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A Derby Style Porcelain Figure of a Seated Gentleman, a basket of fruit on his lap, oval scrolling base, 14cm high; A Porcelain Figure of a Boy, in patterned tunic and pink cloak, 9cm high and a Royal Worcester Old Ivory flower decorated jug. (3)

Thomas Frye (1710-1762)Three portraits from 'Life-sized Heads'Mezzotints, circa 1760s, good impressions on 18th century laid paper, but with some minor signs of wear, trimmed within the platemark to images, some minor browning and surface dirt, each approx. 470 x 340 mm (18 1/2 x 13 1/4 in) (uniformly mounted and framed) (3) *** Portaits include: 'Man, directed and looking towards the front, wearing a turban and fur-lined cloak'; 'Young man holding up a candlestick in his left hand with frightened expression'; and 'Man with turban' or "Turkish Bashaw"

GEORGE WEISSBORT (1928 - 2013) AN INTERIOR with a nude woman in a chair, a woman in a white cloak attending to her hair. Oil on canvas, unframed 64cm x 82cm

GEORGE WEISSBORT (1928 - 2013) INTERIOR, A YOUNG GIRL in a red cloak standing beside a large pottery jug. Canvas on board, unframed. 54cm x 46cm.

Variation One. Black hat, red cloak, black hair and moustache. Royal Doulton backstamp.Artist: Max HenkIssued: 1956 - 1991Dimensions: 7.75''L x 5.75''W x 7.25"HCountry of Origin: EnglandCondition: Age related wear.

From the Queens of the Realm series, this 1987 limited-edition Royal Doulton figurine depicts Queen Anne in regal attire with a fur-trimmed red cloak and green gown. Designed by Pauline Parsons, it is part of a worldwide edition of 5000.Artist: Pauline ParsonsIssued: c. 1987Dimensions: 8.75"HCountry of Origin: EnglandCondition: Age related wear.

Boiled wool three-quarter length cream and grey broad check coat with horn and loop button fastenings, labelled 'British Wool Collection, Made in the United Kingdom', a camel-coloured and cream wool jacket with double-breasted fastening, side pockets and braid trim to the edges and cuffs of the sleeves, a navy blue short cloak labelled 'JH Bounds Stethos', a red tartan check wool coat labelled 'Pendleton' and a short blue linen jacket labelled 'Brenna, Made in England' with faux-coin and chain front fastening (5)

A German porcelain bisque head doll. having applied blonde wig, and plastic eyes on a wooden jointed body, 126 marked to the back of the head, wearing a knitted blue dress and red cloak, height 25cm.

Lewis Alexander Goblet (1764-after 1826): A White Marble Bust of Charles Howard, 11th Duke of Norfolk, wearing a fur-lined cloak on a circular socle, signed Goblet Ft 1817 77cm highProvenance: The Property of the Earl of Suffolk and Berkshire, Charlton Park Some scuffs and minor edge chips. Some engrained dirt. Overalll in very good condition.

Follower of Sir Francis Grant PRA (1803-1878) Portrait of Fanny, Wife of Sir William Boothby, half-length, wearing a yellow satin dress, a cloak trimmed with white fur and a large hat, standing before a landscape Oil on canvas, 89.5cm by 69cmProvenance: The Property of Sir Brooke Boothby ex Fonmon Castle

Follower of Michael Christoph Emanuel Hagelgans (1725-1766) German Portrait of Maria Theresa, Empress of Austria, half-length, wearing a teal blue dress decorated with gold brocade and embellished with jewels and lace, together with an ermine-trimmed cloak, with crowns resting on a red velvet cushion to her right Oil on canvas, 91cm by 71.5cmA pastel by Hagelgans was offered at Dorotheum, Vienna, June 6th 2011, Lot 9, albeit a head and shoulders rendition, the present oil on canvas bears a close resemblance to the positioning of the head, headdress and lace neck decoration worn by the Empress.Provenance: Baron Clemens von Leykam Thence by descent and marriage Mary Stuart Crewdson (nee Fryers) Thence by descent Private Collection, CumbriaIt is understood that the von Leykam's worked in the circle of The Empress Maria Theresa and her advisors. Lined, three keys missing, a little slack. A quantity of dirt and debris behind bottom stretcher. There is a noticable line around the edges of dirt and disrupted varnish, likely where it was in a slightly smaller frame. Brittle age craquelure throughout, mostly stable but with a little elevation and a few sharp lifting points associated with blows from the reverse and at the bottom edge. There has been a history of flaking at the bottom edge and at the left edge, which appears mostly stable at the moment. There are however, small areas of associated loss of paint and ground, with some crude retouching to these in places. There are scattered losses throughout, some partly retouched and some retouched (it appears that the retouching might have been partly removed??). See images. Some of the losses are unretouched. The larger losses are located at the bottom edge, to tle left of the jewelled crown, to the bottom of the lace where it falls over the bust etc. There are scattered losses, retouched, in the face including in the forehead and eye. It is difficult to see any further losses in the background due to the degraded old varnish. There has been a bit of abrasion to the paint layers. There is a thick degraded varnish, yellowed, with an uneven surface gloss, minor scuffs, surface dirt, drips.

