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Click here to subscribeZsolnay Pecs - Possibly 19th century Hungarian Art Nouveau Islamic influenced china porcelain garniture vase set. Comprising of two tapering vases with circular bases with another bowl vase. All matching decoration in which pierced open work frame with solid vase interior, with tones of green yellow and gilt. Makers mark to underside. Tallest measures approx. 18cm tall.
Vase mit Wellensittich Vilmos Zsolnay, Pecs, um 1900 Porzellanfayence. Kraeftig irisierte, geaetzte Eosinglasur. Auf dunkelrotem Fond flaechenfuellend bemalt mit Blatt- und Bluetenzweigen sowie ein Wellensittich in Gold. Unterseite bez.: Reliefmarke Fuenf Tuerme im Doppelkreis, 5919, 1, 36, 48. Muendungsrand beschliffen sowie auf der Wandung leichte Gebrauchsspuren. H. 27 cm
Keramik. Heller Scherben. Große Ente aus dem Entenbrunnnen der Weltausstellung von 1906 in Mailand. Plinthe in grüner Eosinglasur, die Ente in violettroter Eosinglasur. Unter dem Boden gepresste Werkstattmarke Zsolnay/Pecs, Modellnr. 3197 u. in schwarzer Pinselschrift '6. bzw. 7.' bzw. Entwurf: Tádé Sikorski. 23 x 55 cm.
A Hungarian Herend inverted baluster vase, printed with summer flowers, 24cm; a Herend cylindrical vase, printed with birds and insects, resting on three paw feet, 10cm, a similar ashtray; a Zsolnay Pecs vase; a pair of Hollohaze egg trinket pots and covers; a Hollohaza goose; a lladro swan; a Nao little boy with bear; etc (13)
A Zsolnay Pecs gilt metal mounted urn and cover. Circa 1900, painted with flowers and foliage on a cream ground, the gilt metal base with four female masks, printed mark on cover, height 40.5cm.Crackle to glaze and general wear commensurate with age. Image of the affected area on Lay's website.
A COLLECTION OF ZSOLNAY EWERS AND VASES, comprising a large turquoise blue and white reticulated ewer, the outer body, handle, foot and back of neck with foliate reticulated designs, model no 2286, height 27cm, a smaller ewer painted with blue patterned bands around the neck, shoulder and foot, model no 224, both of the above having impressed marks, and a pair of vases with gilt painted floral decoration, reticulated foot and rim, and shaped rim, printed blue backstamp and number '17' to base, height approximately 14.5cm (4) (Condition Report: generally good condition, the reticulated ewer has some small hairlines to reticulated areas especially and gilding wear, some restoration to the vases, all pieces having crazing)
THREE PIECES OF CREAM ZSOLNAY 'OLD IVORY' WARES, comprising a charger with relief figural classical scene, having impressed and printed marks, and bearing a nineteenth century handwritten paper label reading 'Hungary (Romania? crossed out), Paris Exhibition 1878', diameter 31.5cm, together with a bulbous vase model no 2872, and a square footed vase surmounted by four long tailed creatures, model no 2926, both vases have panels of figures (3) (Condition Report: generally ok, charger has a chip to its rim, all pieces have crazing, bulbous vase sounds dull when tapped)
FOUR PIECES OF ZSOLNAY RETICULATED CERAMICS, comprising a globular vase with partially reticulated body and foot, and blue panels with gilt flowers, impressed marks and no 1811, height 11cm, an oval planter, reticulated throughout with wavy rim and four feet, faint impressed marks to base (star hairline to underside), a reticulated yellow and blue pedestal vase, faint printed marks to base, a small florally decorated planter with pierced rim and applied bands, blue printed factory mark to base and no 26, height 10cm (two chips to foot) (4) (Condition Report: generally good condition, all have crazing, possibly hairlines, and as stated)
A ZSOLNAY PORCELAIN OIL LAMP BASE AND RETICULATED ZSOLNAY VASE, the oil lamp is painted with an Oriental floral design, brass fittings, removable internal gilt metal reservoir, height 35cm to top of fitting, the reticulated ewer vase with pierced handle design (2) (Condition Report: the lamp base has crazing and hairline cracks, chip to the base, the ewer vase is crazed, hairline crack, repair to the handle and chipped base)
