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Lot 362
Three Royal Worcester 'pyramid' vases, painted with birds, 14cm high. Condition - fair/good The pair all gilt handles and neckrims over-painted in gold, some of which conceals restoration that is not obvious; however, upper neckrim is clearly restored; otherwise bodies and enamels good; some wear to undersides; the pair dated 1876. The other with some re-gilding to neckrims and handles but less than the pair previously described; one of the lower neckrims and the adjacent handle professionally restored, see ninth image; also upper neckrim professionally restored; not dated but with a Worcester printed mark naming retailer, Caldwell for Philadelphia. Light crazing only, at neckrim interiors.
Lot 908
A GROUP OF DECORATIVE CERAMICS, to include two hand-painted Rye Pottery figurines, 'The Guildsman', and 'The Wife of Bath' both from the Canterbury Tales, both have makers mark on the base, four pieces of Belleek China with shamrock design, a Shelley jug in orange and yellow with a grey band around the centre height 15cm, a Royal Doulton character jug 'Beefeaters', Rd No. 847680, (remains of a sticker on the top outside edge), Royal Worcester covered trinket pot with floral design, three small Midwinter Savanna serving dishes designed by Jessie Tait, (light use), also included a decorative studio glass vase orange and blue detailing, (qty) (Condition Report: all items appear in ok condition, would benefit from a clean, see main description for specific damage)
Lot 980
SIX BOXES OF ASSORTED ORNAMENTS, CERAMICS, AND GLASSWARE to include two boxes of mixed assorted tea and dinnerware to include a quantity of Royal Albert 'Haworth' cups, saucers, and side plates, assorted Wedgwood and Royal Worcester items, etc, a quantity of blue and white ceramics to include manufacturers Booths and Adams, two glass fishing floats, a group of six printed glasses, a box of assorted ornaments to include souvenirs, flowers, and animals, etc, (6 boxes) (s.d)
Lot 242
Porcelain vase features a Patent Metallic finish and is decorated with a floral design. The vase has a rounded body with a slender neck and is adorned with elaborate gilt accents. It includes two ornate handles with intricate scrollwork. The upper section of the neck is decorated with a raised gilt pattern resembling stylized foliage. The hand-painted floral motif displays a range of autumnal hues. Royal Worcester ink backstamp and impressed stamp. Model number 1075. X6 impressed on the underside.Issued: 1886Dimensions: 12"HCountry of Origin: EnglandCondition: Age related wear.
Lot 36
A Victorian Royal Worcester Aesthetic Movement tea box or caddy - brown printed factory mark, of rectangular form, the yellow ground with moulded, floral and foliate decoration, twin beast mask handles, the peaked cover with moulded Greek key panels and square finial, on conforming square tapered feet, 14.5cm high, some small glaze flakes.
Lot 10
A collection of 19th and early 20th century English and Chinese porcelain and china - many pieces a/f, including a New Hall silver shape teapot (lacks cover, rim restored); a pair of pearlware scalloped saucers with cornflower sprigged decoration; a fluted gilt and white decorated sucrier, cover and stand; a pearlware coffee pot (spout a/f, lacks cover); seven pieces of Chinese export porcelain tea ware; various English porcelain and china covers including Royal Worcester; etc.
Lot 476
A collection of boxed die cast model vehicles by Corgi Toys to include 'Royal Worcester' Bedford Box Van, Corgi Classics, AEC 508 and Bedford O Series, together with 'Wimey' Dumper Truck, limited edition ERTL toys 50 years 1995 1950 Chevrolet Truck and other similar examples. (8) In new old stock condition.
Lot 473
A collection of boxed vintage die cast model vehicles by Corgi Toys to include limited edition Kays Catalogue limited edition box set 'Kays & Co Limited Worcester', Weetabix lorries, Fred Dibnah's No. 80308 Garrett Showmans Tractor - Princess Maud and other similar examples. (7) In new old stock condition.
