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Lot 86
A VERY FINE CHINESE CANTON ISLAMIC MARKET PORCELAIN CHARGER, beautifully decorated with central calligraphic panel, emanating with further painted panels of figures and flora with birds and butterflies, on a blue ground with finely enamel painted lotus flower motifs and heightened with gilded highlights, 40.5cm diameter. Provenance: Geneve, Vente Aux Encheres Publiques, Salons de l'Hotel President, 24th April 1983, lot 38 (catalogue included with this lot).
Lot 95
Ca. AD 1200 - 1300. An ewer with an inverted pear-shaped body resting on an elevated circular foot. The long cylindrical neck is finished with a flat everted rim and decorated with a band of scrolled, vegetal tendrils and an interlocking pattern. The body features a band of Kufic inscription set against a scrolling ground. Below the inscription, there is an aviary roundel. The ewer is equipped with a long handle, which includes a protruding thumb rest for ease of use. The piece is accompanied by a small square-edged charger. Size: 170-300mm x 20-130mm; Weight: 1.4kg Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.
Lot 598
ALAN CLARKE FOR POOLE POTTERY; a boxed 16" Sun charger, numbered 91/1000 and with signature to base, diameter 40cm, and a Moon charger, numbered 78/1000, with signature to base, diameter 40cm, both boxed (2).Condition Report: Condition is good, no signs of any chips, cracks , hairlines or wear.
Lot 746
A large 18th century Japanese Imari porcelain wall hanging charger (af), diameter 39cm, a Ming style blue and white stoneware ginger jar (lacking cover), height 15.5cm, a pair of Chinese Famille Rose porcelain teacups, three blue glazed Chinese style onion type vases, height 15.5cm, a small blue and white vase, height 8.5cm, a bowl and a further plate (10).
Lot 88
A Chinese Imari-style charger, Kangxi (1662-1722), of circular form, painted with blossoming trees in a garden in iron-red and blue, 35.8cm diameterProvenance: The property of the late Baron John Mauger Langin.Condition ReportRestored to rim. Some enamel and gilt losses. Burst glaze bubbles in various locations.
Lot 64
Early Emma Bridgewater hand decorated Sponge Ware in fruit, rose and floral prints comprising of large oval serving platter, diameter 41cm, two large tea cups and saucers, large centre bowl, diameter and an espresso cup and saucer together with nine large San Claudio berry design charger plates, diameter 32.5cm
Lot 133
Two pieces of Japanese Imari decorated porcelain, early 20th century - 1. a bowl, the exterior enamelled with eight figural reserves divided by iron-red and gilt foliate panels, above a band of blue and white lappets, the interior with a central circular and six smaller shaped reserves with figures and birds, on a conforming iron red foliate ground, underglaze blue seal mark to base, 16 cm diameter, 6.4 cm high; 2. a charger, painted with a central spray of peonies within abroad iron-red foliate border with four shaped reserves painted with birds and flowers, iron red six character mark to base, 35 cm diameter, central decoration worn.
Lot 583
A Specialized Crossroads Sport with E-Bike / electric bike conversion - with Yose Power conversion kit with downtube type battery (with charger and key), the bike with 20in butted aluminium frame, front fork suspension, Shimano 8 speed Alivio gears, Alexrims DH19 wheels with Crossroads 700 x 38c tyres, mudguards front and rear, LED back lights and Tor Tec alloy pannier rack. (tested, battery charges and electric motor functions are working when catalogued)
Lot 584
A Giant Explore lady's E-Bike / electric bike - c.2019, size S (17in frame), Hybrid Cycling Technology, with Energypak 500 integral downtube battery (with charger and key, plus instruction manuals), Shimano Deore 9 speed gears with Altus shifters, Shimano disc brakes, RST front fork suspension, Giant PX-2 28in wheels with Giant Crosscut Gravel 2 tyres, Giant Contact Comfort Upright saddle, Blueline 30 LED front light, Cateye LED back light, MIK black alloy pannier rack, Giant stand, in good condition.
