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ZsolnayGroße VasePécs, Ungarn, 1891-1895Keramik aus hellem Scherben, farbig glasiert und staffiert; auf der Unterseite gemarkt mit Fünfkirchenmarke mit "Zsolnay/Pécs" und "T.J.M" (für die Geschwister Teréz, Julia und Miklós Zsolnay), "MADE IN HUNGARY", "ZSOLNAY/PÉCS" und "3810"; kleine BestoßungenH. 50,5 cm
A Herend porcelain model, of a Cossack with rearing horse, in white, 25cm high,a/f; a Zsolnay model, of a boy with melon, painted in muted tones, 17cm high; a Limoges Remy Martin decanter, as a Centaur; a Ukranian porcelain figure group, as Ukranian dancers; a similar decanter; a Danish Mads Stage Danimerco candlestick, as a Wide Man (6)
TADE SIKORSKY FOR ZSOLNAY PECS; a large and impressive double gourd 'Pomegranate' vase, decorated with open and closed pomegranates and floral decoration on an Eosin glaze, embossed marks and numbered 5287 M 21 to the underside, height 44cm. Condition Report: Very light and very minor scratches to the glaze, especially to the top rim, very fine and minor crazing to the glaze, otherwise the vase is presented well in good condition with no chips, cracks or restoration. Provenance; this vase has come from a local private collection.
Perutz, Leo. Der schwedische Reiter. Roman. Wien, Zsolnay, 1936. 8°. 273 S. 1 Bl. Orig. gelber Leinenband mit Rückentitel. (54) * 1. Ausgabe. Vergl. dazu Wilpert-Gühring S. 1175, 15. Zustand: Druck auf leicht getöntem Papier. Der Einband ist etwas fleckig, an Ecken und Kanten leicht bestoßen.
Perutz, Leo. St. Petri – Schnee. Roman. Berlin u. a. Zsolnay, 1933. 8°. 312 S. 1 Bl., 1 Bl. Verlagsanzeigen. Orig. orangefarbener Leinenband mit goldgeprägtem Rückenschild (54) * 1. Ausgabe. Vergl. dazu: Wilpert-Gühring S. 1175, 14. Zustand: Druck auf leicht gelblichem Papier. Der Einband ist etwas angestaubt u. fleckig, an Ecken und Kanten etwas bestoßen.
Early 20th century Zsolnay Pecs reticulated ewer having tall neck and floral pierced panels, printed blue marks, 28cm high Condition ReportLacking cover, spout cracked in two places and restuck, very small chip to spout, small chip to one reticulated panel, some overall typical glaze crazing and minor wear to gilding.
Große Vase - Marke Zsolnay Ungarn (gegr. 1853) Steingut, Eosin glasiert und marmoriert, mehrfach eingezogene Wandung mit Schlangenhenkeln, runder Stand, Bodenmarke mit "Made in Hungary" und Pressnummer 7036, Höhe ca. 34,5 cm, ca. 1628 Gramm, Altersspuren (u.a. Spitzen auf rechten Henkel teilw. mit Chip), Provenienz: Privatsammlung Niederbayern
Vilmos Zsolnay, Pécs, Vase mit Reigen, um 1902Zsolnay, Vilmos, PécsÜber Rundstand weit ausgebuchtet mit schlankem Korpus, reliefierte Darstellung von vier tanzenden Frauen unter Bäumen, das Astwerk zur Mündung plastisch aus der Wandung herausgearbeitet. H. 33,5 cm. Fayence, orangerote, violettblaue und grünliche Eosinglasur. Bez.: Siegelmarke 6875 36 (geprägt).
Großer Jugendstil Zierteller in Muschelform mit BlumenZsolnay Keramische Fabriken, Pecs / Ungarn um 1890. Porzellan-Fayence, durchbrochen, polychrom und Gold bemalt, glasiert. Krakele. Unter der Glasur blaue Marke: Zsolnay Pecs ... und fünf Türme. Eingepresst: ... ... 3793. H. 5 cm, D. 50,5 cm. Auf abgesetztem Standring leicht gemuldete Form. - Zustand: 3 cm langer Brandriss.
18-teiliges Konvolut mit Vegetabildekor17x Herend, 1x Zsolnay Pecs, Ungarn, 20. Jh., Porzellan, glasiert und mit polychromer Aufglasubemalung versehen, part. ziervergoldet, 13x mit Blumendekor, 3x mit vegetabilem Dekor, 1x mit Dekor "Apponyi bunt" und 1x mit Obst-, Gemüse- und Insektenmalerei, best. aus: 6 variierenden Tassen + 6 Unteren, 4 unterschiedlichen Tellern sowie einer Unteren und einem Tischascher, bodenseitig je blaue Manufakturmarke, mit Press- und Pinselzeichen, H: bis 6,5 cm, D: bis 19 cm. Part. Alters- und Gebrauchsspuren, ein Teller mit Haarriss, eine Tasse rest..
Antique Majolica style Zsolnay Hungary floral pierced pottery planter. Footed bowl form, printed and impressed marks to base #3766. H29cm x diameter 33cm Condition Report: There is a hairline crack to the rim, the glaze has crazed. Hairline crack to the rim of the foot. Rubbing and loss to the gilt decoration mostly around the rim.
