scholarship to study sculpture in Rome. Italy proved to be a great influence on the artist, with both ancient and modernist sculpture fuelling his formative appreciation of sculptural styles, from life-size marble carvings to more modest clay portraits. The artist taught at the Camberwell School of Art between the years of 1965–1984. Horses were of particular interest, the Burano Horse among his most celebrated works, and his other monumental bronze sculptures featuring regularly in both group and solo exhibitions in England and Italy.
(Mining) Fifteen very good works 'South African School of Mines and Technology. Calendar for the Year 1912,' first and only edition, original cloth with silver gold lettering to front board giving a different title of 'Day Calendar and Evening Class Prospectus', ex libris label Courtney Library, pp.7 of advertisements to front, b+w photographic frontis, plates with some being fold outs, vg to fine, appears to be very scarce with no references on WorldCat found, lacks an imprint (the cataloguer can not find a reference), Johannesburg, 1912; 'The Diamond Prospecting Core Drill,' lacks wraps, ex libris label pasted to front, nibbles and ink stains, staple bound, pp.16, no imprint but most likely Royal Institution of Cornwall, Netherton and Worth, Truro, 1893; Frederick Colyer. 'Pumps and Pumping Machinery,' second edition, two volumes, original cloth with gilt tooled lettering, rubbed to extremities, ex libris Courtney Library, pp.200, profuse with fold out charts to the rear, E. &. F. N. Spon, London, 1892; William T. Molyneux. 'C.M.A. Sectionlised with Amendments and New General Regulations,' fourth edition revised, original cloth, ex libris, vg, Thomas Wall and Sons, The Science and Art of Mining Office, Wigan, 1926; W. O. Alexander. 'A Brief Review of the Developments of the Copper, Zinc and Brass Industries in Great Britain from A. D. 1500 to 1900,' pp.389 to 427, staple bound, Volume 1, No.15, Review, Published by Murex Ltd, Essex, 1955; Stephen Michell. 'Mine Drainage. Being a Complete and Practical Treatise on Direct-Acting Underground Steam Pumping Machinery,' first edition, original binding with gilt lettering to spine with splits to hinges, tear to ffep, ex libris, Rebecca Hussey Book Charity and St Just Literary Institution ink stamps throughout, pp.277, plus 48 pages of adverts at the back being a catalogue of books pub by Crosby Lockwood & Co etc, a scarce work, Crosby Lockwood and Co, London, 1881 (Michell was an expert on contemporary mining technology. He co-authored an essay ‘’The Cornish System of Mine Drainage’’ prior to writing this comprehensive survey); With nine other good works including by W. A. Macleod, Bennet H. Brough, John MitchellRhead and Sexton &c, &c. (15)
(Modern Art) Six good large format works David Anfam. 'Abstract Expressionism,' bright card wraps, colour illustrations throughout, vg, on occasion of the exhibition, Royal Academy of Arts, London, 2016; Norman Rosenthal et al. 'Apocalypse. Beauty and Horror in Contemporary Art,' card wraps, colour illustrations throughout, vg, on occasion of the exhibition, Royal Academy of Arts, London, 2000; Alain borer. 'The Essential Joseph Beuys,' unclipped dj, illustrated throughout, vg, Thames and Hudson, London, 1996; With three other works including 'Van Gough. A Retrospective', 'Tapies. Objects of Time' and 'Magnum Stories'. (6)
SCOTTISH GUILD OF HANDICRAFT, SET OF FOUR STENCILLED CANVAS FRIEZE PANELS, CIRCA 1905 each printed with Glasgow rose and foliate designs, on frame mountNote: The fabric used in these panels was originally part of the interior decoration for The Arcadia restaurant and tea rooms in Glasgow. The decoration was executed by the Scottish Guild of Handicraft circa 1905, whose members included John Ednie, Henry T. Wyse and a certain Charles Rennie Mackintosh.They were purchased by the current owner around a decade ago from someone who acquired them when the property was being redeveloped in the 1950s.The Arcadia is featured in The Studio - early 20th century art journal.As per page 46 of The Glasgow Style 1890-1920 (pub. Glasgow Museums and Art Galleries), '...The Guild was a Labour Co-Partnership Association and was registered under the Industrial and Provident Societies Act in 1903. Members held shares in the Guild, and were controlled by a committee which maintained standards by vetting their craftsmanship. The mutually supportive nature of the Guild is illustrated by the short lived Arcadian Gallery project. A J H Moffat, secretary of the Guild, was a designer and publisher's Art agent at 132 St Vincent Street. Here in 1907 Moffat and Clarke established The Arcadian Gallery, which combined a vegetarian restaurant with continuous exhibitions of contemporary art. The alterations and interior designs were by Henry T Wyse and the menu card by Jessie M King, both Guld members. This patronage was further demonstrated by Wyse who used stained glass made by John C Hall and was himself employed by the archistect Charles Soutar, both of whom were members.' 40cm high, 137cm wide Qty: 4 Overall, this lot is in good condition but shows some signs of age. The additonal images show some signs of use or storage, and the overall colour of the exterior shows age. There is some degradation to the edges, as some tacks have began to rust. The design looks strong and there no large tears or losses.
