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A late 18th century viola with single piece back, golden brown in colour with printed label 'Johann George Paulus' and dated 1793 or 1798...Potsdam', 39cm; together with bow, casedSome wear/pitting/scratches to the back. A couple of dents and some wear left by the bridge (lacking). One of the pegs is lacking its mother o'pearl inlaid dot to the centre. There is a paler line/mark to the fingerboard, and some small cracks to the lower bout. Minor splits to the wood running with the grain.

A viola by Dennis Plowright of Devizes with single piece back, golden brown in colour, maker's label attached no. 46 and dated 1972, 42.4cm; together with bow, casedLength of back - 43.5cmNew photos added.

Wang Zhiming (Chinese, Lu-Mi instruments) cased six string sycamore wood Viola, inlaid with ebony and birds eye maple wood. Paper label to interior with No. 1771. Approx. 72cms L appears reasonable used condition. needs re-stringing etc

Theatre & Photography - Angus McBean (1914-1990), a quantity of gelatin silver photographic prints comprising Vivien Leigh as Viola (Twelfth Night, 1961); as Blanche DuBois (A Streetcar Named Desire), etc, some annotated, the largest 38cm x 30cm

TATRA by ROSETTI inner label, cased viola, L85cm, complete with bow and OTTO VIENER 1939 inner label, cased violin and bow with chin rest, L58.5cm.

Approximately one hundred and forty 12" singles, mostly 1970s to 1990's Funk / Soul / Dance / Disco includes Viola Wills, Donna Summer, Sylvester, Alexander O'Neil, Staple Singers, Theo Vanes, Mirage, Blade Box, Alyson Williams, Kiki Dee, Pasadenas, Ten City, Soul II Soul, Surface, Kathy Mathis, Al B. Sure, Vesta, Andrea True Connection, Anita Baker, Jocelyn Brown, Winans, Gina Soccio, Janet Jackson, Kym Mazelle, Sapphires, Oran 'Juice' etc. Records generally appear to be at least VG+, some may grade lower

Villany, Adorée-Via. Tanz-Reform und Pseudo-Moral. Kritisch-satyrische Gedanken aus meinem Bühnen- und Privatleben. Aus dem Manuskript ins Deutsche übertragen von Mirjam David. 360 S. Mit 154, teils ganzseitigen. meist fotograf. Abbildungen. 22,5 x 15 cm. Illustr. OKart. (etwas gebräunt). Paris, Selbstverlag, (um 1912). Einzige Ausgabe der höchst seltenen Veröffentlichung. Die Tänzerin und Choreographin Adorée-Viola (gen. Via) Villany wurde wohl 1888 an einem unbestimmten Ort geboren, sei es in Rouen, in Ungarn oder Danzig (dort angeblich unter dem Namen Erna Reich). Ihre ersten Auftritte hatte sie im Deutschen Kaiserreich, u. a. als Nachahmerin von Isadora Duncan. Die Unkenntnis über ihre Herkunft und ihr von Legenden umwobenes Auftreten mehrten ihren Ruhm, vornehmlich mythische und orientalische Stoffe wurden von ihr präsentiert und dies in Rollen, die sie spärlich von Schleiern bedeckt oder nackt spielte. Villany bediente sich für ihre Choreographien auch bei bildenden Künstlern, etwa bei Franz von Stuck oder Arnold Böcklin. Ihr künstlrerischer Erfolg führte sie in alle europäische Metropolen, von Paris und Prag bis Marienbad und San Sebastián. Eine solche Künstlerin blieb vor Anfeindungen und Gerichtsprozessen nicht verschont, so z. B. 1911 in München oder 1913 in Paris, wo man sie wegen unsittlichen Auftretens zu einer Geldstrafe verurteilte. Villanys Todedatum ist nicht bekannt.Ihr Buch Tanz-Reform und Pseudo-Moral - allein der Titel hat den Charakter eines Manifests - ist wohl die einzige Quelle zu Leben und Werk dieser außergewöhnlichen, einst alle Welt faszinierenden Künstlerin. Es enthält zahlreiche Fotos, die Villany nackt oder in Kostümen und wallenden Gewändern während ihrer Vorstellungen zeigen, im Ankleidezimmer, hinter den Kulissen, beim Dichten, Schreiben oder auf der Chaiselongue dahingegossen. Dabei gerät sie nie außer Positur. Dokumentiert werden in dem Band auch die zahlreichen juristischen und publizistischen Possen, die ihre Person und ihre Kunst zum Gegenstand hatten. Die drei Hauptkapitel tragen die Überschriften: Bühnen- und Lebenskunst - Die Stützen der Sittlichkeit - Nachdruck ernster und heiterer Dokumente. - Wohlerhaltenes, sauberes Exemplar.

