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Oil on canvas. Signed ‘Viola’ in the lower right corner of the work. It presents certificate of authenticity signed by the artist's family.Size: 120.5 x 150 cm; Framed size: 137.5 x 167.5 cm

Records: Soul album collection including Edwin Starr, Viola Wills, Jimmy James, etc.; including many rarities; (25).

A 19th century viola, of reddish brown colour, with two piece back, 38.6cm, with bow, casedNumerous small scratches to the varnish, and pitting to the wood with black ingrained dirt. Slightly patchy varnish around the f hole. Some wear to the wood on edge of belly.

A viola by Dennis Plowright of Devizes with single piece back, golden brown in colour, maker's label attached no. 46 and dated 1972, 42.4cm; together with bow, casedLength of back - 43.5cmNew photos added.

A mainly Old Foley Shelley part tea service having transfer print viola decoration and consisting of 21 pieces.

A modern viola with bow in carrying case, overall length 68cm.

ARTISANS: Three Staffordshire Pottery Portrait Figures, including a Fruit Seller; Actor in Turkish Costume; and a Viola Player, all decorated in colours, the fruit seller, 18cm high; unknown actor, 16cm; musician 18.5cm (3).

A viola with one-piece figured back and ribs, fine even-grained top with light amber varnish, length of back 39cms, cased with bow.

Silver Miniature Viola Trinket Box with Bow and Stand, Stamped 925

A FRENCH VIOLA WITH HARD CASE, BOW AND CANVAS COVER, printed paper label inside reads Jean Baptiste Villaume á Paris- 3 Rue Demours-Ternes- 1866, a two piece back, approx. length 39cm, ebony chin rest, fingerboard and tail piece a replacement bridge, signed and dated AWL-1966, double lined purfling, the bow is stamped 'Tourte', ebony frog with mother-of-pearl eye, length 76cm (1+case) (Condition Report: scratches and scuffs to edges, chips along bottom edge, appears to have a small repaired split to lower rib, visible hairline crack near bridge, marks commensurate with age, the case is marked scratched and damaged)

Two Longton Hall strawberry plates, c.1756, one painted with flowers to the well, the other with fancy birds, the rims applied with fruiting strawberry tendrils, and a leaf dish painted with strutting birds and moulded with further leaves and viola flowers, damages, 23.5cm max. (3)

Dalí, SalvadorFigueras, 1904 - Cadaques, 1989Blattgröße: 76 x 56,5 cm, o. R."Pensée (Viola cogitans)", 1968. Radierung mit Pochoir auf Bütten aus der Folge "Flordali (Flora Dalinae)". In Bleistift unten rechts signiert und unten links nummeriert 142/200.Michler/Löpsinger, 229 e.Sammlung, Nordrhein-Westfalen.

A Large Gouda Vase, Floral Viola, No. 1493, 26.5cm high Together with a Similar Ashtray

Viola, labelled 'Copy of Nicolaus Amati Made in Czecho-Slavakia' one piece back, overall length 64.5cm, the back 38.5cm, in later black case.

Viola d Amore , curved sound body in pear shape with two waved sound holes , long neck, with four string keys and carved female head on top . The back sides and front neck and string decorated with ebonized and bone intarsias in geometrical shape. Untouched body , strings and parts damaged . 48 cm long, 12 cm wide , sound body 4 cm deep. Italian 18th Century

Student Violin 3/4 size by Lark, cased with two bows together with two violin and two viola bows

Violin Makers Wood including maple block 18x10x2 1/4" and two smaller blocks; wood for two fronts and four backs, some strips for ribs, eight neck blocks; assorted Viola music (in excess of 60) and a music stand (qty)

Selection Of Bows 3 Violin and 1 Viola, all appear to be ex-shop stock (4)

Viola 15 1/4" two piece back, ebony fitting, labelled 'Stradivarius' , cased

Twelve Royal Doulton figures from the Lady Musicians series including Virginals, Chitarrone, Cello, Lute, Dulcimer, Harp, French Horn, Violin, Viola D'Amore, Hurdy-Gurdy, Cymbals and Flute Condition Report:Violin, missing bow and foot