Large Art Nouveau style dragonfly cloak pin, probably French, early 20th century, the gilt metal mounted insect with graduated turquoise cabochon body between metallic iridescent lustre decorated wings unmarked, 11.5cm wide, on a safety pin backing, 20cm long overall

Two Japanese carved fruitwood okimono figures, late Meiji or Taisho period, early 20th century, comprising Gama Sennin (the Toad Hermit) holding a staff, a toad on his cloak, incised signature beneath one foot, 28cm high, and an elderly farmer with mattock, holding a root vegetable, on circular base with two-character signature beneath, 25cm high (2)

* Miniature Doll & Clothes. A Victorian doll and garments, bisque porcelain doll with limbs articulated at shoulders and hips (left arm and sleeve coming loose), head (detached) with painted features and long curly blonde hair, wearing an ivory silk dress trimmed with a pale blue silk sash and matching pleated hem trim, height 9.5 cm (3.75 ins), together with 7 hand-stitched miniature garments: a cream cotton dress with gathered front, waist tie, and frills to neck and sleeves, toned; a cream muslin dress with feather stitch border in red to sleeves and to the three hem tucks; a gold silk dress, beginning to perish; a cream grosgrain skirt (and scrap of fabric from which skirt made); a fur-trimmed black velvet cloak and matching hat; and a knitted cream wool bobble hat, all contained in a wooden box (lacking key), hinged lid hand-painted with a spray of dog roses, height 6.5 cm (2.5 ins), width 14 cm (5.5 ins), depth 9.5 cm (3.75 ins), together with another Victorian miniature porcelain doll with articulated limbs, wearing a lace-trimmed brown silk dress tied with a pink ribbon sash, height 5.5 cm (2 ins), contained in a Dennison's Miniature Tapers cardboard boxQTY: (2)NOTE:Provenance: The Estcourt family of Estcourt House, near Tetbury, Gloucestershire.

Sixteen Original Star Wars Trilogy Plastic Action Figures to include Lando Calrission with cape and blaster pistol, Bib Fortuna with cloak, staff and belt. Ugnaught with smock and toolbox, playworn.

Variation One. Black hat; red cloak; black hair and moustache. Royal Doulton backstamp.Artist: Max HenkIssued: 1956 - 1991Dimensions: 4"HCountry of Origin: EnglandCondition: Age related wear.

Dark blue tam; green cloak. Royal Doulton backstamp.Artist: Max HenkIssued: 1973 - 1980Dimensions: 3.25"HCountry of Origin: EnglandCondition: Age related wear.

PUCCINI GIACOMO: (1858-1924) Italian Composer. A very good A.L.S, `Giacomo´, two pages, to an oblong 5.5 x 3.5 card, n.p. [Viareggio], Sunday 15th March 1914, on his printed stationery letter-card of Via Verdi in Milan, to Carlo Carignani, in Italian. Puccini states in part `Caro Carlino, La Fanciulla andó a Catania a me mi telegrafarono d´un successo - sari vero? Chi se ne fregia? Dunque faró un opera comica per Vienna a condizioni cresiche 300.000 corone e il 50% su tutto! Non dire niente a nessuno - Faró poi Zoccoletti di Onida - e il Tabarro...´ (Translation: "Dear Carlino, La Fanciulla [del West] performed in Catania and they telegraphed me reporting a success - could it be true? Who cares? Therefore I will do a comic opera for Vienna on terms of 300,000 crowns and 50% of everything! Don't tell anyone - I will then do Zoccoletti di Onida - and Il Tabarro...") Puccini refers to a future comic opera which would be La Rondine. Further Puccini refers to his immediate plans, to his health and to his leg which do not fully recovers as a result of his car accident of 1903, saying in part `Vado a Torre dopo domani. La gamba e sempre torba e Dio sa per quanto tempo - Il resto va bene...´ (Translation: "I'm going to Torre [del Lago] the day after tomorrow. The leg is still not well and God knows for how long - The rest is fine...") VGCarlo Carignani (1857-1919) Italian Composer, Conductor and singing Teacher. Carignani was a friend of Puccini since childhood. He adapted for voice and piano all of Puccini's operas.La Fanciulla del West ["The Girl of the West"] is an opera in three acts by Puccini which was premiered in New York, at the Metropolitan Opera House, in December 1910.La Rondine ("The Swallow") is an opera in three acts by Puccini which was premiered in Monte-Carlo in March 1917.The project of Opera I Due Zoccoletti ("Two Little Wooden Shoes") would be later abandoned by Puccini due to copyrights problems.The opera would later be composed by Mascagni under the name "Lodoletta".Il Tabarro ("The Cloak") is an opera in one act by Puccini. It is the first of the trio of operas known as Il Trittico. The premiere was performed in December 1918 at the Metropolitan Opera House, New York.