Heckel, Johann Jakob d. Ä., aus Mannheim stammener Musiklehrer und Kapellmeister, ab 1799 in Wien ansässig (1763-1811). Eigh. Brief m. U. "J. J. Heckel". 1 S. Doppelblatt mit Adresse und Siegelrest. 8vo. Wien 8.VII.1811.An den bedeutenden Klavierbauer Andreas Streicher in Wien, bekannt durch seine Freundschaft mit Schiller und Beethoven. Bittet um die Herausgabe von Notenmaterial zu Johann Ladislaus Dusseks Klavierkonzert in g-moll für ein geplantes Konzert von Nanette Streicher in Baden bei Wien. "... Ich ersuche Sie, für Ihre Frau Gemahlin, der Überbringerin dieses, die vollständige Begleitung (Violine, Viola und Bass wo möglich zwiefach) von dem Duseckischen [!] Klavier-Concert aus g moll zu übergeben, da Ihre Frau solches, dem Wunsche des H. Erzherzog Rudolph gemäß, zu Ende dieser Woche in der Reunion zu Baaden spielen wird ... besagtes accompagnement soll sich einmal im Silberkastel und zum zweitenmal im Arbeitstisch finden ...". - Heckel, der sich auch als Komponist einen Namen machte, starb fünf Monate später in Wien.

Anderson, Sascha, Stefan Döring und Bert Papenfuß-Gorek. Dolorosa ueberhaupt. eine parthenogenese in 7 penetranzen. 16 Bl. Mit einer farbigen Originalzeichnung von Viola Blum (d. i. Uta Hünniger) als eingebundenes Leporello. 21 x 15 cm. OBroschur mit illustriertem Umschlag (mehrfarb. Originalzeichnung von Viola Blum); als Blockbuch gebunden; Klammerheftung. (Dresden 1984).Poe Sie All Bum (ohne Nummerierung). Henkel-Russ 61.1 - Eines von "ca 20 Exemplare(n)" (Henkel-Russ), dort die wohl irrige Kollation 17 Bl. Die Texte als Typoskript (schwarz und blau) auf Durchschlagpapier, das Leporello (mit 7 Segmenten, 84 cm lang) mit einer Aktzeichnung (Aquarellfarben, schwarz und rot) von Uta Hünniger (geb. 1954), die farb. Umschlagillustration (Frauenkopf) von ihr signiert. Im Textteil auf Seite 1 die Signatur von Papenfuß-Gorek (mit einer eigenh. Textkorrektur), die ersten 5 und die letzten 6 Bl. als Originaltyposkript, der Rest als Durchschlagkopie (in Blau), 1 Bl. mit einer schematischen Originalzeichnung (wohl von Papenfuß-Gorek), auf dem letzten Bl. handschr. Notat: "die Dolorosa-Überhaupt-COMBO: singend, spülend, pimpernd". Der Text endet mit der getippten Datumsangabe (unter dem Namen der Autoren): 8./9. mai 1945. - Sehr gut erhalten.

Cased Viola made by Jo Meek, Troon 1977, with bow and blue interior hard back case.

