We found 638 price guide item(s) matching your search

Pastel drawing, study of cats together with a modern pottery sculpture and a 20th Century Chinese scroll picture

CHINESE PROBABLY REPUBLIC PERIOD INK AND WATERCOLOUR DRAWING, on paper laid down on silk border, depicting sailing craft in a river landscape, inscribed with six characters and with a red seal, 17 1/2" x 14" (44.5cm x 35.5cm)

TWENTIETH CENTURY CHINESE INK ON PAPER DRAWING, of a galloping horse, inscribed with nine characters, on English paper watermarked 'Supa', 15" X 21 1/2" (38cm x 54.5cm) (fold creased)

A box of items, to include a pair of Chinese bronzed vases, lighters, drawing instruments and marbles

JANET GRAY 'SAVERNAKE FOREST', Pastels, 36cm x 36cm, another probably by the same hand, Village Church;  a pen and ink drawing, signed ? Benham, a Far Eastern brass rubbing and Chinese print; and a nude signed 'J. Purvis' (4)

Chinese school, exotic birds, watercolour on pith paper, 14.5 x 21 cm, its pair, and two others similar (4) Condition report Report by RB Oval drawing with lilies and other flowers, 17.5 x 22 cm. Overall good bright colours, slight 'fracturing' to the paper. Its pair, good bright colours again, the paper is slightly wrinkled rather than being flat, and is slightly split, and a couple of small holes. Two pheasants, 14.5 x 20.5 cm, paper slightly brown, but good colours, slight 'fracturing' to paper. Its pair, in a similar condition. Report by NG Two bird pictures with foxing, staining, cracks and tears in paper, although colours good. Oval flowers each approx. 17.5 x 22 cm. Each with some tears in image. Both with slight discolouration and staining. One of the images with roses discoloured.

Chinese school, exotic birds, watercolour on pith paper, 14.5 x 21 cm, its pair, and two others similar (4) Condition report Report by RB Oval drawing with lilies and other flowers, 17.5 x 22 cm. Overall good bright colours, slight 'fracturing' to the paper. Its pair, good bright colours again, the paper is slightly wrinkled rather than being flat, and is slightly split, and a couple of small holes. Two pheasants, 14.5 x 20.5 cm, paper slightly brown, but good colours, slight 'fracturing' to paper. Its pair, in a similar condition. Report by NG Two bird pictures with foxing, staining, cracks and tears in paper, although colours good. Oval flowers each approx. 17.5 x 22 cm. Each with some tears in image. Both with slight discolouration and staining. One of the images with roses discoloured.

A Chinese Natural History drawing book

Chinese Painted Gourd 20th century AD. A painted gourd with fine inked drawing of figures in a landscape, text and red chop seals above. 21 grams, 62mm (2 1/2"). Private collection, West London, UK; acquired in the 1990s. TimeLine Auctions Ltd arranges printed catalogue rostrum Auctions, eAuctions and Timed Auctions where we offer antiquities, ancient artefacts / artifacts, antiques, collectibles, coins, medals and books for public sale. Fine condition.

Chinese school, exotic birds, watercolour on pith paper, 14.5 x 21 cm, its pair, and two others similar (4) Condition report Report by RB Oval drawing with lilies and other flowers, 17.5 x 22 cm. Overall good bright colours, slight 'fracturing' to the paper. Its pair, good bright colours again, the paper is slightly wrinkled rather than being flat, and is slightly split, and a couple of small holes. Two pheasants, 14.5 x 20.5 cm, paper slightly brown, but good colours, slight 'fracturing' to paper. Its pair, in a similar condition.

( Allestree R. ) : Government of the Tongue, 1693. Small 8vo. Cont. panelled binding. Engraved frontis. The Whole Duty of Man, 1724. 12mo. Eng. Tp. ( Le Sage A. ) : The Devil Upon Two Sticks, Asmodeus's Crutches & Dialogues Between Two Chimneys of Madrid, 1778; Letters of Junius, 1792. Vols. 1 & 2.; Falconer W. :The Shipwreck, 1818. The Chinese Spy or, Emissary from the Court of Pekin, 1765. Vols. 1 - 6. Smiles for All Seasons - A Collection of Parlour Poetry and Drawing Room Drollery, 1826. ( Scarce ). CONDITION REPORT: Government of the Tongue - nice copy in a sound contemporary binding with some wear, text block very clean, bright and tight. Remaining titles mostly requiring repair & restoration of bindings in varying degrees, some sporadic foxing etc.