Four Royal Doulton figures Edwardian String Quartet including First Violin no 161, Second Violin no 143, Viola no 167 and Cello no 72, all of 1500 limited edition Condition Report:second violin, missing violin

English School, 19th century, watercolour - Study of Viola, inscribed with poetic verse, 22cm x 17cm, in glazed frame

A contemporary Viola signed A. Fielding, Coventry 1983, Internally signed A Fielding, 34 Cannon Hill Rd, Coventry, 1983 Length of two piece back 408mm, the lightly craquelled varnish of a red brown colour, cased with Chinese Snakewood bow

Soho Solian Ware Coffee Ware, H&K Viola jug, luscious vase, Devon lustre leaf dish, Radford flagon, etc:- One Tray.

Early twentieth century viola with label J Thibouville-Lamy & Co, London - Paris inside f-hole, length of back excluding button 41cm, overall length 67cm, in fitted case with bow.

600 LPs FROM THE BBC ARCHIVE (INC ROCK / POP / SOUL / FOLK / JAZZ / CLASSICAL AND MORE) - collection to include: Max Reger - Three Suites For Solo Viola, Blade Runner OST, Gladys Knight & The Pips - Pipe Dream OST, Otis Redding - The Best Of, Wilson Pickett - Right On, Aimi Macdonald & Ronnie Carroll - Promises, Promises, Billy Bragg - Brewing Up With, King Reggie's All Stars, Lyle Mays, Karlheinz Stockhausen, Eddie Cochran, Robert Plant, Ray McVay, John Adams, O'Donel Levy, Eddie Harris, Thomas Mapfumo & The Blacks Unlimited, and more. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+. There will also be some records that are 'without sleeves' - in many cases, these are 'doubles' that will correspond to the LPs contained in the collection though can, in some other cases, be from box sets.

600 LPs FROM THE BBC ARCHIVE (INC ROCK / POP / SOUL / FOLK / JAZZ / CLASSICAL AND MORE) - collection to include: Stephen Stills - Stephen Stills 2, Salvatore Accardo - 60 Variations For Violin, Max Reger - Three Suites For Solo Viola, Adam West - Wall Of Sound, Hot Tuna - Phosphorescent Art, Dennis Bovell - Brain Damage, Hot Tuna - Burgers, Jefferson Airplane - Bark, The Beat - I Just Can't Stop It, George Szell, T. Rex, George Harrison, Marion Williams, Gladys Knight & The Pips, Otis Redding, Arthur Baker, Ronnie Carroll, King Reggie's All Stars, Isotope and more. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+. There will also be some records that are 'without sleeves' - in many cases, these are 'doubles' that will correspond to the LPs contained in the collection though can, in some other cases, be from box sets.

Three Royale Stratford The Country Cottage Teapot Collection teapots, each with floral encrusted covers, comprising: 'Viola Tricolour'; 'Sweet Peas'; and 'Old Garden Roses'; together with a Waterford Crystal cut glass paperweight, in the form of a seahorse, with box. (4)

A collection of silver plated wares, including: a WMF oval tray, with WMF stamp to the underneath, 37cms wide; a large tray with floral and foliate engraving; a brass Atlanta Viola clock, the brass dial with black applies retailer's mark and musket ball hour markers, with clockwork movement by Richard Rau; teapot, cream jugs and other items included.

An album of nine watercolours: of scenes and trades in Madeira, the first one in Signed:C.Spiller, 1811, in local costume, including; a countryman playing the Viola, another of a countrywoman carrying grass, another with donkey carrying wine and sand, each 11 x 18cmCondition ReportPlease see additional images.

A late 19th century viola with 15" back and a similar violin with 14 1/4" back

A two piece split back viola, with five ebonised turning pegs, and unmarked bow, in soft shell carry case, 64cm long.

A hand painted 'Viola' Tunstall vase, a selection of advertising ware including a Cabana tray and ice bucket, a Dairy Fresh milk advertising jug and tray and a Gold Label ashtray etc.

