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Lot 95
A group of five Royal Doulton figures, comprising 'Easter Day' HN2039; 'Daydreams' HN1731; 'The Polka' HN2156; Southern Belle HN2229; 'Frith', HN3082, limited edition number 7495/9,500; together with one Royal Worcester figure of Queen Elizabeth II in Coronation robes, and one Coalport lady, 'True Love', limited edition 5503/12,500; sold together with seven glass paperweights including Caithness 'Extravaganza' (group)
Lot 242
A group of 18th century Worcester porcelain, comprising an 'Argument' pattern teapot, hatched crescent mark, 16cm high; a polychrome teapot, enamelled with flowers, unmarked, 16cm high; a 'Fence' coffee pot and cover, 25cm high; a 'Two Porter Landscape' relief moulded cream boat, open crescent, 14cm long; a 'Mansfield' bowl, 12cm diameter; a 'Floral Sprays' polychrome tea bowl and saucer, 12cm diameter, and a 'Royal Marriage' pattern polychrome fluted coffee cup, open crescent, 6.5cm high (a.f)Condition:Worcester 'Argument' teapot - extensive body cracks, chip to spout and a replaced coverWorcester polychrome teapot - cover broken in two pieces and restored with rebuilt broken section to rim and replaced finial. No damage to body.Floral Sprays tea bowl and saucer - inner rim chip to tea bowl, a couple of fleabites to foot rim of saucer and generally surface scratching throughoutFence coffee pot - cover broken into several pieces and reassembled, with replacement finialTwo Porter Creamboat - small chip to mouth and a short firing crack descending from rim and another to main bodyMansfield bowl - Scratched to interiorRoyal Marriage coffee cup - Extensive body crackSold as seen with all faults
Lot 143
A Worcester porcelain 'Natural Sprays' vase, circa 1775, transfer-printed in underglaze blue with the main print to the baluster body and a further subsidiary band to the neck, open crescent mark, 19.5cm high; sold together with a Caughley porcelain 'Fruit and Wreath' teapot and cover, circa 1780, transfer-printed in underglaze blue, printed C with serif, 12.5cm high; sold together with a Caughley porcelain 'Apple and Damsons / Sliced Apple' coffee pot, lacking cover, unmarked, 18cm high (faults) (3)Condition:Worcester vase - Good condition with no damages or repairs. Some speckled kiln dirt and one small glaze blemish from firing. Teapot - finial to cover missing, variously chipped. Rim around teapot nibbled and chipped. Large foot rim chip. Spout nibbledCoffee pot - no cover. Spout with several cracks. Chips around foot rim.
Lot 2126
A collection of crested china, butter dish, teapot, vases, together with Wedgwood Jasperware, Adams Tunstall sugar bowl, two miniatures vases, three 4" round plates two of which feature golfers, a Wedgwood miniature vase and a Royal Worcester boxed set of two plates and a vase **PLEASE NOTE THIS LOT IS NOT AVAILABLE FOR PACKING AND POSTAGE**
Lot 539
ALFRED STEVENS (1823-1906) An interior with a woman by a cradle signed to the left of the cradle, oil on canvas, 102cm x 76cmProvenance: Private Collection, London.Note: Stevens studied at the Académie Royale des Beaux-Arts in Brussels before travelling to Paris in 1843, where he studied at the École des Beaux-Arts and developed a friendship with fellow Belgian artist Florent Willems (1823-1905). Both artists were heavily influenced by the interior scenes of 17th century Dutch masters, such as Gerard ter Borch (1617-1681) and Gabriel Metsu (1629-1667), with Stevens and Willems both, like their predecessors, depicting elegant women in luxurious interiors, works which are redolent with a contemplative air.The subject of the maternal figure is one which appears throughout Stevens' work, as, for example, in the painting entitled 'Une Mère' (c.1870), held at the Worcester Art Museum [1913.1], which depicts a mother and her young child sleeping peacefully in a richly decorated bed. The painting 'La Jeune Mère', held at the Dumbarton Oaks Research Library and Collection, Washington D.C. [HC.P.1926.06.(O)], is likely a preparatory study for 'Une Mère', and exhibits the same loose, sketchy brushwork that characterises the present work.Indeed, Stevens treated the subject of mother and child in a number of compositions, including also in his 'Tous les bonheurs' (1861), at the Musées Royaux des Beaux-Arts in Belgium [no.3645], which also utilises the imagery of the mother by a crib, and his 'Mother and Child' (c.1875-80) held at the Clark Art Institute in Williamsburg [1955.862].The auburn-haired figure of the present work is typical of Stevens' models, with many of his subjects bearing a strong resemblance to her. These include Sarah Bernhardt, whom Stevens depicted on multiple occasions, both in portraits but also in interior scenes, as in 'Love's Messenger' (c.1885), currently held in a Private Collection. Indeed, models with strikingly similar features can be found throughout Stevens' work, including notably, in his 'In the Studio' of 1888 [Metropolitan Museum, New York, no.1986.339.2], and in his much earlier painting 'L'atelier' of 1869 [Musées Royaux des Beaux-Arts, Belgium, no.3423], with the model's face here depicted in sharp profile, similar to the present work.In this canvas, Stevens skilfully contrasts loose brushstrokes, which effectively impart a sense of movement to the work, with a close consideration of the surfaces and textures, as in the shiny satin bow on the crib, the glimmering silverware on the table behind, and even the light which reflects off the sitter's fingernails, all of which demonstrate an attention to detail for which Stevens was renowned, and which led one critic to label him the 'Ter Borch of France'.
