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A large Middle Easter copper charger with floral and solitare engraved decoration with scalloped crust edge. (w-64cm)

Four boxed 1:24 scale NASCAR models, to include: - Jeremy Mayfield #19 Dodge / Mountain Dew 2002 Intrepid R/T - Rusty Wallace #2 Miller Lite / hometown Edition 2005 Charger etc

A Dresden porcelain charger, decorated with animals in a barn, AR (Augustus Rex) mark to reverse, 37cm diameter 

A boxed DeWalt 24v battery circular saw with charger and two batteries.

A Ryobi portable tool chest to include a Ryobi CW-1801/150 18v battery circular saw, a Ryobi STP-1801 18v battery drill, a Ryobi CFL-180F 18v battery handheld torch, a Ryobi CJS-180QEO 18v battery jigsaw, a Ryobi CMS-1801 18v battery cross cut saw, a Ryobi BC-1807T 18v charger and two Ryobi 18v batteries.

A collection of power tools including, a boxed Ryobi CCD-1801 18v battery drill and a Ryobi CDI-1801 hammer drill with charger, a boxed Bosch GBH2-18RE 240v hammer drill, a boxed Elu MFF80 220v 850w planer with dust collection bag, a boxed Makita 4340CT 230v 720w jigsaw. (4).

A Victory 4 mobility scooter, with key, no charger - untested, sold as seen.

A collection of hand tools to include spirit levels, wood plane, hand saws, mallets, hammers, stilson wrench, knives, screwdrivers, chisels, pliers, grips and a small bench vice, a Delta 240v 230w -50hz battery charger, also a leather holdall containing a selection of brick layers hand tools, also a set of four Thomas Taylor flat green bowls size 2 and a second set of four Thomas Taylor flat green bowls size 0.

A boxed DeWalt DW312L-XW 115v 701w jigsaw, a Makita 6095D 9.6v battery drill with battery and charger housed in a DeWalt case, a Makita DMR109 DAB portable radio unit and a Power Devil PDW5037PR 230v 1020w router.

Oriental - Japanese Imari plates and charger, octagonal bowl, Satsuma posy basket, mineral figure group (faults):- One Tray.

Oriental ceramics including a blue and white large table lamp, Chinese vases, together with an enamel charger and a cloisonne table lamp base (1 tray).

A Chinese Porcelain Large Charger, Qianlong, painted in brown and gilt with waterlilies in a circular panel on a ground of lotus leaf panels picked out in famille rose enamels and with further panels of waterlilies 60cm diameterProvenance: The Property of Sir Brooke Boothby, ex Fonmon Castle Broken into several large pieces and with old over spray restoration now flaking and yellowing.Some further surface wear and scratches.

A Chinese Imari Porcelain Charger, Yongzheng/early Qianlong, painted with a vase of flowers and with roundels within a lattice and foliate border36cm diameterNo restoration. Examined under UV light. Free from cracks. Some tiny rim flakes and minor fritting. Slight surface wear and scratches.

An Imari Porcelain Charger, Meiji period, painted with birds and leaves on a brocade ground within a similar border, bears pseudo Chenghua reign mark 65cm diameterProvenance: The Property of Sir Brooke Boothby, ex Fonmon Castle Broken in two and honestly re stuck.

An Imari Porcelain Charger, Edo period, typically painted with a jardiniere of flowers on a brocade ground with further flowers and panels of mythical beasts 35.5cm diameter A Similar Dish, painted with a basket of flowers within a panelled foliate border and barbed rim 35cm wide (2) Circular - glaze heavily pitted with a dark patch to the reverse at the rim. Some crazing a glaze cracks. Minor fritting.Barbed - three rim chips.

An Imari Porcelain Charger, Meiji period, painted with dignitaries and attendants in cinquefoil panels on a turquoise and brocade ground, six-character mark in black and two-character mark in underglaze blue 64cm diameterProvenance: The Property of Sir Brooke Boothby, ex Fonmon Castle No chips, cracks or restoration.  Some wear to the gilt rim. Some pitting and imperfections to the glaze.

A Nikon Coolpix S3600 digital compact camera - with 8x zoom, pouch case and USB charging cable (in working order); a Silvercrest HD Camcorder SCAW 5.00 B2, with soft case, charger, four batteries and instruction book (in working order); and a boxed Polaroid PoGo Instant Mobile Printer (not tested).

A Poole Pottery Studio limited edition 'Millennium' charger - black printed factory and painted painter's marks, 41.2cm diameter.

