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Erinnerungs- oder Siegerplakette des Moto-Club de Nice, datiert 1924 Rechteckige, in Bronze gefertigte, versilberte Plakette im Stil Rudolf Bosselts mit Jugendstil-Ornamentik, dargestelltem Motorradfahrer und der Inschrift des Rennens "PARIS - NICE 1924". Im Rand mit "BRONZE" und unleserlicher, dreieckiger Herstellerkennung gepunzt. Gebrauchs- und Altersspuren. Maße 50 x 70 mm.

Kleine Sammlung Auszeichnungen, Abzeichen und Effekten, 19./20. Jhdt. Zwei EK 2 (1914), eines nichtmagnetisch, jeweils mit Bandabschnitt. Fünf Frontkämpfer-Ehrenkreuze aus Eisen. Ein schwarzes Verwundetenabzeichen. Erinnerungskreuz 1866 Königgrätz. Friedrich-August-Medaille in Bronze. Treudienstmedaille ("IX."). Landwehrdienstauszeichnung 2. Klasse (Sachsen). Hochzeitserinnerungsmedaille 1905 (Sachsen-Coburg-Gotha) aus versilbertem Kupfer. Deutsche Ehrendenkmünze des Weltkrieges. Verdienstkreuz Kriegshilfsdienst 1916 (Zink). Deutsche Krieger-Fechtanstalt, Abzeichen für Fechtmeister. Deutscher Kriegerbund, Abzeichen ehemaliger Fußartilleristen Magdeburg. Medaille Proclamation de la Republique 4 septembre 1870. Außerdem diverse Kriegervereinsabzeichen und DDR-Effekten (Schulterstücke, Feuerwehr). Teilweise leicht beschädigt, Gebrauchs- und Altersspuren. Vorbesichtigung empfohlen.

Leopold-Orden - Ritterkreuz mit Kriegsdekoration Bronze mit Vergoldungsspuren, beidseitig emailliert, an den Pendilien die Sternpunze, am Ring "C.F.Rothe". An der beweglichen Kronenagraffe der grün emaillierte Kranz der Kriegsdekoration, Dreiecksband mit aufgelegten gekreuzten Schwertern. Trage- und Altersspuren. Breite 31 mm, Gewicht 15 g.

Josef Stalin (1878 - 1953) - bedeutende Totenmaske und zwei Handabdrücke des Diktators, Sowjetunion, datiert 1953 Handabdrücke des Diktators der Sowjetunion, datiert 1953. Bronze mit dunkelgrüner Patina, Ausführung zur Wandaufhängung, rückseitige Befestigungsvorrichtung, unten links russische Bezeichnung und Datierung "5/III.1953". Höhe 32 cm. Nach einigen Angaben wurden nach dem Tod von Stalin im Jahr 1953 nur zwölf Bronzemasken hergestellt. Vgl. Hermann Historica, Auktion 79, Los 3589, verkauft für 25.000 Euro.Extrem selten.Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow, ,

Johann Wolfgang von Goethe (1749 - 1832) - persönliches Bronze-Petschaft, Geschenk des Großherzogs Carl Friedrich von Sachsen-Weimar-Eisenach an den Prinzen Adalbert von Bayern Schwere, einteilige Bronzeausführung in Form eines Pinienzapfens auf Sockel, die Siegelfläche mit dem geschnittenen Wappen Goethes ab 1782 und alten Rückständen von Siegellack. Höhe 65 mm, Gewicht 228 g. An einer weiß-blauen Kordel anhängende Provenienzkarte "Petschaft mit Wappen aus dem pers. Besitz Johann Wolfgang von Goethe. Geschenk S.K.H. des Großherzogs von Sachsen-Weimar an S.K.H. den Prinzen Adalbert von Bayern", rückseitig Inventaretikett "Eigenthum S.K.H. Prinz Alfons", die Kordel sowohl an rotem Wachssiegel als auch an Papieretikett des Prinzen Alfons befestigt.Großherzog Carl Friedrich (1783 - 1853) wurde 1828 Regent, als sein Vater, Großherzog Carl August, verstarb. Diesen hatte mit dem etwas älteren Goethe eine lebenslange Freundschaft verbunden, seit er ihn 1775 als Minister an seinen Hof berufen hatte.Prinz Adalbert von Bayern (1828 - 1875), bayr. General und Erbprinz von Griechenland, war ein großer Sammler von Siegeln und Petschaften. Sein Sohn Prinz Alfons erbte nicht nur die Sammlung seines Vaters, sondern führte die Leidenschaft weiter und baute die Sammlung aus. Bedeutendes Objekt aus dem Besitz des Dichterfürsten.