Lot 216
A pair of 19th century square armorial dishes with undulating rims with orange and gilt decoration, the central motif with a crown and arm surmounting gripping an arrow, impressed T to the base; Royal Worcester lidded censer, together with a pair of blue and white continental porcelain figurines (5)
Lot 1153
A small group of four Royal Worcester blush ivory vases comprising: a pair of ornate posy vases with floral decoration, no. 1556; a slightly taller posy vase no. G1015; and a slender-necked vase no. 1529. (4) Condition: Wear to gilding etc. Provenance: From a single owner private collection in Buckinghamshire
Lot 1158
A collection of Royal Worcester blush ivory vases comprising: a twin-handled vase no. 1920, approx. 21.5cm high; a small slender twin-handled vase no. 1951, and three other vases, all with floral decoration. (5) Condition: wear to gilding. Provenance: From a single owner private collection in Buckinghamshire.
Lot 1160
An assortment of miscellaneous Royal Worcester blush ivory pieces comprising: a small bowl; chamber stick; two small milk jugs; coffee can; and a cream jug. (6) Condition: some items marked Worcester China Works, some wear to gilding. Provenance: From a single owner private collection in Buckinghamshire.
Lot 1202
A 19th century porcelain dinnerplate, bearing Victoria and Alberts monogram; within a gilt and black Greek Key border, bearing puce mark verso for Phillips 359 Oxford Street, London; 26cm diameter together Royal Worcester Works porcelain plate decorated with panels of birds and insects within blue scale background, bearing mark to base; 22cm diameter and a Chamberlains porcelain plate decorated with panels of roses within gilt rim in blue background, marks to base; 22cm diameter, Condition : The floral plate has a star crack to rear and a hairline crack from the rim, the Greek Key plate has pitting to the rear and scratching to the front.All 3 plates have general wear and some loss to gilding.
Lot 1154
A group of Royal Worcester blush ivory ceramics comprising: a jug; two vases, no. 1730 and no. 991; a twin-handled cup no. W8634; a grapefruit dish no. W5191 and a single saucer no. W5343. (6) Condition: wear to gilding, nibble to jug's base rim and wear. Provenance: From a single owner private collection in Buckinghamshire
Lot 1156
A group of four Royal Worcester blush ivory vases comprising: a twin-handled floral decorated example, no. 1761, approx. 25.2cm high; a slightly smaller example of bulbous form, no. 1889; a single conical formed example with fluted rim, no. 1931; and another, no. 1631, also with floral decoration. (4) Condition: wear to gilding, etc. Provenance: From a single owner private collection in Buckinghamshire.
Lot 1162
A collection of miscellaneous Royal Worcester blush ivory pieces comprising: a shaped cup and saucer Rd No. 158959; four saucers (no cups); and five floral decorated pill boxes. (11) Condition: one saucer with hairline crazing, wear to gilding. Provenance: From a single owner private collection in Buckinghamshire
Lot 1166
A small assortment of Royal Worcester blush ivory porcelain comprising: a sharing platter no. 1994; a shell-shaped dish no. 1413; an oval-shaped dish no. W4141; an oval tray with pink mark verso; small pin tray no. 1699; two reticulated edged plates no. 5012 each; and a small plate no. 4492. (8) Condition: some loss to gilding and wear. Provenance: From a single owner private collection in Buckinghamshire.
Lot 1155
A Royal Worcester small blush ivory urn-shaped vase and cover no. 2209, approx. 17cm high, together with an ornate Royal Worcester blush ivory bowl with reticulated rim, no. H166, approx. 10.8cm high. (2) Condition: minor wear to gilding. Provenance: From a single owner private collection in Buckinghamshire
Lot 1159
A Royal Worcester blush ivory urn-shaped vase, no. 1674 with flowers, approximately 28cm high; a rounder Royal Worcester blush ivory urn shaped vase, no. 1076, approx. 23cm high and a Royal Worcester blush ivory jug, rd no. 209440, approx. 23cm high. (3) Further details: jug cracked to base, cover missing from tallest and wear to gilding to all. Provenance: From a Single Owner Private Collection in Buckinghamshire.
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