A Poole Pottery Studio limited edition 'Artist's Palette' pattern dish or charger - white printed factory marks, no. 31/250, signed by artist N. (Nicky) Massarella and original barcode labels, 40cm diameter, with factory card box with wall hanger and certificate.

Five pieces of Portuguese and Peruvian pottery - including a large Portuguese charger, painted with spring flowers, 33.25cm diameter; together with three early 20th century blue and white mottled glass vases, the largest 21.75cm high. (8)

A boxed Audi R8C Le Mans radio control car by JMA Toys - in Weaver/Wallace/McCarthy livery, with front and rear suspension, differential gearbox, high or low speed, forward and reverse, rubber tyres, 45cm long, with radio control handset and Ni-Cad battery (lacks charger).

A battery charger.

A "Bosch" 4.5 " grinder 110v with case and DeWalt battery powered drill[ no charger]

A "Dirt Devil" hand held vacuum, Air Compressor and a Smart Fast Charger.

Two large feather cushions and a hand held Dyson Vac [ a/f] charger not working.

A box of chargers, car power point, charger, tester, etc.

Beautifully Carved Japanese Dragon Charger made from Hardwood. Measures approx 12 inches Diameter, Carved Character mark to rear. Excellent condition. See photos.

Oriental Enamel painted Charger 14 inches in Diameter together with a Large Oriental Vase which measures 17 inches tall. See photos..

Vintage Hand Painted Mexican Folk art Glazed TerracottaTwin handled charger along with a matching shawl plus a Sadlers Barrel Teapot. See photos.

Mobility Scooter by CTM in used conditon. Comes with papers and charger. Working order. See photos.

Electric mobility scooter with charger

Electric mobility scooter with spare charger

A collection of twelve Georgian and later pewter items, largest charger 42cm diameter, with three others, five small plates, a flagon, tankard and a chalice, AF. Provenance: All collected by Captain Charles Edward Simms (12)

Model Making Tools And Accessories, a large quantity of Model Making Items and similar to include Soldering Iron Kit, Soldering Irons, Fast Charger Unit, Glue Guns, Glue Sticks, various electrical connectors etc, a what appears to be a Paint Mixing Machine, Chargeable Stapler, Voltage Tester, a Dremel Style (not Dremel) Modelling Drill with a quantity of Dremel Style (not Dremel) Bits and other tools and accessories. Also to include a qty of Display Stands and various sized Picture Frames etc. A really interesting lot which would suit a Model Maker. Nothing tested and nothing checked for completeness. PLEASE NOTE THIS IS A HEAVY PALLET LOT THEREFORE COLLECTOIN ONLY - POSTAGE IS NOT AN OPTION. See photos.

Charlotte Horne Spiers - Minton Art Pottery Studio - A late 19th Century wall charger, decorated with a Song Thrush on bamboo trellis with flowering Convolvulus and African Lilies over cloud dappled sky, signed to the lower margin, impressed marks to reverse, diameter 49.5cm.

Ellen Welby - Mintons Art Pottery Studio - A large late 19th Century wall charger, decorated with a profile portrait of a young woman with braided hair and ruff collar before a fruiting lemon tree and frieze of Bacchanalian putti, signed to the lower margin, impressed marks to reverse, diameter 48.5cm.

Ellen Welby - Mintons Art Pottery - A large circular wall charger, decorated with a profile portrait of a young woman with braided hair and ruff collared shirt, before flowering trailing passion fruit vines, signed to the lower margin, impressed marks to reverse, diameter 48cm.

Susie Cooper - Pyramids - A large Grays Pottery charger or wall plaque circa 1928, hand painted with overlapping triangles in black, orange and tonal yellow with block line panels in green and tonal brown, printed Clipper mark, width 39.5cm, small restoration.

Poole - A collection of 'Delphis' pottery, to include a charger, diameter 37cm, and two pedestal bowls heights 6cm and 6.5cm, all decorated with orange, green and blue abstract designs. (3)

Clarice Cliff - Melon - A large circular dish form charger circa 1930, hand painted with a deep band of abstract fruit with orange, black and brown banding, Fantasque mark, width 42.5cm.

Poole Studio - A collection of pottery chargers and dishes, to include a 1990s 'Blue Storm' charger, diameter 41cm, a blue spot dish, diameter 26.5cm, and a abstract red dish, diameter 26cm. (3)

Ronald Dean - An Art Pottery charger circa 1910, of circular form, decorated with blue suited scarecrows with outstretched arms, between stalks of ripe wheat with whiplashed tendrils over sage green ground, the raised rim with gilt outlined birds in flight, signed to border, diameter 32cm.