PAN YING (b.1962) YUNNAN LADY/ THE THINKER. Ink and colour on paper. Seal of the artist. 66 cm x 43.5 cm The artist portrays a demurely elegant lady dressed in traditional Yunnan costume leaning on the fence, with her chin resting on a clenched fist, gazing down and inward, thinking deeply, as if reflecting on her life experience, triggering the viewer's imagination and curiosity. An ethnic Manchu, Pan Ying graduated from the Art Institute of the People's Liberation Army in 1983, specializing in traditional Chinese painting. She is now on the staff of the Fine Arts Department of the Central University for Nationalities in Beijing. In her most mature works Pan paints with the traditional gongbi technique strips and ribbons of white material arranged in endless monochrome combinations that spiral and intersect on the surface of the painting. Using a traditionally high artistic idiom, therefore, Pan Ying provides a description of practices generally classified as belonging to 'handicrafts' and thus regarded as 'low'. Still the representation of what for centuries was classified as menial is replayed with elegant minimalist effects, reminiscent of drawing and etching, that bestow the coiling movement of the thread with an abstract formal beauty. Pan Ying has participated in many exhibitions both nationally and internationally, including: 'Century-Woman' in Beijing (1998); 'Die Hälfte des Himmels' (Half of the Sky) at the Frauenmuseum in Bonn (1998); and 'On This Side of the Sky: UNESCO Salutes Women' in Art in Paris (2003). Provenance: Directly from the artist herself in the 1990s. Provenance: Directly from the artist himself in the 1990's

Japanese woodcuts, a Chinese hardwood panel inlaid with carved stone figures, a watercolour of pheasants perched on a snow covered branch signed and ink drawing of Japanese children signed W.B Clark SS Morea dated 17/8/30 (7).

Elliott? oil on board river landscape, a watercolour cattle grazing, a framed oval print and a Chinese watercolour drawing on rice paper (4)

A Xuantong period Chinese rice paper drawing decorated with many figures playing instruments in a band presented in a carved frame, 27cm x 17.5cm

A Chinese pith paper drawing depicting a family presenting offerings at a small shrine, 30 x 17cm; another showing silk winding, weaving and fulling, 30 x 17cm; and five small drawings of birds and flowers, all within one frame, overall dimensions including frame 46 x 39cm, 19th/20th century

S… E… G… (20th Century) French. Portrait of a Man with a moustache, wearing black, Signed with Initials and Dated 1926, 12.5” x 9”, together with a Crayon drawing of a Chinese Girl, (2).

An early 20thC Chinese water colour and pen drawing on material, formed as a bird aside flowers, with printed signature marks lower left, glazed and framed, the image 29.5cm x 35.5cm.

Chinese print of crayfish, drawing of a dog, watercolour etc

A Chinese Pen and Ink drawing of a Wise Man with Cockerels, framed and mounted, 10 1/2'' x 9'' approx.

An early 20th Century oak glazed top coffee table, enclosing Chinese drawing of bird upon bamboo, with inscription and signed, turned supports and bar stretchers. 112cm L

