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Lot 1
Walker (C.F., editor) Angling Letters of G.E.M. Skues, xv, 153pp., plates, bookplate of Arthur Howard Thompson, original cloth, dust-jacket, extremities very slightly rubbed, Adam & Charles Black, 1956 ~ White (T.H.) England Have My Bones, vii, 334pp., original cloth, very slightly rubbed, dust-jacket, chipped and torn, New York, Macmillan, 1936 ~ Wallis (H.F.) Where to Fish, 1965-1966, [ii], 415pp., illustrations, folding map loosely inserted in pocket on front pastedown, original cloth, dust-jacket, slightly rubbed, Harmsworth Press, [1966] ~ Walker (C.F.) The Art of Chalk Stream Fishing, vii, 192pp., plates, original boards, dust-jacket, some browning to upper edges of covers, Herbert Jenkins, 1968, 8vo (4).
Lot 1
A Pair of Early 19th Century Reverse Prints on Glass, 'The Princess Charlotte and Prince Leopold in Her Royal Highnesses Box at the Opera House'; and 'A Correct Representation of the Funeral Procession of the Princess Charlotte of Wales', painted by W B Walker, 4 Fox and Knot Court, Cow Lane, London, in simulated rosewood frames, {24.5cm by 34.5cm} (one cracked)
Lot 1
A set of eight silver Old English pattern teaspoons, Walker & Hall, Sheffield 1901, monogrammed K, a George III silver teaspoon, Peter, Anne & William Batemen, London 1799 and a William IV silver teaspoon, Samuel Hayne & Dudley Cater, London 1837 and a mustard spoon, Birmingham 1897, approx 7ozs (11)
Lot 1
A Victorian oak and mahogany crossbanded longcase clock, with a 14in. white dial indistinctly signed, with Arabic numerals, subsidiary seconds hand lacking pointer and date dial, the two train movement with anchor escapement rack striking on a bell with a Walker false plate, the case with a cavetto cornice above an inlaid frieze and fluted hood columns, the trunk with a short crossbanded door, fluted quarter columns, raised upon a plinth base inlaid with sunburst spandrels, lacking feet, 81in.
Lot 1
Walker (Mrs. Alexander) Female Beauty, as Preserved and Improved by Regime, Cleanliness and Dress, 11 plates, 10 of which hand-coloured each with overlay with cut-out, 4 loose, edges slightly creased, tanned, front hinge cracked, contemporary blind-embossed green marocco, spine faded, g.e., 8vo, 1837.
Lot 1
18th century oak longcase clock, the hood with side columns and gilt metal mounts, brass arched dial with flowers, scrolls and foliage in the spandrels, subsidiary calendar ring, the centre engraved with flowers, foliage and 'George & Jane Barkafs, Jan 20th 1785'. The arch with painted seascape and moving three masted sailing vessel. Eight day striking movement by John Walker, Newcastle, 80" high.
Lot 1
A late 18th Century brass dial longcase clock inscribed "John Walker, Newcastle", strike silent to the arch with roman numerals, date aperture and seconds dial, 12in. wide, fitted eight day striking movement, the oak case with an arched glazed panelled door flanked by turned pilasters, a single panelled door below raised on a plinth base, 18.5in. x 80in. high.
Lot 1
A suite of flatware and cutlery, the flatware engraved initial 'P' by Walker & Hall comprising; twelve table forks; twelve table knives; eleven dessert forks; eleven dessert knives; twelve dessert spoons; twelve tablespoons; a pair of game carvers; a pair of beef carvers and steel; ten teaspoons; six egg spoons; a pair of sauce ladles; a gravy spoon; a soup ladle; a pair of fish carvers; a pickle fork; a pair of sugar tongs; a sugar spoon; a pair of salt spoons, contained within an oak three drawer canteen enclosed by a lockable panel doors, with presentation plaque to top.
Lot 1
An oak and mahogany crossbanded cottage longcase clock, early 19th century, the broken scroll pediment surmounted by three eagle and ball brass finials and with flowerhead terminals over a square glazed trunk door flanked by fluted brass capped pilasters enclosing a 12" painted enamel dial with date aperture and marked William Walker, Shrewsbury, Roman numerals and painted with an exotic bird to the centre and floral corners, 30 hour movement striking on a bell above a three quarter length pointed arch trunk door centred by a lozenge motif and flanked by fluted brass capped quarter pilasters over a panel and bevelled moulding and conforming base board, feet lacking, 77" high.
Lot 1
Conrad (Joseph) One Day More, A Play In One Act, number 129 of 274 copies, title printed in red and black, original cloth-backed boards, Beaumont Press, 1919 ~ Coppard (A.E.) The Man From Kilsheelan, number 128 of 500 copies signed by the author, woodcut by Robert Gibbings, original cloth, a little fading, Chiswick Press, 1930 ~ Percy (Walker) Lost In The Cosmos, number 51 of 350 copies signed by the author, original boards, slip-case, New York, 1983; and 3 others, Private Press and Limited Editions, 8vo (6).
Lot 1
Kipling (Rudyard) Limits and Renewals, first edition, short inscription on front free endpaper, 1932 ~ Walker (John) That Dog of Mine, colour illustrations, original cloth, covers slightly worn, 1930 ~ Arnold-Forster (Rear-Admiral D.) The Ways of the Navy, plates, front cover slightly stained, 1931 ~ Wiesenthal (Simon) The Murderers Among Us, plates, 1967, original cloth, first and fourth mentioned dust-jackets; and 11 others, Miscellaneous, 8vo (15).
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