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Lot 1
Corbett, Jim, The Man-Eating Leopard of Rudraprayag, London, Oxford University Press Geoffrey Cumberlege, 1949, 8vo (200 x 130mm.), half title, photographic plates, illustrated endpapers, inscribed and dated by the author on the half title 'I greet you as a friend Charers, for all who walked with me through the jungles of Kumaon, are my friends' original green cloth, dust jacket, worn. Corbett, Jim, Man-Eaters of Kumaon, New York & Bombay, Oxford University Press, 1946, 4to (205 x 135mm.), half title, illustrated endpapers inscribed and dated by the author on the dedication leaf 'To remind you, in the years to come, of your voice in our collage', original red cloth, faded.
Lot 1
Max Ernst, 1891-1976 LE GRAND IGNORANT signed with the initials on the centre panel and on the lithograph; numbered 32/99 on the reverse a three panel screen; oil and collage on painted wood with a lithograph on the central panel central panel: 184.5 by 63.5cm.; 72.625 by 25in. each side panel: 184.5 by 50cm.; 72.625 by 19.625in.
Lot 1
Lawrence (Thomas Edward, 1888-1935). A classical surrealist mixed media collage portrait of T.E. Lawrence by Dan Samuels, 1972, with signed ('Daniel') presnetation inscription to balnk area at head of canvas, 'To my pal Tom Beaumont', canvas on board, approx. 73 x 48 cm, together with three related exhibition leaflets for Dan Samuels exhibitions, personalised for Tom And Helen Beaumont One of the exhibition leaflets explains Samuels's interest in T.E. Lawrence. 'A single meeting with a stranger in the British Museum was to influence him more than any other factor in his life. Through this chance meeting with Aircraftsman Shaw he discovered the Elgin Marbles and Greek Mythology... It was then [after Lawrence's death in 1935 that] Dan Samuels learnt for the first time that the man who planted this deep-rooted love for Greek Antiquity was none other than Lawrence of Arabia'. This painting may well have been a present to Tom and Helen Beaumont on their wedding in 1971 and to which Dan and Peggy Sameuls were witnesses. See above for information about Tom Beaumont. (4)
Lot 1
Niki de Saint Phalle & Jean Tinguely, 1930-2002 & 1925-1991, UNTITLED, signed by both and dated 15 II 69, ballpoint pen, coloured crayon, felt tip pen, paper collage and transfers on paper, 27x35cm.; 10.5x13.75in. (2) To be sold together with a further collaboration design for the Stravinsky Fountain in Paris of reproduction with ink, pencil and coloured crayon on paper.
Lot 1
Victor Vasarely, 1908-1997, study for Tridim B, 1968, signed, card and paper collage on card, 38.5x28cm.; 15.25x11in. The Dino de Brasi frame was designed by Jean-Yves Mock especially for this collage. Provenance Denise Rene, Paris A gift from the above to the present owner Exhibited Zurich, Galerie Gimpel & Hanover, Victor Vasarely, 1969 The authenticity of this work has been confirmed by Madame Michele Vasarely.
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Eva Aeppli, b. 1925, untitled, signed with initial, gouache, felt tip pen, ballpoint pen and paper collage with dried flower and ticket on paper, 21x29.5cm.; 8.25x11.5in. (5) To be sold with four further similar works by the same artist. The artist, Eva Aeppli was Jean Tinguely's first wife. She had a one-woman show at the Hanover Gallery in 1972.
Lot 1
Louise Nevelson, 1899-1988, (i) the great wall (ii) dusk in august, (i) signed, titled, dated 70 and numbered 58/150, (ii) signed, titled and inscribed Artist's Proof, (i) embossed lead collage (ii) lithograph with embossing, (i) (visible sheet) 74x62cm.; 29x24.25in. (ii) 72x58.5cm.; 28.5x23in. (2)
Lot 1
Niki de Saint Phalle, 1930-2002, i. LE SIDA EST LA....PRESERVONS NOUS ii. OFFREZ-LUI DES PRESERVATIFS, i. signed in pencil and inscribed Epreuve d'artiste pour etrage de l'affiche sur le sida, i. colour lithograph ii. felt-tip pen and paper collage on paper, i. image 40x29.5cm.; 15.75x11.75in. ii. 26.5x34.5cm.; 10.25x13.5in. (2) Executed circa 1970.
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Horst Antes, b. 1936, standing figure, each signed, one dated 28.2.75 and dedicated fur Erika, the other inscribed mit dem besten Wunschen fur 66 and numbered 46/66, two colour lithographs, one with printed collage, tape and feather, (image) one 28x19.5cm.; 11x7.75in.; the other 53x39.5cm.; 21x15.5in. (2)
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