3 Moorcroft items to include a Lamp in the Cosmos design by Philip Gibson with Shade , lamp height approx 24cm including fitting , together with a Crimson Hibiscus Bowl by Walter Moorcroft c1977 , approximate diameter 25cm, both 1st Quality and in good condition with No chips, cracks or restoration, together with a Heron Charger by Philip Richardson in wooden surround , restoration to rear ,  Usual factory marks to bases 

A Delft pottery charger , hand-painted, with Chipping and wear to rim

A limited edition Poole Pottery charger 'The Elements - fire ' number 207 of an edition of 250, with certificate, designed by Karen Ford , approximate diameter 42cm, together with a Poole Pottery Aegean pattern bowl, approximate diameter 27cm, both in good condition with no chips, cracks or restoration.

Japanese hand decorated circular ceramic charger. Approx. 31cms D reasonable used condition

A collection of 19th and Early 20th Century Japanese pottery. Meiji Period (1868-1912) a charger 27cm. A cup and saucer, a bulbous vase 11x11cm.

Villeroy & Boch. A large Late 19th Century pottery charger. Circa 1880. 39cm

Carole Cutler (Poole Pottery) signed Special Commission (1 of 1) Delphis style large charger with glazed decoration in reds, oranges and greens. Hand painted marks to base. Diameter 50cm. With hanging loop holes to base rim.

Carole Cutler (Poole Pottery) signed special commission (1 of 1) Delphis style large charger with glazed decoration in reds, oranges and blue/greys. Hand painted marks to base. Diameter 50cm. With hanging loop holes to base rim.

Janet Parker Laird (formerly Poole Pottery) signed large charger with glazed decoration of a scrolling fern in greens and oranges to a lemon yellow ground. Hand painted signature to base. Diameter 50cm. With hanging loop holes to base rim.

