We found 375484 price guide item(s) matching your search

Werner Fenn, a large bronze group of horses and riders, 40 cm wide witha Galerie Schoninger letter dated 27/9/67, good condition, from the property of an interior designer, good patina, cannot see a signature 53.5 cm high ***Possibly subject to the Artists Resale Right***

A Lorenzl bronze figure of a lady, on an onyx base, 15 cm highsmall chip to base

A Zack Zaltman bronze figure, Step, 1975, 1/4, on a black base, 48 cm highgood condition, a little dirty

A pair of bronze and gilt bronze lamp bases, in the form of urns, 42 cm high (2)

A Zack Zaltman bronze figure, on a black base, 29 cm wide

Celtic Gaul bronze Potin Suessiones

Royal Mint Bronze Medals

A large bronze medal for Technological Education 1881

Silver Coins, Charles Prince of Wales. HRH The Prince of Wales, a commemorative silver medal in fitted box with certificate; two boxed John Pinches sets commemorating the Investiture of Prince Charles as Prince of Wales,  Caernarvon 1969, with certificates; a boxed three fine silver medal set commemorating the same with certificate; and a Mayfair Coin Company three coin silver, bronze and nickel set. (5) Condition Report:

A collection of Commemorative Coronation silver and bronze medals, including George VI and Queen Elizabeth, George V and Queen Mary, Edward VII and Queen Alexandria, all in fitted boxes. (8)

A collection of Commemorative Coronation silver, silvered and bronze medals, including Georgius V Rex Et Imp Maria 1911, Coronation of King George VI and Queen Elizabeth, Nationl Maritime Museum, Silver Jubilee 1935, Edward VII and Alexandria, George V and Queen Mary, by Elkington and others, all in fitted boxes. (8)

A collection of Commemorative Coronation silver, silvered and bronze medals, a cased triple bronze medal set of the Three British Kings of 1936, HM King George V Patron The Shorthorn Society award, Royal Visit 1947, Corporation of Glasgow Children's Day 1902 bronze medallions, Edward VII Crowned 1902, Edward VIII King Emperor Coronation 1937, King Edward VII The Peacemaker XIV Conference Inter-Parliamentary Union Palace of Westminster 1906, by Elkington, Royal Mint, Page Keen & Page, Wyon and others, in fitted boxes. (11)

A collection of Commemorative Coronation silver and bronze medals, including Birth & Deaths Registration & Marriage Acts, Edward VII and Alexandria, Investiture of the Prince of Wales, Memory of Edward the Peacemaker, by Elkington, Royal Mint and others, all in fitted boxes. (10)

A collection of Commemorative Coronation silver, silvered and bronze medals, a cased triple medal set of the Three British Kings of 1936 in silver, George and Mary Borough of Lancaster Jubilee Celebrations, George and Mary Handsworth Urban District Council Coronation, HRH The Prince Philip Duke of Edinburgh Royal Visit to North America, Coronation of King George VI and Queen Elizabeth United British Empire, Heathfield, Sussex Natural Gas First Used for Light & Power; George V and Mary Hotel Victoria, all in fitted boxes. (11)

A collection of Commemorative Coronation silver, silvered and bronze medals, including the Coronation of HM King George VI and HM Queen Elizabeth, Edward VII Crowned 1902, Edward VII and Queen Alexandria (2), Koninklike Besoek Royal Visit 1947, King George and Queen Mary County Borough of Tynemouth 1911, Kroning Coronation 1937 Unie Van Suid Afrika Union of South Africa, all in fitted boxes. (8)

A collection of Commemorative Coronation silver and bronze medals, including Edward VII Crowned 1902 and Alexandria Queen Consort (bronze and silvered), National Medal for Success in Art Awarded by the Board of Education, King and Emperor Crowned 1937, Investiture of Edward Prince of Wales, Edwardvs VII Rex Imperator Visit to Rugby, and Edward VII and Queen Alexandria King of Great Britain and Ireland Emporor of India Crowned June 26th 1902, by Spink, Royal Mint and others, all in fitted boxes. (8)