Abzeichen für Absolventen des Kaiserlichen Alexander-Lyzeums in den ersten beiden Kategorien, Russland, um 1910 Bronze versilbert und vergoldet. Rs. Schraubscheibe mit Gegenplatte. Maße 60 x 46 mm. Guter, gebrauchter Zustand. Alexander-Lyzeum: Bildungseinrichtung für die Kinder erblicher Adliger. Es wurde 1811 in Zarskoje Selo eröffnet, 1843 nach St. Petersburg verlegt und zu Ehren von Kaiser Alexander I. umbenannt. Die berühmtesten Absolventen: A. S. Puschkin, V. K. Kuchelbecker, I. I. Puschchin, Baron A. Delvig, A. V. Golovnin, Fürst A. B. Lobanov-Rostovsky.Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow,

Abzeichen "Zur Erinnerung an den 50. Jahrestag der Eroberung des Ostkaukasus. 1859-1909", Russland, um 1910 Bronze, vergoldet, emailliert. Schraubscheibe mit Gegenplatte. Größe 55 x 41 mm. Gestiftet am 25. August 1909.Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow, , ,

Enrique Broglia (1942-2013) bronze - abstract bird, signed and editioned, body 14cm x 12cm, on square perspex base, 7cm squareAttributed to Enrique Broglia (1942-2013)

A 19th Century Continental bronze and gilt bronze figure of a nude Classical maiden with drape seated upon a rock, her left foot in a stream on a medallion and foliate decorated plinth base and plain bracket feet, 38 cm high x 27.5 cm wide x 15.5 cm deep

Fairbairn's Crests of the Families of Great Britain and Ireland, 2 Vols. Bickers and Son no date circa 1880. 3/4 bound; Skeaping, John: A retrospective exhibition of Bronze sculptures. Ackerman n, 1979. Limited edition 150 copies (this not numbered or signed). Oblong 4to; Edwards, E: Anecdotes of Painters; Who have Resided or been born in England.. L, Leigh and Sotheby, et al. 1808, With an engraved frontis portrait, but none of the plates found in some editions. Cont. full calf and later spine. Small hole to one page, with the loss of a couple of letters; Index to British Military Costume Prints, 1972. (5)Provenance: The Collection of David and Sandy Fuller

A collection of reference books on Asian art & antiques, including: Buddhist art in china; G. Zanabazar, The Eminent Mongolian Sculptor; Hai wai yi-chen : Chinese art in overseas collections : pottery & porcelain; Masterworks of Chinese Bronze in the National Palace Museum; Tan Three-Colored Pottery; Etc. (Qty)

Skeaping, John: A retrospective exhibition of Bronze sculptures. Ackermann, 1979. Limited edition 150 copies, this being No. 49, with a lithograph SIGNED & Numbered 49/150 by Skeaping. Fine; Woolavington, Lord: Sporting Pictures at Lavington Park; plus Supplementary Catalogue. 2 Volumes. Privately published, 1927, & no date. PLUS: A stamped addressed letter SIGNED by Lord Woolavington, addressed to Algernon Dunn Gardiner, Newmarket, and dated Jan 31st, 1928. 4to. One volume a little warped; The Charles H. Thieriot Collection of Sporting Paintings Cedar Hill Oyster Bay Long Island. Privately Printed [at The Spiral Press], New York, 1940. VG; National Gallery of British Sports and Pastimes: list of sports and pastimes: the first 600 selected pictures.c.1950. (5)Provenance: The Collection of David and Sandy Fuller

A BRONZE FIGURE OF NANDI BULL, TAMIL NADU, SOUTH INDIA, 18TH/19TH CENTURY standing on thin rectangular base, wearing blanket and trappings, with necklaces and bell around his neckalert, a socket with screw attachment on his back, 17cm Exhibited and Published: Other-Worldly Creatures: Zoomorphic Metalwork from India, Amir Mohtashemi Ltd., London, 2017, no. 22

