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A Victorian rosewood fire screen, c.1840, embroidered in coloured wools with a view of Sir Walter Raleigh laying down his cloak for Queen Elizabeth I as courtiers look on, supported within a barleytwist frame and on four down curved tapering legs and pad feet with acanthus carvings, spaced by a barleytwist stretcher, the panel marked on reverse in ink, 'Mr G Parkinson? Richmond Place?', 27" wide, 45" high

A lavender blue sequinned ball gown and a cutwork sequinned opera cloak, 1950s and early 1960s, the strapless gown with boned bodice over full tiered skirts, bust 86cm, 34in, waist 66cm, 26in, the lace cape spangled with sequin florets and edged in fringing; and a pair of gloves, (4)

A MEISSEN PORCELAIN MODEL 'The Racegoer', holding a card and with turquoise cloak, on a scroll base, 8" high

A 19thC Staffordshire pottery spill vase, moulded as a Scottish Chieftain with bow, wearing an orange cloak, and with deer to the side; 18 1/2" high.

Louis-Georges Brillouin, French 1817-1893, the new cloak, signed and dated 1860, oil on panel, 41x32cm.; 16.25x12.5in.

A lady's cloak of fine red wool, ornately embroidered and applique with stylised formal motifs, fringed edging, and quilted silk lining; another cape of black wool mix, similarly decorated; and a two-piece black cut velvet gown, trimmed with lace, late 19th century (4)

A ROYAL DOULTON PORCELAIN FIGURE modelled as Guy Fawkes, HN98, in red cloak with lantern, 10 1/4" high

An early 19th century tortoiseshell bôite à portrait, the lady wearing a blue cloak and under glass within a gilt metal floral bezel on the circular lid, the interior lined with gilt metal, 9cm diameter

John David Ebrey Orr (1928-2003) Portrait of a lady wearing a blue cloak; Pink Roses Each oil on canvas The first signed and dated 95 lower right The first 101cm x 75cm The second 101cm x 81cm Each unstretched and unframed

A rocking horse doll automaton comprising bisque doll with limbs in cossack hat and long red velvet fur edged cloak, on carved painted wood horse with fur mane and painted wood rockers, mechanism AF, 26" wide, 20" high

A Royal Doulton figure "The Potter" HN1493, brown cloak, 7" high

A late Victorian silver Scottish style cloak brooch the whole decorated in a Celtic design, engraved to reverse "Margaret Paterson 1879"

Late 18th/early 19th century Continental School. Oval portrait of man wearing red cloak. Oil on panel. Unsigned, bearing pencil name verso J. Hirschman and date 1794, 30cm x 22cm

19th century continental yellow metal and black enamelled parure, set pearls, comprising cloak pin, pendant, two brooches, pair of clip earrings, bracelet and necklace

A collection of jewellery, comprising; an Edwardian amethyst and half-pearl canted rectangular cluster brooch, a Victorian gold beaded bombe spiral brooch with a hair-glazed back panel, a black onyx and half-pearl oval brooch with a beaded border, and Edwardian gold, half-pearl and small French-cut sapphire cloak pin, stamped '15ct', a pair of early 20th century gold oval twin-panel cufflinks engraved with initials, stamped '18c', and a fancy knot chain, stamped '10'

French Art Deco paste cloak pin, having two large square cut green stones and two bands of cross over white stones, all set in white metal

A Derby patch mark figure, Mercury, standing, clean shaven, wearing a rounded helmet, tunic and flowing cloak, winged feet, holding a money bag aloft, scroll base, 31cm high, c.1770 (some faults). See Peter Bradshaw, Derby Porcelain Figures, 1750 - 1848, page 350

Sea Nymph with Trident (64) purple cloak, restored

Dame Laura Knight (1877-1970) watercolour and ink, The Golden Cloak, Diaghliev Ballet, Backstage, signed and dated 1922, 11.5 x 9.5 ins.

A rare Chelsea figure of Dr. Boloardo after the Commedia dell' Arte series modelled by J.J. Kandler and P. Reinicke for Meissen. He stands with his right hand on his hip and his left hand raised, wearing a pale hat and an ermine-lined black cloak. The pad base applied with four flower heads and leaves, a red anchor mark to the back of the base. Restoration to his left arm, hat rim and other extremities. c.1754, 15cm.

Derby figure of Justice circa 1765 wearing in a floral dress with turquoise and pink cloak, holding a metal sword, and metal set of scales, on moulded scroll base, (minor damages, the base with three later applied feet) 28cm high

Bow figure of Earth circa 1760 modelled holding a cornucopia of fruit, a lion at her side, she wears a floral dress and a pink cloak, modelled on elaborate scroll base (some good restoration to one arm, firing crack to base, typical losses) 24cm high

Two Derby figures circa 1770, one of Minerva wearing red and gilt floral dress, and a pink and red cloak, modelled standing beside a mask moulded shield and an owl perched on a pile of books, with floral bocage and pierced scrolling base, the second figure of boy holding a basket, patch marks (old restorations, Minerva lacking spear, her head restuck) (2) 16cm max height

Two Staffordshire figures depicting Queen Victoria and Prince Albert: Victoria standing on a rectangular base with canted corners decorated with a gilt scroll, decorated with underglaze blue bodice and enamelled and gilt details, height 26.5cm; and Albert on a circular gilt-lined base, with enamelled blue jacket, orange cloak, and other coloured and gilt highlights, height 29.1cm; both unmarked, circa 1840-60.