Jones (Owen). The Grammar of Ornament, Folio edition, London: Bernard Quaritch, 1868, 112 colour plates, some minor toning & spotting throughout, contemporary gilt decorated half morocco, boards & spine slightly rubbed, spine slightly faded, folio, together with:Stevenson (J. J.), House Architecture, 2 volumes, London: Macmillan and Co., 1880, monochrome illustrations, some minor toning, original uniform gilt decorated brown cloth, lightly rubbed to head & foot, 8vo, plusEditions Beyeler Basle, publisher, F. Leger, 1st edition, Basle, 1970, tipped-in colour plates, colour & monochrome illustrations, original cloth in glassine wrapper, covers slightly marked, large 4to, and other 19th Century & modern art & architecture reference, mostly original cloth, some in dust jackets, G/VG, 8vo/folioQTY: (6 shelves)
![Beeton (S. O., publisher). The Englishwoman's Domestic Magazine, volumes 1, 2, 5-8 & 12, London: S. O. Beeton, 1866-[72],](https://cdn.globalauctionplatform.com/471afe50-f953-4eaa-a05a-b26600f87ab0/29172eaf-568e-4075-90c7-b28000a089e4/468x382.jpg)
Beeton (S. O., publisher). The Englishwoman's Domestic Magazine, volumes 1, 2, 5-8 & 12, London: S. O. Beeton, 1866-[72], engraved plates including hand-coloured folding fashion plates, wood-engraved illustrations (some full or double-page), original gilt-blocked green cloth, frayed at head and foot of spines, 8vo & large 8vo, together with:Sutcliffe (George Lister). The Principles and Practice of Modern House Construction, 6 volumes, London: Blackie & Son, Ltd., circa 1900, numerous illustrations and plans (some coloured), original green cloth with blocked art nouveau decoration designed by Talwyn Morris in green, black and gilt, 4to, Scientific American. Scientific American, nos. 82-89, 8 volumes, New York: Munn & Co., Jan 1900 - Dec 1903, together with The Scientific American Supplement, nos. 48-56, 8 volumes, New York, July 1899-Dec 1903, monochrome illustrations, contemporary cloth, folio, plus 3 stamp albums (largely empty) and Erasmus (Desiderius). The Correspondence of Erasmus, translated by R. A. B. Mynors and D. F. S. Thomson, volumes 1-7, Toronto: University of Toronto Press, 1974, original cloth in dust jackets, 8vo, plus one other relatedQTY: (3 cartons)
LOUIS LEGRAND (FRENCH 1863-1951) LA SORTIE, FIGURE AND DOG, 1906 Drypoint etching, 19/20, numbered in pencil to margin, signed with initials and dated in plate the plate 19.5cm x 13cm (7.75in x 5in) From the Estate of Dorothy Bohm Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
SIR CECIL WALTER HARDY BEATON C.B.E. (BRITISH 1904-1980) COSTUME STUDIES Watercolour, ink and wash on buff paper 37cm x 30cm (14.6in x 11.75in) From the Estate of Dorothy Bohm Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
JEAN HIPPOLYTE MARCHAND (FRENCH 1883-1940) PAYSAGE DE PARIS Signed lower right, inscribed with artist's name and title to stretcher verso, oil on canvas 53cm x 45cm (21in x 17.75in) From the Estate of Dorothy Bohm Parisian suburban life is evoked in this verdant oil by Jean Hippolyte Marchand. A walker, an agricultural worker and a figure on horseback are painted with post-Impressionist brevity, their white headdresses suggesting we may be glimpsing the cloistered world of a religious order. The trees’ spindly boughs appear to bend in the breeze, their canopies ripening to an autumnal gold. Marchand imbibed the tonal vivacity and stylised naivete of French modernism. Often described as a cubist, it was in fact only his early work that explicitly channelled cubism’s crystalline delineation, and from the mid-1910s his forms assumed a gentler organic quality while retaining an avant-garde sensibility. Marchand attained the distinction of inclusion in Roger Fry’s 1910 Manet and Post Impressionism exhibition at London’s Grafton Galleries. He became acquainted with Clive Bell and henceforth folded into the Bloomsbury circle. A number of his works were acquired by the important collector Samuel Courtauld. Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