MONET CLAUDE: (1840-1926) French Impressionist painter. An important collection of three outstanding A.Ls.S. by Monet to various correspondents, including Suzanne Manet and Camille Pissarro, regarding the raising of funds by public subscription for the acquisition of Edouard Manet´s famous masterpiece, the oil painting Olympia (1863). The collection comprises (in chronological order) -(i) A.L.S., Claude Monet, three pages, 8vo, Giverny par Vernon, Eure, 26th August 1889, to [Jean-Baptiste] Faure (´Mon cher Faure´), in French. Monet writes in his characteristic bold purple ink and states, in full, ´Je viens vous demander si vous voulez participer à la souscription que nous faisons entre amis et admirateurs de Manet pour acheter l´Olympia de Manet et l´offrir au Louvre. Nous serions très heureux de vous compter parmi nous pour cette manifestation toute artistique. Je sais bien que ce tableau de Manet n´est pas votre préféré mais si nous l´avons choisi c´est surtout parce qu´il appartient à Madame Manet à laquelle nous voulons discrètement venir en aide, et aussi parce qu´il était le tableau préféré de Manet. C´est un bel hommage à rendre à l´artiste et j´espère bien que vous me ferez une réponse favorable. Vous priant de me dire pour quelle somme je dois vous inscrire. Je vous adresse la liste des souscriptions à ce jour´ (Translation: ´I have come to ask you if you would like to take part in the subscription that we, Manet's friends and admirers, are making to buy Manet's Olympia and offer it to the Louvre. We would be very happy to count you among us for this artistic event. I know that Manet's painting is not your favourite, but we have chosen it mainly because it belongs to Madame Manet, whom we wish to discreetly help, and also because it was Manet's favourite painting. It is a fine tribute to pay to the artist and I very much hope that you will give me a favourable response. Please let me know the amount I should register you for. I am sending you the list of subscriptions to date´). Some light age wear and a lengthy, neat split to the central vertical fold of the bifolium.Jean-Baptiste Faure (1830-1914) French baritone and art collector. An enthusiastic and avid collector of Impressionist art, Faure sat for multiple portraits by Edouard Manet, and owned more than sixty paintings by the artist (including another masterpiece Le déjeuner sur l´herbe). Faure´s collection also featured works by Monet, Edgar Degas, Alfred Sisley, and Camille Pissarro.(ii) A.L.S., Claude Monet, four pages, 8vo, Giverny par Vernon, Eure, 13th November 1889, to [Suzanne Manet] (´Chère Madame´), in French. Monet states that he has received his correspondent´s kind letter, and was happy to have been able to please her, continuing to remark ´Vous savez combien j´aimais votre cher mari et combien je serai fier d´avoir pu contribuir à lui faire obtener la place à laquelle il a tant de droits´ (Translation: ´You know how much I loved your dear husband and how proud I will be to have been able to help him obtain the position to which he is so entitled´) and further writing ´Il ne faut pas nous illusioner car ce qui vous parait si naturel parait à d´autres bien audacieux et ce qui est triste à dire il y a encore des ennemis qui refusent de se rendre, mais pour ma part je puis vous assurer que je ne me rebuterai pas et que je ferai tout pour arriver au but que nous voulons´ (Translation: ´We must not delude ourselves because what seems so natural to you seems very bold to others and sadly there are still enemies who refuse to give in, but for my part I can assure you that I will not be discouraged and that I will do everything to achieve our goal´) and concluding by adding ´Mr. Portier que vous avez vu, m´ecrit pour me demander ce que vous devez faire de l´Olympia. Je crois que le mieux , si l´on vous aporte d´autres tableaux, de prendre également l´Olympia chez vous… à moins cependant que vous le mettez chez Madame Eugène Manet [Berthe Morisot], mais il ne faut pas douter… que nous avons encore un mois de pourparlers avant d´obtenir satisfaction et dont je vous mettrai au courant´ (Translation: ´Mr Portier, whom you saw, has written to ask me what you should do with the Olympia. I think that the best thing, if we bring you other paintings, is to also take the Olympia to your place... unless, of course, you put it at Madame Eugène Manet's [Berthe Morisot], but there's no doubt about it... that we still have a month of talks before we get satisfaction, and I will keep you informed´). Some light overall age toning, evidently a result of the letter having previously been framed, the text of two pages (including the final one, with Monet´s signature) somewhat faded, although still legible. One small area of paper loss to a corner, professionally repaired to a satisfactory standard.Suzanne Manet (1829-1906) Dutch pianist, the wife of Edouard Manet, for whom she frequently modelled. Berthe Morisot (1841-1895) French Impressionist painter, the wife of Eugène Manet, brother of her friend and fellow artist Edouard Manet.(iii) A.L.S., Claude Monet, three pages, 8vo, Giverny par Vernon, Eure, 23rd November 1889, to Camille Pissarro (´Mon cher Pissarro´), in French. Writing in his characteristic bold purple ink, Monet acknowledges receipt of his friend´s letter and their contribution of 50 francs in the form of a money order to the Manet subscription fund, although adding that there was no urgency. Monet also explains that the fund now holds 18,500 francs and that he hopes to reach a round figure very soon, however the painter continues to state ´Mais il reste le plus difficile, l´admission de notre don par l´état et je sais déjà que pendant que je travaille à arriver au résultat, d´autres travaillent aussi mais en sens inverse et pour faire avorter notre oeuvre. Proust le premier m´a écrit, tout en souscrivant, qu´il ne voulait pas se charger de faire accepter ce tableau par l´état, considérant L´Olympia coome un des moins bons Manet´ (Translation: ´But the most difficult part remains, convincing the state to accept our gift, and I already know that while I am working to achieve the result, others are also working, but in the opposite direction and to abort our work. Proust was the first to write to me, and although subscribing, he does not want to take charge of making the state accept this painting, considering L'Olympia as one of Manet's least good works´) further describing Proust´s reaction as silly and comical. In concluding Monet remarks ´Mais je crois qu´il est du devoir des artistas de pousser cette affaire, quant à moi je ferai tout pour arriver à notre but´ (Translation: ´But I believe it is the duty of artists to push this matter, and for my part I will do everything to achieve our goal´).Camille Pissarro (1830-1903) French Impressionist painter. An absolutely remarkable trio of letters relating to one of the most famous and iconic paintings in the history of Impressionist art. G to VG, 3Autograph letters by Monet on the subject of Olympia, most of which were addressed to friends in his artistic circle, are highly desirable and each of the present three examples display individual merits in both their exceptional content and associations.