BILL VIOLA1951 New York City'HATSU-YUME FIRST DREAM' (1981/1997) C-print auf Kodak Professional. BM 28 x 35,5 cm (R. 37,5 x 47,5 x 3 cm). Verso handsigniert 'Bill Viola' und nummeriert '70/350'. Verso: Stempel 'This is a special edition photograph in honor of Veba's support of the exhibition Bill Viola organized by the Whitney Museum of American Art October 6th, 1997'. Guter Zustand. In einem Passepartout und hinter Glas gerahmt. Provenienz: Privatsammlung Frankfurt am Main. 3

A viola (bridge missing), labelled for Josephus Grienberger 1835, the back 15.5", in hard carry case

Royal Copenhagen: a late 19th century Flora Danica plate, having elaborate ribbed edging with gilt decoration, central design depicting 'Viola Muhlenbergiana B Minor Hook', 'Flora Danica c 1897', no. 20/3550, approx. 22cm diameter. Further details: very slightest wear /scratches, no signs of damage.

A collection of violin and viola bows, some children's, one monogrammed 'PG' (qty)

A quantity of china to include: Spode "Italian" bowl, large oval Royal Worcester dish (as found), Bradex display plates, two Duchess "Viola" bread and butter plates, Goebel rabbit, Coalport trinket pot, etc.

Royal Copenhagen, Cachepot "Flora Danica"1935. Porzellan. Pflanzendarstellung in polychromer Malerei. Goldstaffierung. Reliefierter Rand. Rückseitig bezeichnet "Viola odorata L" und "Bellis perennis L". Bezeichnet: Grüne Nummer 687. H 12 cm.- Guter Zustand.

Giorgio Griffa, geb. 1936 TurinVIOLA SPEZZATO, 2007Acryl auf grober Leinwand.50 x 96 cm.Verso auf Leinwand signiert und datiert „2007“.Freigestellt unter Glas, in weißem Holzrahmen.Beigegeben eine Echtheitsbestätigung von Annamaria Maggi, Galleria Fumagalli, Mailand mit Angabe der Archivnummer „07-014“.Provenienz:Galleria Fumagalli, Mailand.Privatsammlung. (1421691) (18)Giorgio Griffa,born 1936 TurinVIOLA SPEZZATO, 2007Acrylic on coarse canvas. 50 x 96 cm.Signed and dated “2007” on the reverse.Freely mounted in white wooden frame behind glass. Accompanied by a certificate of authenticity by Annamaria Maggi from Galleria Fumagalli, Milan with information regarding archive no. “07-014”.Provenance:Galleria Fumagalli, Milan.Private collection.

A PAIR OF ROYAL COPENHAGEN PORCELAIN BOTANICAL PLATESenamelled with floral specimens worded verso respectively 'Rhododendron' and 'Viola', within gilded rims, each 19cm diameter (2)

Eight Canada 1967-2015 banknotes including 1986-91 issue $2, $5, $10 and $20, two commemorative notes (1967 and 2017) and a 2018 $10 featuring Viola Desmond. The 100th and 150th Anniversary of Canada's Confederation are commemorated by a 1967 $1 and 2017 $10 respectively

ARTHUR RICHARDSON, CREDITON; a good full size English 'Tertis' viola with two-piece back length 42.8cm, labelled 'This viola is specially designed in collaboration with Mr Lionel Tertis made by Arthur Richardson Crediton Devon 1947', cased. Provenance: Formerly the property of a professional musician of The Hallé Orchestra. Condition Report: Surface wear, rubbing and scratches to the body and scroll, crackleing to the varnish, string length approx 52cm.

GEORGE STOPPANI; an English viola with two-piece back length 40.3cm, labelled 'George Stoppani in Manchester 1990'. Condition Report: Light surface wear and minor nibbles throughout, minor crackling to the varnish, two scratches to the back, minor chip/split to the edging.

ALAN R PAYNE; a full size English viola with two-piece back length 41.5cm, labelled 'Alan R Payne of Machynlleth, 1973', cased with a bow stamped 'Mathias Thoma'.