Lot 382
The Waterloo medal awarded to Corporal William Emmott, Royal Horse Guards, appointed Quartermaster in the Regiment in 1828, and subsequently Captain and Adjutant of the Worcestershire Yeomanry Cavalry with whom he was actively engaged during the Bristol Riots of 1831 and against the Chartists in 1842, when he himself captured a leading Chartist Arthur O’Niel at a riot near Dudley Waterloo 1815 (Corpl. William Emmott, Royal Horse Guards.) fitted with contemporary replacement silver clip and bar suspension, latter part of rank erased, edge bruising and contact marks, fine and better £3,600-£4,400 --- William Emmott was born in the Parish of Trawdon, near Colne, Lancaster, and enlisted into the Royal Horse Guards on 12 March 1811, aged 20. He served with the Blues in the Peninsula at the battles of Vittoria and Toulouse, and as a Corporal at Waterloo. He was commissioned as Quartermaster in the Royal Horse Guards on 25 September 1828, and retired on half-pay on 31 December 1831. He was afterwards drill Sergeant to Lord Villiers’ Bicester Troop of the Oxford Yeomanry Cavalry before being appointed Captain and Adjutant of the Worcester Yeomanry Cavalry by Lord Plymouth, serving in that capacity until his death on 14 April 1865, During this period the WYC was very actively engaged with the frequent riots and protests of the times, including the Bristol, Worcester and Staffordshire riots of 1831 and the Chartist riots of 1842, much of which is described in a letter of petition from Emmett in February 1859 (copy sold with the lot). Captain Emmott was buried at Tardebigge, the funeral being attended by Lord Lyttelton, the Lord Lieutenant, the Bromsgrove and Redditch Companies of Rifle Volunteers, and 450 of the Worcester Yeomanry Cavalry with the Band, under command of Lord Dudley. Sold with research including a copy of his original Commission as Quartermaster and a typed copy of a 6-page letter written by Emmott describing the events following the battle of Vittoria [dated 27 October 1813], these both being held by the Household Cavalry Museum. Emmot’s two-clasp M.G.S. medal is held by the National Army Museum, Chelsea, London. A fine portrait of Captain Emmott mounted on his favourite charger by Sir Francis Grant can be found in the history of the Worcester Yeomanry Cavalry.
Lot 57
Tapio Wirkkala (Finnish 1915-1985) for Iittala Large "Lunaria" Bowl & "Ultima Thule" Charger The former designed 1972, the latter 1968, both clear and opaque textured glass, former signed Tapio Wirkkala 3449. "Lunaria" bowl28cm diameter overall, 25cm internal diameter, 9cm high; "Ultima Thule" charger 37.5cm diameter overall The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society "Lunaria" bowl in good condition, no issues to note; charger with polished chip and bruise to rim interior.
Lot 77
Arne Jon Jutrem (Norwegian 1929-2005) for Hadeland Glassworks Large "Grønland" Bowl & Charger Green glass with profuse bubble inclusions, dated '54 and '55 respectively, both signed AJJ Hadeland. The bowl 26.5cm diameter, 17cm high; the charger 41cm diameter The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society The bowl with some surface scratches, mostly light, and a couple of small surface nicks; the charger also with light surface scratches; both commensurate with age and use.
Lot 3
Per Lütken (Danish 1916-1998) for Holmegaard Large and Rare "Selandia" Dish or Charger in "Capri Blue" Signed PL Holmegaard and no. 15781. 40cm wide, 9.5cm high The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society Light generalised wear with a few isolated scratches but overall good without other damage or issues to note.
Lot 493
A Minton Secessionist charger, early 20th century, designed by Leon Solon and John Wadsworth, model no. 12, tubelined with white flowers and green stem against an overall purple ground, impressed and printed marks, 38cm diameterCondition:No cracks or chips. Typical crazing to the glaze throughout. Some manufacturing glaze faults. Tubelining in good condition.
Lot 498
A group of art pottery chargers and plates, early 20th century, comprising an Old Moravian (Austria) pottery Art Nouveau charger, decorated with flowers, painted marks, 36.5cm diameter; a further charger, painted with a kingfisher, bulrushes and water lilies, unmarked, 36cm diameter, a Watcombe Torquay charger, painted with sailing vessels, two further terracotta plates, painted with flowers, and one later bright yellow dish moulded with flowers, mid-20th century, marked 'British Anchor', 30cm diameter; sold together with a group of Linthorpe art pottery, late 19th century, comprising two bottle vases, of globe and shaft form, with all over running glazes, shape 1314, 16cm high; together with a small mustard pot and teapot and cover, both with similar streaked glazes; a miniature bright yellow vase with frilled rim, shape 1766, 3.5cm high; and a further mustard pot and cover, painted with flowers, shape 1945, and an Old Linthorpe Brick Company rectangular brick, circa 1900-1910. (group, some damage)Condition:Linthorpe - One of the globe and shaft bottle vases has a restored neck.The floral mustard is chipped and cracked.The teapot has a crudely restored cover.
Lot 28
A 20thC Chinese porcelain charger, with butterfly and blossom central reserve enclosed by floral cartouches and precious objects, on a red diaper ground with yellow border, the rim having a red enamel ground with repeated floral decoration, the base signed with a six character Qianlong mark in underglaze blue, 46cm diameter.
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50129 item(s)/page