FOUR PIECES OF ZSOLNAY CERAMICS, comprising a florally decorated charger, diameter 38cm, impressed and painted marks, almost completely worn away printed backstamp, two similar tea plates, and a green lustre baluster vase, height 9cm, printed backstamp (4) (Condition Report: charger appears ok with some minor scratches and wear, vase is in good condition with a few tiny scratches to one side, both plates have crazing/hairlines and one has a few tiny chips to rim)
FIVE ZSOLNAY STONEWARE TANKARDS, designed by Gyorgy Furtos, each decorated with an applied panel embossed with a bird, treacle glazed with white glazed interiors, the glazes merge together at the top of each tankard, impressed marks to bases, height 16cm (5) (Condition Report: good overall condition with light crazing, one has a chipped foot rim)
A COLLECTION OF CERAMICS, to include a brown and green lustre lobed bowl, marked '209 24' to base (hairline and a couple of tiny chips to rim), six gilt floral painted vases in the style of Zsolnay - most unmarked, some having printed EW monogram, a small nineteenth century vase painted with blossom by Moore & Co, height 11cm (hairlines, crazing, repaired), a pair of brown and red drip glazed vases, etc (13) (Condition Report: most pieces appear in good condition, sd and as stated)
ATTRIBUTED TO ZSOLNAY PECS; a Victorian ceramic oil lamp with gilt metal mounts and detachable glass reservoir, with Hinks patent wick turner, decorated with exotic birds and floral sprays on a gilt metal base, decorated with mythical creatures and paw feet, height including chimney 68cm.Condition Report: Light glaze crazing throughout, wear to the gilding, a slither chip to the underside of the glass shade, small u shaped crack to rim of ceramic reservoir. Wear to gilding and decoration, Both clips which hold the reservoir into place are present.
An Hungarian Zsolnay-Pécs stoneware vase, late 19th century, of swollen shouldered form with collar rim, applied with raised and pierced roundels, glazed in turquoise and tan on a buff ground, with gilt highlights, raised on an applied gilt-metal foot, cast in relief with lion heads, Zsolnay-Pécs marks concealed under metal base,30cm highCondition ReportSome scuffs to the rim. The decoration with some minor scuffs and losses.
A Hutschenreuther porcelain figure group of a female nude playing with a pair of brown bears, signed Karl Tutter, 30 cm high, together with two Zsolnay porcelain figures of bears in combat, one hand-painted, 30 cm high.Good overall condition with signs of wear and tear commensurate with age. Signs of scratching and staining can be found in the images. No obvious signs of restoration.
A Hungarian Zsolnay Pecs porcelain decorative pierced dish, having moulded foliate decoration within a horseshoe shaped border, printed and impressed factory mark to undersideCondition report - Overall, this dish appears to be in generally good order. There is however, a hairline crack to the upper left area of the horseshoe shape. There is also crazing visble to the underside. approx 11 inch by 8 inch widest points.
STUDIO GLASS & BOHEMIAN FLASKS, comprising MAX VERBOEKET FOR KRISTALUNIE MAASTRICT studio glass triform table centrepiece, signed, 4cms wide; a presumed Italian studio glass vase 25cms high, PAIR EMILE FISCHER POTTERY 'ISLAMIC' FLASKS, each decorated in the Zsolnay Pecs 'Iznik' style with scrolling palmettes and star-shaped motifs in greens and blues and pinks, with gilt handle and pierced neck, painted numeral D155, and 'Budapest' and 'Patent' backstamps, 33cms high (4)Provenance: private collection Vale of Glamorgan
ZSOLNAY, PÉCS VASE, CIRCA 1905 'eosin' lustre-glazed ceramic, applied maker's seal mark, indistinct impressed numberDimensions:14cm highNote: Note: The Zsolnay factory rose to prominence after the 1867 formation of the Austro-Hungarian Empire ended political unrest in Hungary. Austrian design had a strong impact on the factory and its ‘eosin’ lustre glaze, developed in the 1870s, provides the curving outlines of its wares with a sensual metallic sheen.