MOZART WOLFGANG AMADEUS: (1756-1791) Composer from the Electorate of Salzburg, a child prodigy, widely considered the greatest classical music composer of all time. Mozart died at the early age of 35 years, leaving his legacy for posterity, including masterpieces in all musical genre. An exceptionally rare and important A.L.S., Wolfgang Amadé Mozart, one page (with a postscript occupying the upper half of the second page of the bifolium), 4to, Vienna, 26th April 1783, to [Jean-Georges] Sieber (´Monsieur!´), in German. Mozart writes to the music publisher Sieber to offer him some compositions, and also confirms that he is currently at work on six quartets, ´Es sind nun bereits 2 Jahre daß ich in Wien bin; - Sie werden vermuthlich wissen von meinen Sonaten auf Piano forte mit Begleitung einer Violin, welche ich hier bey Artaria und Compagnie habe Stechen lassen; - da ich aber mit dem hiesigen Stiche nicht allzusehr zufrieden bin, und wenn ich es auch wäre, Meinem LandsManne in Paris auch einmal wieder möchte etwas zukommen lassen ´ (Translation: ´ It has now been two years since I came to Vienna; you probably know about my sonatas for pianoforte with the accompaniment of a violin, which I had published here by Artaria and Company; however, since I am not very satisfied with the local engraving, and even if I were, I would also like to send something to my compatriot in Paris again´), continuing ´ wieder möchte etwas zukommen lassen, so mache ihnen hiemit zu wissen daß ich 3 Clavier-Concerte fertig habe, welche mit ganzem orchester als mit oboen und Horn – wie auch nur à quatro, können producirt werden´ (Translation: ´so I hereby inform you that I have three piano concertos that can be performed with a full orchestra, with oboes and horns, or just à quatro;´), explaining that Artaria would again like to engrave them, but instead offering Sieber the privilege, ´ ich will ihnen also, um alle weitläufigkeit zu vermeiden, den geringsten Preis sagen; - die geben mir 30 Lousid’or dafür, und damit ist unser Handel gemacht´ (Translation: ´so, to avoid any further discussion, I will give them to you for the lowest price; – you give me 30 Louis d'or for them, and that is the end of our business´). Mozart then proceeds to inform Sieber that he is presently engaged on another musical project, which the composer evidently regards as being highly important, and would become the famous ´Haydn´ Quartets, which he also offers to the publisher, ´schreibe ich nun a 6 quartetten auf 2 violin, viola und Baßo – wenn sie Diese auch Stechen wollen so gieb ich sie ihnen auch. – mit diesen bin ich aber nicht so wohlfeil – diese 6 quarten kann ich unter 50 Louis d‘or nicht geben´ (Translation: ´ I am now writing a set of 6 quartets for two violins, viola and bass – if you also want to engrave these, I will give them to you as well – However, I cannot let these go as cheaply – I cannot let you have these 6 quartets for under 50 Louis d'or´). The composer asks Sieber to send a reply if he is prepared to accept the offer and undertake the printing, adding that he will be able to provide an address in Paris where the music could be collected in exchange for Sieber´s payment. In his postscript Mozart requests that Sieber, ´belieben sie nur über ihren Brief eine Adresse Couvert zu machen mit folgender Adresse: A: Monsieur Monsieur Le Baron Raymund de Wetzlar a Vienne auf der hohen Brücke im kleinen Harbonsteinschen Haue´ (Translation: ´ Please put your letter in an envelope with the following address: A: Monsieur Monsieur Le Baron Raymund de Wetzlar a Vienne on the high bridge in the small Harbonstein house´). With integral address leaf (´Monsieur