PAUL LUCIEN MAZE (FRENCH 1887-1979) WINDOW SILL STILL LIFE Signed lower right, pastel on buff paper 54cm x 73cm (21.25in x 28.75in) From the Estate of Dorothy Bohm Paul Maze has been referred to as ‘the last Post-Impressionist’. Maze’s father was a wealthy tea merchant, and the Normandy-based family acquired many Impressionist artworks, and were friends with Monet, Renoir and Pissarro. Maze was encouraged to use pastels by Edouard Vuillard, who said they were best-suited to Maze’s artistic vision. Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
JEAN HIPPOLYTE MARCHAND (FRENCH 1883-1940) STILL LIFE OF POPPIES IN A VASE Signed lower left, oil on canvas 60cm x 49cm (23.75in x 19.25in) From the Estate of Dorothy Bohm Marchand imbibed the tonal vivacity and stylised naivete of French modernism. Often described as a cubist, it was in fact only his early work that explicitly channelled cubism’s crystalline delineation, and from the mid-1910s his forms assumed a gentler organic quality while retaining an avant-garde sensibility. Marchand attained the distinction of inclusion in Roger Fry’s 1910 Manet and Post Impressionism exhibition at London’s Grafton Galleries. He became acquainted with Clive Bell and henceforth folded into the Bloomsbury circle. A number of his works were acquired by the important collector Samuel Courtauld. Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
A group of pictures comprising - After Ludwig Gruner (German, 1801-1882), Portion of a Painted ceiling in the Monastero Maggiore at Milan; Portion of a Painted ceiling by Bernard Luini XVIth. century; two plates from Specimens of Ornamental Art Selected from the Best Models of the Classical Epochs (pub. London, Thomas McLean, circa 1850), two colour lithographs, each sight 49 x 62cm (2); *John Pillow (20th century), Scottish Coastline, watercolour, signed, 28 x 43cm; 20th-century school India, ink drawing of a harbour view, 49.5 x 75cm; Contemporary School, African village scene, Watercolour, 35 x 54cm, Signed lower left (5)
A LARGE QUANTITY OF SOTHEBY'S MODERN AND CONTEMPORARY ASIAN ART AUCTION CATALOGUES, 1999-2020 Mostly Hong Kong, approximately 129 in total From the collection of Philip Ng Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LARGE QUANTITY OF CHRISTIE'S MODERN AND CONTEMPORARY ASIAN ART AUCTION CATALOGUES, 1994-2023 Mostly Hong Kong, approximately 197 in total From the collection of Philip Ng Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LARGE QUANTITY OF MODERN AND CONTEMPORARY ASIAN ART AUCTION CATALOGUES Including China Guardian, Yongle, Poly Auctions, Cheng Xuan, among others (Approximately 156 catalogues in total) From the collection of Philip Ng Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AN ASSORTMENT OF SOTHEBY'S AND CHRISTIE'S SINGAPORE SOUTHEAST ASIAN ART CATALOGUES, 1999-2007 Mostly modern and contemporary art, approximately 35 in total From the collection of Philip Ng Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Geology.- Luc (Jean Andre de) An Elementary Treatise on Geology, translated by Rev. Henry de la Fite, occasional surface marks or stains, modern half calf, spine a little faded, for F. C. and J. Rivington, 1809 § Werner (Abraham Gottlob) New Theory on the Formation of Veins, with its Application to the Art Working Mines, lacking half-title and frontispiece, a few leaves foxed, large water-stain to 34-56pp, bookplate to front pastedown, contemporary half calf, paper label to spine, a few repairs to spine ends, joints split, lower cover becoming detached, but holding, rubbed, Edinburgh, for Archibald Constable and Company, 1809 § Humboldt (Alexandre de) A Geognostical Essay on the Superposition of Rocks in Both Hemispheres, lacking half-title, repair to lower margin of title affecting date, occasional surface marks or stains, contemporary half calf, backstrip becoming detached, upper cover detached, rubbed and worn, 1823, first English editions, very light scattered spotting, light browning; and another, Geology, 8vo, (4).