A pair of Japanese Meiji period bronze candlesticks, each in the form of a crane standing on the back of a turtle with a serpent in its mouth, each 30cm high. (2)

A collection of Victoria (1837-1901) Commemorative medals, including a Diamond Jubilee of Queen Victoria 1897, silver medal, 56mm diam., bust left, crowned, veiled and draped. VICTORIA ANNVM REGNI SEXAGESIMVM FELICITER CLAVDIT XX IVN. MDCCCXCVII., R.Young head of the Queen left, dividing inscription LONGITVDO DIERVM IN DEXTERAEIVS ET IN SINISTRA GLORIA. Below, 1837 upon branch tied with ribbon (Eimer:1817a); bronze 1887 Jubilee Medal, a silver medallion for the 'National Medal For Success In Art Awarded By The Science And Art Department'; a silver medal 'In Commemoration of the sixtieth year of her majesty's reign'; 'In Commemoration of the fiftieth year of HGM Queen Victoria'; Hearts of Oak Juvenile Benefit Society 1887 medal in silver, presented at a toke of Respect for Services to the Society; Queen Elizabeth II Commemorating Service in Great Britain During Coronation Year in silver, in fitted boxes. (7)

Queen Elizabeth II and Prince Philip. Two cased silver Royal Anniversary Medals, a silver boxed Coronation medal, a Two Royal and Birmingham Mints 1977 Silver Jubilee medals, a John Fray Coronation medal, a bronze medallion, a Daily Mirror Coronation medal, and two silvered Silver Wedding Anniversary medals in fitted boxes. Condition Report: 234 grams.

A RARE 19TH CENTURY FRENCH GILT BRONZE TAZZA, with a central enamel plaque with a portrait of an Ottoman sultan, 12cm high.

A 17TH-18TH CENTURY BRONZE MONEY BOX, 6cm high.

AN AFRICAN BRONZE BUST TOGETHER WITH A DECORATIVE GLASS BOX, (2).

AN UNUSAL GILT BRONZE TWIN HANDLE VESSEL, with strainer at the base, 15.5cm high.

A RARE ANCIENT PERSIAN LURISTAN BRONZE IDOL, mounted to wooden base, bronze 12.5cm.

A RARE LARGE 16TH CENTURY OR EARLIER INDIAN BRONZE FIGURE OF FLUTING KRISHNA, (the base possibly 18th century), 24cm high.

A COLLECTION OF INDIAN BRONZE ITEMS, (qty).

A FINE 18TH CENTURY INDIAN BENGHAL BRONZE FIGURE OF FLUTING KRISHNA, with traces of black and red pigment, 17cm high.

A VERY FINE 19TH CENTURY GRAND TOUR OR POSSIBLY ANCIENT ROMAN STYLE BRONZE FIGURE OF A LADY, mounted to a marble base, 16.5cm high.

A BRONZE OKIMONO OF A MANGETOUT.

A BRONZE OKIMONO OF A RHINOCEROS.

AN 18TH CENTURY SOUTH INDIAN BRONZE ELEPHANT SHAPED PALANQUIN FINIAL, 20cm long.

THREE INDIAN BRONZE FIGURES.

A BRONZE OKIMONO OF A CRAB.

A BRONZE OKIMONO OF A CRAB.

A BRONZE OKIMONO OF A SCORPION.

A BRONZE OKIMONO OF A SEA SNAIL.

A BRONZE OKIMONO OF A GRASSHOPPER.

A LARGE COPPER BRONZE STANDING BUDDHA, mounted to a square form plinth, 61cm high overall.

A VERY FINE LARGE 17TH-18TH CENTURY TIBETAN BRONZE FIGURE OF A MALE DEITY, inlaid with turquoise stones, 20cm high.