A BASTAR BRONZE FIGURE OF AN ELEPHANT, CENTRAL INDIA, 19TH/20TH CENTURY of stylised form, ridden by crowned mahout, figures of lions perched front and back, the back and head with circular openings, 28.5cm highMinor patches of oxidation and encrusted pigment, otherwise mostly good

A LATE AYUTHIA BRONZE FIGURE OF BUDDHA, THAILAND, 17TH/18TH CENTURY seated in sattvasana, his hands in bhumisparsa and dhyana mudra, wearing elaborate jewellery, with tiered crown, earrings, bracelets and armlets, 25.5cm This is an example of the later Ayuthia style which anticipates the highly decorated style of 19th century Bangkok (Ratnakosin). For a closely related bronze head in the Griswold Collection (Walters Art Gallery, Baltimore), see Hiram W. Woodward, Jr., The Sacred Sculpture of Thailand: the Alexander B. Griswold Collection at the Walters Art Gallery, Bangkok 1997, pl.234, p.237. See also Jean Boisselier, The Heritage of Thai Sculpture, New York & Tokyo 1975, fig.9, p.202.Losses to extremities, including throne, usnisa finial and bowl in left hand, surface somewhat weathered

A BRONZE FIGURE OF GANESHA, WESTERN INDIA, 16TH17TH CENTURY the elephant headed deity seated on an openwork throne within an arch topped with kalasa finial, holding various attributes in his four hands including a pot of sweets which he reaches for with his trunk, his diminutive vahana, the rat, at his feet, 10cm Provenance: from the collection of the late Peter Cochrane, acquired in 1975 (inv. no. JPC 75/24)Worn, base and top slightly dented

SEVEN HINDU BRONZE IMAGES, MOSTLY DECCAN, INDIA, 19TH CENTURY comprising two figures of Ganesha, one each of Nandi, Balakrishna, Garuda, Annapurna and Devi, three mounted on wood stands, 10cm high and smallerEach with wear, some with losses, including the larget Ganesha and the Garuda

A SMALL TIBETAN BRONZE FIGURE OF YAMA on lotus base, the fiercesome buffalo headed Buddhist deity stepping to his right on a bull which rests on a prostrate human figure, the dharmapala with his right hand raised, wearing billowing scarf and flaming hair with red pigment, indistinct inscription in Tibetan on base, 11cmBase apparently repaired, worn and knocked

THREE BRONZE IMAGES, INDIA, 19TH CENTURY AND EARLIER comprising a small Deccani bronze figure of Ganesha, a stylised bird and a Bastar bronze figure of a dog, 3.6; 11.5, 9cm highGanesha worn with slight corrosion, others mostly good

THREE ITEMS OF ANCIENT BRONZE JEWELLERY, PROBABLY JAVA, 9TH/10TH CENTURY comprising a large and a small bracelet and an ear ornament, 10.5cm diam. and smaller Provenance: acquired by the vendor's late wife in the 1960sArchaeological condition with corrosion and flaking, greenish patina

A COLLECTION OF METAL, STONE AND TERRACOTTA OBJECTS, MOSTLY 19TH CENTURY including four Indian hardstone figurines, a small bronze figure of a Tibetan monk and a stone axe-head, 10cm long and smaller (12) Provenance: From the collection of the late Christoph von Fürer-Haimendorf (1909-1995), ethnologist and professor of Anthropology at SOAS Various damages and losses

TWO BRONZE SIVALINGAM SHRINES, WESTERN DECCAN, 19TH CENTURY each in the form of a moustachioed head of Siva on a raised pedestal, the larger in three sections with arch and cobra canopy behind, the smaller with figure of Nandi in front, each with modern wood stand, 19, 8.5cmSmaller with losses to base and cobra, both with minor wear and damage

A BRONZE MORTAR, ANDALUCIA, SOUTHERN SPAIN, 13TH/14TH CENTURY of gently flared cylindrical form, with convex base, the sides with six projecting lugs and engraved rings under the lip, 9.5cm high; 18cm max. diam.Worn with numerous minor dents, base with cracks from pounding