Ireland & Irish Printing/Bookbinding.- Craig (Maurice) Irish Bookbindings 1600-1800, 1954 § McDonnell (Joseph) Five Hundred Years of the Art of the Book in Ireland 1500 to the Present, 1997 § McDonnell (J.) & Patrick Healy. Gold-Tooled Bookbindings commissioned by Trinity College Dublin in the Eighteenth Century, Leixlip, 1987 § Pollard (M.) A Dictionary of Members of the Dublin Book Trade 1550-1800, 2000 § Benson (Charles) The Dublin Book Trade 1801-1850, 2021 § Anderson (John) Catalogue of Early Belfast Printed Books, 1694 to 1830, enlarged edition, with supplement bound in at end, contemporary roan-backed boards, Belfast, 1890-94, illustrations, some colour, all but the last original cloth, the second & third with dust-jackets, a little rubbed and soiled; and c.45 others on Ireland & the Irish book trade, some pamphlets, 4to & 8vo (c.50)
*** Please note, the description of this lot has changed ***History of Art.- Winkelmann (Johann Joachim) Histoire de l'Art ches Les Anciens, 2 vol. only (of 3, lacking vol.2, part 2), half-titles 'Oeuvres Complettes', engraved portrait frontispiece, 62 engraved plates, a few scattered spots to vol. 2, contemporary calf, gilt, black morocco spine labels, some light scuffs, g.e., 4to, Paris, 1790-93.
Banking.- Sharp (Granville) The Gilbart Prize Essay on the Adaptation of Recent Discoveries and Inventions in Science and Art to the Purposes of Practical Banking, third English edition, 2 engraved portraits, numerous specimens of banking ephemera including leaflets, cheques, watermarks, banknotes, trade advertisements for locks, safes etc., some folding, some printed on coloured paper, 15 red wax seals mounted on lower paste-down, signature in red ink to title, contemporary half morocco, uncut, rubbed, London & Norwich, 1854.*** This work was written in response to a competition organised by James William Gilbart of the London and Westminster Bank, offering a prize (£100) for the best paper on the practical application to banking of the inventions and discoveries presented at the Great Exhibition of 1851. Granville Sharp was the accountant in the East of England Bank in Norwich and his winning essay was first published in 1852, but this is the first edition to include the illustrations and specimens of technical improvements in banking, particularly relating to security and the prevention of bank note forgery.
λ HOSSEIN VALAMANESH (IRANIAN/AUSTRALIAN 1949-2022) CHAI, AS CLOSE AS I COULD GET, 1998 MDF, enamel paint, fluorescent light, Perspex, water, glass, tea Height 83cm (32½in.) Edition of 5, plus A/P.Hossein Valamanesh (1949-2022) was an Iranian-Australian artist particularly known for his work in sculpture and installation. Born in Tehran, Valamanesh emigrated to Perth after completing his artistic studies. He spent time in Aboriginal communities before settling in Adelaide, where he would rise to prominence. Valamanesh never lost sight of his native Persian culture, investing his works with commentary on identity and nationhood. The artist's œuvre is remarkable for its assured minimalism and use of natural materials, as well as poetry and calligraphic text. A learned, literary mind, Valamanesh never shrinks from grand ontological questions, employing circular motifs to reflect his belief in the unity of Man and nature. The artist suffered a heart attack in 1995, which prompted him to engage with themes of mortality and transience. Valamanesh is survived by his wife, Angela, with whom he undertook numerous public commissions. His works have been exhibited internationally, including at Grey Noise, Dubai, Galerie Tanit, Munich, and the Institut des Cultures d'Islam, Paris. Valamanesh's work can be found in all Australian state collections, as well as the Kadist Art Foundation, Paris, and the Sara Hildén Art Museum, Tampere. He is the recipient of numerous awards, such as the Grand Prize at the 8th Asian Biennial (1997) and the Smithsonian Artist Research Fellowship (2014); in 2010, he was declared a Member of the Order of Australia.It is no coincidence that Chai, as close as I could get figures prominently on the cover of the artist's 2011 monograph, Hossein Valamanesh: Out of Nothingness. The installation calls forth familiar descriptors: spiritual, ethereal, poetic, understated. Visually inspired by a glass floating in a bubbly sink, Chai embodies the humility one has come to expect of Valamanesh's work. (1) In accessible formal language, this installation invites the viewer to resolve its title. Whereto is Valamanesh getting close? How does Chai answer this question? The artist's practice owes itself to many quarters: Arte Povera, Persian poetry, Sufi philosophy, Aboriginal Australia. The diversity of Valamanesh's references reflects his own composite identity, while his use of tea conjures up associations with trade and travel. Chai may be read as an eloquent and at least partly autobiographical commentary on migration. The tea hovers above the water, bathing in its light. The