Annie French,  Scottish 1872-1965- Three illustrations: A lady in historical dress gathering flowers; A lady wearing a cloak looking down; and Flowers and foliage; the first pencil, pen, and blue and black ink on paper, the second pencil, pen, and black ink on paper, the third pen and black ink on paper laid down on card, the first and second 19.6 x 12.9 cm., the third 13.4 x 10.4 cm., three (3). (unframed). ARR. Provenance:  Anon. sale, Christie's, Edmiston, Glasgow, 9 April 1981, lot 19 (part);  The Collection of Lee Witkin;  His Estate;  Where acquired by the present owner. 

Annie French,  Scottish 1872-1965- Three illustrations: A seated lady surrounded by foliage, reading a book; A seated lady wearing a headdress, leaning on a ledge and reading a book; A standing lady, wearing a patterned cloak and red bonnet, and holding a bouquet of flowers; the first pen, black, red, and brown ink and wash on paper laid down on card, the second pen, brown ink, and watercolour on paper laid down on card, the third pen, black ink, and bodycolour on card, laid down onto paper decorated with pen, black ink, and watercolour, the first inscribed 'EX LIBRIS' (upper edge), the first 17.5 x 11 cm., the second and third 19.6 x 13 cm., three (3). (unframed). ARR. Provenance:  Anon. sale, Christie's, Edmiston, Glasgow, 9 April 1981, lot 19 (part);  The Collection of Lee Witkin;  His Estate;  Where acquired by the present owner. 

Follower of Sir John Baptist de Medina,  Flemish / Spanish / Scottish 1659-1710- Portrait of a gentleman, traditionally identified as Brigadier General Lord William Hay, half length, in a brown cloak and white stock; oil on canvas, oval, 76.5 x 63 cm. Provenance:  Property of the late Hugo Morley-Fletcher, MA FSA (1940-2022).  Note:  The present work very much recalls the work of de Medina, an artist of Flemish-Spanish descent who enjoyed considerable success as a portraitist in London and Edinburgh. He is also well-known for producing the first illustrations for John Milton's (1608-1674) 'Paradise Lost' in 1688.  Brigadier General Lord William Hay (1668-1723) was the son of John Hay, 2nd Marquess of Tweeddale (1645-1713), brother of Charles Hay, 3rd Marquess Tweeddale (1670-1715), and husband of Margaret Hay (1686-1758). He was also depicted in a portrait which sold at Christie's, London, on 17 November 1989 (lot 73). 

Studio of Sir Peter Lely,  English / Dutch 1618-1680- Portrait of John Maitland, 1st Duke of Lauderdale, KG, three-quarter length, wearing a black cloak, white chemise and lace jabot, standing beside a stone column and gold embroidered curtain; oil on canvas, bears label inscribed 'Sir P Lely / 1st Duke of Lauderdale' attached to the central stretcher bar, 125 x 101.6 cm. Provenance:  Peter Morris Esq. of Yester House sale, Sotheby's, London, 28 November 1973, lot 13 (as 'Sir Peter Lely').  Property of the late Hugo Morley-Fletcher, MA FSA (1940-2022).  Note:  John Maitland, 1st Duke of Lauderdale, KG (1616-1682) was an important Restoration politician. In February 1644 he was a member of the Privy Council of England and the Privy Council of Scotland, and on 20 November was one of the Commissioners appointed to meet the king at Uxbridge, when he made efforts to persuade King Charles I to agree to the establishment of Presbyterianism. He was Secretary of State for Scotland from 1660 to 1680, and had almost absolute power there. He was a member of the Cabal ministry, but took little interest in English affairs. He was created a Duke in 1672. 

After William Scrots,  English fl.1537-1553- Portrait of King Edward VI, three-quarter-length, in a gold-embroidered doublet, red fur-trimmed cloak and black coat; oil on canvas, 75.5 x 63 cm. Provenance:  with Richard Philip, 1994.  Private Collection, UK.  Note:  This painting is a copy after a contemporary portrait of Edward VI (1537-1553) attributed to Scrots in the Royal Collection [RCIN 404441], which was probably completed not long before the King's accession on 28 January 1547. The original features a more detailed backdrop, with a window to the left looking out to a deer park, and a view of Hunsdon House, Hertfordshire in the distance. The stance and clothing of Edward VI in the present work, however, are strikingly similar to the original portrait, although the jewel around his neck appears to depict the knight on horseback associated with the Order of the Garter, rather than the coronet and feathers of the Prince of Wales. 