A 19th century Tibetan bronze Mahakala mask censer/incense burner, three feet, 16.5cm wide

Medals of William Horace Miall, T.Z. 12046 ORD Royal Navy Volunteer Reserve George V medal, WWI Victory medal, George VI Defence medal unnamed as issued, a King George V and Queen Mary Coronation Medal awarded to Ch. Insp. W.H. Miall; another Queen Elizabeth awarded Supt. W.H. Miall, all with ribbons and mounted on dress bar; a George VI Police Long Exemplary Service medal awarded to Supt. W.H. Miall; a bronze Sheffield Swimming Association medal, etched Dearden Cup, 1936, Winners, City Police; another 1938 Runners Up City Police; a Societie Rosicruciana in Anglia silver gilt and enamel jewel, George Kenning & Son, London, 1904 in original presentation box

Contemporary School , a dark patinated bronze of a crocodile, cast with mouth agape presenting two rows of ferocious teeth, 18cm long

A Regency bronze table vesta, lofty lotus moulded sconce, circular turned marble base, 9cm high, c.1815

Printing blocks;   dominos;   cribbage board;  trinket boxes;  Victorian hardwood pocket watch stand, c.1870;    a Victorian papier mache rounded rectangular snuff box, 7.5cm wide, c.1870;    a bronze corpus Christie; Parkinson Original Royal Doncaster Butter-Scotch tin, 19cm long;  other tins;  a rectangular mirror, with Stickers for Simple Minds, Japan, Heaven 17

Contemporary School, a brown patinated bronze, nude singer, 20cm high

Indian School, 19th century, a bronze, Ananda Tandava, Dance of Bliss with Shiva and Parvati, 17cm high

Austrian School, a bronze, of a dachshund, 7.5cm long

A 19th century Chinese bronze and parcel gilt censer, applied with dragons, three tall feet, 14cm high, six character mark

A novelty patinated bronze human skull wearing headphones, 15.5cm high

An early 19th century bronze, of a kangaroo and joey, 10cm high

Two reproduction Tibetan bronze Phurba daggers, horse head terminal above a three-headed Vishnu handle, 64cm long; another, Ganesha terminal;   a Japanese Eggshell tea service;   Oriental dishes;  a Smith's 8 Day wall clock;  fashion wristwatches, Perona, Charles Jourdan;  etc

Art Reference Books - Leon Golub, Echoes of the Real second revised and expanded edition by Jon Bird; Mimmo Paladino bronze and iron; T G Rosenthal, The Art of Jack B Yeats, 1993, 1st Edition, illustrated in colour; William Scott Norbert Lynton published 2004 by Thames & Hudson Ltd. (4)

20" BRONZE GREEK SOLDIER SCULPTURE ON WOODEN PLINTH

7" BRONZE RACEHORSE & JOCKEY SCULPTURE, CHAMPION FINISH BY DAVID CORNELL DATED 1985

DRIFT WOOD SCULPTURE, WOODEN SCULPTURE & HAMMERED BRONZE STYLE CANDLE HOLDER

plaster sculptures 15cm tall each Provenance: The estate of the artist Note 1: Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group. As a significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005. Note 2 : Paolozzi began to make the quasi-cubist sculptures which were to figure among his signature works, in the 1970s. The plaster sculptures now offered for sale fit loosely into this aspect of his work, but were executed in the 1990’s. Paolozzi was particularly keen that plaster should achieve a higher status than had previously been the case and his works in the medium were often not cast in any other material. They were cast from a variety of sources, some being taken from the 'ready-mades' in his studio, while others were made to the artist's original, sometimes existing designs. There is a larger version of the Mondrian head in the National galleries of Scotland cast in Bronze and a similar work in Bronze conceived in 1993 sold in Christies on 21/10/21 for £56250 (Lot 154, The Molenick Collection) The Tate also have a version of the Mondrian Head which is cast in plaster. The Rabbit was among a number of small animal sculptures made specifically for the Arche Noah, (Noah's Ark), exhibition staged in Munich in 1990. In contrast heads were a constant in Paolozzi's work, from the 1950s onwards, and the large Cubist Head fits within a series made from the late 1980s into the 1990s. The Mondrian Head is clearly a comment upon the effects of technology upon our humanity. Perhaps the most personal of the plaster works here is the two clenched fists, which relates directly to those of Paolozzi's sculpture Daedalus, his body constructed from fragments on a Frankenstinian model. In Greek myth, Daedalus was the builder of the Cretan labyrinth and Paolozzi seems to have seen him as a kindred spirit and probably considered.