brightness and purity of this arrangement elevate the everyday to an almost religious experience, recalling the Islamic practice of wuḍūʾ and baptismal fonts. Chai is a monument to the transubstantial process of uprooting and resettling, inspiring a sense of what critics have termed 'cosmopolitan belonging,' fraught and challenging though it may prove. (2) Here, tea and water have achieved comfortable, amicable proximity, though they will never make contact. Perhaps - as the unmixed liquids imply - total assimilation is unlikely. The tranquil equilibrium of Chai suggests that this is no cause for regret. Rather, as Valamanesh's life and work demonstrates, cultural integration is possible, desirable even, when one settles in a new land without ever losing sight of the first.Here, the floating glass is held in delicate suspension, its contents recommending that we pause, sip, and breathe for a moment. As the great astrologer-poet Omar Khayyám once intoned, 'Each Morn a thousand Roses brings, you say: / Yes, but where leaves the Rose of Yesterday?' (3) This life is fleeting, yes, but so too is the fear of its end; Valamanesh invites us to embrace existence in all its beautiful fragility. Chai is not so much a memento mori, then, as a whispered carpe diem. To borrow the title of Valamanesh's first European retrospective, itself an allusion to Sufi poetry, Puisque tout passe: this too shall pass.1. Mary Knights and Ian North, Hossein Valamanesh: Out of Nothingness (Kent Town, S. Aust.: Wakefield Press, 2011), 88.2. Marsha Meskimmon, Contemporary Art and the Cosmopolitan Imagination (United Kingdom: Taylor & Francis, 2010), 86.3. Omar Khayyám, Rubáiyát of Omar Khayyám, trans. Edward FitzGerald (United Kingdom: University Press of Virginia, 1997), 97. Condition Report: PLEASE NOTE: ALL LOTS IN THIS AUCTION ARE NOT AVAILABLE TO VIEWEvidence of handling marks and dirt throughout. The glass has a small chip on the ring and the gilding has slightly faded. Otherwise good original condition throughout PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER, SP10 3SA, TWO DAYS AFTER THE AUCTION. Condition Report Disclaimer
Jean-Louis Forain (French, 1852-1931) A portrait of a lady, said to be Collette Coloured chalk on paper Signed lower right, ‘Forain’ With extensive labels to the reverse and exhibition history, ‘Exhibition of contemporary French Art Held at the Leicester Galleries / July 1928 / No 21 “Tete de Femme” / J L Forain’ and bought by Mrs Juliet Swire as inscribed verso Provenance: Havard Freres, 123 Boulevard Montparnasse, Paris; Leicester Galleries, Leicester Square, London Dimensions: (Frame) 20 in. (H) x 17 in. (W) (Paper) 17.5 in. (H) x 14.5 in. (W)
Superyacht furnishings, a contemporary laquered drinks cabinet with chrome details. Featuring a highly laquered patterned design, on Art Deco style feet, three drawers flanked by cupboard doors, each with white melamine fronts, chrome edging and chunky chrome spiral handles, one cupboard is fitted with perspex stands for drinking glasses. Height 80cm, width 230cm, depth 40cm. With padded fabric cover.This lot is just one of a selection of opulent furnishings that Lay's Auctioneers have for sale from a luxury 55-metre superyacht.Please note this item is very heavy and will require four people to move it.
An exceptional oil on canvas painting by Brazilian-born artist Fernando de Jesus Oliveira, known professionally as Ferjo. This vibrant and surreal composition pays homage to Pablo Picasso, blending elements of Cubism with Ferjo's signature dreamlike style. The artwork features a central Picasso-inspired portrait framed by a whimsical, surreal room adorned with floating objects, including butterflies, strawberries, and fragmented spheres. Ferjo's use of bright, bold colors and meticulous detail evokes a sense of both nostalgia and modern innovation, making this piece a dynamic addition to any collection. Signed by the artist in the lower right corner, the painting is set within a complementary gilded frame that enhances its visual impact. Ferjo's ability to create captivating, dreamlike spaces has made him a sought-after contemporary surrealist. Ferjo is an acclaimed Brazilian-American surrealist artist renowned for his masterful blend of realism and fantasy. Born in 1946, he trained at the Pennsylvania Academy of Fine Arts, where he refined his unique style that often draws on the influences of art historical giants such as Picasso, Dali, and Matisse. His works often depict dreamlike interior spaces populated with unexpected elements, creating a sense of wonder and curiosity. Ferjo's paintings are celebrated for their technical precision, imaginative compositions, and vibrant use of color. His works have been exhibited internationally and are highly collectible. Signature on lower right. Artwork dimensions with frame: 39"L x 41"H x 2.50"W. Artist: Ferjo (Brazilian b. 1946)Issued: c. 2000Dimensions: See DescriptionCountry of Origin: BrazilCondition: Age related wear.