JOSEPH BASSIOT A two piece back Viola 39cm labelled to the interior Modele  JOSEPH BASSIOT, Luthier 9 Lyon. anne 192* 72 together with a Joh. Schneider nickel mounted bow 72 grams Condition Report:Available upon request

Boxed Moorcroft Viola 2003 Design Mug. Happy anniversary message to base. Height: 8cm

Three pieces of H K Tunstall pottery Viola

Four pieces of H K Tunstall pottery Viola

Selection Of Bows 3 Violin and 1 Viola, all appear to be ex-shop stock (4)

Viola 15 1/2" two piece back, unusual hour glass shape, ebony fingerboard and tailpiece, labelled 'Tunstall Barnard Castle 2010', cased

Violin Playing And Players Related Books Yehudi Menuhin Unfinished Journey - MacDonald & Gane's; The Violin And Its Music - G Hart; With Strings Attached - Joseph Szigeti; My Viola And I - Lionel Tertis; and others (qty)

Viola 16 3/4" two piece back, ebony fittings, with makers label 'Tunstall Castrum Barnardum Fecit Anno 2002' width of upper bout 8 1/4", middle 6", lower 10 3/4", depth of ribs 1 3/4"

Viola 15 1/4" two piece back, ebony fitting, labelled 'Stradivarius' , cased

A set of twelve Royal Doulton porcelain limited edition "Lady Musicians" figures modelled by Peggy Davies comprising of Hurdy-Gurdy, Virginals, Lute, Harp, Viola D'Amore, Dulcimer, French Horn, Violin, Cello, Chitarrone and Cymbals (A/F) - all with original certificates, wooden plinths and boxes.

Angus McBean  (1904 - 1990), Vivien Leigh as Viola in Twelfth Night, signed, photograph, gelatin silver print, 46cm x 36cm

WILLIAM ROBINSON OF PLUMSTEAD, LONDON, VIOLA, EARLY 20TH CENTURY, CIRCA 1936 interior label inscribed William Robinson Plumstead London A.D. 1936, two piece back 15 3/4" back, in hard case 68cm long overall Appears in good condition. Light wear as per use and age, including a small nick to lower edge. Additional images now available.

Pittore dell'Italia meridionale della seconda metà del XIX secolo Ritratto di D. Maria Rossi figlia di Antonio e Angiola Pacifico olio su tela cm 81x64,5; con cornici cm 84,5x67,5La ragazza, la cui figura si staglia davanti ad una tenda viola, indossa un sontuoso abito puntinato, arricchito da gioielli. Reca in mano un cartiglio che spiega la sua genealogia ed il giorno della scomparsa nel 1859 a soli 20 anni

Primavera 15½ viola with bow and case.

Eight Pieces of H&K Tunstall Ceramics to Comprise Viola and Tulip Time Planters, Plates, Vase and a Jug

Highline Spirits American Whiskey (1) Highline Spirits Triple Rye (1) Luca Mariano Francesco S VIola Signature Single Barrel Bourbon (1) Saint's Alley Herald (1) Saints Alley (2) Lying at LCB Barking The proceeds from this lot will be donated to MIND, East Anglian Air Ambulance, PACT and The Worshipful Company of Distillers    

THREE BOXES OF DECORATIVE CERAMICS, METAL WARES AND PRINTED EPHEMERA ETC, to include a Gerber multi tool, Wedgwood Jasper flower vase, Wedgwood pink Jasper candle holder, Royal Doulton Oliver Twist Series ware tankard, Royal Stafford Viola tea wares, Royal Worcester Pershore souffle dish, brass Regency style candlesticks, copper chambersticks, miniature Tuscan China vases, a box of vintage World Sport magazines, souvenir newspapers, written correspondence, Thunderbirds and England squad 1998 medal collections etc

Boxed Royal Crown Derby to include a 1128 Old Imari Viola Vase, an 1128 Primrose Vase, a 1297 trinket and an 1128 10.5cm diameter pin dish (4). All boxed - In good condition with no obvious damage or restoration.