LAFAYETTE MARQUIS DE: (1757-1834) Gilbert du Motier. French aristocrat and military officer who fought in the American Revolutionary War and was also a key figure in the French Revolution of 1789 and the July Revolution of 1830. A.L.S., `L´, one page, small 4to, Paris, n.d. `Monday morning´, to Monsieur Charles Sandia, in French. Lafayette is about to leave Paris but before doing so wishes to forward to his correspondent what he cosiders a good thought he has had, stating in part `Je pars, mon cher Capitaine, et avant de partir il faut que je vous communique une idée qui m´a paru très bonne; ce serait que les manufacturiers de Rouen(?) fussent les premiers à demander une commutation de peine pour les condamnés... le condamnait à mort dans la dernière liste des ouviers, ce qui deviendrait un lien de plus entre les ouvriers et leurs maitres et concilierait bien des mécontents.´ (Translation: "I am leaving, my dear Captain, and before leaving I must tell you an idea I had that seems very good to me; it would be that the manufacturers of Rouen(?) were the first to ask for a commutation of the sentence for the condemned... condemned to death in the last list of workers, which would become one more link between the workers and their masters and would reconcile many malcontents.") Further Lafayette hopes to meet soon again his correspondent, saying `J´espère bien qu´à votre retour vous viendrai à la grange; vous pouvez envoyer aussitôt qu´il vous plaira les objets que vous avez bien voulu vous charger d´acheter pour moi...´ (Translation: "I hope that on your return you will come to the farm; you can send as soon as you wish the objects that you have been kind enough to undertake to buy on my behalf.") With address leaf in Lafayette´s hand, bearing a red wax seal. Very small area of paper loss to the address leaf as a result of the letter opening, otherwise G to VG

PISSARRO CAMILLE: (1830-1903) French Impressionist painter. A.L.S., C. Pissarro, two pages (written to the first and fourth sides of the bifolium), Eragny-par-Gisors, Eure, 2nd September 1897, to ´Mon cher Jean´, in French. Pissarro writes to ask a small favour of his friend, whom he presumes is settled in Rouen, although firstly apologises for not having attended his friend´s wedding, remarking ´tu as du apprendre combien nous avons ete ennuiyes avec la maladie de Lucien en convalescence ici en ce moment j´espere qui tu ne nous en as pas trop voulu, un jour ou l´autre j´aurai peut-etre l´occasion d´aller a Rouen te serrer la main ainsi qu´a ta femme´ (Translation: ´you must have heard how much we were bothered with Lucien's illness, he is convalescing here at the moment, I hope you did not blame us too much, one of these days I may have the opportunity to go to Rouen to shake hands with you and your wife´) and continuing ´Voici ce dont il s´agit. Un des amis de Lucien Monsieur Ricketts artiste et patron de la maison Hacon & Ricketts editeurs a Londres......nous demande si tu ne pourrais pas recommender une maison qui voudrait se charger d´imprimer des cottons pour la reliure dans le genre de l´echantillon ci-inclus qui est imprime sur papier?´ (Translation: ´This is what it is all about. One of Lucien's friends, Mr Ricketts, artist and proprietor of the firm of Hacon & Ricketts editeurs in London......asks us if you could not recommend a firm that would like to print cottons for bookbinding in the style of the sample enclosed, which is printed on paper?´). Some very light, extremely minor staining to the edges, otherwise VG

Five Matchbox Superfast Models, MB5 Lotus Europa metallic blue, MB6 Ford Group 6, metallic green, no 7 labels, MB33 Lamborghini Miura, gold, MB52 Dodge Charger metallic purple, Mb 69 Rolls Royce Silver Shadow Coupe, metallic blue, plus three Hot Wheels red liners, Custom Mustang, with original tin badge, Custom Camaro with tin badge, Custom Corvette, three Corgi Rockets, Porsche Carrara, Jensen Interceptor, Derek Fiske Stock Car, with keys, Corgi Juniors De Tomaso Mangusta and Zylmax Ferrari, all in near mint original condition, except for Custom Camaro which is fair plus Hot wheels Double Dare race action set, box is poor . (14 items)

A mixed lot to include a Polperro model of a bull, a Moroccan charger and other itemsLocation:If there is no condition report, please request.

A Sigma AC/DC charger, a quantity of remote controls and Lipo re-chargeable batteries, etc

A Celebrity X4 mobility scooter in red, with charger

Two boxes of silver plated and metal candelabras, lidded biscuit barrel in Imari colours and Chinese polychrome charger with repairs

GROUP OF FOUR LARGE CANTON FAMILLE ROSE WARES QING DYNASTY, 19TH CENTURY 清 廣彩堆塑螭龍獅耳人物紋大瓶、人物花卉紋大對碗 及 盤（共四件）        comprising: a large vase with gilt moulded chi-dragons on shoulders and mythical beasts as handles, 61.2cm high; a pair of punch bowls, 37cm diameter each; and a charger, 31.5cm diameter, all similarly decorated with figures, birds and flowers (4) largest: 61.2cm high Private Scottish collection, Highlands 蘇格蘭私人收藏，高地