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A gold plated token dated 1911, with mount cut, an Art Nouveau gilt metal and enamel buckle, decorated flowers, 8 cm wide, an After the Antique bronze bangle, 79.1 g, a 19th century, yellow metal, purple stone and turquoise pencil, all in 2.4 g, a pair of yellow metal, blue and green stone drop earrings, a pair of paste set earrings and a carved green stone pendant, broken

A mid 20th century silver brooch, in the form of a man and a vase, Friedrich Busse, in original box, a silver charm bracelet and various charms, a Japanese Komai style gilt metal and bronze necklace, decorated butterfly flowers, a matching bracelet, two pairs of similar earrings, a carved mother of pearl brooch and assorted costume jewellery (qty)

A bronze ship's steam whistle, 53 cm  Provenance: Salvaged in the 1960s off the Devon coast

A pair of medals, awarded to Eric Darley, comprising a British War Medal, a Mercantile Marine Medal, with his bronze death plaque, KIA aged 17, with modern paperwork

Assorted coins and Churchill bronze medallions

A group of bronze medallions and other items

An impressive large pair of gilt bronze and cut crystal column table lamps, overall H. 100cm.

An Art Deco style bronze figure of a dancer after Chiparus, H. 47cm.

Tray of arts and crafts items; hammered copper candle holder, Art nouveau three section serving dish. Kris Pewter hammered trinket dish, Bronze cherub sculpture and other odds.

Selection of collectables; cold painted bronze dolphins, Indian on horse back figure & Greek style figures.

Mid century Bronze sculpture in the form of a parent and child in the manner of Henry Moore. Raised on a wooden block. 16.5cm high.

Bronze Sculpture of a tea cup, saucer and spoon. Unsigned.

Pair of Chinese bronze foo dog sculpture candlesticks and Anglo Indian tortoise shell and bone Box. 15cm high- foo dogs.

A Collection of art Deco sculptures; Pair of Bronze Dove bronzes, Cold painted bronze seagull, bronze dog & Martin Perry polar bear sculpture.

A Tibetan Bronze amulet. 7x4.5cm.

A Selection Of collectables; Pair of large Blue & white Bombay Bird scene with floral design, Pair of glass inserted silver plated Coasters, Bronze cat faced pin dish & Apostle Spoons

20th century Bronze sculpture of a boy holding a basket. 39cm in height.

A Gucci scarf - bronze and brown with corporate branding, 160 x 30cm.

A bronze Baroque style table lamp - modelled in the form of a jug, with strapwork decoration and masks, 52cm high, together with another lamp. (2)

A quantity of bronze Roman coins - together with other bronze rings and fittings.

Five various bronze boat propellers - together with a claw anchor. (6)

A bronze Peace medallion - published by the British Museum.

A 19th century bronze - modelled as a cow, raised on a oval base, 5cm wide, together with a paperweight, modelled as a hunting dog beside a stump. (2)

A pair of Japanese bronze candlesticks - modelled as cranes standing on tortoises, 32cm high.

A Sydney Olympics coin collection - 2000, the folder containing a collection of bronze coins.

A THAI BRONZE BUDDHA HEAD Ayutthaya Kingdom (1351-1767), the face cast in a peaceful expression, figured wearing a crown decorated in relief with floral tracery and lotus bud earrings, 28cm high, on a later painted plaster stand

A SOUTH EAST ASIAN GILT BRONZE SEATED BUDDHA probably Thai, 19th century, seated on a stepped plinth base, 12cm high; together with a similar Thai bronze buddha, 11cm high; and a celadon glazed pottery kneeling figure, 12cm high (3)

TWO SIMILAR SINO-TIBETAN GILT BRONZE BUDDHAS20th century, including a seated figure of the bodhisattva Tara, modelled wearing a crown and seated on a double lotus base, 10cm high; together with a similar seated buddha, with hands in Bhumisparsha Mudra and holding an upright vajra, 9.5cm high (2)

A TIBETAN BRONZE PHURBA19th/20th century, the three-sided blade with a vajra form handle and mask finial, 26.5cm long, with an associated bone scabbard; together with a similar Kartika, the shaped blade with vajra handle, 15cm high x 14.5cm wide (2)

A SOUTH EAST ASIAN BRONZE BUDDHA HANDprobably Thailand, Rattanakosin Kingdom (1782-1932), the slender hand cast in the Vitarka Mudra, the palm with a central floral medallion, the wrist with a foliate decorated cuff, 15cm high, on a later wooden stand

A CHINESE BRONZE TRIPOD CENSERbearing an apocryphal Xuande seal mark to the base, of circular section with two ring handles, 8cm high x 14cm wide; together with another similar with gadrooned body, 8cm high x 13cm wide (2)

A SINO-TIBETAN WHITE METAL, BRONZE AND PARCEL-GILT KAPALA OR SKULL CUP18th/19th century, the domed cover with a vajra handle, the bowl with a beaded rim, the tripod base decorated in relief with gilded "flaming skulls" against a foliate ground, 17cm high x 12cm wide

A JAPANESE BRONZE FLOWER VASEMeiji period, of archaistic Gu form, decorated throughout with clouds in relief and geometric bands to the rim and foot rim, 25.5cm high x 25cm diameter

A CHINESE BRONZE TRIPOD CENSER bearing a six character Xuande mark to the base, Qing dynasty, with pierced loop handles, 11cm high x 16cm diameterThe Law Collection 羅.