Porzellanteller Wien, 1860-1900 & Sammlung Porzellanplastiken Zsolnay, Hutschenreuther, Graefenthal und Schaubach, 1930-70Tiefer Teller mit geschweiftem, reliefiertem Goldrand, polychrome Blumenmalerei, Dm 24 cm, Bindenschildmarke, spätes 19. Jh.; Kind mit Kreisel spielend, Weißporzellan, auf ovalem Sockel, sign. András Sinkó, Modell-Nr. IT. 12/ B, L 16 cm, Stempelmarke, Zsolnay, Pecs; Kind mit Ball spielend, auf polygonalem Sockel, Weißporzellan, sign. András Sinkó, H 13 cm, Zsolnay, Pecs; paar Hasen, Bisquitporzellan, H 8,5 / 12 cm, einmal Modell-Nr. 8825, Stempelmarke; zwei Musiker: Flötenspieler und Trompetenspieler, farbig gefasst, auf runden Sockeln, Modell-Nrn., 9485 und 9487, H 18,5-19 cm, Stempelmarke Gräfenthal; kniender weiblicher Akt mit den Händen Wasser schöpfend, Weißporzellan, auf ovalem Sockel, H 22,5 cm, Schaubach Kunst
Eight pieces of early 20th century Zsolnay pottery jardinieres on stands or ornamental water fountain parts, with what appears to be two column supports and three bases, two tops, one cracked, with a spacer (8)PLEASE SEE ADDITIONAL IMAGES. SHIPPING IN THE UK WILL BE AT LEAST £150 PLUS VAT EXPENSIVE AND OUTSIDE THE UK MUCH MORE AND THERE IS NO INSURANCE
A PAIR OF TURKISH ÇANAKKALE-STYLE POLYCHROME-PAINTED AND GILT ZSOLNAY POTTERY EWERS Zsolnay manufacture, Pécs, Hungary, ex-Ottoman Western Provinces, ca. 1878 - 1900Each of typical pyriform shape, resting on a short, circular foot, rising to a long, tapering neck surmounted by a bulbous head designed in the shape of a mythical creature with short horns, bulging eyes and an everted beak-like spout, to the side of each ewer a rope-twisted handle, the exterior painted in cobalt blue, manganese purple, sage green, and teal with golden highlights against a milky white ground, the ewer's design typical of Turkish Çanakkale creations whilst the decoration and the palette reminiscent of Ottoman Iznik and Damascus ceramics, consisting of lush floral arrangements with serrated saz leaves, prunus blossom branches, rosette scrolls, and large lotus flower sprays, the front of each ewer further embellished with applied moulded floral roundels, and the handle decorated with alternating blue and purple beaded bands, each base presenting the ZSOLNAY PÉCS mark with the "Five Churches and Family Initials", as well as the production form numbers of this series (stamped '753' ZV Pécs and '6', and painted '22').each approximately 36cm high In 1853, the Zsolnay factory was established by Miklós Zsolnay in Pécs, Hungary. In 1865, his son Vilmos Zsolnay joined the company and became its manager and director, spearheading the rapid and remarkable success of this manufacture at international exhibitions and art fairs all around the world. The factory mark on the base of our ewers was designed by Júlia Sikorski, Vilmos' daughter, possibly for the factory's debut at the 1878 Paris Exhibition, where the Zsolnay factory was eventually awarded a gold medal. For the design, Julia was inspired by the Medieval name of her family's hometown, Pécs, which meant "Five Churches". To the right of the mark, one can read the initials T.J.M. standing for Térez, Júlia and Miklós, the first names' initials of the three children of Vilmos, heavily involved in the running of the factory at that time. This mark remained in use from 1878 until 1900 and is usually accompanied by the production form numbers, indicating the date of the original release of the piece. Interestingly, another Çanakkale-style Zsolnay pottery ewer recently sold at auction in Stoke-on-Trent, Staffordshire (Potteries Auction, 7 March 2024, lot 322) presents the same form numbers of our pair ('753' Z. V. PECS), suggesting they were all most probably part of a special series inspired by Turkish Çanakkale creations. each approximately 36cm high Qty: 2
Zsolnay Pecs: a pair of reticulated pedestal vases, ornate pierced decoration, predominantly decorated in green, gilt highlights, impressed marks to bases and gold stamp, 21cm tall. The vases display well and are generally in very good and clean condition for their age. Both do have chippings to the rims, one is worse than the other. Crazed also.
A Zsolnay Pécs lustre figure, c.1905, the eosin-glazed lustre figure modelled reclining and partially disrobed, on a rectangular base, stamped '8577' with a raised mark, 23cm wide8cm deep11.5cm highCondition ReportWith some small chips and rubbing to the glaze. Some overpainting to the shoulder of the raised arm. The underside with one firing crack 5cm in length and the other 3cm.
An early Zsolnay Persian inspired lustre charger, late 19th century, decorated with lustrous blue, cream, brown and red Persian flowers, green foliage on a red ground, the border with repeating three leaf clover devices on a yellow and brown lustre band, gilt printed mark Zsolnay Pécs in a circle, 33.3cm diameter, small section of foot restored A small section of the foot is restored near to holes, there is some stained crazing to the glaze visible on the front, some occasional minor scuffs and scratches to the decoration to the front and some wear to the foot, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early Zsolnay flambé lustre heart shaped box and cover, late 19th century, the cover decorated with a cockerel and hen amid flowers, the sides with similar decoration, red printed mark within a dotted circle, 7cm across. Cover broken and restoredPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A rare Zsolnay eosin lustre bust of Madonna, modelled by Julia Laszlo Zsolnay, c.1910, decorated in green, violet and gold lustrous glazes, impressed Zsolnay seal, numbered 8575 and initialled SLZ, 14cm high Typical minor glaze imperfections, minute glaze flake two cloak by hand, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Zsolnay spotted lustre pumpkin shaped vase, early 20th century, three shield mark, impressed shape number 5220, 8cm high, 11.5cm across Typical minor glaze imperfections, minor scratches to glaze, otherwise in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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2302 item(s)/page