THIS LOT IS NOT AVAILABLE FOR ONLINE BIDDING If you wish to bid on this lot you will need to make arrangements with our accounts department no later than Tuesday 28th January. Beato, Felice. An album of 68 albumen prints of China and Japan, including views of North Peiho [Taku] Fort, the Emperor`s Palace and the Summer Palace, Peking, Hong Kong, Yedo and Yokohama, the first leaf signed in margin (vertically), `No. 20 F. Beato`, and a further ownership inscription, `Capt. Dew, R.N. 1863` on endpaper, the majority of prints captioned in pencil on the mount, the majority mounted one per page, some damp-staining to upper margin, rarely affecting prints, contemporary boards of Japanese cloth, worn, 47 x 37 cm approx., c.1863-4. A FINE AND IMPORTANT EARLY ALBUM FROM FELICE BEATO`S STUDIO IN JAPAN, DOCUMENTING THE ANGLO-CHINESE OPIUM WAR, HONG KONG HARBOUR, PEKING, YOKOHAMA AND YEDO. Albums by Beato that contain prints of both China and Japan are very rare. This example offers 23 prints of views in China, 34 of views in Japan, 8 prints of drawings by C. Wirgman, and 3 portrait studies. Among these there are 11 folding panoramas, including Hong Kong Harbour, the aftermath of battle at the North Fort Peiho and views of Yokohama and Yedo. Later albums from Beato`s studio in Japan were complied by the photographer, so it seems likely that the prints in this example were chosen by Capt Roderick Dew himself, reflecting his own military interests. Captain Roderick Dew, R.N., played an important role in the Second Opium War and the liberation of Ningpo in 1862. The prints comprise: i) Representatives of the United States of America, England and France, (titled L-R: [Gustave Duchese, Prince de] Bellacourt, Capt Roderick Dew, Col. James, Col. Hooper, Col. [Edward St.John] Neale, U.S. Minister), 167 x 144 mm; ii) Yokohama (folding six print panorama), 1675 x 247mm; iii) Gan Kiro, Yokohama, 291 x 229 mm; iv) Canal, Yokohama, 298 x 223 mm; v) Guard House, Yokohama, 293 x 242 mm; vi) Opposite Yokohama, 290 x 244 mm; vii) Beutin ?Sainia, Yokohama, 280 x 222 mm; viii) Beutin ?Saina, Yokohama, 280 x 225 mm, torn with slight loss; ix) The Bluff, Yokohama, 275 x 230 mm; x) Glimpse of Fujiyama, 273 x 226 mm; xi) Dai Butsu, Yokohama, 289 x 227 mm; xii) Dai Butsu, Yokohama, 289 x 227 mm ; xiii) Ball given by Netherlands Consul. Yokohama, September [.] 1863, copy of drawing by C. Wirgman, 272 x 190 mm; xiv) Attack on Richardson, September 13th 1862, copy of a drawing by C. Wirgman, 257 x 196 mm; xv) Invasion of Japan, Ye Grand Army a landing. March `64, copy of a drawing by C. Wirgman, 278 x 183 mm; xvi) Kawasaki Temple, (folding two print panorama), 532 x 219 mm; xvii) Kawasaki Temple, 290 x 242 mm; xviii) Panorama of Yeddo from Atago-Yama, (folding five print panorama), 1395 x 207 mm; xix) Palace of Arima, Yedo (folding three print panorama), 830 x 175 mm; xx) The Tycoons Palace, Yedo, (folding two print panorama), 546 x 217 mm; xxi) Etai Bashi, Yedo, (folding three print panorama), 818 x 210 mm; xxii) Entrance to the British Legation, Yedo, 277 x 229 mm; xxiii) British Legation, Yedo, 270 x 215 mm; xxiv) Spot where the sentries were murdered, British Legation, Yedo, 267 x 217 mm; xxv) American Legation, Yedo, 289 x 227 mm; xxvi) The Scene of the Murder of Major Baldwin. Kamakura Temple, (folding two print panorama), 453 x 286 mm, slight staining to upper edge; xxvii) American Legation, Yedo, 287 x 237 mm; xxviii) Dutch Legation, Yedo, 277 x 231 mm; xxix) Palace of Howokawa, 278 x 222 mm; xxx) Japanese Garden, Yedo, 278 x 230 mm; xxxi) Atago-Yama, Yedo, 286 x 230 mm; xxxii) Garden of Miyazaki on the Tokaido, 280 x 200 mm; xxxiii) Akabane, Yedo, 280 x 230 mm; xxxiv) Yakunins House, Yedo, 255 x 225 mm; xxxv) Japanese Garden, Yedo, 282 x 233 mm; xxxvi) Japanese girls, 250 x 168 mm, irregularly cropped; xxxvii) Josses, Yedo, 261 x 229 mm; xxxviii) Delenda est., copy of a drawing by C. Wirgman, 266 x 202 mm; xxxix) Theatricals on board the `Perseus`, 1863, copy of a drawing by C. Wirgman, 252 x 156 mm; xl) Anglo-Chinese Contingent, Ningpo, 1864, Sept, 203 x 130 mm; xli) As above, 237 x 141 mm; xlii) Granite Obalisque 70 feet high in Memoriam Capture of Ningpo, May 10 1862, 188 x 237 mm; xliii) ?Valubins, Paris, 1863, copy of a drawing by C. Wirgman, 266 x 180 mm; xliv) London, 1863, copy of a drawing by C. Wirgman, 263 x 198 mm; xlv) Sketch in Hong Kong, copy of a drawing by C. Wirgman, 254 x 178 mm; xlvi) Spinning yarns on board the `Bengal`, 1863, copy of a drawing by C. Wirgman, 243 x 177 mm; xlvii) Panorama of Hong Kong, (folding six print panorama), 1723 x 216 mm; xlviii) Pehtang Fort, 292 x 256 mm; xlix) Interior Pehtang Fort, (folding two print panorama), 584 x 241 mm; l) North Fort, Peiho, 300 x 254 mm; li) Abbatis North Fort, Peiho, 304 x 257 mm; lii) Angle of North Fort, Peiho, 302 x 255 mm; liii) Portraits of dead men. Interior of North Fort, Peiho, 291 x 245 mm, creased along one edge; liv) Portraits of dead men. Interior of North Fort, Peiho, 307 x 259 mm; lv) Portraits of dead men, Peiho Fort Interior, 303 x 256 mm ; lvi) Exterior of North Fort, Peiho, 300 x 249 mm; lvii) Interior of North Fort, Peiho, (folding four print panorama), 1175 x 231 mm; lviii) Studio portrait of three gentlemen (including ), 148 x 171 mm; lix) Studio portrait of (loose), 146 x 174 mm; lx) Cavalier of North Fort, (folding two print panorama), 590 x 245 mm; lxi) Second Fort, Peiko, 305 x 257 mm; lxii) Chinese wooden ?yuns, Peiho, 293 x 260 mm; lxiii) Bridge Palu chian on which Brabazon was killed near Pekin, 305 x 261 mm; lxiv) Cemetry near Pekin, 306 x 245 mm; lxv) Pagoda near Tungchan, 285 x 229 mm, creased in upper left corner; lxvi) Emperor`s Palace, Pekin, 307 x 251 mm; lxvii) Summer Palace, Pekin, 303 x 250 mm, creased on left, upper right corner with slight loss; lxviii) Near Pekin, 305 x 257 mm. Provenance: Purchased from the photographer by Capt Roderick Dew, R.N. in 1863-64, thence by descent. Footnote: Captain Roderick Dew, R.N., (2 July 1823-24 March 1869) is regarded as one of the great heroes of the Second Opium War. This Lot will not be available for online bidding.