Vivid and colorful serigraph by renowned Israeli artist Isaac Maimon, depicting an elegant cafe scene with vibrant figures immersed in conversation. Maimon's signature style of blending impressionism with contemporary elements is evident in the fluid lines and bold palette, capturing the allure and dynamism of Parisian cafe culture. This limited-edition piece is hand-signed by the artist and numbered in the margin. Maimon is celebrated for his expressive portrayals of urban life, often featuring fashionable women in cosmopolitan settings. This work is professionally framed under glass and ready for display. Also includes a signed copy of Maimon's catalogue, B&R International Art, LTD. Signed and edition number 39 of 275. Sight size: 31"L x 40"H. Frame dimensions: 45"L x 54.25"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: Isaac Maimon (Israeli b. 1951)Issued: 1992Dimensions: See DescriptionCountry of Origin: IsraelCondition: Age related wear.
Chapbooks - Yorkshire Complete series of chapbooks by J. S. Publishing & Stationery Co., Limited, Otley 16 works in 1 volume, 8vo (16.2 x 9.4cm), 20th-century red crushed morocco by W. H. Smith and Son Limited (in the manner of their work for the Ashendene Press), each work 8 pp., with original colour-printed wrappers bound in (imprint on front wrapper ‘For the booksellers'), woodcut vignette to each page (often over-printed in colours), works comprise: The History of Cinderella; The History of Tom Thumb; Hare and Many Friends; Entertaining Views; Robinson Crusoe; Jack and the Giant Killer; Little Red Riding Hood; Scenes from Nature; Old Dame Trot; Mother Hubbard; Capitals of Europe; The House that Jack Built; Cock Robin and Jenny Wren; Old Man and his Ass; History of Peter Brown;together with 2 other volumes of chapbooks, both 8vo, contemporary green cloth, printed spine-labels reading ‘Quaint Scottish Literature. Chap Books and Penny Histories. First [-Second] Series. Printed chiefly in Paisley and Glasgow’, edges untrimmed, containing approx. 80 items in total, contents include: The Art of Swimming rendered Easy … by Dr B. Franklin, Glasgow, for the bookseller, [no date]; M. Cottin, Elizabeth; or, the Exiles of Siberia, [no date], A Night Frae Hame, Oration on Teetotalization, and Parody on the Last Rose of Summer, Paisley: G. Caldwell and Son, 1842; The Iron Shroud; or, Italian Revenge, Paisley: Caldwell and Son, 1839; The Wife of Beith; with a Description of her Journey to Heaven, Falkirk: for the booksellers, [no date]; The Comical Sayings of Paddy from Cork, Glasgow: for the bookselers [sic], [no date]; A Collection of Popular Newcastle Songs … Part II, Newcastle: J. Marshall, 1824; The Irish Assassin, or the Misfortunes of the Family of O'Donnel. By Henry Vincent, Glasgow: for the booksellers, [no date]; Daniel O'Rourke's Wonderful Voyage to the Moon. Also, Master and Man; or, the Adventures of Billy MacDaniel, Glasgow: for the booksellers, [no date]; The Golden Dreamer; or Dreams Realised, containing the Interpretation of a Great Variety of Dreams, Glasgow: for the booksellers, [no date]; and similar (3)
Paton, James (editor) Scottish History and Life Glasgow: James Maclehose & Sons, publishers to the University, 1902. First edition, large-paper issue, one of 20 copies printed on japon throughout (in addition to 300 large-paper copies on paper), large 4to (36.8 x 27.5cm), contemporary blue morocco by Maclehose, thistle devices gilt to spine compartments, large gilt block of the royal arms to front cover, top edge gilt, others untrimmed;MacColl, D. S. Nineteenth Century Art. Glasgow: James Maclehose & Sons, publishers to the University, 1902. First edition, large-paper issue, one of 20 copies printed on japon throughout (in addition to 300 large-paper copies on paper), large 4to (36.6 x 27cm), contemporary blue morocco by Maclehose uniform with the preceding work, top edge gilt, others untrimmed;Henley, W. E (editor). A Century of Artists. A Memorial of the Glasgow International Exhibition 1888. Glasgow: James Maclehose & Sons, publishers to the University, 1889. First edition, large-paper issue with the plates on japon, one of 215 copies, large 4to, original brown buckram gilt, top edge gilt, others untrimmed;Fairbairn, Thomas. Relics of Ancient Architecture and Other Picturesque Scenes in Glasgow. Glasgow: David Bryce & Son, 1885. Number 1 of 50 copies only, folio, original green quarter morocco, red cloth sides, plates (on india paper, mounted), wear to spine, variable spotting to contents;and 5 others (9) The Library of a Scottish Gentleman.