A FOLK BRONZE FIGURE OF DURGA MAHISASURAMARDINI, MAHARASHTRA, 18TH/19TH CENTURY the stylised multi-armed figure of the goddess standing over the decapitated demon, on a rectangular base, wearing crown and slender scarf, surrounded by an arch, 10cm high This distinctive style is typical of bronzes from a region which covers part of Madhya Pradesh and Maharashtra. For a closely related image, see Cornelia Mallebrein, Die Anderen Gotter, Koeln 1993, p.404Corroded, some denting and damage and losses

A SINHALESE BRONZE STANDING FIGURE OF BUDDHA, SRI LANKA, 19TH CENTURY standing with right hand raised in abhaya mudra, wearing a robe with densely waving pleats, 19cmTip of usnisa missing, slightly knocked, casting faults

A BRONZE FIGURE OF LAKSHMI, BENGAL, EASTERN INDIA, 19TH CENTURY the goddess standing on a separately cast pierced pyramidal base, wearing flared skirt, holding a padma and pot of money in her outstretched hands, two further pots on her head, 25.5cmPadma (lotus) bent, overall wear

A LARGE BRONZE BELL, JAVA, 20TH CENTURY the sides decorated with lotus motifs and floral swags, the finial in the form of a mythical boar with hands raised, 31cm highGreenish patina, various casting faults and knocks

Ca. AD 1 - 100. A bronze statuette representing a Lar, the household deity associated with protection and prosperity in domestic cult. The figure stands in a dynamic pose with one leg bent. Draped in a short tunic gathered at the waist, with the fabric rendered in fine vertical folds. The right arm is extended outward, holding a circular object, possibly a patera, while the left arm is raised, bent at the elbow. Facial features are broadly defined, framed by voluminous curly hair cascading onto the shoulders. A circular perforation is present at the centre of the torso, likely for mounting.For similar see: The Metropolitan Museum of Art, Object Number: 96.9.275.Size: 95mm x 60mm; Weight: 80gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. AD 1 - 200. A bronze figurine of a horse shown in a prancing stance with the right foreleg raised. Head is turned slightly to the left, with prominent eyes, flared nostrils, and alert ears. A short mane rendered with fine incised grooves runs along the crest of the neck. The body is compact and muscular. The tail curves back and attaches to the base, creating an arched void. Mounted on an integral rectangular plinth with a triple-stepped profile and projecting corners.For similar see: Christie's, Live Auction, 2390 Antiquties, Lot. 122.Size: 45mm x 35mm; Weight: 40gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. 400 - 200 BC. A collection of five hammered bronze bowls, displaying a range of profiles including flaring forms with flat bases and hemispherical examples with rounded bottoms.For similar see: MET Museum Object Number: 21.88.127; 1972.118.86; 03.24.9.Size: 65-90mm x 20-25mm; Weight: 175gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. 800 BC.A group of three small bronze figurines representing stylised quadrupeds with simplified bodies and short, robust legs. Each figure has a schematic head with minimal facial detail and a thick, compact torso.For similar see: W. Seipel, EFES Artemisionu, Bir Tanricanin Kustal Mekan, 2008, p. 298, Res. 6.Size: 24-33mm x 43-43mm; Weight: 57gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s.

Ca. AD 1 - 300.A bronze amulet in the shape of a legionary gladius sword. The blade is narrow and tapers to a point, pierced with a circular hole slightly off the centre. The hilt consists of a thick, rounded pommel and a broad guard.Size: 29mm x 11mm; Weight: 5.26gProvenance: Private London collection; formerly in South German private collection 1980s-early1990s.

Ca. AD 1 - 100.A bronze oil lamp with a rounded body, a slightly recessed discus with a central filling hole, and a short nozzle ending in a rounded opening for a wick. The handle is formed as a broad stylised leaf with well-defined veins and a gently serrated edge. The lamp sits on a ring base.For similar see: The Metropolitan Museum of Art, Object Number: 2021.40.61.Size: 65mm x 110mm; Weight: 166gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. AD 100 - 200 .A bronze bust of a youthful satyr mounted on a square podium base. The figure’s head is slightly turned to the right, framed by thick, wavy hair pulled into a high coiffure. His expression is somehow alert, with wide open eyes and slightly parted lips. A draped garnet is fastened at his right shoulder, crossing his chest diagonally.For similar see: Christie's, Live Auction 2565, Antiquities, Lot. 204;Size: 75mm x 45mm; Weight: 535gProvenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 700 BC. A cast bronze bull depicted in a standing pose, with short cylindrical legs and a compact body. The head is broad with short horns curving outward.For similar see: W. Seipel, EFES Artemisionu, Bir Tanricanin Kustal Mekan, 2008, p. 298, Res. 6.Size: 69mm x 42mm; Weight: 69gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s.