* Holman (Agnes Gladys, 1886-1966). Molly, circa 1913, watercolour on ivory, showing a young girl with blonde curly hair standing in front of a large toy donkey on wheels, reins in her right hand, left hand resting on the donkey's rump, signed lower left, small faint scratch to donkey's hind quarters, small black dot to lower part of donkey's neck, 11 x 8.5 cm, in decorative silver painted metal frame (12 x 9 cm), handwritten label to verso with artist's name, address, title of work and medium in blue ink, together with:English School. Portrait miniature of Dr. Billing, by G. Hamilton, 1830, watercolour and gouache on ivory, half-length portrait of a young gentleman with curly fair hair, dressed in a black cloak with fur collar, with window in back of frame revealing pencil inscription ‘Dr Billing G. Hamilton fecit March 1830’, 9.3 x 7.4 cm (3 5/8 x 2 7/8 ins), glazed ebonised frame (14.5 x 12.5 cm)QTY: (2)NOTE:Ivory Act 2018 self-declaration submission reference: 40ORYXC8.Ivory Act registration reference: R9KULZVA.

Wreath, cloak and crescents; stylised head of Apollo facing right. Rev. Stylised horse left, four pellets-in-annulets and eye motif above, pellet below. (ABC 2163). Good Very Fine.

Royal Doulton Bunnykins figurine titled Merlin from the Arthurian Legends Collection. This handmade and hand-decorated fine earthenware piece features Merlin in a green robe and purple cloak, holding a staff. Includes the original box and certificate of authenticity. The base has the Bunnykins backstamp with the title and model number DB303.Dimensions: 4.75"HCountry of Origin: EnglandCondition: Age related wear.

Two early 20th century Chinese hand painted porcelain figures of seated Buddhas, one decorated in a yellow and turquoise robe, painted with scrolling clouds and foliage, and holding beads, height 16cm, the other in multicoloured cloak, with geometric designs, height 16cm (2).

Celtic - Uninscribed gold stater circa late 1st century BC to early 1st century AD, Obv: Wreath, cloak with leaf branch above, Rev: Horse right with pelleted mane, disjointed left fore-leg & triple tail AVF, wt. 5.9gms (N.B. Ex B.A.Seaby Ltd - variety unidentified) (1 coin)

Farmer & Rogers (Farmer & Rogers Great Shawl & Cloak Emporium ) mid 19th century embroidered black velvet evening jacket. Plus a Berkertex Continentals 1960s brocade sleeveless dress with full skirt and stiff petticoat, size 12.Jacket exterior is in good condition, however there is some loss of velvet plush to sleeve folds and top of sleeves at the back. The silk lining has some damage and some marks, see additional photographs.

A Southern German or Tyrolean polychrome wood model of a Saintly King, c.1490, with gilt decoration, depicted with crown and orb, 112cm highProvenance: With Wilhelm Henrich, Frankfurt am Main, 1957; private collection, Germany, acquired from the above. Thence by descent to the present owners.Note: The identity of this figure as a King is suggested by his attributes of a crown and the orb, formerly surmounted by a cross. While the loss of his second attribute perhaps a sceptre does not allow for a more precise identification, it is likely that a saintly King, such as St Oswald or St Henry II, is represented. Traditionally thought to have been made in the Tyrol, the figure can be compared to Saint Nicholas dating to circa 1470 from St Georgen am Pinzgau (A. Legner, Spätgotik in Salzburg: Skulptur und Kunstgewerbe 1400-1530, exh. cat. Neues Haus, Salzburg, 1976, p. 129).Condition Report: Overall minor dirt and wear to the surface consistent with age. The proper left hand is lost and there are some chips, and the proper right hand is reattached. The tips of the feet are reattached or carved separately. The front section of the drapery with blue lining is carved separately, and is restored. There is some very minor stable splitting to the wood consistent with the material. There are some small losses, including to one of the points of the coronet, and to the edges of the remaining points. There is an original plug to the top of the head, and a small vacant hole. Much of the original polychromy and gilding survives, however the paint has been refreshed, in particular at the face and to the red drapery. There is particular craquelure to the chest. There is an area of refreshed loss to the paint at the proper left shoulder. There is a knot in the wood at the back of the cloak, and an area of loss. There is a modern metal hook to the reverse of the sculpture. There is a metal pin to the shoulders. There are some flecks of paint to the ground. There is also a small hole to the ground.  