Science Collection of works, English and Scottish, mainly 18th century Buchan, William. Domestic Medicine; or, the Family Physician. Edinburgh: Balfour, Auld, and Smellie, 1769. First edition, 8vo, xvi 624 pp., contemporary sheep, joints cracked; Saviard, Barthelémy. Observations in Surgery: being a Collection of One Hundred and Twenty Eight Different Cases. With Particular Remarks on each, for the Improvement of Young Students. Wherein not only the Method of Practice in Difficult Labours, but other Distempers incident of the Female Sex are copiously enlarged on … Written originally in French … [Translated by] J. S. Surgeon. London: J. Hodges, 1740. First edition in English, 8vo, contemporary sprinkled calf, A2-7 near-detached (held by one cord only); Milnes, James. Sectionum Conicarum Elementa Nova Methodo Demonstrata. Oxford: e Theatro Sheldoniano, 1723. Third edition, 8vo, contemporary panelled calf, engraved vignette to title-page, 21 engraved folding plates; Love, John. Geodaesia: or, the Art of Surveying and Measuring of Land made easy … Also, How to lay out New Lands in America, or elsewhere. London: for A. Bettesworth and C. Hitch; and W. Innys, 1731. Fourth edition, 8vo, contemporary panelled calf, lacking rear free endpaper; Coles, Elisha. An English Dictionary, explaining the Difficult Terms that are used in Divinity, Husbandry, Physick, Philosophy, Law, Navigaiton, Mathematicks, and other Arts and Sciences. London: for Peter Parker, 1696. First edition, 12mo, contemporary sheep, closed tear in S5; Priestley, Joseph. Experiments and Observations on Different Kinds of Air. London: for J. Johnson, 1775. Volumes 1-2 only (of 3), second edition of volume 1, first edition of volume 2, 8vo, contemporary calf, volume 1 with 2 engraved folding plates, volume 2 with 2 engraved plates only (apparently of 3), volume 1 joints cracked, volume 2 front board detached; Carrick, Andrew. Dissertatio medica inauguralis, de asthmate periodico. Edinburgh: Balfour and Smellie, 1787. First edition, 8vo, contemporary tree calf gilt; Keill, John. An Introduction to Natural Philosophy: or, Philosophical Lectures read in the University of Oxford … To which are added, the Demonstrations of Monsieur Huygens's Theorems, concerning the Centrifugal Force and Circular Motion. London: for J. Senex, W. and J. Innys, J. Osborn, and T. Longman, 1726. Second edition, 8vo, xii 306 pp., contemporary panelled calf, woodcuts in text, advertisement leaf to rear; and 5 others similar (17) From the library of the Murrays of Dollerie, Crieff, Perthshire. With various family ownership inscriptions to endpapers and title-pages; manuscript shelfmark labels pasted to feet of a few spines.
Art and Architecture Group of 21 books White, John. Rural Architecture, illustrated by a new series of designs for ornamental cottages and villas… Glasgow: John White, 1845. Folio, contemporary half calf;Hall, James. Essay on the Origin, History, and Principles of Gothic Architecture. London: John Murray…, 1813. Folio, contemporary black russia gilt, some rubbing;Gibbs, James. Rules for Drawing the Several Parts of Architecture. London: W. Innys and J. Richardson…, 1753. Third edition, folio, 59 (of 64) plates, plus 5 supplied in photocopy, modern cloth, several repairs;MacGibbon, David and Thomas Ross. The Castellated and Domestic Architecture of Scotland. Edinburgh: David Douglas, 1887-92 [but actually one of 250 20th century reprint copies]. 5 volumes, 8vo, brown quarter morocco gilt;White, Gleeson. English Illustration. “The Sixties”: 1855-70. London: Archibald Constable and Co., Ltd., 1906. Royal 8vo, original cream cloth gilt;Gray, William J. A Treatise on Rural Architecture. Edinburgh: W.H. Lizars, 1852. Original cloth;Devonshire Illustrated in a Series of Views. London: Fisher, Son & co., 1829. 4to, later red half morocco gilt;and 10 others, sold not subject to return (21)
Heraldry, Spanish Art and Suetonius A small collection Nisbet, Alexander. A System of Heraldry Speculative and Practical… Edinburgh: J. MackEuen, 1722/1742. 2 volumes, folio, titles printed in red and black, 48 (of 51) plates only, bookplate of Sir James Carnegie, contemporary calf, one cover detached;Facsimile of an Ancient Heraldic Manuscript Emblazoned by Sir David Lindsay. Edinburgh: W. & D. Lang, 1822. Folio, hand-coloured, contemporary diced half-calf, joints cracked;Vierge, Daniel and Francisco de Quevedo-Villegas. Pablo de Segovia. The Spanish Sharper. London: T. Fisher Unwin, 1892. Folio, number 5 of 10 large paper copies on hand-made paper with the additional portfolio of duplicates on India proof paper, original vellum;Suetonius, C. Opera… Utrecht: Francisci Halmae, 1690. 2 volumes, 8vo, title-pages in red and black, contemporary vellum, a little dampstaining (7) The Library of a Scottish Gentleman.