Ca. 350 - 250 BC. A Chalcidian bronze helmet formed from two joined halves, the seam running vertically through the centre of the bowl and secured with a line of rivets. The seam is flanked on either side by shallow median ridges. The front of the bowl is embossed with a pair of large volutes in low relief, shaped to resemble ram’s horns, linked across the front and sides by shallow ribs. On either side of the bowl are raised images of stylised quadrupeds, possibly ibexes, each with an elongated body and prominent backward-curving horns. The lower edge of the bowl is fitted with hinged cheekpieces, each bordered along the upper margin with a dotted line.For similar see: Christie's, Live Auction 21709, Antiquities, Lot. 77Size: 270mm x 220mm; Weight: 735gProvenance: UK private collection; formerly acquired from G. Halphen France 1990s; Ex. R. Furrer collection Switzerland 1960s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. AD 200.A bronze eagle perched atop a tapering, stepped podium with quadripartite base. The bird is rendered with a rounded beak and slightly curved neck, with its wings folded close to the body and detailed with incised feathering. Legs and talons grip the platform firmly. The podium terminates in a flared foot with four splayed supports. Likely used as a decorative mount or finial.For similar see: Christie's, Live Auction 18699, Antiquities lot. 168.Size: 71mm x 29mm; Weight: 62gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. AD 1 - 200. A bronze figurine of a bull, freestanding on four short, sturdy legs. The head has pronounced brow ridges, incised facial lines, and forward-projecting horns. Small ears are set back behind the horns. The neck is thick and merges into a broad, rounded torso that narrows slightly towards the hindquarters. A small perforation is drilled through the upper back, likely for attachment or suspension.For similar see: J . E. Bonnet, Les bronzes antiques de Paris, Musee carnevalet, 1989, Cat. 38, p.104Size: 40mm x 25mm; Weight: 45gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. AD 1 - 200. A bronze door fitting in the form of a lion’s head. The round backplate is cast in high relief with a detailed mane radiating from the head and pierced with four holes for attachment. The open mouth holds a thick bronze ring with ridged outer edges, suspended through two openings at the base of the snout.For similar see: Sotheby's, Ancient sculptures and Works of Art 5 July 2022, Lot. 181.Size: 190mm x 150mm; Weight: 1.1kgProvenance: Private UK collection, acquired on the US art market; Ex. Paul S. Forbes collection, Maryland, acquired 1970s - 1980s, acquired in Culpeper, VA. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC. A wooden mask from a sarcophagus with a smooth, oval-shaped face and defined features. The almond-shaped eyes are inlaid and set within brown bronze frames, with extended cosmetic lines and are paired with thick bronze brows. The nose is long and straight with a slightly flared tip. The lips are narrow and slightly curved. The back is flat and bears multiple attachment marks. Mounted on a modern display stand.For similar see: Museo archeologico di Firenze inv. n. 2401.Size: 400mm x 160mm; Weight: 1.9kgProvenance: Private London collection; previously French art market 1970s/1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. AD 1 - 200. A bronze figurine of Diana standing on a stepped circular base. She wears a short chiton with sharply folded drapery over the chest and skirt. Her right arm is raised and bent at the elbow, with the hand near the head as if about to draw an arrow from the quiver on her back. The left arm rests along the hip.For similar see: Sotheby's, Ancient sculpture and works of art, 5 July 2024, Lot. 109.; Getty Museum Diana Cacciatrice.Size: 190mm x 75mm; Weight: 785gProvenance: Private London collection; formerly in South German private collection 1980s-early1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 500 - 400 BC. A compact bronze figurine of a bull with a rounded body and short legs. The head is raised with small, forward-pointing horns and a defined muzzle. The neck is thick and blends into the broad back, which slopes gently towards the hindquarters. The tail curves downward.For similar see: The Metropolitan Museum of Art, Object Number: 1972.118.76Size: 38mm x 49mm; Weight: 73gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s.