Royal Copenhagen, Denmark. Set of 11 Flora Danica botanical porcelain reticulated luncheon plates, shape number 20 3549. Each marked along the underside with the blue wave and green printed marks. Each inscribed with the Latin name of the plant depicted, including: Hottonia Palustris L. Var. Rosea, Viola Uliginosa Schrad, Ajuga Reptans L, Corydalis Fabacea Pers., Geranium Palustre L., Endymion nutans Dum., Trifolium pratense B parviflora Bab., Anemone sylvestris L., Pulsatilla Vernalis Mill, Berberis vulgaris L., and Campanula latifolia L.Lot Essay:The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.Each, diameter: 10 in.Condition: Overall there no major cracks or restorations. There are minute chips throughout, in particular: a minute chip along the edge of the anemone plate, a chip along edge of the putsatilla plate, there are 2 chips along the edge of the geranium plate, a minute chip along the edge of the ajuga plate, minute loss to the gilt along the edge of the viola plate. There is light wear along the base as expected from age and use, throughout all plates. No visible signs of restoration under UV light.

A viola bow, the round Pernambuco stick with nickel fittings and mother of pearl inlaid ebony frog, stamped Elias Guasti, 74.5cmWood is in good condition. In fact generally in very good condition. Slight wear to base of grip as pictured.

A 16" Luthier made viola bearing a label for Louis Fussell Denbigh 1975 The Catherin Viola having a two-piece maple back and spruce top with rosewood finger board and pegs, together with a viola bow with mother of pearl inlaid ebony frog in carry case.

A COLLECTION OF PERTHSHIRE GLASS PAPERWEIGHTS including a limited edition deep blue flower on horizontal latticinio, no 180/400, date cane for 1981, a limited edition floral overlay weight, no 42/300, a viola weight with millefiori band rim, a white flower stem on black ground with single canes, date cane for 1995 and a further weight (5) Condition Report:All are in good condition. No chips, cracks or bruising. Some wear and aging to boxes and hinges

A large collection of Hollingshead & Kirkham (H&K Tunstall) circa 1930s vases, plates and jugs, the majority each hand painted with a floral pattern, various patterns to include Viola, Tulip Time, Panola etc, height of tallest 22cm. (1 box - Q)

A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted Viola pattern earthenware designed by R Grocott, to include a Trent shape water jug, height 22cm, a milk jug and two cream jugs, three with black printed Unicorn factory mark. (4)

A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted Viola pattern earthenware designed by R Grocott, to include four milk jugs, tallest 12cm, each decorated with flower heads and leaves over mottled brown, blue and pink ground, and two similar cream jugs, five with black printed Unicorn factory marks. (6)

Giovanni Giacometti (Stampa 1868 - 1933 Glion)Porträt von Diego mit verschränkten ArmenUm 1918Zeichnung in schwarzer Kohle auf Bütten mit Wasserzeichen "MBM INGRES D'ARCHES"47,5x31,5 cmSignaturRückseitig mit der handschriftlichen Echtheitsbestätigung von Bruno Giacometti, dem Sohn des Künstlers, datiert vom 13. Oktober 1987ProvenienzNachlass des KünstlersSlg. Bruno Giacometti, Zollikon, dort erworben vonSlg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913bLiteraturVgl. Paul Müller/Viola Radlach, Giovanni Giacometti, Werkkatalog der Gemälde, Band II/2, Zürich 1997, Nr. 1918.02AusstellungenZürich 1998, Galerie Kornfeld, Giovanni Giacometti, Kat. Nr. 30Davos 1998/1998, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 105Bern 2003, Kunstmuseum, Hommage à E.W.K., Kat. Nr. 9ZustandIn den beiden oberen Ecken mit Reisnagellöchern. Am linken Blattrand mit leichtem Falz. In sehr guter ErhaltungErläuterungenDargestellt ist der zweite Sohn des Künstlers, Diego (1902-1985). Es handelt sich um eine Studie zum Ölgemälde "Diego", um 1918 (Müller/Radlach 1918.02).MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 11:10 h (MEST)VersandkostenSchweiz / Switzerland: CHF 130.-Europa / Europe: CHF 230.-Übrige Länder / Other countries: CHF 290.-