(x) Malta1885-90 artist's original handpainted essay with blank value tablet used for the 2d., 4d. and 1/- values, approved values below and outside design there is an enlarged drawing of the Maltese Cross, in red and Chinese white on card (81x102mm.) dated "26 sep 83", marked "New Punch H4" in red ink at top left and initialled "E.E.R.". Most delightful. Photo provenance:De La Rue archives, November 1978Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

NINETEENTH CENTURY CHINESE GOUACHE SCROLL DRAWING, depicting a Mandarin official, 40" x 23" (101.6cm x 58.4cm) (damage)

NINETEENTH CENTURY CHINESE GOUACHE SCROLL DRAWING, depicting a Mandarin official, 43" x 27" (109.2cm x 68.6cm) (damage)

Hankow Lottery, a full sheet of 10 lottery tickets, each for 1 tenth interest in the drawing to take place in Hankow in 1911, classic Chinese building at top, dragons at either side, blue and red printing with text in both chinese and English, very fine and rare. Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

New Zealand1935-36 Pictorial IssueEssays6d. Harvesting composite printed essay by T.I. Archer, 155x130mm. in black and white with portions handpainted or touched-up in Chinese white, and a further drawing for the left frame-line; both signed "T I Archer. Unique Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

A Chinese rice paper drawing, late 19th/early 20th century, depicting a procession of male figures and courtiers holding Chinese sabers and banners, framed and glazed, 20x32cm (illustrated)

A 19th century Chinese drawing on pith paper, a butterfly and foliage, 10 x 15 cm, and eleven others similar, various sizes, all framed to match (12) See illustration Condition report Report by JB All images would appear to be 15.5 cm x 10.5 cm. All images display slight discolouration (a tinge of brown and yellow) with rippling to the surface. The vast majority also display damage of some sort or another, including multiple holes, some splitting and small tears. Some areas of loss can be observed to the edges of a few Please see high resolution illustrations of each image for details

QU LEI-LEI (Chinese contemporary) OLD MAN Pen and ink drawing, signed, 15 x 10cm (6 x 4")

A watercolour study of a Chinese pagoda, graphite drawing to the reverse

* AMENDMENT: Please note that the estimate is now 200-300 - .After Jen Tzu-Chao, drawing of a horse, Chinese, 20th century, signed in script and bearing three red seals, within silk foliate decorated border, image size: 21cm high x 29.5cm wide, in border: 35cm high x 43cm wide. VAT charged on hammer price.

