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Roy WALKER (1936-2001) Ten Christmas Cards from the artist Mixed media, inscribed from Roy and family, card size mostly 8.5cm x 14cm (2) Shipping is available from £15.20 to a UK Mainland address.

Ian McNeil COOKE (1937) It's Spring Again Artist's proof, coloured etching, signed and titled, image size 30cm x 26cm, 49cm x 43.5cm framed. Ian was born London 1937. He attended Kingston School of Art and moved to Cornwall in 1969. Ian studied etching in St Ives with artist Roy Walker, and in 1979 purchased the former Bosullow School House, now Men-an-Tol Studio, where he set up his own printmaking studio.

Penwith Printmaker Portfolio, 1982 Seven Prints Artist's proof 4/7, John Charles Clark, Roy Ray, Sheila Oliner, John Emanuel, Naomi Frears, Stephen Dove and Roy Walker, each signed, titled and numbered.

Carol MCDOWALL (1955) Yellow Secret Acrylic on canvas, signed and titled verso, 92cm x 107cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Roy WALKER (1936-2001) Abstract Sunset Acrylic on paper, signed and dated '89, authentication stamp verso, 40cm x 30cm, 50cm x 38cm framed.

Rod WALKER (Cornish b. 1949) Still Life with Flowers and Fruit Pastel Signed and dated 1985 lower right Framed and glazed Pictuer size 40 x 27cm Overall size 54 x 41cm

An Edwardian silver pill box, by Walker & Hall, Birmingham 1906, with floral engraved cover, 5 x 3.5 x 2cm, 40gm

Walker and Hall Early XX Century Mahogany Cassed Mantle Clock with Westminster Chimes Movement and key 41.5cm wide.

A selection of stoneware vessels, includes jugs, barrels, etc Additional info: Large jugs names - Peter Walker & Co. Burton-on-Trent, Tho's Ford & Co. Swansea, G.Peters & Co. Birmingham, there's a "Horner's" Clotted Cream Pot, "Virol" jar.

A GILDED WOODEN WHITBREAD PLC WALL PLAQUE44cm high x 38cm wide x 2.5cm deep; together with other beer ephemera, including a Tetley Walker Bitter wooden barrel terminal, 50cm diameter and a 'Courage Alton Pale Ale' framed advertising poster, 37.5cm high x 24.4cm wide (3)

AN Assortment of Platedware, to include MH&Co EPNS decorative turreen, HP&Co fish knives in fitted case, Walker & Hall matched coffee and teapot, twin branch candelabrium, Viners Christening set, swing handled basket, Mappin & Webb dwarf candlesticks etc :- Two Trays

A Set of Six Hallmarked Silver Handled Butter Knives, John Round & Son, Sheffield 1912, with scroll cap terminal, (damages), in a vintage fitted case, together with a partial set of Walker & Hall Sheffield dessert knives and forks, (one knife missing), in a vintage fitted case, and a set of six highly decorative handled EPNS cutlery.

Walker & Hall; A Hallmarked Silver Sauce Boat, Sheffield 1915, with bead and reel rim, scroll cap handle and raised on three paw feet, initialled "H" (95grams).

A Hallmarked Silver Mounted Manicure Set, L&S, Birmingham 1912, comprising nail buffer, toothbrush, scissors, cuticle tool and nail file, together with two hallmarked silver mounted cut glass jars, Walker & Hall, Birmingham 1912, in a blue plush lined fitted case.

Walker & Hall; A Set of Twelve Hallmarked Silver Golfing Coffee Spoons, Sheffield 1933, baring golfing emblem to handle (150grams).

Walker & Hall; A Set of Six Hallmarked Silver Bead Pattern Coffee Spoons, initialled to handle (85grams).

Walker & Hall; A Hallmarked Silver Christening Mug, Sheffield 1925, of plain tapered form with reeded bands to base and rim, monogrammed front (140grams).