Alberto Giacometti (Borgonovo 1901 - 1966 Chur)Landschaft mit Bäumen im Bergell (Arbres)1919Aquarell über leichter Vorzeichnung in Bleistift auf Velin29x22 cmSignaturUnten rechts vom Künstler in Tinte signiert und datiert "Alberto Giacometti / 1919"WerkverzeichnisEchtheitsbestätigung des Comité Giacometti, Paris, datiert vom Oktober 2017, liegt vorDie Zeichnung figuriert im elektronischen Werkverzeichnis der Fondation Alberto et Annette Giacometti unter der Nummer AGD 3802ProvenienzSlg. James Lord, ParisAuktion Kornfeld und Klipstein, Bern, 21. Juni 1973, Los 273, dort erworben von Slg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913bLiteraturJames Lord, Dessins de Giacometti, New York/London/Paris 1971, Tf. 8James Lord, Dessins de Giacometti, in: L’Oeil, Nr. 201/202, Sept.-Okt. 1971, S. 18Viola Radlach, Cuno Amiet, Giovanni Giacometti, Briefwechsel, Zürich 2000AusstellungenBern 1989, Kunstmuseum, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 198, Abb. S. 357Andros 1992, Musée d’Art Moderne, Fondation Basil et Elise Goulandris, Alberto Giacometti, Kat. Nr. 9Davos 1998/1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 109Mailand/Mannheim 2000, Fondazione A. Mazzotta/Städtische Kunsthalle, Die Familie Giacometti, S. 181Bern 2003, Kunstmuseum, Hommage à E.W.K., Kat. Nr. 18Emmenbrücke 2004, Galerie Gersag Emmen, Landschaften 1910-1970Zürich 2011, Kunsthaus, Alberto Giacometti, Das Sehen im WerkBern 2017, Galerie Kornfeld, Alberto Giacometti, Nr. 41ZustandRückseitig mit Spuren einer alten Montierung. In farbfrischer und sehr guter ErhaltungErläuterungenDen Sommer 1919 verbrachte Giacometti bei seiner Familie in Stampa und Maloja. So schrieb Giovanni Giacometti an Cuno Amiet im Brief vom 4. Mai 1919: "Alberto und Diego sind zu Hause. Alb. hat ein Quartal von der Schule geschenkt bekommen. Er kann, wenn er will, nach den Sommerferien wieder in seine Classe eintreten. Er hat nun einige schöne Monate vor sich, und es ist mir ganz recht für diese Zeit ihn bei mir zu haben. Wir arbeiten miteinander, und ich kann seine Anlagen und seine Entwicklung näher beobachten [...]." (Radlach 402). Das vorliegende Aquarell stammt aus der Zeit im Sommer 1919.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 10:40 h (MEST)VersandkostenSchweiz / Switzerland: CHF 115.-Europa / Europe: CHF 185.-Übrige Länder / Other countries: CHF 235.-

Küffner (Joseph). A large collection of engraved individual orchestral parts for various symphonic works, early to mid-19th century, Mainz: B. Schott Fils and Antwerp: A. Schott, works include Fourth, Fifth, Sixth and Seventh Symphonies (Op. 141, 142, 150, 164), Two Overtures (Op. 74, 130), Neuf Galops (Op. 252) and Schweizer Walzer (Op. 268), various conditions, folio, together withDalayrac (Nicolas). Partes séparées d’Adolphe et Clara, ou les deux prisoners, Comédie en un Acte… Paris: Chez l’Auteur, [1799], a partially complete set of engraved individual orchestral parts for Dalayrac’s opera, most with engraved title page, comprising Violino 1o (plus an additional copy in manuscript), Violino Secondo, Alto Viola, Basso (with an additional copy in manuscript), Fagotti, Oboë Primo, Oboë 2o, Flauto 1o, Flauto 2o, Clarinetto 2o, Corno 1o, Corno 2o, contemporary blue paper covers, most with white octagonal label bearing title and part, dust soiled, worn and rubbed, a few with water stains, cover detached from 1st violin part, folioQTY: (approx. 80)NOTE:Joseph Küffner (1776-1856), a German musician and composer who, among other achievements, contributed significantly to the guitar repertory. He also composed orchestral works and a large amount of chamber music.Nicolas Dalayrac (1753-1809) was the most successful and prolific composer of opéra-comique in the 1790s. His works were liberally exported, not least to Vienna. Carl Maria von Weber conducted Adolphe et Clara in Prague. The 1st and 2nd flute parts are incomplete (ends at No.6), as is the 2nd clarinet part (ends at No. 7). The set is missing 1st clarinet, piccolo and trombone parts, as per the full score printed by the author. A list of individual parts is available on request.