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Joseph and Potiphar's Wifeetchingsigned and dated 1634 in the plate9 x 11cm In the Old Testament story Joseph was bought by Potiphar, the Egyptian captain of Pharaoh's guard, who appointed him as overseer of his household. Potiphar's wife took a liking to him, and made several attempts to seduce him, though the virtuous Joseph always refused her advances. On one such occasion, he fled the house leaving behind his cloak, so the rejected lady thought to retaliate by accusing him of attempted violation, using the garment as evidence. Upon hearing this, Potiphar sent Joseph to prison. Evenly discoloured ground paper showing some undulation with a hint of foxing around the margin, visible sheet 11.5 x 15.2cm, old gilt card mount and glazed gilt frame, no labels versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Frank Usher navy blue silk blouse with silver sequins and bugle beads, size small, a Chinese silk reversible jacket, two other Chinese jackets, a Viyella black wool jacket, size 10 and an embroidered ivory cloak, (6).

This charming Coalport figurine, "Old Market Lady," showcases the timeless elegance of fine English porcelain craftsmanship. Standing at 6.5"H, this exquisite piece depicts an elderly woman in a brown hooded cloak, carrying a basket brimming with vibrant flowers and fresh bread. The figurine captures intricate hand-painted details, from her delicate facial features to the flowing folds of her attire, adding a sense of movement and realism. A wonderful collector's item, this Coalport creation is a tribute to traditional market life and makes a delightful addition to any porcelain figurine collection.Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Fagerberg, Carl Vilhelm (Swedish, 1878-1948); b. Dalarö, and Herman Bergman Konstgjuteri AB (Stockholm, 1895-present) SWEDEN, Dagens Nyheter [Today’s News], c. 1935, a uniface Art Déco bronze award plaque by C.V. Fagerberg for H. Bergman, naked male running left, cloak blowing over his shoulder, blowing hunting-horn, rayed sun above clouds below, back impressed h. bergman, named (D.N.:s Årssimning 1943, 1: a Pris), 102 x 74mm, 127.53g. Very fine £25-£35 --- Provenance: Bt Münz Zentrum Rheinland June 2002. An award for swimming

Schmidt, Rudolf (Austrian, 1894-1980); b. Vienna AUSTRIA, Hugo von Hofmannsthal, 1929, a cast bronze medal by R. Schmidt, bust left, rev. naked sleeping poet lies on a cloak resting on an Ionic column near a gushing spring, lyre between his feet, laurel bush behind, comet and star in the sky, 103mm, 385.03g (cf. Künker 356, 8385; cf. Höhn e17, 4365). About very fine £25-£35 --- Provenance: Bt Münz Zentrum Rheinland May 2003. Hugo von Hofmannsthal (1874-1929), Viennese novelist, librettist, poet and dramatist, originator of the Salzburg Festival

Dalton, Peter C. (American, 1894-1972); b. Buffalo, NY U.S.A., Brethren Dwelling in Unity, 1953, a bronze medal by P.C. Dalton for Medallic Art Co on behalf of the Society of Medalists, two naked men clasping hands, one wearing a cloak, the other holding an olive branch, rev. plough and olive branch, edge impressed the society of medalists 48th issue – nov. 1953 – peter dalton sc. and medallic art co. n.y. bronze, 73mm, 171.65g (Alexander 48; cf. Stack’s Bowers Nov. 2020, 10077; cf. DNW 60, 1486). Extremely fine £30-£40 --- Provenance: Bt Irene Allen October 2006. Edition of 657

Attributed to John Faed (1819-1902)Portrait of a young woman, with red cloak, oil on panel, 17.5 x 14cm (oval)

A 22ct gold band, ring size R, weight approx 2.4g, together with a yellow metal Naval crown bar brooch, stamped '9ct', weight approx 2g, three stick pins, an amethyst brooch, a white metal cloak pin stamped 'M Carmona', a naval stud bar brooch and two white metal mounted amethysts (a lot)

Follower of Sir Peter LelyPortrait of a gentleman, traditionally identified as the poet Samuel Butler (1613-1680), half-length, wearing a brown cloak, in a painted ovalOil on canvas76.6 x 64cm; 30¼ x 25¼in

Dutch School Early 18th CenturyPortrait miniature of a gentleman wearing a red cloak, lace collar and long wigOn copper, oval, in a gilt metal frame78 x 65mm

Circle of John RileyPortrait of a gentleman, half-length, wearing an armoured breastplate, brown cloak, and long wig, a landscape beyondOil on canvas93.7 x 75.8cm; 37 x 29¾in

Studio of Sir Peter LelyPortrait of Letitia, later Lady Russell (c.1645–1721), three-quarter-length, seated in a landscape, wearing a brown dress and a blue cloak, holding a garland of leavesOil on canvas125.1 x 102cm; 49¼ x 40¼inProvenance:By family descent to the present ownerThe present portrait depicts Letitia Russell, daughter of the Hon. Edward Russell, second son of the 4th Earl of Bedford. Her first husband was Colonel Thomas Cheke (1628–1688) with whom she had two children. Following his death, she married in 1690 her cousin the Hon. Robert Russell, who was styled Lord Russell from 1694. Another version of the work by Sir Peter Lely, formerly the property of the Marquess of Downshire, was sold at Sotheby's, London, 6 April 2022, lot 37.