Ca. AD 300 - 400.A bronze-gilt crossbow brooch with a pin and solid arched bow. The crossbar terminates in three prominent faceted knobs, while the footplate is decorated with transverse ridges.For similar see: For similar see: The Metropolitan Museum of Art, Object Number: 74.51.4495.Object Number: 07.286.100.Size: 69mm x 51mm; Weight: 38gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. 500 BC. A bronze Chalcidian helmet with a rounded skull and a high carinated crown. A raised ridge runs along the lower edge, defining the transition to the cheek guards and neck guard. The eye openings are framed by an arching contour, extending into outwardly flared cheek guards with hinged cheekpieces, attached to the lower edge via a series of small rectangular hinges. A narrow, flaring neck guard extends from the back, curving slightly outward. A prominent nose guard extends downward from the brow, tapering slightly towards the tip.For similar see: The Walters Art Museum, Accession number 54.2468; Christie's, Live Auction 14329, The Exceptional Sale, Lot 7.Size: mm x 270mm; Weight: 1.02kgProvenance: UK private collection; formerly acquired from Alfred Lagneau collection, Switzerland 1970s-80s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. AD 1 - 300. A bronze fragment from a lifesize statue, preserving the right eye and part of the surrounding facial contours. The almond-shaped eye is deeply recessed with a sharply defined upper lid, incised iris, and delineated tear duct. The fragment retains part of the brow ridge and upper cheek area, with a smooth, slightly concave construction.For similar see: P. Zancher, Roman Portraits, Sculptures in Bronze and Stone, The Metropolitan Museum of Art, New York, Distributed by Yale University Press • New Haven and London. p. 1, or p. 61.Size: 95mm x 70mm; Weight: 150gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 800 - 600 BC. A bronze helmet of conical form composed of two vertical halves joined along a central seam reinforced by riveting. The elongated bowl extends downwards at the sides to form rounded cheek guards. The lower edge of the helmet, including cheekpieces, is finished with a narrow, moulded band.For similar see: The British Museum, Museum number 22496.Size: 335mm x 205mm; Weight: 545gProvenance: UK private collection; formerly acquired from Samy Tarab collection, Switzerland 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 700 BC. A cast bronze ram figurine standing on four cylindrical legs with a robust, rectangular body and a prominent tail. The head is detailed with curled horns extending backward and a rounded snout. A rounded loop is placed centrally on the back.For similar see: W. Seipel, EFES Artemisionu, Bir Tanricanin Kustal Mekan, 2008, p. 298, Res. 6.; M. Bolla, Animali di bronzo del Museeo archeologico al teatro Romano di Verona, 2021, Cat.82.Size: 54mm x 67mm; Weight: 69gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 30 BC. A pair of eye inlays and separate bronze eyebrows. Each eye inlay is shaped with an elongated contour and inset with a white sclera and a dark iris. The corresponding curved bronze elements served as stylised eyebrows, intended for insertion above the eyes in a coffin.For similar see: National Museums Liverpool, Accession number24.9.00.73Size: 73-75mm x 5-20mm; Weight: 55gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. AD 1 - 300.A shallow bronze bowl with a wide hemispherical body depicting a procession of camels. The rim is plain and subtly thickened, with a series of horizontal bands running just below it.Size: 50mm x 175mm; Weight: 300gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. AD 1 - 300.A bronze amulet in the form of a legionary gladius sword. The blade tapers to a point and is pierced at its midsection. The short hilt consists of a guard with two horizontal grooves and culminates in a rounded pommel.Size: 35mm x 7.3mm; Weight: 4.83gProvenance: Private London collection; formerly in South German private collection 1980s-early1990s.

Ca. AD 1 - 200. A cast bronze head of Medusa. Her face is modelled with a prominent brow, wide nose, and parted lips. Eyes are almond-shaped, and hair is arranged in thick, wavy locks framing the face and cascading onto the sides. The underside is hollow, and rectangular lug projects from the back of the head, likely for attachment to a larger object.For similar see: The Metropolitan Museum of Art, Object Number: 26.7.1429.Size: 40mm x 35mm; Weight: 45gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. 750 - 650 BC.A bronze dog figurine with a rounded snout, prominent nostrils, and upright ears that point outward. The mouth is modelled in a curved line, with shallowly incised eyes above. The neck flows into a broad chest and a slender, slightly arched back. All four legs are spread and evenly spaced, giving the impression of movement. The tail curves sharply upward and forms a loop.M. Bolla, Animali di bronzo del Museeo archeologico al teatro Romano di Verona, 2021, Cat.22.Size: 48mm x 72mm; Weight: 82gProvenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 1000 - 800 BC. A leaf-shaped bronze spearhead with a pronounced central ridge running along the length of the blade. The socket is bifurcated at the base, from which a narrow tang projects directly downwards.Size: 275mm x 45mm; Weight: 215gProvenance: Private London collection; Ex. J. Mikas collection, Paris 1960s-1970s.