VIOLA DA GAMBA / TENOR BASS GAMBE 'WOLFGANG UEBEL' UND BOGEN 'WALTER METTAL' Celle, 1978 Fichtenholzdecke und Ahornboden, braun rötlicher Lack, Ebenholzgriff und -Wirbel, umlaufende intarsierte Randeinlage. L. ca. 71,5 cm, Korpusl. 41 cm. Gambenzettel: Viola da Gamba Faciebat 1978 Wolfgang Uebel Celle Germany' und Brandstempel 'WU'. Mit Stofftasche und Ersatzsaiten. Gambenbogen, ungemarkt, oktogonale Ebenholz Stange,L. 74 cm, gemarkt 'Walter Mettal' min. ber. Gambe min. ber. und best., 1 Saite fehlt.

VIOLA Deutsch, um 1900 Zweiteilige Fichtenholzdecke und Ahornboden, dunkelbrauner Lack. 4/4 Bratsche, L. 69 cm, Korpusl. 41,5 cm. Inschrift unleserlich. Besch. und best., rest., Deckenrisse, Decke lose, ohne Wirbel, Steg, Saiten und -halter.

VIOLA LOUIS DÖLLING JR. Markneukirchen, 1903 Zweiteilige Fichtenholzdecke und geflammter Ahornboden, dunkelbrauner Lack. 4/4 Bratsche, L. 65,5, Korpusl. 39 cm. Bratschenzettel: 'Louis Dölling Jun. Markneukirchen i. S. Anno 1903. Part. best. und besch..

1984 William Piper Viola No. 184 - Labelled inside 'WILLIAM PIPER FECE BIRMINGHAM 1984'. In superb condition. Hand signed William to inner wood. With Alfred Knoll bow, also in excellent condition, and a cloth inlaid fitted case.

Royal Copenhagen Flora Danica Deckeltasse / Cremetöpfchen 3514,Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Flora Danica - dänische Blumen mit Reliefdekor und Goldrand, Motiv Viola Mühlenbergiana ß minor Hook., Modell-Nr. 3514 / 3515, Herstellung um 1940, 1x Tasse mit Deckel H 7,5 cm x D 6 cm, 1x UT B 10,5 cm, Gold berieben, Chip an grünen Blättern der Tasse

Royal Copenhagen Flora Danica 2 Lunch Teller 3550,Porzellan, Dänemark, mit blauen Wellen, Dekor Flora Danica - dänische Blumen mit Reliefdekor und Goldrand, Motiv Chara Tomentosa L. / Viola odorata L., Form-Nr. 3550, Herstellung um 1870-1890, 2x D 21,5 cm, Gold berieben

Royal Copenhagen Flora Danica Deckeltasse / Cremetöpfchen 3514,Porzellan, Dänemark, mit grüner Firmenmarke und blauen Wellen, Dekor Flora Danica - dänische Blumen mit Reliefdekor und Goldrand, Motiv Viola umbrosa Fr., Modell-Nr. 3514 / 3515, Herstellung 1939, 1x Tasse mit Deckel H 7,5 cm x D 6 cm, 1x UT B 10,5 cm, Gold berieben, Chip an gelber Blüte

A Schmidt violin, together with one other, a viola, all cased, and an empty violin case

A viola, by Franz Kirschnek, West Germany, the two-piece back 40.5cm excluding button, ebony tuning pegs, outlined with purfling, paper label dated 1982, 68cm long, the bow unsigned, 73.5cm long, cased