A ROYAL WORCESTER PORCELAIN FIGURE modelled as Queen Elizabeth II (style 1), in royal blue cloak and white plumed hat raised on hexagonal base, with certificate No.82/250

A creamware figure of a young woman emblematic of Winter, enveloped in a fur trimmed cloak and standing on a green mound above a brazier, sponged in ochre, green, blue and manganese, the flared square base with a border of stiff leaves, 23cm h, late 18th c. In fine condition

A 19th century bronze bust of a Maori chief wearing a tassel tied feather cloak, wood base, 11.5cm high overall

A late 19th century Italian marble and alabaster bust a young lady, she looks down to the alabaster lily and wears a variegated marble cloak, 35cm high

A GEORGIAN SILVER CLOAK CLASP, London 1836, and a silver pepper. Birmingham 1886. (2).

MANNER OF JAN LIEVENS (1607-1674) PORTRAIT OF A BEARDED MAN, HALF LENGTH, WEARING A FUR CLOAK AND RED TURBAN Oil on canvas 45 x 32.5cm. Relined; craquelure (18/19th Century?); heavy varnish; in a good carved wood gilt frame with pierced and scrolling ornament upon a pitted ground

8 Guards cap badges: Grenadier OR’s brass and blackened, ERII WO and sergeant, Coldstream (worn), Scots NCOs (worn, enamel AF), and ORs and Irish; a Grenadier cloak chain, and 4 other Guards badges; 10 gilt embroidered rank and trade badges, mostly ERII. GC to VGC

After Joseph Simpson, monochrome etching of a Continental girl with a bonnet and cloak, with a rose, signed on mount and inscribed, 30cms x 21cms, (12” x 8”).

Florentine School, 17th Century A warrior in a long cloak black chalk, pen and brown ink 11? x 7 1/8 in. (285 x 180 mm.)

VICTORIAN SCHOOL, a pair of portraits, the husband with black topcoat with yellow waistcoat, the wife in red cloak and silk cap, oil on canvas, 9 1/2" x 7 1/2" in ebonised frames.

A small 19th Century pearl ware figure depicting a girl in red cloak with recumbant hound at her feet.

Follower of Agnolo di Cosimo called Bronzino Portrait of Cosimo I de' Medici (1519-1574), half length, wearing a fur-lined brown embroidered cloak and holding a white handkerchief brushed on the reverse with the old inventory number: No.29 oil on panel 90 by 74 cm.; 35.25 by 29.25 in. Derived from a type produced in Bronzino's workshop around 1555, of which the best extant version is considered to be that in the Galleria Sabauda, Turin (inv. 123). For a discussion and listing of the numerous variants of this type, see Robert B. Simon, Bronzino's Portraits of Cosimo I de' Medici, 1982, vol. II, pp. 273-307, cat. nos. B1-39.

Follower of Agnolo Bronzino Portrait of Cosimo I de' Medici (1519-1594), head and shoulders, wearing a fur-lined brown embroidered cloak oil on panel 58.3 by 45 cm.; 23 by 17.625 in.

Royal Worcester figure of a kneeling Japanese girl holding a fan wearing a blue cloak and yellow skirt, model no. 3398, 15cms

A ditto of Prince Albert standing, wearing a blue cloak, green tunic and with gilt decoration and on a gilt lined circular base. 6ins high.

A figure of Prince Albert standing, dressed in an orange tunic with green belt and cloak and holding a sword on an oval gilt lined base. 7½ins high (firing crack).

A figure of Napoleon in a black cocked hat, orange cloak and blue tunic sitting on rocks and on an oval gilt lined base. 8½ins high.

`A Spook': a rare Royal Doulton figure, dated (19) 22 designed by H Tittensor, modelled as a figure wearing tight fitting cap and cloak green printed factory mark, impressed, `11 - 22' 9.5cm. This figure appears to be of a size differing to those normally produced.. Style one being 17.8cm. high and Style two 7.6cm. high.

Follower of William Wissing (1653-1687) A Portrait of Queen Mary II, Full Length, Wearing a Bejewelled Dress and Ermine Trimmed Cloak] Oil on canvas, approximately 234cm by 150cm (92in by 59in) *Contained within an elaborately carved wood frame decorated with foliage and grapes, the frame surmounted with further ornate scrolls and a cartouche.