Edwin ' Buzz ' Aldrin Jr - Moon Walker (Apollo 11) - autograph in black ink upon a white card, undedicated. Measures approx: 3x5". Buzz Aldrin is an American former astronaut, engineer and fighter pilot. He made three spacewalks as pilot of the 1966 Gemini 12 mission. He was the Lunar Module Eagle pilot on the 1969 Apollo 11 mission and became the second person to walk on the Moon after mission commander Neil Armstrong.

W.H. DINGLEY: A 3 3/4" TROUT FLY REEL retailed by JJS Walker, Brampton & Co., with smooth brass foot, perforated front plate and ebonised handle, stamped internally '39'; and one other W.H. Dingley 3 3/8" trout fly reel, retailed by Ogden Smiths, London, with smooth brass foot, rim tensioner, brass line guard and duplicated check, stamped internally 'WD' and '10' (2)Provenance: A private Shropshire sporting collection.

WALKER, C.E.: 'OLD FLIES IN NEW DRESSES' 'How To Dress Dry Flies With The Wings In The Natural Position And Some New Wet Flies', 1898 first editionProvenance: A private Shropshire sporting collection.

W.H. DINGLEY 'THE MASTER': A 3 1/2" SILEX SALMON CASTING REEL retailed by JJS Walker, Brampton & Co., with twin ivorine handles, strapped rim tension screw, silent check and brass foot, stamped internally '49 Turnball's Patent no. 29107-1913'Provenance: A private Shropshire sporting collection.

HARDY SILEX 'THE MASTER': A 4" SALMON CASTING REEL by W.H. Dingley, with twin ivorine handles, brass foot and ivorine brake level, stamped internally '166, Turnballs Patent 29107-1913', with engraved retailers details 'JJS Walker & Brampton'Provenance: A private Shropshire sporting collection.

SIX VARIOUS LEAD SHOT BAGS one by Lawrence Brand, USA, another by Walker, Park & Co. Ltd of Chester and four Birmingham Chilled Shot, measuring approximately 25cm x 12cm (6)Provenance: A private Shropshire sporting collection.

WALKER, RICHARD: 'NO NEED TO LIE' first edition, 1964, with original dust wrapper; together with 'Walker's Pitch' by Richard Walker, an Angling Times series, first edition 1959 (2)Provenance: A private Shropshire sporting collection.

PRISONER OF WAR ART - Percy P. Wood (British b.1877) A group of three humorous drawings depicting life in the Ruhleben internment camp in Germany, comprising 'The Royal And Ancient Game in Ruhleben' (golf), 'The Birdcage for unruly Ruhlbenites' and 'Veterans Going the Pace, Ruhleben Atheltic Sports August 1917', two signed, dated 1915, watercolour, pen and crayon, largest 35cm x 25cm Percy Wood was born in Hull in 1877. According to citizen registries, he worked in Berlin as a language teacher. When the outbreak of the First World War necessitated the round-up of all foreign 'aliens', Wood was held at Ruhleben internment camp alongside other male citizens of the Allied Powers who were living, studying, working or on holiday in Germany at the outbreak of World War I. They also included the crews of several civilian ships stranded in German harbours or captured at sea. There were numerous fishermen captured from trawlers which had been sunk in the North Sea in the first days of the war: they were mainly men from Hull, Yorkshire; and Grimsby and Boston, Lincolnshire. Numbers in the camp varied between 4,000 and 5,500 prisoners, most of them British. The German authorities adhered to the Geneva Convention and allowed the camp detainees to administer their own internal affairs. Gradually, a mini-society evolved. Letters, books, sports equipment and a printing press were all allowed into the camp, and the detainees organised their own police force, magazine, library and postal service. The latter, known as the Ruhleben Express Delivery, was organised by Albert Kamps and began operating in July 1915. Soon it was handling over 6,000 pieces of mail per month, and 16 different postage stamps were issued. In April 1916, however, the German postal authorities declared the service illegal, and it ceased operating. Wood is noted as an artist for several of the camp magazine publications, alongside sending work home to family in England. He is further recorded as holding an exhibition of humorous drawings in the studio at Ruhleben in April 1917 alongside fellow camp artists Wade and Walker.

