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Viola labelled Giorgio Corsini, 16 1/16", 40.60cms

Viola labelled Cab Rossi Giuseppe da Cittadella (Padova), 16 1/16", 40.80cm

Contemporary viola, 16", 40.60cm

Contemporary viola, 16 1/2", 41.90cm

Contemporary viola labelled Roderich Paesold, Bubenreuth anno 1983..., 16", 40.60cm

GOOD CONTEMPORARY VIOLA, 16", 40.60cm

French viola labelled J. Thibouville-Lamy & Co, London & Paris, 16", 40.60cm, cased

Early 19th century primative viola, 16 1/4", 41.30cm, cased

Viola, 15 3/8", 39.10cm, with a John & Arthur Beare case

EARLY 20TH CENTURY PETIT VIOLA, 15", 38.10cm, two bows, cased

Compagnon viola, 15 3/4", 40cm

Eight various violin cases and two viola cases (10)

VIOLA CIRCA 1880, 15 1/4", 38.80cm, bow, cased

Mary Viola Paterson (1899 - 1981) Horses by stables signed oil on canvas 58.5 x 75cm.; 23 x 29.5in. * Exhibited at the Royal Academy; Royal Scottish Academy; Society of Scottish Artists and the Royal Glasgow Institute of Fine Arts.

Bill Viola, b. 1951, HATSU TUME - FIRST DREAM, each c-print: signed on a label attached to the reverse; signed on a label attached to the video cassette, three c-prints on aluminium, one video (56 minutes) and one book, held in box, each c-print: 40x50cm.; 15.75x19.75in. (5) Conceived in 1981 and executed in 2002, this work is number 8 from an edition of 15. Provenance: FrameWorks, Vienna

A large quantity of luthier's equipment for violin, viola, cello and double bass including pegs, fingerboards, tail pieces, bridges, mutes, bow parts including frogs and end screws etc also horse hair and numerous further related sundries ( 9 boxes & further loose items)

An early 20th Century German bisque head doll with brown mohair wig, weighted brown eyes, open mouth showing upper teeth, impressed made in Germany, Viola, H & C0, 7, wearing period clothing. 24’ tall. S/D.

*Bach (Johann Christian). A Second Sett of Six Concertos for the Harpsichord or Piano Forte with accompanyments, for two violins & a violoncello, Opera VII, printed by Welcker [1775?], 15pp. of engraved music, including title, first violin part only, bound with the first violin parts only for Felice Giardini's Sei Quintetti, 1767, Tomaso Giordani's Sei Quintetti per Due Violini, Viola, Violon Cello e Cembalo, engraved title and 14 pp. of engraved music [not traced], Six Sonatas for two violins, or a german flute and violin, with a thorough bass for the harpsichord, by Charles Frederic Abel, Opera III, printed for the author and sold by R. Bremner, [1770?], and A Fourth Sett of Six Sonatas, for the Harpsichord with an accompanyment for a flute violin & violin cello, by Matthias Vento, printed by Welcker [1768], orig. calf backed boards with morocco label to upper cover worn, with upper cover det., folio, together with other various music folios, including a large volume of Bass and Cembalo parts for overtures and concertos by Geminiani, Martini, Avison, etc (25)

An Italian Faience Small Shallow Dish, circa 1875], circular, painted in blue with a central medallion of an infant playing the triangle, seated on a harp and viola, flanked by roundels of pipes, drum and trumpet, with upper and lower renaissance scrollwork grotesques, against a brown lustre ground, 26.8cm diameter

Viola Quaife, After Sir Frank Brangwyn, Fruit sellers, Watercolour and pencil, Signed and dated 1908, Together with a further three landscape watercolours by other hands. (4)

A Violin, French, and a Viola, German, both circa 1880, violin with one piece back, length 14 inches, viola with two piece back of 15.5 inches, cased as one with nickel mounted bow.

A Viola, German circa 1880, with rosewood pegs and two piece back with feint curl, length 15.25 inches, cased .