Architecture and Furniture Design A small collection Langley, Batty. The City and Country Builder's and Workman's Treasury of Designs. London: S. Harding, 1745. Small folio, 186 + 14 plates, contemporary calf neatly rebacked with modern spine;Idem. The Builder's Jewel… London: C. and R. Ware, 1763. 10th edition, small 4to, frontispiece and 99 plates, several plates with a manuscript recipe written on the reverse ("To Clean Boot Tops", “Receipt to cure a House of the Grease”, “To Clean Leather Breeches”, “An Excellent Method of Making Plate Powder”, “Receipt for keeping Flies out of stables” etc.), with the ownership inscription of Robt. Wharton, Revd. Mr Harper, Belsize Lane, Hampstead, Middlesex", contemporary calf, binding split;The Royal Institute of British Architects. Sir Christopher Wren A.D. 1632-1723. London: Hodder & Stoughton, 1923. 4to, number 12 of 250 copies, original vellum gilt;Jourdain, M. The Library of Decorative Art: English Decoration and Furniture of the Early Renaissance; English Decoration and Furniture of the Later XVIIIth Century; Decoration in England from 1640 to 1760; Furniture in England from 1660 to 1760; London: B.T. Batsford. 4 volumes, folio, original red cloth;Edwards, Ralph. The Dictionary of English Furniture. London: Country Life Limited, [n.d.] 3 volumes, folio, original red cloth gilt;Mulliner, H.H. The Decorative Arts in England. London: B.T. Batsford, Ltd., 1923. Folio, original green cloth;Hill, Oliver. Scottish Castles. London: Country Life Limited, [n.d.] Folio, original red cloth gilt;Small, Tunstall and Christopher Woodbridge. English Brickwork Details, 1450-1750. London: The Architectural Press, [n.d.] 4to, original boards;Zentner, L. Une Collection Choisie de Paysages… London: J. Thane, 1791. Oblong 4to, 56 engraved plates, contemporary half morocco;and a copy of The Eton College Chronicle, 1895-6 (15) Select items from the estate of the late Lady Penn.
This impressive red art glass vase stands at an eye-catching 40.5 inches tall, offering a bold, contemporary design. The piece features a smooth, glossy surface with a rich red hue that elegantly tapers to a wide base. Crafted from high-quality glass, it embodies a sleek and sophisticated presence, perfect for making a statement in any space. A stunning example for collectors and enthusiasts of modern glass art. Issued: c. 2000Dimensions: 40.5"HCondition: Age related wear.
This stunning hand-blown art glass vase features a captivating gradient design transitioning from a rich blue base to clear glass at the flared rim. The organic, undulating edges of the rim add a dynamic and sculptural element to the piece. The vase demonstrates exceptional craftsmanship with its smooth, polished base and seamless color blending, making it a perfect addition to contemporary decor or as a striking centerpiece. Issued: 21st centuryDimensions: 13"HCondition: Age related wear.
This vibrant 2-piece art glass ashtray set features a striking combination of red and blue hues, both showcasing a smooth, rounded design with slightly domed profiles. Crafted from high-quality glass, the pieces exhibit a brilliant, rich coloring with a glossy finish. The contrasting colors create an elegant and eye-catching look, perfect for display or use. These ashtrays are unmarked, offering an intriguing addition to any collection of contemporary or mid-century glass pieces. A stunning example for collectors and enthusiasts of art glass. Issued: c. 1960Dimensions: 3.5" dia. Condition: Age related wear.
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