An Indian brass horseman drawing a carriage 30cm long and a Chinese bronze joss stick holder cast as a Kylin, 14cm high (2)

A quantity of pens, artist's brushes and drawing instruments, Chinese calligraphy pens, including two carved wooden pencil boxes, a WWI Christmas tin 1914, Chinese copper plated pen tray cast in low relief, dated verso 2nd Jan 1901, fountain pens, some with 14K gold nibs, and a silver cased fountain pen De La Rue Ltd, London 1905, lacking lid, a small silver frame 4 by 3cm, marked for Birmingham 1901, and sundry collectables. Provenance: The Estate of David Powell MBE.

Myles Birket Foster RWS (1825-1899) ``Little Boy Blue`` Pencil, preparatory unfinished drawing, 12.5cm by 17cm Provenance : Collection of his daughter in law Mrs William Foster and sold by her executors at Christies on 22nd March 1946 Collection of L. Nevill Long Some yellow discolouration to sky around pencil lines and Chinese white - but this is minimal. Old 1960`s/70`s washline cream mount and plain gilt frame.

EARLY 20TH CENTURY CHINESE SCHOOL; ink wash drawing of a young woman holding a plant pot, red seal mark and artists colophon to right hand side, 73 x 48cm, framed and glazed.

Thomas Girtin/The Interior of Exeter Cathedral/signed lower left Girtin/watercolour and bodycolour on paper, 44.5cm x 61cm (17.5" x 24") *NOTE: THIS LOT IS SUBJECT TO VAT ON THE HAMMER PRICE, AS WELL AS ON THE BUYER'S PREMIUM Provenance: James Moore, FSA (1762-1799); by descent in the Moore-Miller Collection; Christie's 25th February 1916, lot 65 (bt. Leggatt); Private collection, England/Exhibited: Royal Academy, 1798, no.538 (Inside of Exeter Cathedral); Manchester, Art Treasures Exhibition, 1857, no.74; London, The Burlington Fine Arts Club, 1875, no.44/Literature: Gentleman's Magazine, 1803, vol. LXXIII, p.187; CF Bell, 'Fresh Light on some Water-colour Painters of the Old British School', Walpole Society, vol. V, 1917, pp.76-77; T Girtin and D Loshak, The Art of Thomas Girtin, London 1954, p.208/Note: This watercolour, among the largest in existence by Thomas Girtin, was shown at the Royal Academy in 1798, a fruit of his tour of Devon in 1797. It was bought by the Cheapside linen-draper and keen antiquarian James Moore, one of Girtin's earliest patrons, descending in the Moore-Miller family until sold at Christie's in 1916./From 1791 to 1795 Girtin worked for Moore, translating his pencil drawings of gothic cathedrals and monuments into more sophisticated watercolours. Girtin based his first important Royal Academy watercolour of 1794, Ely Cathedral (Ashmolean Museum, Oxford), on a drawing by Moore. The following year he showed at the RA his first independent watercolours of medieval cathedral façades, Peterborough Cathedral and Lichfield Cathedral./The interior of Exeter Cathedral reflects Girtin's interest in the sublimity of gothic architecture, an interest paralleled in contemporaneous watercolours by Turner. The play of light on the intricate interior is achieved by means of broad, translucent watercolour washes in blues, greys and buff, with delicate details added over them in a deeper brown with a fine brush tip. Girtin on his 1797 tour experimented with the use of Chinese white (gouache) highlights, evident here in the sunlit ribs of the nave and the east window. The radical playwright James Holcroft, who met Girtin in Paris in 1802, commented that the artist 'delighted in and had studied the Gothic'. The present watercolour, rare in Girtin's work in showing the interior of a building, invokes both the soaring grace and the monumentality of these testaments to Faith./Our thanks go to Susan Morris for confirming the attribution of the painting and writing the footnote/see illustration Condition Report: The paper has gone a little brown and the white shows up more than intended other wise in good condition

19TH CENTURY CHINESE CARVED IVORY WARRIOR FIGUREAntique Chinese hand carved standing warrior figure depicted in full Imperial regalia drawing his sword from scabbard on left hip. Mid to late Qing Dynasty period. Includes fitted wooden base. Measures 10 3/8 inch height (26.4 cm). 1 1/2 inch base height (3.8 cm). Total weight of 879 grams.