A Viola bow by Paesold, gold mounted with abalone inlaid ivory frog and octagonal shaft.

A Viola bow stamped John Maw, London, silver mounted with abalone inlaid ebony frog.

Simpson (Christopher). A Compendium of Practical Musick in Five Parts: Teaching, by a New, and Easie Method, 1st ed., printed by William Godbid, 1667, [xvi],176,[2],6 pp., printed musical notation throughout, lacks eng. port. frontis. and leaves N7 & N8 at rear (last two leaves), leaves A1, A2, A7 & A8 silk-lined to surface, leaves C8, B1 & B2 strengthened to foredge margins, inner margins of some leaves strengthened and few outer margins close-trimmed, small hole to text of leaf F4, upper margin of leaf D8 repaired with slight loss to running title, occ. scattered spotting and light browning, modern qtr. morocco, 8vo The five parts include the rudiments of song, the principles of composition, the use of dischords, the form of figurative descant and the contrivance of canon. Christopher Simpson (c.1605-1669), English composer, theorist, and viola da gamba player. He fought on the Royalist side in the English Civil War, and later was employed by Sir Robert Bolles. His tutoring of Sir Robert's son John (b. 1641) occasioned the writing of The Division-Violist (London, 1659; 2nd ed. 1665), praised by Jenkins, Coleman, and Locke. Another of Simpson's pupils, Sir John St. Barbe, inspired The Principles of Practical Musick (London, 1665), which became the Compendium of Practical Musick (London, 1667). Simpson's instrumental works are all for viol, with or without other instruments, and vary in difficulty. Wing S3810. (1)

Schoenau & Hoffmeister bisque head doll having sleeping eyes and open mouth, head stamped SH1909 3«Germany, 56cm high together with a Hamburger & Co bisque head doll, the head stamped Made in Germany Viola H&Co3, jointed composition body, 49cm high

Nineteenth century German viola, bears label 'Antonius Stradivarius Cremona', with band of stringing inlay, with bow, in hard case, 14.25in (excluding hump) (a/f neck coming away, crack)

Viola after Joseph Guarnerius, with two piece maple back, inscribed U/E at neck join, with case, the back 38cm

(Art reference etc)] Flower's Victorian Jewellery (1951); Danks' The Viola d'Amore (1979, no.394 of 500); Eyles' Good Sir Toby (1955); Balston's Staffordshire Portrait Figures (1958); St Ives 1939-64 (1985); Gage's The Eye in the Wind (1977); Wanscher's The Art of Furniture (1968); Ward-Jackson's English Furniture Designs (1958); Brooke's English Coins (1966); Burns' Imperial Carnival Glass (1999); Harrod's Carol McNicoll (2003); & 9 others (20)

A Copenhagen botanical plate, painted with a flowering shrub, named verso Viola Odorata, serrated leaf border with gilded detail, painted mark, 8.75in.

A viola German circa 1820 with two piece 15" tiger stipped back supplied by W. Thompson, Wembley

Viola, Chinese 20th century unlabelled, 40.5cm long, cased./2

A Nickel mounted Viola Bow, stamped 'Vuillaume A Paris', circular stick, 64.5grms.

Ferdinand Viola (French 19th century), A young girl with tamborine Oil on canvas laid on board Signed 55cm x 35cm

A decorative Continental Group of a musical Trio, Lady playing a spinet, Gentleman flute and viola players, all painted in colours, 9" high

Mary Viola Paterson (1899-1982) watercolour, War-Time Concert, c.1940, 15 x 22 ins.