Sieber, Editeur de Musique, rue St: honoré, à l´hotel d´Aliger, Paris´) bearing two postal cancellations and lacking the original seal (circular area of paper loss and a lengthy, neat split to the central horizontal fold). A letter of salient content in which Mozart not only makes reference to his sonatas for violin and piano, and his pianoforte concertos, but also writes of having commenced composing what would become to be known as the ´Haydn´ quartets. Some very light, minor staining to the centre right area of the letter and with a few small, minor tears and light creasing to the edges, none of which majorly detract from the overall appearance of the letter, the text of which remains bold. About VGJean-Georges Sieber (1738-1822) German-born French musician and music publisher. Following his marriage in 1770 to Marie-Julie Regnault, who was trained in music engraving, Sieber began his publishing activities, initially publishing works by composers of German origin. These included over fifty symphonies and numerous chamber works by Joseph Haydn, as well as Mozart´s Symphony No. 31 in D major (K.297/300a), better known as the ´Paris Symphony´. It may have been the first of Mozart´s symphonies to be published when Sieber released their edition in 1779.Baron Raimund Wetzlar von Plankenstern (1752-1810) provided Mozart with free accommodation in Vienna from December 1782 to February 1783 and also became the composer´s patron, providing financial assistance including the removal costs and rent for Mozart´s next residence. Wetzlar von Plankenstern was Godfather to Mozart´s first son, Raimund Leopold. It was in the home of Wetzlar von Plankenstern in Spring 1783, at the time of the present letter, that Mozart first met the opera librettist Lorenzo da Ponte (1749-1838) who wrote the libretti for three of Mozart´s most celebrated operas: The Marriage of Figaro (1786), Don Giovanni (1787) and Cosi fan tutte (1790). Artaria & Co. was founded in Vienna in 1770 and became one of the most important music publishing firms of the late 18th and 19th century, associated with many leading names of the classical era.  During his lifetime Artaria was Mozart´s principal publisher (despite the disparaging remarks Mozart makes in the present letter).The sonatas which Mozart first refers to in his letter represent the initial work of his ´mature sonatas´, in particular Violin Sonata No. 17 in C Major (K.296) which had been composed in March 1778 and was first published in 1781 as part of the composer´s Opus 2 collection.The three piano concertos Mozart next makes reference to are Piano Concerto No. 11 in F Major (K.413), Piano Concerto No. 12 in A Major (K.414), and Piano Concerto No. 13 in C Major (K.415). The content of the present letter has been published in numerous books, one of the earliest occasions being in July 1921 when it appeared in the Bulletin Français de la Société internationale de musique. At the time the letter was only known by a facsimile copy, the original assumed to have been lost, and is now being offered at auction for the first time, having been located in the archives of a distinguished French family. One of the most important autograph letters of Mozart to have appeared at auction in recent years.Only twenty-five autograph letters by Mozart (several of them incomplete, and most written to his father or other relatives) are recorded in the Auction and Book Sales Archive (ABSA), which incorporates the records of American Book Prices Current (ABPC), as having been sold at auction since 1978.OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED - PLEASE CONTACT IAA EUROPE DIRECTLY FOR FURTHER INFORMATION. 