Ca. AD 1 - 200. A bronze figurine of an eagle depicted standing with wings folded along the sides. Its head is turned slightly forward with a pronounced hooked beak and large circular eyes defined by concentric rings. The body is compact, with incised detailing across the breast to suggest feathering. The tail extends straight back and rests on the base. Legs are sturdy and closely set, with talons gripping a flat, rectangular plinth.For similar see: J. E. Bonnet, Le bronzes Antiques de Paris, Musee Carnevalet, 1989, Cat. 33, p. 100.Size: 40mm x 25mm; Weight: 45gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

Ca. AD 200 .A pair of bronze eagles, each rendered with characteristic hooked beak and folded wings with incised detailing. Both figures adopt a poised, upright stance with slightly arched necks and firmly planted talons. Presented in a symmetrical, commanding posture, each eagle appears perched and alert.For similar see: Christie's, Live Auction 18699, Antiquities lot. 168.Size: 30mm x 40mm; Weight: 81gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

CA. 1900 AD OR EARLIER . A bronze flask in the form of a youthful male head. The vessel is cast with finely modelled facial features, almond-shaped eyes with defined lids, full lips, and a rounded chin. The hair is rendered in long, wavy locks swept back and encircled by a fillet with a central medallion, continuing in vertical strands over the back of the head. The cylindrical spout rises from the crown and includes two perforated lugs for suspension. The base of the neck and the back of the head are inscribed with a sequence of large, incised letters.Size: 190mm x 110mm; Weight: 1.6kgProvenance: Private UK collection; previously in a private collection, Oxford, 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 800 - 700 BC.A bronze belt fitting with an elongated, flaring form with raised edges and a large boss. The surface is decorated with fine incised scrollwork, and the central area is embellished with a large rosette motif surrounded by linear and curvilinear designs. The lower edge tapers into two short prongs shaped like duck heads.For similar see: Etruscan bronze belt from Vulci Tomb 42F. PM object MS691; AA.VV., a cura di M. Pallottino, Rasenna, Storia e civiltà degli Etruschi, 1986, Cat. 451.Size: 170mm x 65mm; Weight: 121gProvenance: Private UK collection; previously acquired on the Belgian art market in the 1990s.

Ca. 1200 - 800 BC. A pair of cast bronze spearheads, each with elongated, tapering blade and narrow tang. One has flaring shoulders, the other a broader midsection with a central ridge.For similar see: Christie's, Live Auction 5524, Axel Guttmann collection of ancient arms and armours, Part II, Lot. 36.Size: 255-280mm x 30-30mm; Weight: 160gProvenance: Private London collection; Ex. J. Mikas collection, Paris 1960s-1970s.

Late Period, Ca. 64 - 332 BC.A bronze head of a cat with alert ears, rounded cheeks, and recessed eyes, possibly for inlays. The head is mounted on a modern, smooth-cut cubic base of white stone.For similar see: The Hardvard Museum, Object Number 1962.69.Size: 70mm x 70mm; Weight: 855gProvenance: Private UK collection; Ex. private French collection, in the 1970s; Ex. Patrick Decllerck, Auction, France, sale no. 775, 2014.This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by an authentication statement by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. AD 200 - 300. A bronze figurine of a standing male figure wearing a belted tunic and a pointed cap. The left arm is bent at the elbow and holds a large cornucopia. Facial features are rendered schematically, with recessed eyes and a broad nose. The figure stands with legs apart, and the feet are solidly planted.For similar see: J . E. Bonnet, Les bronzes antiques de Paris, Musee carnevalet, 1989, Cat. 27, p.95Size: 70mm x 20mm; Weight: 60gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.