TWENTIETH CENTURY CHINESE BRUSH AND WATERCOLOUR DRAWING of a bird perched upon a flowering tall peony, signed with two characters with red seal, silk embroidered ends 17 1/4" x 31 1/4" (44cm x 79.5cm)

A circa 1920`s Japanese hors `oeuvres set contained within a lacquer pained box, a mahogany cased technical drawing set, a Chinese pewter canister of cylindrical form, decorated with dragons and an Oriental white metal rectangular box, the hinged lid decorated with figures in a forest landscape.

* Chinese School. A large Chinese brush drawing scroll, late 19th century, ink and watercolour on cream silk, mounted on thick paper, depicting a stylised peach tree, orchids, and grasses, signed and with artist’s seals, water-stained, 74 x 226cm (29 x 89ins), Chinese hardwood batons detached (1)

Waley (Arthur). The Lady Who Loved Insects, trans. from the Japanese, Blackamore Press, 1929, drypoint decorations and frontis. by Hermine David, t.e.g., orig. moire cloth gilt, sl. rubbed and soiled, 8vo, (limited ed. 358/550), together with Monkey by Wu Ch’eng-en, trans. from the Chinese by Arthur Waley, 1st ed., Allen & Unwin, 1942, tinted pict. title page, orig. cloth in pict. d.j., spine browned and a little chipped at head, 8vo, loosely inserted a signed photograph of Arthur Waley dated 1947, an autograph letter signed from the artist Duncan Grant to Stanley Unwin, 25th March 1943, ‘I thought I remembered that in our agreement the original drawing for “Monkey” was to be your property, but I could not find the letter and wished to be certain before copying to the Lady’, Allen & Unwin file stamp lower right, plus a two line typed letter signed from Arthur Waley to Stanley Unwin telling that Duncan Grant would like to illustrate “Monkey” for the Folio Society, 14th March 1965, plus twenty-two further Arthur Waley titles, mostly hardbacks and many published by Allen & Unwin, including three signed by Waley (two presented to Stanley Unwin), plus one autograph letter and one postcard signed, both addressed to Stanley Unwin (29)

Chinese tea brick embossed with scenes of tea factory together with pencil drawing of the scene

A quantity of Chinese rice paper drawings in gouache and pigments on pith paper, depicting a variety of subjects including birds, insects, coastal landscapes, floral displays, fruits and figures, various sizes, approximately 40 items; and two watercolour drawing of fruiting plants 十九世纪／二十世纪初 花卉山水人物米纸画 （四十差不多）

An Early 19th Century Chinese Black Lacquer Cabinet on Stand, richly painted overall in gold depicting Chinese landscapes, with brass carrying side handles, the interior fitted with an arrangement of drawers, columns and sliding grille doors, all above two deep drawers, the stand with a gilt decorated frieze and decorative pierced apron, raised on square form legs with horseshoe feet, 99cm by 50cm by 170cm See illustration Illustrated in Antique Collector, April 1955 Provenance: The Drawing Room, Riverside House, Twickenham, Middlesex, the residence of the Honourable Mrs Basil Ionides

A Chinese inspired Gouache drawing of a Geisha Girl, a tiger and an Imperial Ruler.

* Pictures & Prints. Warland (A.W., 20th century), Conster Manor, Brede, pencil drawing on paper, signed and titled, 180 x 270mm, together with another signed drawing by the same hand titled Romney Farm, and five other unsigned drawings including West Malling and Littlehampton by the same hand?, plus other miscellaneous including a hand coloured Rowlandson aquatint titled ÒGet Money Money Still, and then let virtue follow, if she willÓ (30.8 x 23cm), two Chinese ricepaper paintings of a a boat and sea creatures, a rustic engraving printed in colours signed E. Stodart, a large pencil and crayon drawing of a gipsy woman (61 x 44cm), watercolours of army regiments, etc., many framed (approx. 40)

Two 19th Century Chinese ink drawings Two works: ``The West Lake accompanies high peaks and the songs of the woodsman`` and ``Rocks and waters amongst holes``, figures and houses set in expansive landscapes, each with notations in characters in the lower right margin, Arabic numbers in graphite along the lower left margin: 8 and 13, each image size: 12.25`` H x 17.25`` W Provenance: Private Collection, Moorpark, CA. Condition: Each visual: faded, with scattered toning and spots of stain. The lower left edge of each drawing with wear and / or tears. Not examined out of the frames. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