A GEORGE II CARVED MAHOGANY AND MARBLE TOPPED CONSOLE TABLE CIRCA 1750 With a Calcatta Viola Arabescato marble top 75cm high, 88cm wide, 60.5cm deep Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Minor old chips and splits to the timber. Some 'shrinkage' and minor opening to join lines in places - this does not affect the structurally solidity of the table. Marble top is later associated. Marble has age and bears wear, chips, losses and some filler repairs. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A Minton Pottery Cloisonne porcelain vase in the manner of Dr Christopher Dresser, cylindrical on three feet, painted in colours with panels of white cyclamen and viola flowers, highlighted in gilt on a blue ground, and another vase similar painted with butterflies, impressed marks, restored, minor damages, 19.5cm. high (2)

Spedizione Italiana sul K2 - 1 settembre 1954 - Cartoncino affrancato e datato 1 settembre 1954, annullo in viola della spedizione e al verso le firme autografe dei partecipanti. 15 x 10.5 cm

A mixed collection of vintage jewellery to include two pairs of 1940s carved clips, one pair in the form of edelweiss and a similar pair in blue, an Epiphany platinum plate silver hinged bangle, a pair of 9ct gold and Austrian crystal stud earrings, an atomic Sinclair Anti-Magnetic watch pendant on chain,1960s paste necklace and bracelet set, a Suzanne Bjontegard AB crystal set cocktail watch with matching bracelet, various Joan Rivers boxed jewellery, various other costume jewellery necklaces and bangles, a french rosary, a pair of gold plated ball stud earrings and two white metal mouse cheese markers plus 3 Kirks Folly 'Faeries' to include an enamelled purple floral fairy with AB crystal wings brooch, a Victoriana fairy brooch with enamelled colour shell design in a box signed by Jennifer Kirk and a pair of purple enamelled viola flower earrings with crystal droplet.(qty in one box) 

Detlev Nitschke (Berlin 1935). Sommer im Park. Öl/Holz. 22 x 27 cm. R. u. sign. Nitschke. - Deutscher Veduten- und Landschaftsmaler. N. war Schüler bei E. Viola, erhielt eine Ausbildung an der Meisterschule für Druck und Graphik in Berlin und studierte am Staatlichen Institut für Graphik bei Prof. Boehland. Als Maler und Lithograph von Stadtansichten und Landschaften mit Figurenstaffage greift er auf die Malerei der Wende vom 19. zum 20. Jahrhundert zurück.

Detlev Nitschke (Berlin 1935). Blumenverkäuferin. Öl/Holz. 25,5 x 31 cm. R. u. sign. Nitschke. Craquelé. - Deutscher Veduten- und Landschaftsmaler. N. war Schüler bei E. Viola, erhielt eine Ausbildung an der Meisterschule für Druck und Graphik in Berlin und studierte am Staatlichen Institut für Graphik bei Prof. Boehland. Als Maler und Lithograph von Stadtansichten und Landschaften mit Figurenstaffage greift er auf die Malerei der Wende vom 19. zum 20. Jahrhundert zurück.

Tätowierte Dame - Ethel Martin Vangi (1898-1977) „Lady Viola“ Der unvollendete Rücken der tätowierten Dame „Lady Viola“, ca. 1920-30er Jahre, alte Fotopostkarte (RPPC) 12x7,4cm Ethel Martin Vangi (1898-1977) „Lady Viola“, auch bekannt als „die schönste tätowierte Frau der Welt“, wurde in den 1920er Jahren von Frank Graf tätowiert. Sie arbeitete im Zirkus Ringling Bros. und in Groschenmuseen. Im Winter hat sie auch einige Tätowierungen gemacht. https://de.wikipedia.org/wiki/Die_t%C3%A4towierte_Dame https://wiki.bme.com/index.php/Lady_Viola

Eight Various Violin, Viola and Cello Bows, some with mother of pearl inserts to end, longest approximately 75cm long. (8).

Chinese Viola and Two Bows, in carry case. Acoustic guitar.