English School 18th CenturyPortrait of a lady, traditionally identified as a member of the Richards family of Devon, three-quarter length, wearing a blue dress and red cloak, a landscape beyondOil on canvas120.6 x 95.7cm; 47½ x 37¾inUnframedProvenance:By family descent from the sitter;Property of a deceased estate

Henry Pierce Bone (1779-1855) after Sir Martin Archer Shee (1769-1850) Portrait miniature of Mr Proctor, wearing a dark red cloak Signed, dated and inscribed George Proctor aetat 27/London July 1810/Painted by Henry Bone ARA/Enamel painter to the King/Prince of Wales/After MA Shee RA (to the counter enamel according to label) Enamel on copper, oval, in a rectangular wooden frame 86 x 71mmThe squared drawing for this work is in the collection of the National Portrait Gallery, London (no.NPG D17641).

* Attributed to Luke Clennell (1781-1840). Animals and Children, original wood engraved boxwood printing block showing a man in a cloak and a hat with a walking stick standing with 3 children, all observing a group of cages containing animals including a squirrel and a bird, handwritten label in dark brown ink (circa 1880's) to side reading 'Luke Clennell, Bewick Pupil, cut for British Quadrupeds', surface size 57 x 87 mm, accompanied with an impression taken from the block printed on modern good-quality handmade paper, together with:Attributed to Thomas Bewick (1753-1828). Boy with Hoop, original wood engraved boxwood printing block showing a young boy running with hoop and stick, a small group of houses and trees in the background,handwritten label in pencil (late 19th or early 20th century) to side reading '2/6, Bewick, not used', surface size 33 x 38 mm, accompanied with an impression taken from the block printed on modern good-quality handmade paperAttributed to Thomas Bewick (1753-1828). Child on a Swing, original wood engraved boxwood printing block showing a child on a rope swing between a tree and a building, handwritten label in pencil (late 19th or early 20th century) to side reading 'Green Knaresborough 2/6', surface size 64 x 43 mm, QTY: (3)NOTE:Luke Clennell (1781–1840), British wood-engraver and painter, began his career as an apprentice to Thomas Bewick in 1797. He worked as Bewick’s assistant on the second volume of A History of British Birds (1797).

A finely crafted Mephisto porcelain figurine by Karl Tutter for Hutschenreuther. Depicting the devilish character from Goethe’s Faust, the figure wears a flowing black cloak, red tights, and a jester’s cap with a blue feather. Expertly hand-painted, it captures Mephisto’s cunning expression and theatrical stance. Marked with the green Hutschenreuther Kunstabteilung stamp (post-1969), a striking collector’s piece of fine German porcelain.Artist: Karl Tutter (1883–1969, Germany)Issued: 20th centuryDimensions: 11.25"HCountry of Origin: GermanyCondition: Age related wear.

2nd-3rd century A.D. Standing nude with a wreath resting on his head, hair and beard forming a dense mass of curls; naturalistic facial detailing, long and slender muscular torso, depicting a harmonious anatomy with sharp divisions of the abdominal muscles; right arm lowered, once holding a thunderbolt, the left arm raised; a small cloak draped around the torso; an eagle with open wings standing beside him; cotton-reel base. Cf. Reinach, S., Répertoire de la statuaire grecque et romaine, Paris, 1897, p.7, nos.1,3; 8 no.3, for the type; Rolland, H., Bronzes Antiques de Haute Provence, XVIII supplément à ‘Gallia’, Paris, 1965, nos.3-6, for similar. Exhibited at the Harwich Museum, Harwich, Essex, UK, 21st January-10th March 2025; accompanied by a copy of a photograph of the artefacts on display. 310 grams, 14.5 cm high (5 3/4 in.). [A video of this lot is available to view on Timeline Auctions Website]Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12467-230459.This small bronze may have served as a devotional image in a personal shrine or used as votive object offered as dedication to the god.