Watercolour drawing Manuel Khistoforovich Aladjalov (1862-1934), attributed Landscape sketch with stone building, Set twelve early 20th century Chinese watercolour drawings on silk Birds, insects etc, unframed and a Pencil drawing Possibly Victor Vasmetsov Sketch of mounted pall bearer, unframed

A Chinese scroll drawing of the Emperor Qianlong, resting on a divan, beneath a landscape and portrait of himself, a boy pouring wine, and surrounded by various works of art on tables and stands, inscription, seven red seal marks, some wear, unframed

A pencil drawing on grey sugar paper heightened with Chinese white of Durham Cathedral from the river, 28 by 48cm.

P Collins: a pencil drawing, flowering stem, a monochrome print, flowers and butterflies, and three miniature signed prints of old Chinese porcelain

Matchbox MOY, Lesney, Dinky, GAMA and Lone Star: Matchbox Lesney 59 Porsche 928, metallic blue, MOY No 7 4 ton Leyland van, brown with Jacobs transfers, solid grey wheels in original `Matchbox` box with line drawing and black 7 on end flap, Y-4 1930 Duessenberg in original box and Y-5 1927 Talbot `Dunlop` van in original maroon box, GAMA 1176 Opel Rekord, silver in original Opel box, Dinky Chinese made Jaguar XJ 5.3C, white with red decoration, Lone-Star 4-6-2 blue steam locomotive, Dinky collection leaflet 1989, Siku and Eligor 1980-81 catalogues, Farnham Maltings toy fair badges from 1987-1991, G-E, boxes G (16)

A pair of small Chinese water colour drawings on silk, a pair of unframed Chinese water colour drawings depicting, cranes and a bird of prey amongst exotic foliage and a contemporary water colour drawing entitled "Windows" by Pandora Mond

A scroll painting of a horse, by Xu Bei-hong (1895-1953) the horse freely depicted in grey and black wash prancing with its front hooves raised. Signed to the bottom right Bei -Hong painted with free mind (referring to the extempore style of painting) with a red seal Jiang-nan bu-yi [ the Buyei people of Jiang-nan ]. Xu Bei-hong was in important artist in Chinese modern art movement who excelled in both Chinese ink painting and Western oil painting. Educated in China during his youth, he then studied painting and drawing in London and Paris followed by years of travelling in Western Europe. Xu was greatly influenced by Western Art and tried to advocate the learrning of its techniques by contempoary Chinese artists. His hallmark was the use of expressive Chinese brushwork combined with a Western perspective and the present painting is a good example of this. " Good condition overall with slight creasing; mounted on paper. View on auctionatrium.com

A Chinese scroll painting depicting Ladies and a Child in the Gong-bi style, signed Qiu Ying, probably nineteenth century the composition depicting three ladies and a child by a river bank with plantain leaves and bamboo, signed Qiu-Ying at the bottom left. The painting resembles the detailed and refined style of Qiu Ying (1498-1552) who was one of the four masters of painting in the Ming Dynasty (1368-1644) who specialized in the Gong-bi and Bai-maio (plain drawing or outline) style of female figure painting. Although the piece is signed Qiu Ying at the bottom, a later date, probably towards the end of the Qing dynasty, is more likely. Delicate female figures accompanied by a young child became a popular theme in the representation of women from the Ming dynasty onwards. After Qiu Ying it was traditional to represent women as slim shouldered and reserved. " Fine condition with a good silk scroll mount. View on auctionatrium.com

Chinese School - Pen, ink and watercolour drawing - Standing old man and frog, 25.5ins x 24.5ins, in ebonised bamboo patterned frame and glazed

Chin Chung . Chinese street scene with figures, watercolour drawing, signed, 9cm x 40cm.

Chin Chung. Chinese harbour scene with boats and figures, watercolour drawing, signed, 30cm x 40cm.

Anglo-Chinese School.- An Album of Rice Paper Pain c. 30 individual portraits and group scenes of children trades and occupations also including 3 studies of fruit and vegetables with a pen and sepia ink drawing of a hospital ship in Hong Kong Harbour dated 1853 gouaches each either c. 180 x 280mm. or c. 140 x 90mm. mounted at corners on album leaves some fractures and losses 19th century patterned-silk boards worn spine loose [mid nineteenth century]; and 3 others including 2 other scrap albums of drawings and watercolours 4to albums (4).