Benjamin Rawlinson Faulkner (1787-1849) A Portrait of a Young Army Officer, Head and Shoulders, Wearing a Uniform and Blue Cloak] Signed and dated "1835", oil on canvas, 76.5cm by 63.5cm (30in by 25in)

R Battelli: A Carved White Marble Pedestal Bust of a Roman], with upswept coiffure and gazing to sinister, wearing a cloak, on a swept circular base, signed "R Battelli", 55cm high

English School, mid 19th century A Marble Study of a Bearded Gentleman, bust length, with draped cloak] on a swivel mount and socle base, 75cm high, (damage)

An Italian White Marble Bust of the Madonna, circa 1900], wearing a star embroidered hooded cloak, looking sensitively downwards, 38cm high, on an associated grey veined marble column with square capital and base, 147cm high

A Reissner & Kessel porcelain bust, c. 1905, depicting a young lady in a risque dress, bonnet and cloak, printed R.S & K mark, 45.5cm

The centre of an Albert pattern shako plate of the King’s Own 1st Staffordshire Militia, adapted as a brooch with pin; a shako plate centre (?) silver plated POWs feathers within gilt pierced Garter on cut star (traces of blue and red centre enamel); 2 Vic silver plated WBP centres, Dragoon Guards and RE; an officer’s cloak chain, the roundels with silver plated strung bugles; 3 other items. Average GC. (8)

2 scarce Timpo Knights of the Round Table mounted figures Sir Percival, blue/white shield and coat, horse brown with white blanket and blue trim, and Sir Mordred black shield with unicorn device, black cloak; black horse and blanket, silver head armour and reins; both figures have full plumes, helmet visors and plastic lances, both in original boxes, minor age wear, original packing tissue. Knights VGC to Mint (white on horse has discoloured rub to face of Mordred shield) (See lot 104 for illustration).

2 scarce mounted Timpo knights of the Round Table, Sir Gareth black and yellow quarted shield, yellow/black cloak, black horse yellow blanket black stripes and reins; and The Green Knight green breast and backplate, brown horse with green blanket white trim and reins; both figures have full plumes and helmet visors, metal lance with Sir Gareth only; both in original boxes but 1 associated mainly minor wear but small tears to creases of flaps and age colouring. Knights VGC to Mint (but green knight has lost shield and lance) (See lot 104 for illustration).

2 scarce mounted Timpo Knights of the Round Table, King Arthur deep yellow shield with red lion rampant device, deep yellow cloak, black horse deep yellow and red blanket, red reins; and Sir Lancelot red shield with deep yellow lion rampant device, red cloak, black horse with red blanket yellow trim and reins; both figures have full plumes, helmet vizors and lances, 1 metal, 1 plastic; both in original boxes, 1 minor ageing the other discoloured and 1 end flap missing. Knights VGC to Mint (few small marks) (See lot 104 for illustration).

Watercolour, nineteenth century study of a young gentleman in mediaeval attire holding sword and wearing cloak, enclosed in contemporary frame. (4.5in x 8in).

Three Goebel/Hummel religious figures all dated1951, two of the Virgin Mary standing with blue cloak, flowing hair and orange and yellow halo - printed Goebbel blue marks, impressed 1951 and numbers, painted monogram; and the other of Joseph - impressed Hummel marks, printed blue marks, painted monograms, impressed numbers. (3).

A pair of 19th century polychrome figures of the Madonna and St John carved in the Gothic style and possibly part of a deposition group of figures, her blue cloak with angular folds, he in similarly carved red cloak standing holding a bible, 61.5cm high From the estate of Lady Ina Oppenheimer

An early 19th century tortoiseshell boîte au portrait, the circular lid inset behind glass within gilt floral bezel with a portrait miniature of a red haired lady wearing a blue cloak, the interior lined with gilt metal, 9cm diameter (2)

Montague Dawson, F.R.S.A., R.S.M.A. (1895-1973) The pirates' cove signed 'Montague Dawson' (lower left) oil on canvas 16 x 20 in. (40.8 x 50.8 cm.)"Despite Dawson's obvious preference for the graceful though sturdy commercial sailing ships of the nineteenth century, he was also very enamoured of the notorious pirates and buccaneers of the seventeenth century whose exploits attracted so much attention, particularly from cinema film-makers, during Dawson's own lifetime. The likes of Captain Kidd and Sir Henry Morgan, two of the most renowned pirate characters, clearly fascinated him and the apparent glamour of their lawless adventures, especially against Spanish ships and settlements in the West Indies, inspired a string of works. Usually set in the harsh but friendly glare of the Caribbean sun however, the picture in this catalogue is one of Dawson's much rarer depictions of a pirates' lair by moonlight. Dramatically different to the daytime paintings (cf. Ranson, pp. 51, 71 & 93), the work offered here has more than a hint of menace as the pirates sort their booty under the cloak of darkness. The whole clandestine nature of their world is encapsulated in this rather sinister painting yet it probably portrays the realities of their existence more accurately than the sunlit pictures referred to already.

German School, circa 1830, A gentleman, full face with short brown hair and side whiskers and wearing a grey cloak over a black coat, mounted in a gold frame, rectangular, 2.5"

Florentine school, circa 1600 portrait of a bearded man, half length, in a plum-coloured cloak with a white collar and black cap inscribed by a later hand on the reverse: Andrea del Sarto oil on panel 63.5 by 53 cm.; 25 by 21 in.

ROBERT JACKSON (BRITISH, MID 19TH CENTURY), bust of a gentleman in tartan cloak with targe pin, white marble on socle pedestal base, incised "R Jackson scr 1869". 32" high overall.