Roman Period, 2nd-3rd century A.D. Standing on a pillar and wearing a feather crown and a panther skin cloak, his hands resting on his knees, large protruding ears and grimacing expression. Cf. Weber, W., Die ägyptisch-griechischen terrakotten, Berlin, 1914, pl.25, no. 251, for similar. 362 grams, 24 cm (9 1/2 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s.Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind. Bes became one of ancient Egypt's most popular apotropaic deities from the New Kingdom onwards. Despite his somewhat fearful appearance, Bes was the patron and protector of pregnant women and children and was also believed to protect from snakes.

Kings of Bithynia, Prusias II Cynegos AE 21mm.. Circa 182-149 BC. Nikomedia mint. Ivy-wreathed head of Dionysos to right / The centaur Chiron walking to right, cloak over shoulder, playing lyre; BAΣΙΛΕΩΣ to right, ΠΡΟΥΣΙΟΥ to left, monogram between forelegs. Cf. SNG Copenhagen 639; HGC 7, 629. 6.60gr, 21mm, 12h. Near Very Fine.Property of a Cambridgeshire, UK, gentleman.Chiron was held to be the superlative centaur amongst his brethren, as he was called as the wisest and justest of all the centaurs (Homer, Iliad 11.831). Throughout Greek mythology, there were many heroes who were trained by Chiron, including Achilles, Ajax, Asklepios, Herakles, Jason, Perseus, and Theseus.

England. Stuart, Charles I AR Halfcrown.. 1625-1649. Aberystwyth mint; i.m: book. Struck 1638/9-1642. Spirited horse. •(book)• CAROLVS • D .' G .' MAG .' BRIT .' FRAN .' ET HIB .' REX, King wearing cloak flying from shoulder on horseback to left; holding sword upright with his right hand; no ground, plume before / •(book)• • CHRISTO • AVSPICE • REGNO, large plume above oval quartered shield of arms. SCBI Brooker 745; North 2327; SCBC 2880. 14.70gr, 35mm, 4h. Near Very Fine. Rare. Coin stored in quickslab coin capsule.Property of a County Durham collector.

Great Britain. Hanover, Victoria AV Sovereign.. 1837-1901. London (Tower Hill) mint. Dated 1891. 'Jubilee Head' type; long tail. Designs by Joseph Edgar Boehm and Benedetto Pistrucci. William Wellesley Pole, Master of mint. VICTORIA D : G : BRITT : REG : F : D :, crowned, veiled and draped bust to left; J.E.B. in small lettering on base of truncation / St. George on horseback to right, holding sword with right hand and wearing plumed helmet and billowing cloak, slaying the dragon which falls to right on broken lance to left on ground line; small WWP under lance, small B. P. beneath ground line to right; date in exergue. Marsh 129A; SCBC 3866C. 7.94gr, 22mm, 12h. Good Fine.Found South Gloucestershire, UK.

Great Britain. Hanover, Victoria AR Crown.. 1837-1901. London mint. Dated 1895 and RY LIX. Old Head Coinage. Designs by Sir Thomas Brock and Benedetto Pistrucci. VICTORIA • DEI • GRA • BRITT • REGINA • FID • DED • IND • IMP •, crowned, veiled and draped bust to left; T.B. in small lettering on truncation / St. George on horseback to right, holding sword with right hand and wearing plumed helmet and billowing cloak, slaying the dragon which falls to right; small B. P. beneath ground line to right, date in exergue. Edge inscription: DECUS ET TUTAMEN ★ ANNO REGNI LIX ★. Bull 2599; ESC 309; SCBC 3937. 28.18gr, 39mm, 12h. Good Fine.Acquired on the UK art market.Property of an Essex, UK, collector.

Istanbul, circa 1860 A.D. Showing the standing Taxiarches (commanders of the Heavenly Army) Michael (A[rchangel] M[ichael]) and Gabriel (A[rchangel] G[abriel]); Michael dressed in pseudo-Roman scale armour worn over a garment with hanging pteryges, partially covered by his military cloak, the raised right hand holding a sword and the left hand resting on a shield; Gabriel dressed in long mantion (a cloak fastened under the neck), long court dress with embroidery, holding the messenger’s flower in one hand and the Globe of the Divine Power over the world in the other; floral frame; fabric mark in Turkish and Greek (ω) near the right shoulder of Saint Michael. Cf. for an icon of Virgin Mary in similar style, produced in 19th century Istanbul, Geelmuyden Bulgurlu, V., Ulf, A., Lindgren, N., Bodin, H., Balicka-Witakowska, E., Five essays on icons, Stockholm & Istanbul, 2005, fig.3, p.26. 285 grams, 16.2 x 12 cm (6 3/8 x 4 3/4 in.). Property of a London, UK, gentleman collector.The icon is from a workshop of Constantinople circa 1860 A.D. During the Turkokratia (the Turkish domination) the Orthodox inhabitants of Constantinople continued to trust their protection to the powerful military commanders of the Heavenly Host, the Archangels. Following the Slavic style, the icons were often covered by embossed silver plates (riza), generally reproducing the same figures on the painted wood.