PRISONER OF WAR ART - Percy P. Wood (British b.1877) A group of three First World War original drawings created at the Ruhleben internment camp in Germany, illustrated in pen, crayon and watercolour, comprising 'The Four Corners of the Ruhlysian Fields', dated 1918, 'Impressions of a Jagg Cricket Match Ruhleben' and 'Maiden Efforts in Water-colour, Ruhleben, May 1918, each signed, unframed, 36cm x 25cm Percy Wood was born in Hull in 1877. According to citizen registries, he worked in Berlin as a language teacher. When the outbreak of the First World War necessitated the round-up of all foreign 'aliens', Wood was held at Ruhleben internment camp alongside other male citizens of the Allied Powers who were living, studying, working or on holiday in Germany at the outbreak of World War I. They also included the crews of several civilian ships stranded in German harbours or captured at sea. There were numerous fishermen captured from trawlers which had been sunk in the North Sea in the first days of the war: they were mainly men from Hull, Yorkshire; and Grimsby and Boston, Lincolnshire. Numbers in the camp varied between 4,000 and 5,500 prisoners, most of them British. The German authorities adhered to the Geneva Convention and allowed the camp detainees to administer their own internal affairs. Gradually, a mini-society evolved. Letters, books, sports equipment, and a printing press were all allowed into the camp, and the detainees organised their own police force, magazines, library, and postal service. The latter, known as the Ruhleben Express Delivery, was organised by Albert Kamps and began operating in July 1915. Soon, it was handling over 6,000 pieces of mail per month, and 16 different postage stamps were issued. In April 1916, however, the German postal authorities declared the service illegal, and it ceased operating. Wood is noted as an artist for several of the camp magazine publications, alongside sending work home to family in England. He is further recorded as holding an exhibition of humorous drawings in the studio at Ruhleben in April 1917 alongside fellow camp artists Wade and Walker. Condition:The Four Corners picture has a small damp stain, please see photographs Please note the cricket illustration is signed 'Podwop' and might be by a different artist, but is inscribed to D.P Wood on the reverse, please see images

PRISONER OF WAR ART - Percy P. Wood (British b.1877) Three humorous pen and watercolour drawings created at the Ruhleben internment camp in Germany, comprising 'Pouring Sardine Oil on Troubled Doors', 'Life in a Loft, A Musical Box, Going to Roost, Up With the Lark' (four scenes around camp); and 'Cutting Comic Figures' (ice skating), each signed and dated 1917 and 1918, unframed, 25cm x 18cm up to 35cm x 24cm, with inscribed and printed stamps to the reverse including a Ruhleben ink stamp Percy Wood was born in Hull in 1877. According to citizen registries, he worked in Berlin as a language teacher. When the outbreak of the First World War necessitated the round-up of all foreign 'aliens', Wood was held at Ruhleben internment camp alongside other male citizens of the Allied Powers who were living, studying, working or on holiday in Germany at the outbreak of World War I. They also included the crews of several civilian ships stranded in German harbours or captured at sea. There were numerous fishermen captured from trawlers which had been sunk in the North Sea in the first days of the war: they were mainly men from Hull, Yorkshire; and Grimsby and Boston, Lincolnshire. Numbers in the camp varied between 4,000 and 5,500 prisoners, most of them British. The German authorities adhered to the Geneva Convention and allowed the camp detainees to administer their own internal affairs. Gradually, a mini-society evolved. Letters, books, sports equipment and a printing press were all allowed into the camp, and the detainees organised their own police force, magazine, library and postal service. The latter, known as the Ruhleben Express Delivery, was organised by Albert Kamps and began operating in July 1915. Soon it was handling over 6,000 pieces of mail per month, and 16 different postage stamps were issued. In April 1916, however, the German postal authorities declared the service illegal, and it ceased operating. Wood is noted as an artist for several of the camp magazine publications, alongside sending work home to family in England. He is further recorded as holding an exhibition of humorous drawings in the studio at Ruhleben in April 1917 alongside fellow camp artists Wade and Walker.