A COLLECTION OF CHINESE BRONZEWARE including coinage, bronze bi disks and a mirror in archaic style, the largest 7.5cm diameter (9)

A CHINESE BRONZE TRIPOD CENSERbearing a Xuande mark to the base but probably Qing dynasty, with loop handles to the rim, 8.5cm high x 12.5cm diameter

A BURMESE BRONZE BUDDHA Mandalay period, 19th century, cast seated in Vajrasana on a stepped pedestal base, with gem set banding to the hairline, 39cm high x 28cm wide The Law Collection 羅.

A COLLECTION OF FOURTEEN CHINESE BRONZE COINSall variously carved in relief with characters (14)

A CHINESE GILT BRONZE TRIPOD CENSER Qing dynasty, the trefoil shaped body with two ring handles to the rim and decorated in the archaistic style with taotie masks over a leiwen ground, on tall tapered legs, 22cm high x 18cm wideProvenance: Acquired from Sotheby's Park Bernet, 12th May 1983.The Law Collection 羅.

TWO SIMILAR JAPANESE BRONZE OKIMONOboth inscribed to the base, one depicting Daikokuten, the other Ebisu, 3.5cm high (2)

A CHINESE GILT BRONZE CENSERbearing a four character Xuande mark to the base, Qing dynasty, the lid cast with a coiled dragon, the body with ring handles and dragons head bosses, 10.5cm high, with a hardwood stand

A THAI BRONZE BUDDHA Rattankosin Kingdom, 18th/19th century, modelled seated in Dhyanasana on an elaborately decorated four tier pedestal with two rings to the reverse, 29cm high x 23cm wideThe Law Collection 羅.

A SINO-TIBETAN PATINATED BRONZE AND PARCEL GILT BULL MASK19th century, modelled in grotesque expression with open mouth bearing fangs and cobras wrapped around the horns, 43cm high x 31cm wide

A JAPANESE BRONZE TIGER signed to the underside, Meiji period, figured naturalistically roaring in stride, 21cm high x 45cm wide, on an associated stained wood base

A CHINESE BRONZE AND PARCEL-GILT FANG DING Qing dynasty, of archaistic form, cast in tapered rectangular section, the panels finely carved in relief with stylised beasts, on a quadruped base of four swept legs, with a moulded wood cover and carved finial, 20cm high overall x 13cm wide x 9cm deepProvenance: An old receipt records 'One pc of Qianlong parcel gilt Fang ding 18th century', dated August 14, '84, Hong Kong. The Law Collection 羅.

A GROUP OF SIX CHINESE SNUFF BOTTLES including a silvered metal snuff bottle of double gourd form, signed to the base, 6cm high; a bronze snuff bottle, inscribed and decorated with a landscape, 7cm high; and four other similar cloisonné snuff bottles (6)Provenance: Acquired from Duke's auction of the The Kaynes-Klitz Collection of Snuff Bottles, 15th February 2007.

A JAPANESE BRONZE TETSUBIN OR KETTLE inscribed to the inside of the cover, decorated in the archaic style with taotie masks in relief, of squat globular form with a brass swing handle, 22cm high to the top of the handleThe Law Collection 羅.

Josef Lorenzl (1892-1950), an Art Deco silvered bronze model of a dancing female nude, mounted to an onyx ball and circular foot, signed in the bronze23.5cm highThe silvering has been renewed with silver paint all over, there is some restoration to the footrim of the onyx base.

§ Carl Payne (1969-2021), Atlanta, the brown-patinated bronze female nude with flowing hair and arched back, mounted to a polished granite base, signed to the bronze and numbered A/C162cm highIn good, clean condition, free from damage or repair.  Consigned from a deceased estate - copy of original receipt in images.

§ Carl Payne (1969-2021), The Fates, in two-tone patinated and gilt bronze and modelled as three loosely draped maidens, pierced to centre and mounted with a polished bronze bisected apple, signed and numbered 2/12 to the bronze 62cm high In 2017, Staffordshire based sculptors Michael James Talbot (1963-) and Carl Payne (1969-2021) collaborated to create a bronzed resin public sculpture of Stoke-on-Trent's most famous literary son, Arnold Bennett (1867-1931). Both Talbot and Payne received their sculptural training at The Sir Henry Doulton Sculpture School.Neil Welch (1972-) is a similarly Staffordshire-based sculptor. Beyond being connected by physical geography, each of these sculptors has received international acclaim for their lyrical figural works in bronze and their expressive use of patination. The hands appear to be a painted base metal rather than bronze, and the paint is flaking on these parts.  Consigned from the same deceased estate as the other two Payne sculptures, original sales receipt not present.