Permanent Vacation (2007) and Unarmed But Dangerous (2009), Frank Harpers Original Signed Shooting Scripts, Calls Sheets and related ephemera -Permanent Vacation [working title What We Did On Our Holidays] (2007) Original Shooting Script by W. Scott Peake and Gina Viola, Cathagian Arts/AIR, Los Angeles, dated 7/25/05, Signed in blue ink with the actors ownership name in black marker pen on front page, 98-pages on white sheets; together with, fourteen Call Sheets; Crew Contact Sheet; two Schedules; Production report; and related ephemera; within a brown envelope annotated in Frank Harpers hand on reverse.Directed by W. Scott Peake. Frank Harper was cast in the role of Eric Bury. Unarmed But Dangerous [working title Kung Fu Flid] (2009) Original Shooting Script by Xavier Leret, undated, Signed by Frank Harper in blue ink with his ownership name in black marker pen on front page, 82-pages unbound on white sheets; together with, a Schedule; and three Call Sheets and Location Sheet Signed by Frank Harper in blue ink; within a brown envelope annotated in black marker pen to front in Frank Harpers hand. (29) Provenance: The Collection of Frank Harper, British actor, film producer and director. Condition Report: Unarmed But Dangerous (2009) - marked to front page from use on the production, otherwise overall good conditions.

August Wilhelm Dressler (1886-1970), ''Die Geburt'', Aquatintaradierung, u. re. handsign., u. li. num. 55/100, beigegeben Farbradierung ''Viola d'amore'' eines unbekannten Künstlers, undeutl. handsign., hinter Glas ger. bis 62 x 52 cm

A quantity of violin parts and violins, a ukelele, a double bass scroll, a pinfold metronome, a violin case by Hill, a viola etc. Condition - for restoration

A viola with 40 cm two-piece flame back, c/w bow

Contemporary 16'' viola by Alfred Stingl Hofner AS160VA16, spruce top with two piece maple back. With case and bow. Condition report:It is ex-display stock. Small knock to right side.

A Canon G9 Powershot with Carry Strap and Leather Case together with Viola Tripod, Flash Unit, Lens Caps etc. (1 Tray)

Musical String Instrument: Balkan GusleAlso known as a Gusla or Gusli, it is similar to a viola. Carved from wood in The Balkans of southeastern Europe, the sound box is covered with animal skin and carved with decorations. The neck surmounted by figurative eagle. It has wound strings which can be tensioned with a wooden knob. With original wood bow

A viola, by Franz Kirschnek, West Germany, the two-piece back 40.5cm excluding button, ebony tuning pegs, outlined with purfling, paper label dated 1982, 68cm long, the bow unsigned, 73.5cm long, cased

A Tatra by Rosetti Stradivarius model viola, back not including button 33.5cm long, overall 64cm long with bow and case together with a violin, back not including button 39cm long, overall 56cm long bow and case

A Viola with a two piece back with ebony stringing together with two bows and a case, viola back approximately 39.5cm long not including the button, overall 65cm long

A Vintage Double Violin/Viola Case

A group of Country Artists and Border Fine Arts animal figure groups, comprising Country Artists Nut Hatch with Dandelion, Bluetit with Geraniums, Tawny Owl with Foxglove, Great Crested Tit with Viola, Robin with Butterfly on Blackberries, Border Fine Arts Robin on Pegs, Border Fine Arts On the Farm Black and White Calf with Wellies, and a Country Artist Blackbird with Hawthorn. (8)

A needlework and stumpwork panel, 17th century, depicting a group of five ladies, representing the senses, all seated within a hillocky landscape and surrounded by various animals, insects and flowers, and a walled citadel beyond, worked in polychrome and silvered thread26.5 x 35cmProvenance:Sale; Toovey's, 14 June, 2016, lot 3270Wall area around palace on hill stitching absent, just base material visible, ditto patches of cloud (see further images)Possibly restoration to strings of instruments - the lyre and violaFaces somewhat fadedChips to corners of frame (shown)Please find addtional photographs