Five cased sets of silver coffee and teaspoons, including a set by Walker & Hall, another with engraved initials, Birmingham 1923, and two novelty sets, modelled as golf clubs,11.66ozt (5)Condition ReportKnocks and scuffs to the boxes. Wear throughout.

George V glass stand with pierced silver overlay, Birmingham 1925, Walker & Hall together with silver three piece cruet set, Birmingham 1915, William Devenport, 3.20ozt, two silver teaspoons, silver top dressing jar, silver backs of two dressing mirrors with Reynolds angel design, 2.24ozt and a white metal whiskey label

Collection of silver plate including an ice bucket having cast grapes and vine moulded rim and lion mask drop ring handles, a Walker & Hall mustard pot and matching pepper, a pair of James Dixon salts and two Ronson lighters 

A mixed group of silver including; a cased egg cup and spoon by Walker and Hall, Sheffield 1939, a cased egg cup, spoon and napkin ring and a cased set of Old English tea spoons, 223.8gms. (7.2ozs.), gross, (3)

A mixed group of silver including; George VI low tazza by Walker & Hall, Sheffield 1937, a tall tazza by Synyer & Beddoes, Birmingham 1944, a circular silver dish by William Hutton & Sons, London 1886 and a small trumpet vase with loaded base, 445.1gms., (14.3ozs.), gross, (4)

A George V silver tea pot by Walker & Hall Ltd, Sheffield 1925, of inverted tapering form, the domed hinged lid with ebonised finial reeded decoration, S shaped ebonised handle and raised on a collet foot, 15cms. (5.9ins.), 532gms., (17.1ozs.)

A mixed group of silver including; a cased Edward VI three piece cruet set by Walker and Hall, Birmingham 1909, comprising of salt, pepper and mustard- no liner, with two matching spoons, a set of six Fiddle pattern egg spoons by Charles Boyton, a pair of Fiddle pattern salt spoons by Jonathan Hayne, a Victorian cream jug, football medal - Aden League 1929-30, a Dutch silver spoon, a cased pair of salt spoons, and a salt spoon, 361gms., (11.6ozs.), gross, (19)

Four American scallop shell ashtrays by Tiffany & Co, Sterling, circa 1965, a cased christening set by Walker and Hall, Sheffield 1959, 142.9gms. (4.5ozs.), gross

A 19th century country house pine chest with hinged lid, scumbled finish and painted lettering 'Joseph Walker', 61 cm high x 100 cm x 64 cm

A George V silver hip flask, Sheffield, 1921 by Walker & Hall together with a silver captain’s inkwell (AF), hip flask 6 oz, inkwell 10 oz (gross / loaded)

A silver Walker & Hall mustard pot with a spoon, a silver napkin ring and silver plated filigree bottle coaster, 3 ozs approximately

6 BOTTLES OF VARIOUS JOHNNIE WALKER BLENDED SCOTCH WHISKY COMPRISING RED 200 KEEP WALKING, RED LABEL, KILMARNOCK 400, BLACK LABEL AGED 12, PURE MALT SCOTCH WHISKY 15 YEAR OLD, GOLD LABEL RESERVE THE MASTER BLENDERS RESERVE

VERY FINE 4 PIECE SOLID SHEFFIELD SILVER TEA SERVICE COMPRISING TEAPOT, HOT WATER POT, SUGAR & CREAM MADE BY WALKER & HALL, COMBINED WEIGHT INCLUDING EBONISED FINIALS APPROX 2151.3 GRAMS