Demetre Chiparus (1886-1947), L'echo, circa 1925, a large green patinated Art Deco bronze of a reclining partially draped female holding a shell to her ear, mounted to a base of slate, brown marble and onyx, etched signature to base34 x 75 x 16cmAs the images show, there are a number of chips and also marks to the plinth. Some wear to the painted surface of the figure, particularly at the extremities, namely the nose, hands and feet. Old crack to the onyx on the back. Surface dirt to the figure and some paint flecks. Please refer to the images.

§ Carl Payne (1969-2021), Masquerade II (Whisper Secrets), a verdigris patinated and gilt bronze model of a draped female figure clasping a mask, signed and numbered A/C65cm highSlight rubbing to the finger tips, her mask a little loose in her hand, otherwise in good condition, free from damage or repair.  Consigned from a deceased estate, original sales receipt in images.

§ Michael James Talbot (1963-), Juliet, from the Royal Ballet collection, 2014, the patinated bronze modelled as a maiden in drapery with arms outstretched, mounted to a polished granite base, signed in the bronze and numbered 2/20, 162cm high overall In good, clean condition, free from damage or repair.

Josef Lorenzl (1892-1950), an Art Deco silvered bronze model of a dancing female nude, mounted to an onyx and polished slate cruciform shaped base, signed in the bronze26cm highThe silvering has been renewed with silver paint all over.

Josef Lorenzl (1892-1950), an Art Deco silvered bronze model of a dancer, 'Carefree', raised on a trefoil shaped onyx column and square plinth base, signed in the bronze23.5cm highSome rubbing and loss of silver finish, a small chip to the top of one of the onyx columns.

§ John Robinson (1935-2007), Eternity, a polished bronze circular form raised on a stepped plinth base, signed with stamped initials, dated 1979 and numbered 3/9 to the bronze49cm high inclusive of base

AFTER CECIL DE BLAQUIERE HOWARD (1888-1956): UPPERCUT (CERDAN VERSUS LA MOTTA), 1949-50 a French dark patinated bronze reduction of a pair of boxers, Bronzes Romain Barelier, Paris, late 20th century, with foundry stamp and signed in the bronze HOWARD, on a wood plinth, bronze 15cm high, 24cm high overall

ANNETTE YARROW (b.1932): ARAB STALLION a brown patinated bronze horse figure with gilt-bronze embellishments, commissioned circa 1993 for Asprey Ltd. of London, modelled with front legs raised, with gilt reins, bridle and tassels and bosses to the Arabian saddle, signed and dated 'Annette / 93 / ©' to the shaped oval naturalistic flat base, set on an onyx oval plinth applied with a silver rectangle inscribed in Arabic recording the gift of the horse figure hallmarked Asprey Co. Ltd., London, 1994, bronze 51cm longAnnette Yarrow had little formal training, coming to sculpture after executing a figure of her son, becoming a noted sculptor of horses, commissioned in 1973 to portray HRH The Princess Royal on Doublet and producing a figure of Red Rum in 1979, much of her work exectud in her Hampshire studio.

AFTER STEFANO MADERNO (1576-1636): HERCULES AND ANTAEUS a bronze group of two wrestling figures, probably Italian late 19th century, dark brown patina with lighter high points, the central support draped with the Nemean lion-skin, Hercules lifting Antaeus who presses his thumb against the hero’s eye, on an oval base, 19.5cm highSee Maderno’s terracotta of Hercules and Antaeus on display at the National Museum of Scotland in Edinburgh (No.A.1981.1), dated 1620 and another signed and dated 1622 in the Galleria Franchetti alla Ca' d'Oro, Venice (Inv.No.81). A variety of bronze versions were made, probably following these models, from the 17th century onwards, but principally without the central support and sometimes with the right arm raised. For two bronzes of a similar scale to this lot, with structural supports on oval bases and Antaeus clawing at Hercules' face, see Christie’s, Paris, 23 February 2009, lot 623 and Christie’s, London, 9 December 2004, lot 109, catalogued as 18th and 17th century respectively.

THEOPHILE ALEXANDRE STEINLEN (1859 - 1923): SEATED ANGORA CAT a dark patinated bronze figure, modelled with head turned and perched on a rectangular integral plinth, Parisian foundry seal of A.A. Hébrard to side and signed in the bronze to reverse 'Steinlen', 11cm highSome light wear to patination on corners - see additional images for greater clarification