Canada, British Colonial. Bank of Upper Canada CU Penny.. 1850-1857. Heaton (Birmingham) mint. Dated 1857. John Pinches, engraver. Design by Benedetto Pistrucci. BANK OF UPPER CANADA ❀ 1857 ❀, St. George on horseback to right, holding sword with right hand and wearing plumed helmet and billowing cloak, slaying the dragon which falls to right; small R.K. & Co. beneath ground line to right / BANK ❀ TOKEN ❀ ONE • PENNY ❀, crown over crossed sword and anchor set on two cornucopiae; Union jack to upper right. Breton 719; Charlton PC-6; KM Tn3. 15.77gr, 33mm, 6h. Good Very Fine.From a private, UK, collection in the 1980s.Property of a London, UK, antiquarian.The initials 'R.K. & Co.' are for agent's mark of Rowe, Kentish, & Co., which is the agent that the Bank of Upper Canada used to place their orders.

Southern Italy, 4th century B.C. High-angled spout and loop handle to the shoulder, the body decorated with vertical ribs around the perimeter, central image of a helmetted warrior on horseback, cloak billowing in the wind and his right arm raised in the act of spearing the fallen foe beneath the horse, the horse standing on its back legs and trampling the amazon with its front hooves. See Metropolitan Museum of Art, New York, accession no.06.1021.271, for a guttos with head of Athena. 168 grams, 11.7 cm (4 5/8 in.). Mr F.D. collection, acquired on the European art market, 1975 to present.

2nd century A.D. Squat lamp with pierced lug handle and short nozzle; shoulder with band of radiating feathers, discus with hunter wearing a cloak and stabbing a boar emerging from a thicket; concentric rings to underside. Cf. Iran: pièces du Musée de Téhéran, du Musée du Louvre et de collections particulières, exhibition catalogue, Paris, Musée Cernuschi, 1948, pp.36, no.57. 137 grams, 11.9 cm (4 3/4 in.). [No Reserve] Acquired from Parthenon Gallery, London WC1, UK, before 2000. Property of a Bedfordshire, UK, private collector. Accompanied by an illustrated collector's identification tag.

3rd-4th century A.D. Columnar in form with anthropomorphic detailing modelled in the round; figure with a loose Persian-style hood over his thick hair, wearing a military cloak, left arm bent at his side. Cf. Claus, M., The Roman Cult of Mithras, tr. Richard Gordon, Edinburgh, 2000, p.95. 97 grams, 97 mm (3 3/4 in.). [No Reserve] Found fieldwalking in North Norfolk, UK, circa 2008. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985.The dadophoroi were torch-bearers who accompanied Mithras in his ceremonial travels. They are named as 'Cautes' who holds a burning torch point-upwards, whereas 'Cautopates' holds one pointing down.

FOLLOWER OF MARTEN RYCKAERT A PAIR OF HUNTING SCENES, POSSIBILY DEPICTING ACTAEON Oil on copper Each 10.5 x 27cm (4 x 10½ in.) (2) Condition Report: Acteon with stag: Undulations to the copper. Surface dirt and visible scratches. Inspection under UV reveals a unevenly applied cloudy varnish, and areas of retouching, such as a long vertical scratch to the lower right edge, and retouching to the upper centre where, patches of restoration to the foliage such as to the left edge. Further scattered retouching throughout. Acteon kneeling: Undulations to the copper. Surface dirt, and a few superficial scratches. A paint loss to the lower left corner and upper right corner. Inspection under UV light reveals a cloudy varnish, and large areas of retouching to the to all corners. Scattered retouching to the lower centre, such as on a small restoration on Actaeon's leg, to the cloak, and just below the knee and foot. Furthermore, various patches of retouching are present in the sky, most notably a 3 cm wide restoration above the cloak, to upper centre edge. Condition Report Disclaimer

Star Wars: Collection Of Vintage Figures (Kenner/Palitoy) -10 Vintage Star Wars Kenner/Palitoy figures, to include; Sand People (Tusken Raider), Ben Obi-Wan Kenobi (Cape and lightsaber), R2DR Sensorscope , Darth Vader, Prune Face (with cloak and weapon), Lando Calrissian Skiff Guard, Speeder Bike Pilot, Ugnaught, General Madine,Ree Yees. (10).

Pair of Victorian Staffordshire pottery flatback figural groups "Going to Market" and "Returning Home", H.22cm the tallest; "Red Ridng Hood" figure, and 2 spill vases, H.25.5cm the tallest. (5) Manufacturing defects. Returning Home - restoration to horse's leg. Red Riding Hood - Paint loss to cloak, loss? to horse's mane by ear.