A 1435 pattern tea cup and saucer painted with a flowering tree and a 1453 pattern tea cup and saucer painted with viola and pink dog rose band (4)

Viola by Hugh McFarlane, the back, 16 3/4in (42.5cm) long, complete with two bows and in a travel case Note: This viola is being sold for the Ardgowan Hospice in Greenock, presented to them by the maker's wife

A concert viola by Hawkes & Son, Piccadilly, London, length of two piece back 16.25" together with a bow, cased

A North German viola, circa 1900, the two piece back measuring 16", part restored, together with a bow, cased

A Viola, the "Parrot", the two part back 15.6in, in playing order, with fine-tuners, Bow and case

Viola Paterson (1899-1981) Tossa Hilltop from the Beach watercolour 19 x 25cm

Viola Paterson (British, 1899-1981) Mediterranean Storm oil on board 26 x 33cm

Viola, French, 19thc. Labelled 'Amati'. One piece back 37.2cms length, with a bow cased./3

Doulton Burslem 'Viola' pattern jug and bowl set, foliate decoration.

Royal Doulton 'Greenwood tree' pattern jug, a Carlton Ware basket, a Crown Devon Rouge Royale vase and a Tunstall 'Viola' pattern jug. (4)

Bernard Dunstan, b. 1920 schubert quartet: the viola signed with initials; titled twice and dated 10.85 on the backboard oil on board 26.5x20.5cm.; 10.5x8in.

A modern Viola made in the P R of China for Stentor, in playing order, with case

A Royal Doulton figure modelled as Viola d'Amore, HN2797, restored.

A COLLECTION OF SEVENTEEN MEISSEN MONKEY BAND FIGURES to include conductor, drum, flute, viola, trumpet and others each on gilt scroll and coloured bases (various faults and old restoration), conductor 7 1/2" high, other figures principally 6"

A collection of miniature violins, made of various media, comprising eleven miniature violins, some with bows and cases, and one miniature viola d'amore (12) various sizes

A double violin case, W.E. Hill & Sons (fl London, 1887-1992), mid 20th century, together with a double violin case by Emil Herrmann, Berlin; and a viola case (3)

Viola Paterson (British, 1899-1981) A Mediterranean Farm, near the Sea, signed lower right, "Viola Paterson", oil on canvas, 53 x 64cm

*A pair of Austrian painted terracotta figures of musicians, late 19th Century, he playing a viola, she a harp, 67cm high. (2)

Viola, 20th century, two piece back, 40.5cms long. With a bow, cased. /3

Viola, German, one piece back, 37.5cms long. No case.

Viola, 20th century, two piece back, 41.9cms long. With two nickel mounted bows and double case./4

A cased viola, with 38.5cm two-piece back and scroll neck.

A MALING POTTERY "VIOLA BORDER" PLATE, c. 1936, having a tube-lined border with dark blue ground, framed pink-painted scale decoration, painted number 6382, printed mark, impressed "937" and "MADE IN ENGLAND", 29cm, (11.7in) diameter

A Royal Copenhagen `Flora Danica' part table service, late 19th-early 20th century, each piece finely painted with a named botanical specimen below pink-ground pearl borders within gilt-edged serrated rims, comprising: a large oval bowl and domed cover, the entwined branch handle with flower terminals, Cytisus Laburnum.L., 40cm., 15.75 in., a circular bowl and domed cover, Leontoden autumnalis.L., 23.7cm., 9.25 in., a large oval dish, Trapa nalans.L., 52.2cm., 20.5 in., a circular dish, Corydalis cava.L., 35.5cm., 14in., a medium oval dish, Solanum miniatum Bernh., 37.5cm., 14.75 in., a shaped rectangular dish, Papaver Argemone.L., 29.8cm., 11.75 in., a shaped triangular dish, Oxalis Stricta.L., 28.3cm., 11.125 in., two small shaped triangular dishes, Cirsium acaule.All. and Oxalis corniculata.L., 21.3., 8.375 in., an oval dish with entwined branch handle, Viola Silvatica.Fr., 24.2cm., 9.5 in., two leaf-shaped dishes with handles, Pingvicola vulgaris.L. and Primula farinosa.L., 21.2cm., 8.375 in. and four later circular individual butter dishes, 7.7cm., 3in., wave marks in blue, script titles in black, some with Royal Copenhagen and crown marks printed in green, various numerals and painter's mark in green enamel, impressed numerals, a few minor rim chips, (18).