SHEFFIELD SILVER SUGAR & CREAM, MADE BY WALKER & HALL, WEIGHT APPROX 588.7 GRAMS

Salver/ Presentoir, Art Deco, Sheffield 1947.Sterlingsilber. Beschau Sheffield, Jahresbuch- stabe "E" (f. 1947), Meister- und Händlerstempel f. Walker & Hall. Glatte, minimal gemuldete Platte in 8-eckiger Form m. profil., unregelmäßig eckig ausgestellter Kante. Auf rundem Standring. Oberfläche leicht berieben. D 28,6 cm 631geckig, glatt, oktogonal, schlicht, Sterlingsilber, Walker & Hall

Teekanne auf Rechaud, Sheffield 1924.Sterlingsilber. Beschau Sheffield, Jahresbuch- stabe "g" (f. 1924), Meistermarke f. Walker & Hall. Bauchiger, in sich leicht geschwungener Kannen-Korpus auf ovalem Grundriß, im Hals- bereich mehrfach eingezogen und gewölbt, die ausschwingende Lippe fein godroniert. Gekehlte Schulterpartie m. mittig gewölbtem Klappdeckel m. Holzknauf, überfangen v. geschweiftem Henkel m. Holz-Mittelstück. Auf 4 Kugelfüßen. Rechaud m. Standring in abgerundet-rechteckiger Form auf 4 hohen Beinen m. Kugelfüßen, verbunden durch Halterung f. Brenneinsatz. Ges.H 28,4 cm zus. ca. 1.384g Oberflächen teils minimal berieben, Kannen- wandung m. wenigen kl. Dellen, Brenn-Einsatz m. Delle.godroniert, Oval, Sterlingsilber, Walker & Hall

Three various art works; 19th century engraving titled "New High School, Calton Hill, From Canon- gate Church Yard" Edinburgh", John A Walker Original Pen & Ink titled "Edinburgh" & "Craigmillar Castle" limited edition print 15/45 by Freddy Theys.

AN EDWARDIAN SILVER PEDESTAL BOWL WALKER & HALL, SHEFFIELD 1908 With a scroll border and on a circular moulded spreading pedestal foot 18cm (7in) diameter 352g (11.35 oz) Provenance: The Estate of a deceased Gentleman Condition Report: Marks are clearStands wellNo engravingLight scratches and wear commensurate with age and useCondition Report Disclaimer

A PAIR OF EDWARDIAN SILVER SHAPED CIRCULAR BASKETS WALKER & HALL, SHEFFIELD 1904With loop handles, pierced foliate swag bands and on three ball and claw feet 15.5cm (6in) diameter 428g (13.8 oz) Provenance: The Estate of a deceased Gentleman Condition Report: 1 - Marks are well struck, stands well, no engraving, no splits, some minor salt corrosion2 - Marks are well struck, stands well, no engraving, no splits, some minor salt corrosionLight scratches and wear commensurate with age and useCondition Report Disclaimer

A SILVER OCTAGONAL PEDESTAL BOWL WALKER & HALL, SHEFFIELD 1927 With a pierced floral gallery and on an octagonal pedestal foot 22.5cm (9in) wide 398g (12.8 oz) Provenance: The Estate of a deceased Gentleman Condition Report: Maker's mark slightly rubbed, rest are clearStands wellNo engravingLight scratches and wear commensurate with age and use Condition Report Disclaimer

A SILVER OVAL LOBED BALUSTER KETTLE ON STAND WALKER & HALL, SHEFFIELD 1913 With a wooden bell shaped finial and loop handle, above a burner and on four paw feet 35cm (13 3/4in) 1297g (41.7 oz) gross Condition Report: Marks are generally clearSlight play to the hinge and handleCover sits wellNo engravingWobblesPin chain detached, the other pin and chain missingLight scratches and wear commensurate with age and useCondition Report Disclaimer