MAX OPPENHEIMER (Wien 1885 - 1954 New York)Rosé-Quartett, 1920Farblithografie/Papier, 65,5 x 64 cmmonogrammiert im Stein MOPPabgebildet in Pabst, Wkvz. Max Oppenheimer 1993, Abb. L15 und in Widder (Hrsg.) 2023, Max Oppenheimer und das Rosé-Quartett, S. 4 und TitelblattSCHÄTZPREIS / ESTIMATE °€ 2000 - 4000STARTPREIS / STARTING PRICE °€ 2000Max Oppenheimer war ein österreichischer Künstler des 20. Jahrhunderts und als solcher ein bedeutender Vertreter der österreichischen Avantgarde. 1900 bis 1903 Studium an der Akademie der bildenden Künste in Wien, 1903 bis 1906 an der Prager Kunstakademie. 1906 Mitglied der Prager Gruppe OSMA (Die Acht), darunter Vertreter der tschechischen Avantgarde wie u.a. Otakar Kubín, Emil Filla, Bohumil Kubišta und Emil Artur Longen. 1908 und 1909 Teilnahme an der Kunstschau in Wien. Frühe Einflüsse von Vincent van Gogh, zählte zum Wiener Expressionismus um Egon Schiele, Oskar Kokoschka und Albert Paris Gütersloh. 1911 bis 1915 in Berlin, Auseinandersetzung mit dem Kubismus und Mitarbeit an der Zeitschrift Die Aktion. 1915 bis 1925 in der Schweiz Beginn seiner Auseinandersetzung mit dem Thema Musik. Ende der 1920er Jahre in Berlin und ab 1931 wieder in Wien. 1937 wurden seine Werke von den Nazis als entartete Kunst eingestuft. Schuf v.a. Porträts, religiöse Darstellungen und Szenen aus dem Alltagsleben. Zahlreiche expressionistische Werke mit Einflüssen aus Kubismus und Futurismus zum Thema Musik, eindrucksvolle Darstellungen von Komponisten, Dirigenten, Musikern und berühmten Orchestern wie dem, von den Brüdern Arnold Rosé und Eduard Rosé 1882 gegründeten, Streichquartett. 1938 floh Oppenheimer vor den Nazis zunächst in die Schweiz und 1939 weiter in die USA. Arnold Rosé (Arnold Josef Rosenblum), 1863 in Jassy geboren, studierte 1873 bis Violine bei Karl Heißler am Wiener Konservatorium der Gesellschaft der Musikfreunde. Mit 16 Jahren gab Rosé sein erfolgreiches Debüt mit dem Gewandhausorchester Leipzig. Von 1881 bis 1938 war er Mitglied der Wiener Philharmoniker, ab 1881 erster Konzertmeister und Solist an der Wiener Hofoper. 1889 bis 1896 gastierte er fallweise als Konzertmeister der Bayreuther Festspiele. Ab 1903 war er Mitglied der Wiener Hofmusikkapelle. 1893 bis 1901 unterrichtete Rosé Violine und Viola am Konservatorium der Gesellschaft der Musikfreunde. 1908 bis 1924 war er Professor für Musik an der Wiener Musikakademie. 1882 gründete er zusammen mit seinem Bruder, dem Cellisten Eduard Rosenblum bzw. Rosé, das Rosé-Quartett, das in den ersten Jahrzehnten des 20. Jahrhunderts vor allem in der Besetzung mit Paul Fischer, Anton Ruzitska und Friedrich Buxbaum Berühmtheit erlangte. Das Quartett trat regelmäßig in Wien, Prag und Budapest auf und wurde neben der beispielhaften Interpretation klassischer Werke auch für den mutigen Einsatz für neue Musik bekannt (insbesondere Arnold Schönberg). 1891 konvertierte Rosé zum evangelischen Glauben und änderte seinen Namen in Rosé. Ab 1902 war er mit Justine Mahler, einer Schwester Gustav Mahlers, verheiratet. Seine Tochter, die Geigerin Alma Rosé, leitete das berühmte "Mädchenorchester" von Auschwitz. Sohn Alfred Eduard Rosé wurde Pianist und Komponist. 1933 zum Ehrenmitglied der Wiener Philharmoniker ernannt, flüchtete Arnold Rosé 1939 nach London.Bitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° beim Schätzpreis gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer hinzu. Diese beträgt 13% bei Gemälden, Aquarellen, Zeichnungen, Grafiken sowie Skulpturen und 20% bei Fotografien und allen anderen Objekten. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.

Wendy McBride pencil signed limited edition print, "Blue Viola I" 149/500

French Mirecourt JTL 'Copie De' Viola 1920's with Original case with bow [Back length 40cm] [15" 3/4]

A collection of mixed ceramics to include; mid to late 20th century or modern Japanese or Chinese miniature vases, various designs and models, inc. double gourd and baluster shapes, some marked underside, 60s onwards, together with other ceramics inc. Continental figures; some Goss Ware miniatures; Franklin Mint items; modern Royal Doulton and Royal Worcester figure; Viola jug in Deco style (a/f); Noritake dish; studio pottery jug and others. (Q) Some items with damage or loss and age related wear.

ViolaBudapest, 20. Jh., auf Zettel bezeichnet Zimmer K. Otto, 16'' Viola, geteilter Boden in rötlich-goldenem Lack, umlaufende dreiteilige Randeinlage, guter spielbereiter Zustand, L Korpus 41,3 cm.