Lot 449
A Regency Worcester Barr, Flight & Barr (1807-13) ale-jug, gilded with barley, acorns and 'GE' monogram impressed stamp beneath, 17 cm high, to/w an Edwardian Royal Worcester 17 cm leaf jug, 1902, two similar 9 cm jugs and matching sugar basin; lot also includes a Grainger & Co Worcester lily-flower sugar basin 1894 (6)
Lot 428
A 19th century German (possibly Berlin) porcelain miniature ewer encrusted with flowers, 15 cm high to/w a Meissen quatrefoil dish painted with birds and insects, five Victorian floral-painted china cups and saucers, a Collingwood Bros floral-painted dish, a Royal Worcester blue and white plate printed with Japanese motifs and a Copeland milk jug (box)
Lot 90
LOCKE, JOHNA Letter to the Right Reverend Edward Ld Bishop of Worcester, Concerning some passages relating toMr. Locke's Essay of Humane Understanding: in a late Discourse of his Lordships, in Vindication of the Trinity. Printed by H. Clark, for A. and J. Churchill...and Edw. Castle, 1697, First edition, second issue with the cancel title page. Modern panelled calf in period style. 7 x 4 1/4 inches (18 x 11 cm); [4] (half-title, title), 227, [1] pp.; A2 (title) in cancelled state, the stub of original title present. A rather fresh copy. For some years after its publication, Locke's Essay concerning Human Understanding elicited few reactions. Following the publication in 1695 of his Reasonableness of Christianity and of Toland's Christianity not Mysterious in 1696, new criticism began to appear. "Critics accused him of undermining religion. The scholastic doctrine of substance was important to Christian theologians because it enabled them to give a rational explanation of the otherwise baffling dogmas of the Eucharist, the Incarnation and the Trinity. It was for this reason that Dr. Stillingfleet, Bishop of Worcester, said that Locke, having ‘almost discarded substance out of the reasonable part of the world,’ had thereby promoted atheism. Locke denied that he had done anything of the kind, and in his published letters to the Bishop of Worcester he repeated what he had said in the Essay to the effect that men's rational minds cannot conceive how ideas ‘should exist alone nor in one another," and so ‘suppose them existing in and supported by some common subject.’ Locke's point was that one had to believe in substance, even though he could find no proof of its existence" (Cranston, John Locke, a Biography, p. 276). The controversy with Stillingfleet was long and inconclusive, each author contributing three works. This is the initial rebuttal by Locke. It was only by the death of Stillingfleet in 1699 that it ended.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 141
A collection of blue and white comprising, a 19thc blue and white transfer print razor dish, decorated with the Berlin Rose pattern (marked verso) (l. 19cm), a blue and white double egg cup with floral motifs to top and base (h. 10.5cm), a Chinese square form cricket vase (h. 6cm), a Japanese porcelain lattice vase/brush pot (h. 7.5cm), an oval form plate with lattice border and handpainted floral motifs to centre (a/f) (l. 23cm), a small porcelain figure of a girl (h. 10cm), a Royal Worcester for Compton Woodhouse small blue and white jug decorated in the Gillyflower and Narcissus pattern (h. 9.5cm), and a small resin reproduction statue of the 'Boy with Thorn' (h.10cm) (8)
Lot 142
A collection of miscellaneous items comprising, a large blue jug with gilt floral decoration to body and handle (a/f) (h. 26cm), a circular mid-century wall tile embossed with a fruit basket (stamped verso) (d. 13cm), a gilt edge and floral transfer print table mantle clock with wind up motion to reverse (h. 23cm), a Spode pot/flower pot with pierced base and decorated with gilt and floral motifs (a/f crack to top and missing cover), a small floral porcelain dish (h. 5cm), a Sitzendorf porcelain sheep (a/f) (stamped verso) (l. 9cm), a ceramic pedestal bowl in oval form (l. 15.5cm), a silver plated box with a velvet pin cushion to top, raised on four clasp feet (l. 10cm), a pair of Japanese Kokra plates with gilt edges and twin handles, deocrated with a blue border and floral motifs (d. 23cm), a cake stand with gilt edgers and a floral handpainted design to centre with a turquoise border, a bone china coffee cup with gilt edges and hanpainted design of a castle and landscape to the centre (h. 7cm), a Bristol Pottery for the Elsenham Jam Company ceramic cup, decorated in the form of a Household Division drum, a large Worcester plate with a pink border and gilt detail to edges (d. 27cm), and a pink Sunderland lustreware cup and saucer (a/f), and a china small dish with blue and floral and gilt decoration (16)
Lot 126
A collection of decorative plates, a pair of B&G Copenhagen, Hans Christian Andersen - The Emperor's New Clothes No.3 and Thumbelina No. 6 (w-21cm), a Royal Wocester, Bishop Sumner Pattern limtied edition 5784/10,000 (w-28cm) and a Royal Worcester Exotic Butterflies limited editon 2538/10,000 (w-28cm), all marked verso. (4)
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