DAME ETHEL WALKER DBE ARA (1861-1951) “Dancing nude” a study, pencil wash, signed and dated 1928 in pencil to base, inscribed on Blond Fine Art Limited Gallery label verso together with copy of receipt “Blond Fine Art Limited, 33 Sackville Street, London …” 31.5.83, 36.5 cm x 31 cm CONDITION REPORTS Not inspected out of frame or glass. The sketch has been done on watermarked paper inscribed "The Safe Bank 1780" with images of the safe repeating. Image also appears slightly discoloured throughout as in a slightly browny tinge to paper. Mount has discolouration, in need of a good clean. There is some faintness - unsure if this is faded or because of the positioning of the hands over the watermark, the left hand on her thumb and the right hand with the fingers at the top of the hand. The frame is chipped and knocked throughout. General wear and tear conducive with age and use, in need of a good clean - see images for more details

A collection of five various fly rods including a Bruce & Walker hexagraph 13ft salmon rod, a Sage Graphite 3 salmon rod, a Diawa Graphite Sensor-Z 10ft rod, a Flextec Speycaster double handed 15ft 3" salmon rod #10/11 and a David Norwich Graphite #10/1 rod

Thomson (James). The Seasons, printed by J Walker London 1808, bearing signature W Byron 1812, hardback. (AF)

A William Walker pink glass pedestal dish, with trailing pale brown blue and khaki green decoration, signed, 23cm diameter, together with a matching bowl, on a circular foot, signed, 11cm high, 17cm diameter.

Early George V silver two-handled bowl of octagonal form, on an octagonal pedestal base (Sheffield 1912) Walker & Hall. All at approximately 20ozs. 25.5cm across handles.

A collection of three maps to include one of Buckinghamshire C.1835 by J. and C. Walker, an 18th century engraving titled 'A New Map of Cambridgeshire' 1764 by Thomas Kitchin, and a 19th century map of Dublin and Kildare C.1860 by Alfred Adlard. All framed and glazed, one with labels to the reverse. H.31 W.37cm (largest)

WALKER & HALL STERLING SILVER DOUBLE HANDLED BOWL - 564 GRAMS APPROX

Memorabilia - Jimi Hendrix / Walker Brothers original UK 1967 Tour Programme with ticket stub for the Granada, Bedford on Tuesday April the 11th. VG+

Vinyl - Over 80 Rock & Pop LPs to include Neil Young x 7, Savoy Brown, Alvin Lee, Yes & related x 21, Julie Driscoll Brian Auger & The Trinity, Audience, The Amazing Blondel, Argent x 3, Canned Heat x 3, Curved Air x 3, CSN&Y & solo x 11, Scott Walker x 3, Johnny Winter x 6, Woodstock compilation and others. Sleeves at least Vg overall, vinyl at least Vg+ overall

Vinyl - Over 50 Soul / Reggae LPs to include Four Tops, The Markeys, The Supremes, Isaac Hayes, Booker T & The MGs, John Holt, Otis Redding, Martha Reeves & The Vandellas, Tighten Up (compilation), Jr Walker & The All Stars, Red Red Wine (Trojan Records), Stevie Wonder, Smokey Robinson, Marvin Gaye, Jimmy Cliff, Johnny Johnson and His Bandwagon, James Brown, Hopeton Lewis, Sly & The Family Stone, Big Joe, Third World, Reggae Hits '96 (Pama Records). Vg overall

Vinyl - Over 80 Rock & Pop LPs to include Lou Reed, Van Morrison, The Rolling Stones, Manfred Mann's Earth Band, Spencer Davis Group, Eagle, Bob Dylan, Ry Cooder, Barclay James Harvest, Dexy's Midnight Runners, Bob Marley, Janis Joplin, T Bone Walker, Roy Orbison, Eddie Cochran, Buddy Holly, Fats Domino, Matthew Southern Comfort, Steeleye Span, Elton John and more. Vg overall

Vinyl - Approximately 350 mainly 1960’s Beat / Rock and Pop 7” singles to include: Cream, The Cougars, The Kinks, Bob Dylan, Traffic, Spencer Davis Group, Jefferson Airplane, The Rip Chords, The Move, Scott Walker, Nirvana, Bobby Fuller Four, Jeff Beck, Fleetwood Mac, The Marauders, Them, Sallyangie, Fairport Convention, Marianne Faithful and others. Condition VG overall