ZSOLNAY, PÉCS PERSIAN STYLE PITCHER VASE, CIRCA 1895 'eosin' lustre-glazed ceramic, pierced and relief-moulded, impressed ZSOLNAY/ 7657/ 36/ 22Dimensions:33cm highNote: Note: The Zsolnay factory rose to prominence after the 1867 formation of the Austro-Hungarian Empire ended political unrest in Hungary. Austrian design had a strong impact on the factory and its ‘eosin’ lustre glaze, developed in the 1870s, provides the curving outlines of its wares with a sensual metallic sheen.
ZSOLNAY, PÉCS DRAGON PITCHER, CIRCA 1900 'eosin' lustre-glazed ceramic, with moulded dragon handle and spout, indistinct maker's mark ZSOLNAY, PÉCS, impressed no. 5867Dimensions:25cm highNote: Note: The Zsolnay factory rose to prominence after the 1867 formation of the Austro-Hungarian Empire ended political unrest in Hungary. Austrian design had a strong impact on the factory and its ‘eosin’ lustre glaze, developed in the 1870s, provides the curving outlines of its wares with a sensual metallic sheen.
ZSOLNAY, PÉCS TALL VASE, CIRCA 1900 'eosin' lustre-glazed ceramic, with three applied handles, applied maker's seal mark ZSOLNAY, PÉCS 6084/ 25/ 23Dimensions:33.5cm highNote: Literature: Csenkey E. Hungarian Ceramics From the Zsolnay Manufactory 1853–2001 – From Historicism to Postmodernism, Yale University Press 2002, p.124, pl.93a-c where similar examples are illustrated.Note: The Zsolnay factory rose to prominence after the 1867 formation of the Austro-Hungarian Empire ended political unrest in Hungary. Austrian design had a strong impact on the factory and its ‘eosin’ lustre glaze, developed in the 1870s, provides the curving outlines of its wares with a sensual metallic sheen.
Große Jugendstil-Vase mit Landschaftsszene, Pecs (Fünfkirchen), Zsolnay, Entwurf wohl von Tade Sikorski (1852 - 1940), um 1900 Steingutscherben. Leicht reliefiert lüstrierende Eosinglasur in Rot, Grün und Violet. Umlaufender Dekor: Bäume in stilisierter Landschaft. Unterseite mit Siegelmarke "ZSOLNAY PECS", "5650", "M", "20", Manufakturbedingte Delle am unterer Rand, Kratzer am oberen Rand, kleine Farbabplatzer. Maße 35 x 17 cm. A large Art Nouveau vase with landscape scene, Pécs, Zsolnay, design probably by Tade Sikorski (1852 - 1940), circa 1900 A large Art Nouveau vase with landscape scene, Pécs, Zsolnay, design probably by Tade Sikorski (1852 - 1940), circa 1900 Earthenware. Lustre glaze in red, green and purple in light relief. Surrounding décor: trees in stylised landscape. Stamped with seal mark "ZSOLNAY PECS", "5650", "M", "20" oon the bottom, dent from manufacturing, scratch at the upper part and tiny glaze losses. Dimensions 35 x 17 cm. Condition: II
Lüpertz, Markus - - John Steinbeck. Sammlung von 5 Werken mit Buchschmuck von Markus Lüpertz in nummerierter und signierter Vorzugsausgabe. 5 Bde. Wien, Zsolnay 1993. 8°. Je OLwd. in ill. OUmschlag. Zus. in ill. grüner OHolz-Kiste (diese etwas berieben und beschabt). Eines von 500 Exemplaren, im Band "Jenseits von Eden" von Lüpertz hs. nummeriert und signiert. Der Künstler übernahm die Gestaltung der Umschläge und der Vorsätze. - Enthält zudem folgende Werke: Früchte des Zorns, Von Mäusen und Menschen, König Artus, Straße der Ölsardinen und Tortilla Flat. - Gutes Exemplar.
A large Zsolnay Pecs ewer or jug, the handle formed as a dragon, the body florally decorated, 26.5 cm high, together with twin-handled Zsolnay Pecs vase, similarly decorated, of bulbous body form with tall neck and flared rim, 27.5 cm high, each with underglaze blue mark to base.Qty: 2Hairline crack to the rim of the ewer, with chips and glaze loss to the body of the dragon. Crazing throughout. Hairline to underside of the base. The vase with small ship to the rim, and crazing throughout. Some glaze rubbing and gilt loss to both.
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