plaster sculpture 12cm high, 20cm long, including base Provenance: The estate of the artist Note 1: Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group. As a significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005. Note 2 : Paolozzi began to make the quasi-cubist sculptures which were to figure among his signature works, in the 1970s. The plaster sculptures now offered for sale fit loosely into this aspect of his work, but were executed in the 1990’s. Paolozzi was particularly keen that plaster should achieve a higher status than had previously been the case and his works in the medium were often not cast in any other material. They were cast from a variety of sources, some being taken from the 'ready-mades' in his studio, while others were made to the artist's original, sometimes existing designs. There is a larger version of the Mondrian head in the National galleries of Scotland cast in Bronze and a similar work in Bronze conceived in 1993 sold in Christies on 21/10/21 for £56250 (Lot 154, The Molenick Collection) The Tate also have a version of the Mondrian Head which is cast in plaster. The Rabbit was among a number of small animal sculptures made specifically for the Arche Noah, (Noah's Ark), exhibition staged in Munich in 1990. In contrast heads were a constant in Paolozzi's work, from the 1950s onwards, and the large Cubist Head fits within a series made from the late 1980s into the 1990s. The Mondrian Head is clearly a comment upon the effects of technology upon our humanity. Perhaps the most personal of the plaster works here is the two clenched fists, which relates directly to those of Paolozzi's sculpture Daedalus, his body constructed from fragments on a Frankenstinian model. In Greek myth, Daedalus was the builder of the Cretan labyrinth and Paolozzi seems to have seen him as a kindred spirit and probably considered.

plaster sculpture, initialled and dated 1996 15cm x 17cm Provenance: The estate of the artist. Note 1: Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group. As a significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005. Note 2 : Paolozzi began to make the quasi-cubist sculptures which were to figure among his signature works, in the 1970s. The plaster sculptures now offered for sale fit loosely into this aspect of his work, but were executed in the 1990’s. Paolozzi was particularly keen that plaster should achieve a higher status than had previously been the case and his works in the medium were often not cast in any other material. They were cast from a variety of sources, some being taken from the 'ready-mades' in his studio, while others were made to the artist's original, sometimes existing designs. There is a larger version of the Mondrian head in the National galleries of Scotland cast in Bronze and a similar work in Bronze conceived in 1993 sold in Christies on 21/10/21 for £56250 (Lot 154, The Molenick Collection) The Tate also have a version of the Mondrian Head which is cast in plaster. The Rabbit was among a number of small animal sculptures made specifically for the Arche Noah, (Noah's Ark), exhibition staged in Munich in 1990. In contrast heads were a constant in Paolozzi's work, from the 1950s onwards, and the large Cubist Head fits within a series made from the late 1980s into the 1990s. The Mondrian Head is clearly a comment upon the effects of technology upon our humanity. Perhaps the most personal of the plaster works here is the two clenched fists, which relates directly to those of Paolozzi's sculpture Daedalus, his body constructed from fragments on a Frankenstinian model. In Greek myth, Daedalus was the builder of the Cretan labyrinth and Paolozzi seems to have seen him as a kindred spirit and probably considered.

limited edition bronze on wooden base, signed and inscribed AP 28cm tall Note 1: This work was cast in Edinburgh in an edition of 9, plus 4 Artist Proofs. Note 2: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

Ca. 1100 - 900 BC. A moulded bronze dagger with a short, tapering blade, a prominent midrib and a guard. The hilt is characterised by a flat hollow cross-section that would fix to a wooden or bone handle. For similar see: Christie's, Live Auction 9482, The Art of Warfare, The Axel Guttmann Collection Part I, Lot 24, 14. Size: 430mm x 50mm; Weight: 325g Provenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.